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How to have the best Sunday in L.A., according to Adam Devine

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How to have the best Sunday in L.A., according to Adam Devine

Adam Devine (“Workaholics,” “Pitch Perfect”), who reprises his role as youth pastor Kelvin Gemstone on the HBO televangelist comedy “The Righteous Gemstones” for a fourth and final season that begins airing (and streaming on Max) Sunday, won’t share many details about how the Danny McBride–created series ends, besides that it goes out big. “It ends with a bang,” Devine said in a recent interview with The Times. “And I think people are really going to love it.”

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In Sunday Funday, L.A. people give us a play-by-play of their ideal Sunday around town. Find ideas and inspiration on where to go, what to eat and how to enjoy life on the weekends.

He’s far less reticent when it comes to talking about things like the basketball-themed birthday party in the works for his son (he and wife Chloe Bridges welcomed their first child in February 2024), which “Gemstones” co-star would make the best weekend wingman in the City of Angels (“Obviously it’s going to have to be Danny,” he said. “Danny knows how to have a good time”) and his ideal Sunday itinerary in L.A., which starts with table pancakes and ends with a scroll through whatever garbage his Instagram algorithm is serving up.

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This interview has been lightly edited and condensed for length and clarity.

9 a.m.: Snap into some table pancakes at Blu Jam Cafe
I would take a leisurely morning, get up, do my stretches — really limber myself up for the big day that I’m about to have — and then we’re hitting the town. I think I’d probably go to the Blu Jam Cafe on Melrose [Avenue]. It’s this cute little spot, and there’s usually a line, especially on Sundays. But you can walk up and down Melrose and do some shopping while you wait for your table. I try to eat a little healthy, so I always get the protein scramble. But then I’m a naughty boy and I’ll order blueberry pancakes for the table as well so everyone can have a pancake. But most of the time it’s just me and my wife, so it’s basically a stack of pancakes for the two of us, which is a perfect scenario. Maybe I’ll have a mimosa or two.

10:30 a.m.: Grab some hot nuts at the Original Farmers Market
Then I love going to the Original Farmers Market and just walking around. When I first got to L.A. [from Iowa at 18], I didn’t know what to do or where to go, and people said just go to the Grove and walk around. And that’s how I found the Farmers Market. I thought I’d discovered this hidden jewel and was like, “Does anyone know about this place?” Then I walked in, and yeah, people know about this place. I love all the little old little stands. I like getting habanero pistachios [from the Magic Nut & Candy Co.] so I’ll do that and then walk around with my hot nuts.

I had my first-ever celebrity spotting here. He was the limo driver in the movie “Blank Check,” and he was at that tiny little bar in the middle [Bar 326] drinking a beer. I don’t even know the guy’s name, but it floored me to see someone that I’d seen in the movies. I wanted to sit next to him and order a beer, but I was only 18 years old, so I couldn’t do that. So I was just eating hot nuts from afar staring at the limo driver from “Blank Check,” and he could have been George Clooney to me.

Noon: Make for a matinee at the Grove
I’d [hang at the Farmers Market] for maybe an hour or so and then catch a matinee at [AMC the Grove 14]. Even though it’s a big theater chain. I love the Grove, and I love that theater. It’s one of those places where my wife and I have been going for years, and it was one of the first movie theaters I went to when I first came to L.A. — that and the ArcLight, RIP. The last movie I saw [at the Grove] was “Gladiator II.”

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3 p.m.: Enjoy a date with Ms. Pac-Man
Then I might go to Barcade in Highland Park. It’s sort of for my generation — the older millennials — who actually did go to arcades in the malls. Now we get to play all these old arcade games we remember from our childhood and have a couple beers while we do it. Embarrassingly, [the game I’m really good at] is “Ms. Pac-Man.” It’s the nerdiest game to play, but I’ll go and spend 50 cents and play for an hour. And all my friends are like, “Do you want to do something else or go anywhere else?” And I’m like, “I’m good right here.” In fact, I’m such a dork about “Ms. Pac-Man” that I have a tabletop version at my house, but when I go to Barcade I’ll still play. Don’t tell my wife, but Ms. Pac-Man is my mistress.

5 p.m.: Dip into a French dip
Then I probably would go to Philippe the Original downtown. The straight [classic beef] French dip and the potato salad are my one-two punch. I get such a kick out of seeing the guys who have worked there for 40 years. It just goes to show how good they are to their people [and] what a good work environment it must be. They’ve worked at the same place for 40 years and they can still find happiness doing the same job they’ve done forever. It always just puts a smile on my face.

7 p.m.: Catch a Clippers game
I’d either stick around downtown — maybe there would be a Dodger game going on — or make the long drive over to the Intuit Dome and catch a Los Angeles Clippers game. Their stadium is really impressive; I’ve been four or five times already this season, and you just walk in and [the cameras] scan your face. Then you can go to the little store and you just grab a popcorn and a soda and walk right out. And it scans your face [and charges your credit card]. At first I was like, “Oh, my God! I am so famous that they recognized me!” And then I realized my face was up on the screen. And [the biometric ticketing and concessions] allows you to spend more time in your seat watching the game.

This is a Lakers town, and I know that. But I bet on the Clippers maybe 15 years ago now, and I’m still riding with them. And I’ll ride with them forever. I had season tickets for about eight years, and I loved it. But then I just was out of town so much working that I couldn’t end up going to so many games. My [favorite] Clipper of all time would have to be Blake Griffin. When he joined, it turned the Clippers from a garbage basketball team into the Lob City days, which were the most fun. It was Chris Paul, Blake Griffin and DeAndre Jordan, and it was suddenly a show. And it was a better show than what the Lakers were doing at that time, so it was exciting to be a Clippers fan. Now we have Kawhi [Leonard] and James Harden, and it’s a different type of show. And, honestly, it might be better basketball. But I miss those lobs.

9:30 p.m.: End the night where the career began
I think I would probably try to end my night at the Hollywood Improv comedy club. That was my first job when I moved to L.A. when I was just a kid. I would answer phones during the day, and at night, I would be the door guy. When I left — because my comedy and acting career was taking off — they told me I had been the worst door guy in what was then their 35-year history. I was 20, but I looked like I was 15. And my voice hadn’t dropped yet. Anytime there were hecklers or someone was drunk and rowdy, instead of telling them to leave, I would have to go get someone else to tell them to leave.

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But working there really was my big break because I got to see the best comedians in the world every night. And then the manager, Reeta Piazza, told me I should start carrying a change of outfits in case a comic didn’t show. I did, and when a comic was running late, they’d ask me if I could kill five or 10 minutes. Eventually I started to kind of garner attention, and I got [invited to become one of the New Faces of Comedy at] the Montreal Comedy Festival because they’d seen me there. And then I got the attention of Comedy Central, which led to me getting my show “Workaholics.”

[Before that,] we might try to squeeze in some sushi at Yamashiro. As kitschy as it is, it’s got great views of the city, and the sushi is pretty good as well.

11 p.m.: Surf the Instagram algorithm
I wish I would say that I just crack open the L.A. Times and get my news in or do anything useful [before bedtime], but I probably would just stare at Instagram and watch my algorithm feed me more garbage. [It’s] a little embarrassing [because] it’s all either babies giving their dads a little side eye or teenagers trying to fight their teachers, because my algorithm is all over the place.

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Nick Reiner’s attorney removes himself from case

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Nick Reiner’s attorney removes himself from case

Nick Reiner arrives at the premiere of Spinal Tap II: The End Continues on Tuesday, Sept. 9, 2025, in Los Angeles.

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LOS ANGELES – Alan Jackson, the high-power attorney representing Nick Reiner in the stabbing death of his parents, producer-actor-director Rob Reiner and photographer Michele Singer Reiner, withdrew from the case Wednesday.

Reiner will now be represented by public defender Kimberly Greene.

Wearing a brown jumpsuit, Reiner, 32, didn’t enter a plea during the brief hearing. A judge has rescheduled his arraignment for Feb. 23.

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Following the hearing, defense attorney Alan Jackson told a throng of reporters that Reiner is not guilty of murder.

“We’ve investigated this matter top to bottom, back to front. What we’ve learned and you can take this to the bank, is that pursuant to the law of this state, pursuant to the law in California, Nick Reiner is not guilty of murder,” he said.

Reiner is charged with first-degree murder, with special circumstances, in the stabbing deaths of his parents – father Rob, 78, and mother Michele, 70.

The Los Angeles coroner ruled that the two died from injuries inflicted by a knife.

The charges carry a maximum sentence of death. LA County District Attorney Nathan Hochman said he has not decided whether to seek the death penalty.

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“We are fully confident that a jury will convict Nick Reiner beyond a reasonable doubt of the brutal murder of his parents — Rob Reiner and Michele Singer Reiner … and do so unanimously,” he said.

Last month, after Reiner’s initial court appearance, Jackson said, “There are very, very complex and serious issues that are associated with this case. These need to be thoroughly but very carefully dealt with and examined and looked at and analyzed. We ask that during this process, you allow the system to move forward – not with a rush to judgment, not with jumping to conclusions.”

The younger Reiner had a long history of substance abuse and attempts at rehabilitation.

His parents had become increasingly alarmed about his behavior in the weeks before the killings.

Legal experts say there is a possibility that Reiner’s legal team could attempt to use an insanity defense.

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Defense attorney Dmitry Gorin, a former LA County prosecutor, said claiming insanity or mental impairment presents a major challenge for any defense team.

He told The Los Angeles Times, “The burden of proof is on the defense in an insanity case, and the jury may see the defense as an excuse for committing a serious crime.

“The jury sets a very high bar on the defendant because it understands that it will release him from legal responsibility,” Gorin added.

The death of Rob Reiner, who first won fame as part of the legendary 1970s sitcom All in the Family, playing the role of Michael “Meathead” Stivic, was a beloved figure in Hollywood and his death sent shockwaves through the community.

After All in the Family, Reiner achieved even more fame as a director of films such as A Few Good Men, Stand By Me, The Princess Bride and When Harry Met Sally. He was nominated for four Golden Globe Awards in the best director category.

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Rob Reiner came from a show business pedigree. His father, Carl Reiner, was a legendary pioneer in television who created the iconic 1960s comedy, The Dick Van Dyke Show.

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Chiefs Aware of Domestic Violence Allegations Made By Rashee Rice’s Ex

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Chiefs Aware of Domestic Violence Allegations Made By Rashee Rice’s Ex

Chiefs
Aware of Dom. Violence Claims
… Made By Rashee Rice’s Ex

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Timothée Chalamet brings a lot to the table in ‘Marty Supreme’

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Timothée Chalamet brings a lot to the table in ‘Marty Supreme’

Timothée Chalamet plays a shoe salesman who dreams of becoming the greatest table tennis player in the world in Marty Supreme.

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Last year, while accepting a Screen Actors Guild award for A Complete Unknown, Timothée Chalamet told the audience, “I want to be one of the greats; I’m inspired by the greats.” Many criticized him for his immodesty, but I found it refreshing: After all, Chalamet has never made a secret of his ambition in his interviews or his choice of material.

In his best performances, you can see both the character and the actor pushing themselves to greatness, the way Chalamet did playing Bob Dylan in A Complete Unknown, which earned him the second of two Oscar nominations. He’s widely expected to receive a third for his performance in Josh Safdie’s thrilling new movie, Marty Supreme, in which Chalamet pushes himself even harder still.

Chalamet plays Marty Mauser, a 23-year-old shoe salesman in 1952 New York who dreams of being recognized as the greatest table-tennis player in the world. He’s a brilliant player, but for a poor Lower East Side Jewish kid like Marty, playing brilliantly isn’t enough: Simply getting to championship tournaments in London and Tokyo will require money he doesn’t have.

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And so Marty, a scrappy, speedy dynamo with a silver tongue and inhuman levels of chutzpah, sets out to borrow, steal, cheat, sweet-talk and hustle his way to the top. He spends almost the entire movie on the run, shaking down friends and shaking off family members, hatching new scams and fleeing the folks he’s already scammed, and generally trying to extricate himself from disasters of his own making.

Marty is very loosely based on the real-life table-tennis pro Marty Reisman. But as a character, he’s cut from the same cloth as the unstoppable antiheroes of Uncut Gems and Good Time, both of which Josh Safdie directed with his brother Benny. Although Josh directed Marty Supreme solo, the ferocious energy of his filmmaking is in line with those earlier New York nail-biters, only this time with a period setting. Most of the story unfolds against a seedy, teeming postwar Manhattan, superbly rendered by the veteran production designer Jack Fisk as a world of shadowy game rooms and rundown apartments.

Early on, though, Marty does make his way to London, where he finagles a room at the same hotel as Kay Stone, a movie star past her 1930s prime. She’s played by Gwyneth Paltrow, in a luminous and long-overdue return to the big screen. Marty is soon having a hot fling with Kay, even as he tries to swindle her ruthless businessman husband, Milton Rockwell, played by the Canadian entrepreneur and Shark Tank regular Kevin O’Leary.

Marty Supreme is full of such ingenious, faintly meta bits of stunt casting. The rascally independent filmmaker Abel Ferrara turns up as a dog-loving mobster. The real-life table-tennis star Koto Kawaguchi plays a Japanese champ who beats Marty in London and leaves him spoiling for a rematch. And Géza Röhrig, from the Holocaust drama Son of Saul, pops up as Marty’s friend Bela Kletzki, a table tennis champ who survived Auschwitz. Bela tells his story in one of the film’s best and strangest scenes, a death-camp flashback that proves crucial to the movie’s meaning.

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In one early scene, Marty brags to some journalists that he’s “Hitler’s worst nightmare.” It’s not a stretch to read Marty Supreme as a kind of geopolitical parable, culminating in an epic table-tennis match, pitting a Jewish player against a Japanese one, both sides seeking a hard-won triumph after the horrors of World War II.

The personal victory that Marty seeks would also be a symbolic one, striking a blow for Jewish survival and assimilation — and regeneration: I haven’t yet mentioned a crucial subplot involving Marty’s close friend Rachel, terrifically played by Odessa A’zion, who’s carrying his child and gets sucked into his web of lies.

Josh Safdie, who co-wrote and co-edited the film with Ronald Bronstein, doesn’t belabor his ideas. He’s so busy entertaining you, as Marty ping-pongs from one catastrophe to the next, that you’d be forgiven for missing what’s percolating beneath the movie’s hyperkinetic surface.

Marty himself, the most incorrigible movie protagonist in many a moon, has already stirred much debate; many find his company insufferable and his actions indefensible. But the movies can be a wonderfully amoral medium, and I found myself liking Marty Mauser — and not just liking him, but actually rooting for him to succeed. It takes more than a good actor to pull that off. It takes one of the greats.

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