Lifestyle
He built a mini-Disneyland in his backyard — and you can walk through it this spring
The castle is immaculate, its gold etching regal and its towers a bold shade of sky blue. The band at its gates plays no real instruments, but the musicians look dapper and at the ready. Before it all sits an elongated train station, a mix of Victorian grandeur and small-town affability. Look in the distance — there’s a Southern-style mansion, multiple distinct mountains and even another castle, this one nestled at the top of a mound, its spires peering over a wall.
All of it is familiar. It’s Disneyland, mostly.
The iconic entrance to Disneyland, re-created in the Sheegogs’ Anaheim backyard.
(Wally Skalij / Los Angeles Times)
But the setting, the backyard of a modest suburban home in Anaheim Hills, makes it clear this is no official product of the Walt Disney Co. Yet fans flock to it, with free tickets for the rare open house disappearing often in minutes. Welcome to Castle Peak and Thunder Railroad, as David Sheegog calls his backyard garden, home to a miniature love letter to Disneyland and Disney animation. Creating this scaled-down universe has been a passion of his for about a quarter of a century now.
Over the decades, Castle Peak has garnered the attention of local media, become a social media darling and grown with the Sheegog family, as what once was meant to be a gift for his children has taken on a life of its own. The kids have left home, but Castle Peak continues to flourish.
As Sheegog, an independent architect, looks forward to retirement — he turned 65 last year but is still in practice — he speaks of Castle Peak as if it’s just getting started. Walk with Sheegog to the family garage and find not just storage but a workshop, currently home to a model for a “Star Wars”-inspired entryway that Sheegog hopes will someday lead to a new section of his backyard garden, this one inspired by Disneyland’s Star Wars: Galaxy’s Edge.
David and Frances Sheegog pose with their mini-Disneyland in their Anaheim Hills home.
(Allen J. Schaben / Los Angeles Times)
This is no mere modest hobby. That’s apparent not just in the details but in the way Sheegog today thinks of entertaining guests, who are welcomed each spring and fall.
There are small but irresistible touches. Sheegog’s version of the Casey Jr. Circus Train is equipped, for instance, with its own sound module, playing the locomotive’s theme song as it chugs across a bridge. But over the years, Sheegog has embraced his showman side. A recent addition to the patio is what Sheegog calls the “enchanted tiki waterbar,” where a glass window erupts into a thunder and lightning show, complete with a mini-rain storm created by a pump and reservoir.
While the actual Disneyland Resort is just a few minutes from the Sheegog home, Castle Peak speaks to the way the theme park can become a sort of communal hub that can touch multiple generations and stand as something for which people can connect around. For many in Southern California, Disneyland sits somewhere between a landmark and a rite of passage, a place of familial and friendship rituals that stays with you long after the grand finale of the evening’s fireworks.
The Sheegogs’ much smaller version of the iconic statue of Walt Disney and Mickey Mouse, whose real-life counterpart graces the entrance to the magic castle at Disneyland.
A miniature model of the floating balloon house from “Up.” (Allen J. Schaben / Los Angeles Times)
Fans walk in the backyard of the Sheegogs’ home, lifting themselves up over the brick walls to look a little closer at the miniatures laid out in front of them.
(Wally Skalij / Los Angeles Times)
Sheegog believes that’s one reason why his backyard, also home to a 105-year-old Chinese elm bonsai, can barely meet its demand.
“There was a woman here one time, and she was close to 100,” Sheegog says. “She worked in the park on opening day, when Walt Disney was there, and worked in the park her whole life. She had a whole crowd around her, just listening to stories about what it was like. She started weeping. As she was talking, she was reliving her life when she was 20 years old, her first love, where she met her husband. All these memories come back, and a lot of people who come here are that way because we’re in Anaheim. We grew up with the park, and it has a certain sentimental niche in your psyche. People just want to be around it, and our place provides an outlet for that.”
Sheegog kind of stumbled into model railroading. About 25 years ago he was perusing for a gift for a young nephew, now in his 30s, who was a fan of “Thomas the Tank Engine.” Shopping for the latter at a local railroad store, the Orange County native who grew up within walking distance to Disneyland was suddenly hooked by the model railroad industry. Things quickly spiraled.
“This was back in 1997 or so, and I said, ‘This will be a 10-year project.’ As I developed the model — I built a model on our dining room table — we had to decide on the major structures,” Sheegog says. “Most of the garden railroads I had seen people had bought pre-made kits of little plastic buildings that are all about 12 inches by 8 inches. They look like premade little buildings, like a barber shop. No. I wanted to build this from scratch, and wanted them to be impressive, like 5 feet across and 4 feet tall. Or in the case of one our castles, 7 feet tall. I had to plan these out as to where the major buildings would be.”
Mini-riders descend down the slope of a shrunken-down Splash Mountain.
An homage to Mulan in a small potted plant. (Allen J. Schaben / Los Angeles Times)
A mini-Merida stands proudly within a circle of rocks.
References to Disneyland’s It’s a Small World ride are nestled in small pots around the Sheegogs’ attraction.
At the time, he was thinking of set pieces that would look akin to mini-golf buildings. Sheegog once worked at Disneyland on the Davy Crockett’s Explorer Canoes, and the family’s eldest daughter is named Ariel after “The Little Mermaid.” Thus, Disneyland was a natural theme for the family to explore for the backyard garden. And the Walt Disney Co., of course, has a romanticized history with railroads, as Walt Disney once had a backyard railway of his own and is said to have dreamed up Mickey Mouse on a cross-country train trip.
A Disney-inspired backyard is not, necessarily, an anomaly in American suburbia. HGTV once ran a show dedicated to the practice, and in the early days of the pandemic it became a social media trend to re-create Disney rides at home, with fans experimenting with rudimentary special effects and bringing pets into the action. Some have even built makeshift roller coasters in the yards.
Young visitors look out onto a portion of a railroad and lagoon-like setting within the Sheegogs’ massive attraction.
(Wally Skalij / Los Angeles Times)
And today, there are host of businesses that attempt to tap the Disney fanbase. One can find elaborately themed homes for rent, as well as pop-up bars such as Montclair’s the Set, which rotates among Disney motifs throughout the year.
Sheegog’s creation has both a professional sheen and a do-it-yourself quality. It’s important to note that it will always be free, as the family doesn’t want to attract the attention of corporate lawyers — timed reservations are required solely to make sure the home and neighborhood aren’t overrun. Aside from Sheegog’s heavily detailed, multiple foot structures — he’s re-created references to the now-defunct Splash Mountain and Disney/Pixar films such as “Up” — he’s also peppered in hidden nods to most every Disney or Pixar animated film from 1937 (“Snow White and the Seven Dwarfs”) to 2021 (“Encanto”).
“That will be the last one,” Sheegog says of “Encanto.” “I’ve finally put a cap on it. I’ve got 80 films out there. It’s a bunch. I’m running out of room. If they keep coming out, I can’t keep doing something. All my energy is going into other projects with the railroad.”
When Sheegog builds a structure, it’s no simple feat. Occasionally, he says, he’ll get inquiries from guests on the cost of hiring Sheegog to build, say, a Sleeping Beauty Castle. “They think you can do it for $300 or $400, and I say, ‘It’s probably going to be about $70,000 to build that thing again,” he says. “It takes someone six months of their life to build that.”
Money isn’t a topic Sheegog likes to discuss — “We are not wealthy people here, and I’m trying to figure out a way to retire because there’s not a way to do it right now” — and he’s quick to add that the castle didn’t cost him tens of thousands; he’s simply factoring in labor costs. He estimates that over the last two decades he’s sunk what would be the equivalent of buying a pool into his backyard Disneyland.
The investment shows. His initial Sleeping Beauty Castle was built utilizing plywood, PVC, wood turnings and cast resin veneer, but he has since updated the structure with largely polyurethane foam boards and 3D-printed materials. There are detailed galleries on his website documenting the builds of a number of structures, including Rapunzel’s tower and Beast’s castle.
Tinker Bell, nestled in a green forest scene with her fellow Pixie Hollow fairies.
(Allen J. Schaben / Los Angeles Times)
The Skyway, which no longer exists in the IRL Disneyland, is preserved as a reference in the Sheegogs’ backyard attraction.
(Wally Skalij / Los Angeles Times)
A key appeal of Castle Peak is that it doesn’t try to re-create Disneyland, per se: an equal number of miniatures reference animated films as they do park attractions. For the latter, Sheegog includes some that no longer exist, including the Skyway, a set he purchased from Von Roll Model Ropeways rather than built, as well as some references to Florida’s Walt Disney World.
Nothing feels incongruous. Disneyland, after all, exists as much in our memories and our imaginations as it does at 1313 Disneyland Drive.
Castle Peak and Thunder Railroad
Today, Sheegog is talking about moving the retaining wall on the house to further expand Castle Peak, wanting two new sections, one that nods to Disneyland’s Mine Train Through Nature’s Wonderland, which closed to make way for Big Thunder Mountain, and the aforementioned Galaxy’s Edge expansion. Time and money are hurdles, though, and he’s considered crowd-funding for Castle Peak’s continued development.
And yet that’s another aspect to Castle Peak’s enduring appeal. Like Disneyland, it’s never finished. “It’s like little home additions,” Sheegog says. “But rather than putting on a new bedroom we’re going to do another mountain or another rock feature.”
And it’s all in the name of capturing a little bit of magic.
Lifestyle
‘Scream 7’ takes a weak stab at continuing the franchise : Pop Culture Happy Hour
Neve Campbell in Scream 7.
Paramount Pictures
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Paramount Pictures
The OG Scream Queen Neve Campbell returns. Scream 7 re-centers the franchise back on Sidney Prescott. She has a new life, a family, and lots of baggage. You know the drill: Someone dressing up as the masked slasher Ghostface comes for her, her family and friends. There’s lots of stabbing and murder and so many red herrings it’s practically a smorgasbord.
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Lifestyle
Smoke a joint and get deep with flowers at this guided floral design workshop in DTLA
Abriana Vicioso is the host of the Flower Hour, which takes place monthly.
(Jennifer McCord / For The Times)
Each flower carries a personal history. For Abriana Vicioso, the calla lily was her parents’ wedding flower — a symbol of her mother’s beauty. “She had this big, beautiful white calla lily in her hair,” Vicioso says. “I love my parents. They’re the reason I’m here. I’ll never forget where I came from.”
The Flower Hour begins with Vicioso announcing, with a warm smile: “Today is about touching grass.” The florist-by-trade gestures behind her to hundreds of flowers contained in buckets — blue thistles, ivory anemones and calla lilies painted silver — all twisted and unfurling into the air. “Tonight is going to be so sweet and intimate,” Vicioso says, eyeing the beautiful chaos at her feet. A grin buds across her face.
Moments before the workshop, participants sit at candlelit tables exchanging horoscopes and comparing their favorite flowers. A mention of the illustrious bird-of-paradise flower elicits coos and awe from the women. Izamar Vazquez, who is from Jalisco, Mexico, reveals her fondness for roses, which make her feel connected to her Mexican roots.
Vicioso hosts her flower-themed wellness workshop near the iconic Original Los Angeles Flower Market in downtown L.A. In January, the first Flower Hour event sold out, prompting her to make it a monthly series. Vicioso describes the event as a “three-part journey” where participants are invited to drink herbal tea, smoke rose-petal-rolled cannabis joints and create a floral arrangement. “The guide is to connect with the medicine of flowers,” Vicioso says.
Rose petal joints, tea and flower arranging are all part of The Flower Hour event’s offerings.
The event is hosted at the Art Club, a membership-based co-working space. “The Flower Hour is really beautiful. Everyone gets to explore their creativity while meeting new people,” says Lindsay Williams, the co-owner of the Art Club.
The idea for Flower Hour came to Vicioso during a conversation with her mother. “We joke all the time that flowers were destined to make their way into my life,” she says. She works as a florist and models on the side, even appearing in the pages of Vogue. Vicioso grew up in a Caribbean household, where flowers and offerings were part of daily life. “In my culture and religion, a lot of my family practices — an Afro-Caribbean religion — we build altars.”
Like many cultures, flowers carry sentimental value in her religion. “I’m Caribbean, so a lot of my family practices a Yoruba religion, which comes from Africa. In the Caribbean, it’s well known as Santería.”
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After a difficult year and a breakup, Vicioso wanted to marry her love of flowers with community building. Because Vicioso uses cannabis medicinally, the workshop naturally includes a smoking component. “My family has smoked cannabis for a lot of reasons for a long time. It’s a really healing plant,” she explains.
In the workshop, even the cannabis gets the floral treatment. Vicioso presents her rose-petal-wrapped joints on a silver platter at each table. She rolled each by hand. “If you’ve never smoked a rose-petal-rolled joint, the difference with this is it’s going to have roses that have a slight tobacco effect,” she announces.
During the workshop, Vicioso stresses the importance of buying cannabis from local vendors. The cannabis provided was purchased from a Northern Californian vendor. The wellness workshop aims to reclaim the healing ritual of smoking cannabis. “This is a plant that has been commercialized,” Vicioso says. “There’s a lot of Black and Brown people who are in jail for this plant.”
The resulting workshop is what Vicioso describes as “an immersive wellness experience that is the intersection of wellness, creativity, community and an appreciation of flowers.” The workshop serves as a reminder to enjoy Earth’s innate beauty in the form of flowers — including cannabis. “It’s this gift that the universe gave us for free and that I have this deep connection with,” Vicioso says.
Conversation cards to generate discussion among participants (top, letf). The workshop serves as a “third space” for Angelenos to engage in tactile creativity and community building outside of traditional nightlife settings.
After enjoying lavender chamomile tea and smoking a joint, Vicioso introduces the flowers to the group before inviting them to pick their own. She emphasizes each flower’s personality traits, describing green dianthus as a “Dr. Seuss” plant. Then, there are calla lilies with their “main character moment.” It gets personal. “Start thinking of a flower in your life that you can discover,” she says. “If you’re feeling like you need inspiration, you can always remember that these flowers have stories.”
Vicioso infuses wisdom into her instruction on floral arrangements: There are no mistakes. Let the flowers tell you where they want to go, she urges. Intuition will be your guide — the wilder, the better.
“Hecho in Mexico” reads a sticker on a bunch of green stems. “Like me,” says Vazquez with a laugh. “They’re all doing their own thing. Like a family,” she says later, arranging stems.
The Flower Hour participants and Vicioso, center, chat as they build their own floral arrangements at the sold-out event.
Two participants — Vazquez and Rebeca Alvarado — are friends who run a floral design company together called Izza Rose. Like Vicioso, the friends have a connection to flowers through their Latin American culture. They met Vicioso in the floral industry and were overjoyed to discover her workshop.
“This is a great way to connect with other people,” says Vazquez.
Alvarado agrees, adding: “You’re getting to know people outside of going to bars. You can connect in different ways when there’s an activity.”
Vazquez uses flowers to stay connected to her Mexican heritage, adding that she prefers to support Mexican vendors. In recent months, the downtown L.A. flower market has struggled to recover from ongoing ICE raids. “Some are scared to come back,” says Vazquez.
Hand-rolled cannabis joints wrapped in rose petals are presented on a silver platter at The ArtClub (top, right). The Flower Hour aims to reclaim the healing rituals of cannabis and flowers.
Another participant, Barbara Rios, was attracted to the workshop for stress relief. “You can hang out with your friends, but it’s nice to do things with your hands,” she says. “I work a stressful job, and it’s nice to have that third space that we’re all craving.”
On this February night, the participants were predominantly women, save for one man. In the future, Vicioso hopes that more men learn to engage with flowers. “There’s a statistic about men receiving flowers for the first time at their funerals, and I think we have changed that,” she says.
To conclude the workshop, Vicioso encourages participants to build lasting friendships and incorporate flower arranging into their daily practice — even if it’s just with a small, inexpensive bouquet.
“Get some flowers together, go to the park, hang out with each other and hang out with me,” she says. Participants leave with flower arrangements in hand. In the darkness of the night air, it briefly looks as though the women carry silver calla lilies that are blooming from their palms.
Lifestyle
‘Wait Wait’ for February 28. 2026: Live in Bloomington with Lilly King!
An underwater view shows US’ Lilly King competing in a heat of the women’s 200m breaststroke swimming event during the Paris 2024 Olympic Games at the Paris La Defense Arena in Nanterre, west of Paris, on July 31, 2024. (Photo by François-Xavier MARIT / AFP) (Photo by FRANCOIS-XAVIER MARIT/AFP via Getty Images)
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This week’s show was recorded in Bloomington, Indiana with host Peter Sagal, judge and scorekeeper Bill Kurtis, Not My Job guest Lilly King and panelists Alonzo Bodden, Josh Gondelman, and Faith Salie. Click the audio link above to hear the whole show.
Who’s Bill This Time
State of the Union is Hot; The Tribal Council Convenes Again; A Glow Up In the Doll Aisle
Panel Questions
The Toot Tracker
Bluff The Listener
Our panelists tell three stories about a travel hack in the news, only one of which is true.
Not My Job: Olympic Swimmer Lilly King answers our questions about Lil’ Kings
Olympic Swimmer Lilly King plays our game called, “Lilly King meet these Lil’ Kings” Three questions about short kings.
Panel Questions
Cleaning Out The Cabinet; Bedtime Stacking
Limericks
Bill Kurtis reads three news-related limericks: Getting Cozy With Cross Country Skiing; Pickleball’s New Competition; Bees Get Freaky
Lightning Fill In The Blank
All the news we couldn’t fit anywhere else
Predictions
Our panelists predict, after American Girls, what’ll be the next toy to get an update.
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