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How the pandemic led this documentary photographer to make her work more collaborative

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How the pandemic led this documentary photographer to make her work more collaborative

Nitya Kansal (left) and her husband, Arvind Kansal (right), pose in front of their home in Cupertino, Calif.

Art inputs by Nitya Kansal/Ashima Yadava


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Art inputs by Nitya Kansal/Ashima Yadava

Ashima Yadava’s project Front Yard captures a moment in time where we all were seeking connection. In 2020, the pandemic gave Yadava the time to reflect, and so she looked to photography. She turned to her community, reaching out to her entire network, wanting to make portraits of them from their front yards, at a safe six-foot distance.

“I, just on a whim, sent an email to my entire network of neighbors and friends in the area, saying, ‘I want to record this time that we’re in. Can I please make a portrait of you?’ ” Yadava recalls.

“And because we had to keep a distance, I was, like, ‘I’ll do it across the street from your house, so can it be in your front yard?’ And the first set of responses were brilliant. People were, like, ‘Oh, yeah! We haven’t seen a person in a month! Please, come on over!’ “

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Hamida Bano (right) and her husband, Dr. Anil Chopra (left), with their daughter Nasreen Chopra (center) in their Orinda, Calif., home in April 2020.

Hamida Bano (right) and her husband, Dr. Anil Chopra (left), with their daughter, Nasreen Chopra (center), in their Orinda, Calif., home in April 2020.

Ashima Yadava


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Sunitha Seshadri (left) an engineer by profession, with her daughter Shriya, her son Veer (right) and husband Harshit Chuttani (center) outside their Campbell home.

Sunitha Seshadri (left), an engineer by profession, with her daughter, Shriya, her son, Veer (right), and her husband, Harshit Chuttani (center), outside their Campbell, Calif., home.

Art inputs by Sunitha Seshadri/Ashima Yadava


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Art inputs by Sunitha Seshadri/Ashima Yadava

Sonya Pelia (right) and her husband Mathew Lutzker (left) reside in Menlo Park, California. Following the shelter-in-place orders in March, their daughter Jasleen (center)  had to return home from college in Edinburgh, Scotland. May, 2020.

Sonya Pelia (right), her husband Mathew Lutzker (left) and their daughter Jasleen Pelia-Lutzker in Menlo Park, Calif., in May 2020.

Ashima Yadava


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Ashima Yadava

Yadava’s project was welcomed with enthusiasm and positivity by people who were excited to share their space with her. Families would come outside to set up. She would stand across the street with her large-format and digital cameras, ready to take their portraits.

As the project progressed, the work developed into a more personal reflection. She began to realize how this work helped her reclaim her relationship with the medium and her role as a photographer.

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“I grew up in India. The one thing about documentary photography that had bothered me and that has made me feel a little weird about documentary photography [are] that power dynamics that come with photographing someone — it’s your perspective: It’s one perspective. It’s a single story,” Yadava said.

“The fact that I had this camera that was so slow, it allowed me the time to figure out my relationship with what I was doing and the people I was photographing.”

Noreen Raza savors the strange spring of April 2020 with her husband, Harry Robertson in their Morgan Hill, Calif., home.

Noreen Raza (right), savors the strange spring of April 2020 with her husband, Harry Robertson (left), in their Morgan Hill, Calif., home.

Art inputs by Noreen Raza/Ashima Yadava


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Nitya and Arvind Kansal with their dog Kuku, seen here in their front yard of their Cupertino home in California in April 2020.

Nitya and Arvind Kansal pose with their dog, Kuku, in front of their Cupertino, Calif., home in April 2020. 

Ashima Yadava


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Ashima Yadava

Art inputs by Shriya Manchanda (center left) who is a rising senior, with her sister Sanvitti (right) and parents Shruti and Alok Manchanda (left) in Sunnyvale, California.

Shriya Manchanda (center left), who is a rising senior, with her sister Sanvitti (right), and parents Shruti (center right) and Alok Manchanda (left) in front of their home in Sunnyvale, Calif.

Art inputs by Shriya Manchanda/Ashima Yadava

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“I would get the negative back and I started printing just to see and study if I’m doing it right, getting the colors right, and somewhere in that moment, I thought, ‘Wait. What if I give this back to the people and continue this conversation about how they want to be seen? This is how I saw them, this is what it is, but how do they want to be seen and what do they have to say?’ “

Thus began this collaboration of allowing those she’d photographed to become a part of the process. These black and white prints were suddenly brought to life by colors and drawings that these families would work on together.

“They would work on it as families — they would fight about it, they would talk about it, they would text me back and forth, ‘Do you think we can do this?’ It was truly a collaboration. It was something that saved all of us at that time, because I would enjoy that. I would be, like, ‘Yes, do whatever you want!’ “

Each family would contribute a unique perspective to their portraits and what emerged was a beautiful vignette of the different ethnicities that make up the Bay Area.

Manju Ramachandran, in the front yard of her Sunnyvale home with her son Varun (top right).

Manju Ramachandran stands in the front yard of her Sunnyvale, Calif., home with her son, Varun.

Art inputs by Manju Ramachandran/Ashima Yadava

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Weeks into the pandemic, Aishwarya Ramaswamy (left) and Mukundan Swaminathan juggled their careers and parenthood, trying to keep their kids Krish and Mayura entertained. Union City, California in April 2020.

Weeks into the pandemic, Aishwarya Ramaswamy (left) and Mukundan Swaminathan worked to juggle their careers and parenthood out of their Union City, Calif., home in April 2020, as they tried to keep their kids, Krish and Mayura, entertained.

Ashima Yadava


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Sonya, Mathew and Jasleen Pelia outside their Menlo park home.

Sonya Pelia (right) and her husband, Matthew Lutzker (left), with their daughter, Jasleen Pelia-Lutzker, outside their home in Menlo Park, Calif.

Art inputs by Sonya Pelia and Jasleen Pelia-Lutzker/Ashima Yadava


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Art inputs by Sonya Pelia and Jasleen Pelia-Lutzker/Ashima Yadava

Yadava called it “inverting the process,” where she, as the photographer, documented her observation and returned black and white prints to the families so that they could share their feelings through how they decided to fill in the image. Each family had a different perspective: Some filled their images with flowers on branches, and others covered their walls with spiders. The results that emerged were always a joy for Yadava to discover.

Our homes were a sacred place during the pandemic, and these families welcomed Yadava to capture a glimpse into their realities. It was created during a time of tragedy and disconnect, but lives on as a record of time.

Since then, Yadava has continued the series and plans to release a book. Her decision to expand the project in a post-COVID world was ignited by the joyful exchange with families and how barriers between neighbors can come down. With this collaboration, Yadava hopes that people are reminded of the resilience in humanity and that we can find connections between us all if we open our worlds up to it.

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Smita (left) and Manoj (right) with their daughter, Aria, outside their Milpitas, Calif., home.

Smita Rao (left) and Manoj Mhapankar (right) with their daughter, Aria, outside of their Milpitas, Calif., home.

Art inputs by Smita Rao and Manoj Mhapankar/Ashima Yadava


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Ashima Yadava is a conceptual documentary photographer and printmaker. She in based San Francisco, where she works in digital and analog methods. See more of Ashima’s work on her website, AshimaYadava.com.

Photo edit by Grace Widyatmadja. Text edit by Zach Thompson.

Lifestyle

How to have the best Sunday in L.A., according to Andy Richter

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How to have the best Sunday in L.A., according to Andy Richter

Andy Richter has found his place.

The Chicago area native previously lived in New York — where he first found fame as Conan O’Brien’s sidekick on “Late Night” — before moving to Los Angeles in 2001. Three years ago, he moved to Pasadena. “Now that I live here, I would not live anywhere else,” he says.

There are some practical benefits to the city. “I am such a crabby old man now, but it’s like, there’s parking, you can park when we have to go out,” Richter says. “The notion of going to dinner in Santa Monica just feels like having nails shoved into my feet.”

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But he mostly appreciates that Pasadena is “a very diverse town and just a beautiful town,” he says.

For Richter, most Sundays revolve around his family. In 2023, the comedian and actor married creative executive Jennifer Herrera and adopted her young daughter, Cornelia. (He also has two children in their 20s, William and Mercy, from his previous marriage.)

Additionally, he’s been giving his body time to recover. Richter spent last fall training and competing on the 34th season of “Dancing With the Stars.” And though he had no prior dancing experience, he won over the show’s fan base with his kindness and dedication, making it to the competition’s ninth week.

He hosts the weekly show “The Three Questions” on O’Brien’s Team Coco podcast network and still appears in films and TV shows. “I’m just taking meetings and auditioning like every other late 50s white comedy guy in L.A., sitting around waiting for the phone to ring.”

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This interview has been lightly edited and condensed for length and clarity.

7:30 a.m.: Early rising

It’s hard for me at this advanced age to sleep much past 7:30. I have a 5 1/2-year-old, and hopefully she’ll sleep in a little bit longer so my wife and I can talk and snuggle and look at our phones at opposite ends of the bed, like everybody.

Then the dogs need to be walked. I have two dogs: a 120-pound Great Pyrenees-Border Collie-German Shepherd mix, and then at the other end of the spectrum, a seven-pound poodle mix. We were a blended dog family. When my wife and I met, I had the big dog and she had a little dog. Her first dog actually has passed, but we like that dynamic. You get kind of the best of both worlds.

8 a.m.: Breakfast at a classic diner

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Then it would probably be breakfast at Shakers, which is in South Pasadena. It’s one of our favorite places. We’re kind of regulars there, and my daughter loves it. It’s easy with a 5-year-old, you’ve got to do what they want. They’re terrorists that way, especially when it comes to cuisine.

I’ve lived in Pasadena for about three years now, but I have been going to Shakers for a long time because I have a database of all the best diners in the Los Angeles metropolitan area committed to memory. There’s just something about the continuity of them that makes me feel like the world isn’t on fire. And because of L.A.’s moderate climate, the ones here stay the way they are; whereas if you get 18 feet of winter snow, you tend to wear down the diner floor, seats, everything.

So there’s a lot of really great old places that stay the same. And then there are tragic losses. There’s been some noise that Shakers is going to turn into some kind of condo development. I think that people would probably riot. They would be elderly people rioting, but they would still riot.

11 a.m.: Sandy paws

My in-laws live down in Long Beach, so after breakfast we might take the dogs down to Long Beach. There’s this dog beach there, Rosie’s Beach. I have never seen a fight there between dogs. They’re all just so happy to be out and off-leash, with an ocean and sand right there. You get a contact high from the canine joy.

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1 p.m.: Lunch in Belmont Shore

That would take us to lunchtime and we’ll go somewhere down there. There’s this place, L’Antica Pizzeria Da Michele, in Belmont Shore. It’s fantastic for some pizza with grandma and grandpa. It’s originally from Naples. There’s also one in Hollywood where Cafe Des Artistes used to be on that weird little side street.

4 p.m.: Sunset at the gardens

We’d take grandma and grandpa home, drop the dogs off. We’d go to the Huntington and stay a couple of hours until sunset. The Japanese garden is pretty mind-blowing. You feel like you’re on the set of “Shogun.”

The main thing that I love about it is the changing of ecospheres as you walk through it. Living in the area, I drive by it a thousand times and then I remember, “Oh yeah, there’s a rainforest in here. There’s thick stands of bamboo forest that look like Vietnam.” It’s beautiful. With all three of my kids, I have spent a lot of time there.

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6:30 p.m.: Mall of America

After sundown, we will go to what seems to be the only thriving mall in America — [the Shops at] Santa Anita. We are suckers for Din Tai Fung. My 24-year-old son, who’s kind of a food snob, is like, “There’s a hundred places that are better and cheaper within five minutes of there in the San Gabriel Valley.” And we’re like, “Yeah, but this is at the mall.” It’s really easy. Also, my wife is a vegetarian, and a lot of the more authentic places, there’s pork in the air. It’s really hard to find vegetarian stuff.

We have a whole system with Din Tai Fung now, which is logging in on the wait list while we’re still on the highway, or ordering takeout. There’s plenty of places in the mall with tables, you can just sit down and have your own little feast there.

There’s also a Dave & Buster’s. If you want sensory overload, you can go in there and get a big, big booze drink while you’re playing Skee-Ball with your kid.

9 p.m.: Head to bed ASAP

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I am very lucky in that I’m a very good sleeper and the few times in my life when I do experience insomnia, it’s infuriating to me because I am spoiled, basically. When you’ve got a 5 1/2-year-old, there’s no real wind down. It’s just negotiations to get her into bed and to sleep as quickly as possible, so we can all pass out.

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Video: Prada Peels Back the Layers at Milan Fashion Week

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Video: Prada Peels Back the Layers at Milan Fashion Week

new video loaded: Prada Peels Back the Layers at Milan Fashion Week

At Milan Fashion Week, Prada showcased a collection built on layering. For the models, it was like shedding a skin each of the four times they strutted down the runway, revealing a new look with each cycle.

By Chevaz Clarke and Daniel Fetherston

February 27, 2026

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Bill Cosby Rape Accuser Donna Motsinger Says He Won’t Testify At Trial

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Bill Cosby Rape Accuser Donna Motsinger Says He Won’t Testify At Trial

Bill Cosby
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