Lifestyle
How to have the best Sunday in L.A., according to Bryan Fuller
Ask Bryan Fuller about his idea of a perfect Sunday in L.A., and he quickly conjures an arts-filled itinerary that includes stops at famous horror-movie locations, much like scenes from his television shows “Pushing Daisies” and “Hannibal.”
“If I’m feeling ambitious, I’ll drive out to South Pasadena and revisit the sets for the original ‘Halloween’ movie, which serve as a beautiful reminder of Los Angeles’ filmmaking history,” Fuller says. “Michael Myers’ childhood home sits near the railroad tracks. Walk two blocks to Laurie Strode’s house where Jamie Lee Curtis’ character lived, and about a block further is the hardware store where Michael Myers famously took his mask and various other murderous implements. That’s my idea of a Sunday adventure.”
In Sunday Funday, L.A. people give us a play-by-play of their ideal Sunday around town. Find ideas and inspiration on where to go, what to eat and how to enjoy life on the weekends.
Known for his imaginative stories and bold visuals in series like “Wonderfalls” and “American Gods,” Fuller recently directed the film “Dust Bunny,” about a 10-year-old girl who hires a hit man to kill a monster under her bed. With this creative energy in mind, it’s no surprise that some of his favorite spots in Los Angeles revolve around art and architecture, including the Broad and the Los Angeles Athletic Club. “There’s a lot going on downtown that I absolutely love,” he adds.
But before any Sunday adventure, Fuller always starts his day with his dogs at home in Silver Lake. “If I had an ideal day, I would start with a lot of doggy time,” he says. “It’s always a joy to watch them. We have elderly dogs that need to be cared for, and it’s nice to take care of them.”
This interview has been lightly edited and condensed for length and clarity.
8 a.m.: Dogs and breakfast in a bar
It’s all about the dogs first thing in the morning. There are three in the house: Louise, an 18-year-old puggle; Henry, a 13-year-old Chihuahua terrier and Lily, a 1½-year-old chug. We used to take Louise on really long walks, but now I follow her around the yard and look out for coyotes.
Depending on the day, we’ll either make pancakes at home or go to Relentless Brewing & Spirits in Eagle Rock. It’s a bar that serves breakfast, and they have the best ube French toast that will make sweet, sweet love to your mouth, and you’ll be glad that it did. It’s just the right level of sweetness and it doesn’t assault your sweet tooth.
10 a.m.: Get lost in an Infinity Mirror Room at the Broad
As a big fan of events downtown, I love the Broad. It’s a perfectly curated museum that’s digestible. The Broad’s focus is on pop-culture mass appeal, but it also has a deep history of contemporary art that feels accessible to the public. Some of their exhibitions are marvels to see, from Jeff Koons’ “Balloon Dog” to new exhibits by Indigenous artists. They lure you in with pop art, then offer you more. It feels like a tasty confection with nutritional value.
Noon: Swim laps in a historic landmark
I enjoy swimming at the Los Angeles Athletic Club. The pool is on the sixth floor and surrounded by windows, so you can see beautiful early 20th century Los Angeles buildings. The tiled pool has a romantic feel, like it’s from another era.
1:30 p.m.: Lunch at KazuNori
After swimming, I always visit KazuNori: the Original Hand Roll Bar on Main Street. I get two orders of albacore sashimi and I drink water, so I feel like Aquaman. I am eating of the sea, and it feels right at that moment. It’s the perfect post-swim refuel.
2 p.m.: Visit a classic horror movie location
If I were spending my ideal day downtown, I’d visit what’s now East West Players — I highly recommend seeing one of their plays — which used to be the Union Church. The church was a filming location for “Prince of Darkness,” one of my favorite John Carpenter movies from 1987. It reminds me of when I worked at a movie theater in high school, and we played it all the time. My manager thought I was a devil worshiper because I watched it so much. The church is important in the film, and standing outside brings back memories and makes me grateful to be in L.A., telling stories and appreciating the city’s movie history. It’s a little bittersweet since filming in Los Angeles is rare these days.
3 p.m.: Catch a movie at the Alamo Drafthouse
If I’m in the mood for a movie, I would then head to the Alamo Drafthouse. It is a fantastic movie theater that shows great art house films you can’t find anywhere else. Also, it strictly enforces conduct that other theaters have forgotten. I’ve had so many bad experiences at other theaters with people on their phones and talking. I miss the days of the ArcLight. There’s nothing like the threats of Sasquatch coming into the theater, stuffing you in a sleeping bag and beating you against a tree in one of their Don’t Talk PSAs to dissuade you from using your phone.
5 p.m.: Shop for vintage eyewear Elvis would appreciate
I love shopping for vintage eyewear at Gentleman’s Breakfast in Echo Park. They have amazing glasses from throughout the 20th century. I even found gold frames from the same brand Elvis wore on his 1972 tour. They have great Gucci and Dior options, plus military releases from the ‘40s and ‘50s and cuff links. The shop is actually in a garage, and the owner opens the door to create a small speakeasy where you can sip bourbon, smoke cigars and hang out.
7 p.m.: Dinner at San Laurel at Conrad Los Angeles
I love the San Laurel restaurant at Conrad Los Angeles. It has a fantastic patio with beautiful views of the Broad, Disney Hall and the Music Center. There are all sorts of reasons to go, but mostly it’s the great food. The salads are amazing. I usually get a bunch of salads and the crab and fennel soup. Also, I want to support chef José Andrés, who is doing wonderful things in the world, one meal at a time. I was so fortunate to work with him as a culinary consultant on “Hannibal.” He was so excited to pitch different ways to cook people.
9 p.m.: Dog snuggles and sci-fi reruns
After dinner, I like to end the day on the couch with the dogs, even if it’s just watching an hour of an old TV show. I enjoy having their heads on my lap and my hands on their bellies. Right now, we’re rewatching the 1978 “Battlestar Galactica” television series. Many of the episodes surprisingly hold up.
Lifestyle
Why Gen Z is movie-maxxing : Pop Culture Happy Hour
Inde Navarrette and Michael Johnston in Obsession.
Focus Features
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Focus Features
Two big horror films, Obsession and Backrooms, just smashed all box office expectations. So much of their success has been driven by Gen Z, which is now the biggest moviegoing demographic. But what makes a movie a Gen Z movie? Today we’re bringing you an episode of NPR’s It’s Been a Minute. Host Brittany Luse talks about this trend with Sam Adams and Reanna Cruz.
If you want to hear more about these movies, check out these episodes:
In ‘Obsession,’ love hurts. It really, really, really hurts.
‘Backrooms’ brings YouTube horror to the big screen
Zendaya brings ‘The Drama,’ we bring the spoilers
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Lifestyle
10 new books you won’t want to miss in July
I regret to inform you I’ll need to keep this introduction brief. Not because there’s any lack of things to say about July’s crop of notable new releases; it features award-winning journalists and several different flavors of anxiety about our bleak ecological future and data-dominated present, as well as the welcome returns of several beloved novelists.
No, these books certainly deserve some love, dear readers. It’s just that I’m finding it a bit tough to type while bearhugging a box fan. And since it seems that may be my last best chance to get through this latest U.S. heat wave here on the east coast without sweating through my shirt, I feel some urgency to get back at it.
So enough with the ado. With any luck, you’ll soon be cracking open one of these great reads on the beach — or in front of a decent air-conditioning unit, at any rate.
You Won’t Get Free of It: Stories of Mothers and Daughters, by Rachel Aviv (July 7)
Aviv, New Yorker staff writer and finalist for this year’s Pulitzer Prize, has a fairly extensive purview in her role as reporter at large. Still, when reviewing her latest work, Aviv noticed a crucial throughline: “I realized that, to some degree, I’d been writing about mother-daughter pairs for the last decade,” she explained to the Paris Review. Seeing this, she decided to collect and revise half a dozen of those stories, which cover ground from a daughter’s troubling fugue states to the immigrant nannies who must leave their own children behind, to Alice Munro’s daughter, whose claims of sexual abuse went unheeded yet regularly resurfaced in her mother’s fiction.
Country People, by Daniel Mason (July 7)
In Mason’s first novel since North Woods, 2023’s critical darling and book club stalwart, readers are plopped right back in the New England woods but the time scale has shrunk considerably. Whereas North Woods spanned centuries, his new novel confines itself to a single year, during which Miles, loving family man and lackadaisical Ph.D. candidate, plans to finally buckle down on that derelict degree of his and reassert his worth to one and all! At least, that’s the idea. But plans don’t stand much of a chance when there are eccentric neighbors to befriend and mysterious local legends to investigate.
Catch the Devil: A True Story of Murder, Deception, and Injustice on the Gulf Coast, by Pamela Colloff (July 14)
This is the first book from Colloff, a veteran investigative journalist for ProPublica and The New York Times Magazine. She has won multiple National Magazine Awards for stories focused on miscarriages of justice – such as her 2019 piece about Paul Skalnik, a grifter, fabulist, sexual predator and snitch, whose fabrications can be linked to dozens of wrongful convictions in Florida, including some sending the innocent to death row. Here Colloff expands upon that investigation, which gets a lot more room to breathe in the transition from magazine article to full-length book. What emerges in this disturbing account is a portrait of one man’s callous cruelty, and the law enforcers who had no problem tolerating a deal with the devil, provided it kept juicing the conviction rate.
Cloudthief, by Nathaniel Rich (July 14)
Though it’s his fiction we’re discussing here, it’s important to note Rich’s reporting has earned plaudits, too, as well as a few film adaptations. No matter the medium, climate change is usually on his mind, as well as the blunt, rather bleak, prognosis he offered on Fresh Air in 2019: “There’s a huge range of outcomes … ranging from the not very good to the apocalyptic.” Which is to say I’m surprised to find myself describing his newest response to global catastrophe as a rollicking good time – and not just because I’ve never said those words, in that order, in my life. This spry, funny caper features a freelance environmental reporter who inadvertently breaks bad, careening under the influence of lust and a light wallet toward the novel’s big centerpiece: the planned heist of a massive data center.
Data Empire: The Power of Information to Organize, Control, and Dominate, by Roopika Risam (July 14)
And now, for another book centered on data – albeit from a rather different angle. This illuminating history from Risam, a Dartmouth professor, traces the practice of collecting information – and the power conferred by possessing it – from the bones that were humans’ first archives, to the omnipresent systems that shape (or outright determine) life today. As Risam asks, “What has it meant – and what will it mean – when records that once served only to help us remember, come to rule?” A pressing question (see: those data centers), which you’re probably better served trying to answer with the help of Risam than, say, Alexa or Claude.
It Will Come Back to You: Stories, by Sigrid Nuñez (July 14)
For someone with nine novels to her name, Nuñez got a later start than you might expect, having published her first book when she was already in her mid-40s. More than three decades later, now a spry 75 years old, the National Book Award winner has gotten around to publishing her first collection of short stories. The 13 stories here have been culled from across her career, but each one resonates clearly with the warm timbre of her voice: simple, unadorned prose and mundane setups, from which she consistently manages to tease out glimpses of truth, elusive and profound.
They Stole a City: Wilmington’s White Supremacist Coup and the Families Who Live with Its Legacy, by Lauren Collins (July 14)
The only coup d’etat to succeed on U.S. soil is, at most, a distant historical afterthought these days. To be honest, I can’t recall reading a single textbook entry that even remarked on the 1898 race massacre in Wilmington, N.C., an action led by white supremacists that left many (historian estimates say up to 300) Black Wilmingtonians dead and permanently scarred a community newly aware of its simmering animus and vulnerability to violent overthrow. So I’m grateful for Collins’ new chronicle of the infamous event, which fills in some serious gaps in the American collective memory and explains how its perpetrators cultivated the disorienting silence that persists in the historical record today.
Yellow Pine, by Claire Vaye Watkins (July 21)
I don’t think I’ve ever actually laid eyes on the Mojave Desert but after reading Watkins’ latest novel, it feels like I can picture it more vividly than some streets I’ve actually lived on. No, it’s “not a beginner’s wilderness,” as Watkins concedes in Yellow Pine, but this landscape so redolent of death is also deceptively robust with life, if only you’re patient enough to find it. Too bad, then, that it’s also on fire. And choked by drought, irradiated by military test sites and soon to be sacrificed to a massive new solar array named, inexplicably, Yellow Pine. But those aren’t the only complications confronting the book’s main character, Rose, whose aspirations of becoming a kind of climate hermit warp a bit under the pressure of a rekindled love and the pendulum swing of rage and despair at the state of the world.
Cool Machine, by Colson Whitehead (July 21)
Ray Carney is back, for what regrettably appears to be the last time. The lifelong Harlemite, hard-luck furniture dealer and ambivalent crook starred previously in Harlem Shuffle and its sequel, Crook Manifesto. His perspective is our window on the changing eras of the historically Black neighborhood, from the mid-1950s on. In this, the final installment in Whitehead’s brisk, exceedingly entertaining Harlem Trilogy, readers catch up with Carney around the start of the 1980s, following him deeply into Reagan’s decade. The novel also represents the end of an era for Whitehead, whose attention has been exclusively occupied with these characters since he won Pulitzer Prizes for consecutive novels, The Underground Railroad and Nickel Boys.
Beginning Middle End, by Valeria Luiselli (July 28)
The gifted young Mexican writer returns this month with her fourth novel, the second she has written in English and her first since Lost Children Archive launched to widespread plaudits more than seven years ago. Her new book, like her previous one, also concerns the travels of a small family – only this time, the road leads not through the American Southwest but Sicily. And the history sought by its mother-daughter main characters is not a record of bureaucratic cruelty but something much more intimately personal: the links shaped and tested by generations of shared heritage and experience.


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