Lifestyle
I've done this L.A. walk 400 times. Here's how it saved me
“Hello, old friend.”
That’s the phrase that popped into my head at the start of my favorite walk recently. It was a warm October evening and the swaths of black mustard weed on the trail had completely dried up, leaving the towering stalks spindly and bare. Some were more than 8 feet high. They lined the path as it curved to the right, swaying and rustling in the breeze, like an overeager welcoming committee.
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It had been several months since I’d returned to this trail, which is highly unusual for me. This 5.4-mile trek in Griffith Park is a staple of my life in L.A. To date, I’ve traversed it about 400 times, at nearly every time of day, in every season, snaking my way up the hillside as it’s bathed in golden hour sunlight, ensconced in early morning fog and even lit up under a full moon. But recently I’d been traveling, and then healing a gym injury, and I hadn’t been able to make it for a while.
Returning to the trail, with its soothing chorus of crickets, velvety laurel sumac shrubs and feathery wild grasses, something inside me loosened.
If you had told my 20-something self that my happy place would come to be a quiet trail in the urban-adjacent wilderness, I wouldn’t have believed it. I’m a city girl through and through. I grew up in Center City, Philadelphia, and spent my first few decades in Los Angeles covering arts and culture, food and nightlife — it was all gallery openings and red carpets, open bars and kitten heels throughout the early aughts. Now? My favorite fashion accessory is … a hiking headlamp. But we morph in unexpected ways, like the natural landscape around us, contracting and expanding, cracking in places, melting in others and ultimately sprouting with new life.
I found my walk during the early days of the pandemic — a friend introduced us during a socially distanced get-together. I’d been into hiking, generally, for a while but nothing extreme. During that period of isolation, however, when my workdays were shorter and my social life was on pause, I did the hike three, four times a week after work, and twice most weekends — almost every week from late 2020 through the end of 2021. That’s about 300 times right there. It was a way to burn off stress during that difficult period and, frankly, to fill the hours I’d otherwise be spending solo at home, on the heels of a breakup.
We morph in unexpected ways, like the natural landscape around us, contracting and expanding, cracking in places, melting in others and ultimately sprouting with new life.
Eventually, that difficult time passed, restrictions eased, dinner parties began populating my calendar, I started dating again. But even as my life bounced back, I’ve returned to this trail again and again.
I mostly do the hike alone — it’s become a sort of meditation practice, a way to return to my body and connect to the moment. I don’t listen to music or podcasts; I just zone out to the crunching of gravel beneath my feet. I completely unfurl, my senses becoming more acute with every quarter-mile. I play a little game isolating scents in patches of wind, flaring my nostrils and parting my lips slightly, as if wine tasting. I pass through fragrant California sagebrush and wild fennel in one spot, a blend of sweet pea, lilac and kicked-up dirt in another. I want to fall to the ground and eat the trail in those moments.
The trail’s narrow dirt corridors have held me through so many difficult times. Within their embrace, alone on the switchbacks overlooking the city, it was safe to let go. I walked through that pronounced heartbreak until the only thing left that hurt were my feet. I’ve walked through periods of professional self-doubt and the uncertainty of aging parents undergoing surgeries. I walked until my emotional field of vision was mercifully more narrow: One more step, one more breath, that’s all I had to worry about.
Shortly after both of my cats died unexpectedly, I could barely tolerate the stillness in my apartment. One afternoon the grief overwhelmed me. I raced out the door and sped to the trail — I couldn’t get there fast enough — and as soon as I set foot on the path, under a canopy of Coast Live Oaks, my chest opened up and my breathing steadied. It was like a lifesaving burst of oxygen.
But the hilltops and open canyons also have provided spaces to unleash unbridled joy from new romance, exciting career turns and those same family members’ health and recovery. I’ve talked to myself on the trail, laughed out loud and sung — poorly but proudly — into those magnificent voids. The shifts in my internal landscape, mirrored in the cyclical qualities of the natural world, bring solace. At least until I have to sit in L.A. traffic on the way home!
I’ve long been aware of the science around the benefits of walking in nature. It lowers cortisol levels, reduces blood pressure and has been linked to a decreased risk of chronic disease, studies show; it can regulate sleep-wake cycles, improving the quality of our shut-eye; and, as our sensory and motor skills become activated in nature, it boosts our mood and decreases negative thought cycles.
But walking the same path, repeatedly, may punch up some of those benefits, says my friend Florence Williams, a science writer and author of “The Nature Fix: Why Nature Makes Us Happier, Healthier, and More Creative.”
“If you’re walking the same terrain over and over again, you’re taking away some of the distractions of the novelty effect, yet there’s still enough [beauty] to be comforting,” she says. “Eventually you become more receptive to the subtle changes around you. Your problems may feel smaller. It gives you perspective that there is this magical world outside of yourself.”
There may be more exciting trails in L.A. with, say, the Hollywood sign or a waterfall at the end. But the magic of my walk — stretches of different trails, patchworked together, leading from Cadman Drive to Coolidge Trail to Hogback Trail to Dante’s View to Mount Hollywood — comes from my knowing it so intimately. To know that after heavy January rains, inevitably there will be a deep, V-shaped rut along the center of the trailhead, like a voracious alien mouth; or that in late May the mustard weed will be so wildly overgrown and bushy that it will completely swallow up the trailhead sign, post and all; or that for a brief window in late October-early November, two pink silk floss trees will bloom the color of bubble gum just below the Vista Del Valle lookout point.
I once met a red-tailed hawk while doing yoga atop a rocky peak during my walk. I was in full triangle pose with nothing but blue sky in all directions and the loud whooshing wind. My feathered friend appeared right in front of me, hovering at eye level, wings spread. It looked into my eyes, then soared off.
Once, coming down the hillside, I was stopped by a family of coyotes slinking across the trail. I waited with several other hikers before progressing, only to be stopped at the next switchback by an angry rattlesnake, mid-trail, tail in the air. Only weeks earlier I’d run into a tarantula on the trail’s edge clutching a still-living insect in its long furry arms — several hikers were hovering over it, snapping photos with paparazzi-like fervor.
In those moments I feel so far from home — my original home, on the East Coast in the inner city, where my closest natural respite was a patch of grass beside a fire hydrant. How did I end up here, in what often feels like the Wild West, traveling on this rustic dirt trail — and in a hiking vest?! The contrast between past and present feels so pronounced in those times. And yet, I feel more at home here, on this trail, than almost anywhere else.
The scene was so familiar: the sour scent of the scrub brush and palms, the hillside homes glowing at dusk, the old burn in my calves.
Recently, I found myself exploring the trail in a new way: in a hulking SUV. I’d called up Griffith Park ranger Sean Kleckner with the desire to see my trail through the eyes of an expert. “Those, over there, are actually castor bean stalks,” Kleckner said as we zoomed past. With every bit of trivia I learned, the walk I thought I knew well surprised me, like a longtime acquaintance shedding their persona, revealing unexpected sides of themselves.
The late celebrity mountain lion P-22 hung out on this trail at night, Kleckner said. He was captured on Ring doorbell video hunting for food in trash bins by the homes near the trailhead. I thought back nervously to the many night hikes I’d taken there. The walk was edgier than I’d thought.
Countless car commercials were filmed at the Vista Del Valle lookout point, a helicopter landing pad about midway through my walk with sweeping views of the city. It was glamorous too.
The slippery shale and decomposed granite at the steep top of Hogback Trail make it the site of more hiker rescues (often by helicopter) than almost any other spot in the park, Kleckner said. Apparently it also was dangerous.
I considered all of this as I rounded the first switchback recently for the umpteenth time. The scene was so familiar: the sour scent of the scrub brush and palms, the hillside homes glowing at dusk, the old burn in my calves.
And yet, this time the walk felt novel.
We were, it turns out, still getting to know one another.
“Hello, new friend,” I thought. “It’s nice to meet you.”
Lifestyle
Hungarian filmmaker Béla Tarr — known for bleak, existential movies — has died
Hungarian director Béla Tarr at the Berlin International Film Festival in 2011.
Andreas Rentz/Getty Images
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Béla Tarr, the Hungarian arthouse director best known for his bleak, existential and challenging films, including Sátántangó and Werckmeister Harmonies, has died at the age of 70. The Hungarian Filmmakers’ Association shared a statement on Tuesday announcing Tarr’s passing after a serious illness, but did not specify further details.
Tarr was born in communist-era Hungary in 1955 and made his filmmaking debut in 1979 with Family Nest, the first of nine feature films that would culminate in his 2011 film The Turin Horse. Damnation, released in 1988 at the Berlin International Film Festival, was his first film to draw global acclaim, and launched Tarr from a little-known director of social dramas to a fixture on the international film festival circuit.
Tarr’s reputation for films tinged with misery and hard-heartedness, distinguished by black-and-white cinematography and unusually long sequences, only grew throughout the 1990s and 2000s, particularly after his 1994 film Sátántangó. The epic drama, following a Hungarian village facing the fallout of communism, is best known for its length, clocking in at seven-and-a-half hours.
Based on the novel by Hungarian writer László Krasznahorkai, who won the Nobel Prize in Literature last year and frequently collaborated with Tarr, the film became a touchstone for the “slow cinema” movement, with Tarr joining the ranks of directors such as Andrei Tarkovsky, Chantal Akerman and Theo Angelopoulos. Writer and critic Susan Sontag hailed Sátántangó as “devastating, enthralling for every minute of its seven hours.”
Tarr’s next breakthrough came in 2000 with his film Werckmeister Harmonies, the first of three movies co-directed by his partner, the editor Ágnes Hranitzky. Another loose adaptation of a Krasznahorkai novel, the film depicts the strange arrival of a circus in a small town in Hungary. With only 39 shots making up the film’s two-and-a-half-hour runtime, Tarr’s penchant for long takes was on full display.
Like Sátántangó, it was a major success with both critics and the arthouse crowd. Both films popularized Tarr’s style and drew the admiration of independent directors such as Jim Jarmusch and Gus Van Sant, the latter of which cited Tarr as a direct influence on his films: “They get so much closer to the real rhythms of life that it is like seeing the birth of a new cinema. He is one of the few genuinely visionary filmmakers.”
The actress Tilda Swinton is another admirer of Tarr’s, and starred in the filmmaker’s 2007 film The Man from London. At the premiere, Tarr announced that his next film would be his last. That 2011 film, The Turin Horse, was typically bleak but with an apocalyptic twist, following a man and his daughter as they face the end of the world. The film won the Grand Jury Prize at the Berlin International Film Festival.
After the release of The Turin Horse, Tarr opened an international film program in 2013 called film.factory as part of the Sarajevo Film Academy. He led and taught in the school for four years, inviting various filmmakers and actors to teach workshops and mentor students, including Swinton, Van Sant, Jarmusch, Juliette Binoche and Gael García Bernal.
In the last years of his life, he worked on a number of artistic projects, including an exhibition at a film museum in Amsterdam. He remained politically outspoken throughout his life, condemning the rise of nationalism and criticizing the government of Hungarian leader Viktor Orbán.
Lifestyle
Epic stretch of SoCal rainfall muddies roads, spurs beach advisories. When will it end?
California’s wet winter continued Sunday, with the heaviest rain occurring into the evening, and more precipitation forecast for Monday before tapering off on Tuesday, according to the National Weather Service.
A flood advisory was in effect for most of Los Angeles County until 10 p.m.
Los Angeles and Ventura counties’ coastal and valley regions could receive roughly half an inch to an inch more rain, with mountain areas getting one to two additional inches Sunday, officials said. The next two days will be lighter, said Robbie Munroe, a meteorologist at the weather service office in Oxnard.
Rains in Southern California have broken records this season, with some areas approaching average rain totals for an entire season. As of Sunday morning, the region had seen nearly 14 inches of rain since Oct. 1, more than three times the average of 4 inches for this time of year. An average rain season, which goes from July 1 to June 30, is 14.25 inches, officials said.
“There’s the potential that we’ll already meet our average rainfall for the entire 12-month period by later today if we end up getting half an inch or more of rain,” Munroe added.
The wet weather prompted multiple road closures over the weekend, including a 3.6-mile stretch of Topanga Canyon Boulevard between Pacific Coast Highway and Grand View Drive as well as State Route 33 between Fairview Road and Lockwood Valley Road in the Los Padres National Forest. The California Department of Transportation also closed all lanes along State Route 2 from 3.3 miles east of Newcomb’s Ranch to State Route 138 in Angeles National Forest.
Los Angeles County Department of Public Health officials say beachgoers should stay out of the water to avoid the higher bacteria levels brought on by rain.
After storms, especially near discharging storm drains, creeks and rivers, the water can be contaminated with E. coli, trash, chemicals and other public health hazards.
The advisory, which will be in effect until at least 4 p.m. Monday, could be extended if the rain continues.
In Ventura County on Sunday, the 101 Freeway was reopened after lanes were closed due to flooding Saturday. But there was at least one spinout as well as a vehicle stuck in mud on the highway Sunday, according to the National Weather Service. The freeway was also closed Saturday in Santa Barbara County in both directions near Goleta due to debris flows but reopened Sunday, according to Caltrans.
Santa Barbara Airport reopened and all commercial flights and fixed-wing aircraft were cleared for normal operations Sunday morning. The airport had shut down and grounded all flights Saturday due to flooded runways.
In Orange County early Sunday afternoon, firefighters rescued a man clinging to a section of a tunnel in cold, fast-moving water in a storm channel at Bolsa Avenue and Goldenwest Street in Westminster, according to fire officials.
A swift-water rescue team deployed a helicopter, lowered inflated firehoses and positioned an aerial ladder to allow responders to secure the man and bring him to safety before transporting him to a hospital for evaluation.
Heavy rains continued to batter Southern California mountain areas. Wrightwood in San Bernardino County — slammed recently with mud and debris — was closed Sunday except to residents as heavy equipment was brought in to clear mud and debris from roadways, the news-gathering organization OnScene reported.
After canceling live racing on New Year’s Eve and New Year’s Day due to heavy showers, Santa Anita Park also called off events Saturday and Sunday.
After several atmospheric river systems have come through, familiar conditions are set to return to the region later this week.
“We’ll get a good break from the rain and it’ll let things dry out a little bit, and we may even be looking at Santa Ana conditions as we head into next weekend,” Munroe said. The weather will likely be “mostly sunny” and breezy in the valleys and mountains.
Lifestyle
‘Stranger Things’ is over, but did they get the ending right? : Pop Culture Happy Hour
Millie Bobby Brown in the final season of Stranger Things.
Netflix
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Netflix
After five seasons and almost ten years, the saga of Netflix’s Stranger Things has reached its end. In a two-hour finale, we found out what happened to our heroes (including Millie Bobby Brown and Finn Wolfhard) when they set out to battle the forces of evil. The final season had new faces and new revelations, along with moments of friendship and conflict among the folks we’ve known and loved since the night Will Byers (Noah Schnapp) first disappeared. But did it stick the landing?
To access bonus episodes and sponsor-free listening for Pop Culture Happy Hour, subscribe to Pop Culture Happy Hour+ at plus.npr.org/happy.
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