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Big cats, little cats, weird cats collide at this purrfect L.A. experience

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Big cats, little cats, weird cats collide at this purrfect L.A. experience

Since 2014, a recurring art show dedicated to cats has captured common feline actions (commandeering a pet parent’s lap, unflinchingly staring down an onlooker, shredding upholstered furniture and sweetly nuzzling) and just as many fantastical ones.

The Cat Art Show returns this week to celebrate a milestone. Starting Friday, the “Cat Art Show: The Tenth Anniversary” event will bring works from about 50 artists to Wallis Annenberg PetSpace in Playa Vista. From oil paintings to sculptures and tile mosaics, cats in all of their glory will have the run of the walls for three days. Also, for the first time, there will be a live pet adoption running concurrently with the show — paws and whiskers upstairs, cat-inspired art downstairs.

For the record:

4:42 p.m. Jan. 16, 2024A previous version of this story described L.A. artist Rabi’s multimedia artwork as photographic.

During the last decade, this group exhibition has become a must-see for gallery hoppers who have flocked to view the works of such boldface art-world names as Mark Ryden, Tracey Emin and Jill Greenberg. Likewise, cat lovers have often lined up at the art event, donning all manner of cat-covered paraphernalia to show their devotion to the animals of the hour. The Cat Art Show delivers just the right amount of camp but holds enough cool-kid appeal (think graphic artists Yusuke Hanai and Eric Haze) to attract those who don’t consider themselves furball fans.

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“It’s grown to be a bit of everything — a lot more big collectors but a lot more of the general population too,” said Susan Michals, the Cat Art Show’s founder and head curator.

‘Miss Pitch and Furl,’ by Annie Montgomerie, and ‘Une Chat,’ by Léo Forest. (Annie Montgomerie; Léo Forest)

Creating an event that celebrates Michals’ two great loves was a no-brainer. She’s had cat companions her whole life, and she grew up with gallerist parents and has covered visual art extensively as a freelance journalist.

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“I wanted to do a show that focused on emerging and established artists,” Michals said, “so I needed some great names to give validity … that this was a serious art show.”

To start, she approached artists she’d interviewed professionally or knew personally. The prompt she gave them was: “Cats as muse.” Shepard Fairey was among the first artists tapped for the inaugural show along with Gary Baseman and Tim Biskup.

Multimedia artist Britt Ehringer was another Angeleno who Michals approached back in 2014 and he eagerly agreed, enticed by the opportunity to raise funds for different animal charities. (Proceeds from the art sales benefit animal charities; this year’s is Wallis Annenberg PetSpace’s Extraordinary Care Fund.) Each year since, he’s submitted pieces that pair pop culture figures such as Scarface, Frida Kahlo and Tupac Shakur with clusters of cats.

“My other work’s not so pop art-y, so this is my space to play,” Ehringer said, speaking of his cat-related contributions.

‘Kobe Entering the Kingdom of Kittens,’ by Britt Ehringer.

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(Britt Ehringer)

This year’s entry, “Kobe Entering the Kingdom of Kittens,” depicts Kobe Bryant soaring through the heavens as a coterie of cuties gaze at him (though, of course, a few appear aloof). The Lakers legend is joined by one of the artist’s two cats, Tofu, seen floating in the piece’s upper right-hand corner.

“There’s lots of different subcultures in the art world. I like how [the show] mashes up all those subcultures,” Ehringer said, noting that, over the years, the Cat Art Show has enabled him to establish friendships with artists he wouldn’t have otherwise met.

“Almost all of the art that I got in the first year was domestic. It’s definitely become more global in scope,” said Michals.

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The 2024 collection of art is expected to include a comically disfigured painting by Vienna-based artist Eva Beresin, motion-filled sketches by Parisian Léo Forest, work by Korean Australian graphic artist YeahYeahChloe, and from the U.K., Annie Montgomerie’s handcrafted vintage toy-style kitties dressed in darling play clothes made from upcycled fabrics.

“News of the Cat Art Show has traveled around the world and was known to me here in Scotland,” said collage artist Lola Dupre, who’s based outside of Glasgow and is participating for the second time. “These shows include some of the greatest artists making work today, so it is an honor and privilege to include my work.”

‘Squits,’ by Lola Dupre.

(Lola Dupre)

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Feline portraiture is a common part of her distortion-heavy cut-paper practice, and she frequently takes inspiration from her own companion, Charlie. This year’s entry, “Squits,” was inspired by a specimen she encountered while visiting a cat colony in Granada, Spain.

“Since I was young, I have known many cats, each one an individual,” Dupre said. “Their independence, energy and wildness I find fascinating.”

What makes the Cat Art Show compelling is that each artist views the muse in their own personal way, from impish to serene. Whatever way an attendee feels about cats, they’re likely to see that emotion reflected in various forms including glass sculpture, wooden figurine or porcelain candy dish.

“They are evil but they’re also awesome. And people have held that contradiction about cats since the dawn of time,” said L.A. street artist Rabi whose “Good Luck” artwork will be featured in the Cat Art Show. “People have thought cats were their gods and then demons and devils.”

L.A. street artist Rabi’s artwork, ‘Good Luck,’ was inspired by the duality and contradictions surrounding cats. ‘People have thought cats were their gods and then demons and devils,’ Rabi says. In one photo, his black cat, Sea Beast, looks at a mirrored section of Rabi’s artwork. (Rabi)

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Drawn to exploring the concepts of duality and contradiction, he feels that cats are the perfect case study. His artwork for the show — two multimedia triptychs — combines images of broken mirrors, black cats and the number 13. “I loved the idea of challenging these bad luck archetypes and then calling it good luck,” he said.

Rabi tipped his hat to Michals for capturing and amplifying the dopamine rush a person gets from watching, and re-watching, the perfect cat video on social media.

“I think Susan does a really good job of bringing that culture to a tangible environment where we can all see things in real time, in real life, together,” he said.

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In addition to showing all the ways in which cats are “an art form in themselves,” Michals aims for the Cat Art Show to dash stereotypes about what it means to fancy cats.

“What I saw with the first show was that the people that came did not fit the model of the hoarder, spinster, crazy cat lady,” she said. “I saw that audience and I was like, ‘These people are severely underrepresented and underserved as consumers and art appreciators.’

“Really, part of what these shows are about is to showcase my audience and say: ‘Look at these people. They love their animals and they love art,’” she said. “They do not represent the negative connotations associated at all.”

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Feeling cooped up? Get out of town with this delightful literary road trip

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Feeling cooped up? Get out of town with this delightful literary road trip

Tom Layward, the narrator and main character of Ben Markovits’ new novel, The Rest of Our Lives, introduces himself in a curious way: On the very first page of the book, he talks, matter-of-factly, about the affair his wife, Amy, had 12 years ago, when their two kids were young.

Amy, who’s Jewish, got involved at a local synagogue in Westchester; Tom, who was raised Catholic and is clearly not a joiner, remained on the sidelines. At the synagogue, Amy met Zach Zirsky, who Tom describes as “the kind of guy who danced with all the old ladies and little pigtailed girls at a bar mitzvah, so he could also put his arm around the pretty mothers and nobody would complain.”

After the affair came out, Tom and Amy decided to stay together for the kids: a boy named Michael and his younger sister, Miriam. But, Tom tells us “I also made a deal with myself. When Miriam goes to college you can leave, too.” The deal, Tom says, “helped me get through the first few months … [when] we had to pretend that everything was fine.”

Twelve years have since passed and the marriage has settled back into a state of OK-ness. Miriam, now 18, is starting college in Pittsburgh and because Amy is having a tough time with Miriam’s departure, Tom alone drives her to campus.

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And, once Tom drops Miriam off, he just keeps driving, westward; without explanation to us or to himself; as though he’s a passenger in a driverless car that has decided to carry him across “the mighty Allegheny” and keep on going.

The three-page scene where Tom passively melds into the trans-continental traffic flow constitutes a master class on how to write about a character who is opaque to himself. “[Y]ou don’t feel anything about anything,” Amy says early on to Tom — an accusation that’s pretty much echoed by Tom’s old college girlfriend, Jill, whom he spontaneously drops in on at her home in Las Vegas, after being out of touch for roughly 30 years.

But, if Tom is distanced from his own feelings (and vague about the “issue” he had “with a couple of students” that forced him to take a leave from teaching in law school), he’s a sharp diagnostician of other people’s behavior. What fuels this road trip is Tom’s voice — by turns, wry, mournful and, oh-so-casually, astute.

There’s a strain of Richard Ford and John Updike in Tom’s tone, which I mean as a high compliment. Take, for instance, how Tom chats to us readers about a married couple who are old friends of his and Amy’s:

[Chrissie] was maybe one of those women who derives secret energy from the troubles of her friends. Her husband, Dick, was a perfectly good guy, about six-two, fat and healthy. He worked for an online tech platform. I really don’t know what he did.

So might most of us be summed up for posterity.

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As Tom racks up miles, taking detours to visit other folks out of his past, like his semi-estranged brother, his meandering road trip accrues in suspense. There’s something else he’s subconsciously speeding away from here besides his marriage. Tom tells us at the outset that he’s suffering from symptoms his doctors ascribe to long COVID: dizziness and morning face swelling so severe that daughter Miriam jokingly calls him “Puff Daddy.” Shortly after he reaches the Pacific, Tom also lands in the hospital. “Getting out of the hospital,” Tom dryly comments, “is like escaping a casino, they don’t make it easy for you.”

The canon of road trip stories in American literature is vast, even more so if you count other modes of transportation besides cars — like, say, rafts. But, the most memorable road trips, like The Rest of Our Lives, notice the easy-to-miss signposts — marking life forks in the road and looming mortality — that make the journey itself everything.

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Behind this wealthy SoCal neighborhood, you can soak in a rustic hot spring oasis

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Behind this wealthy SoCal neighborhood, you can soak in a rustic hot spring oasis
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The water bubbles up hot from the earth and sunlight filters down through the branches of mighty oaks.

But before you can soak in Santa Barbara County’s highly popular Montecito Hot Springs, you’ll need to hike a little over a mile uphill, threading your way among boulders, oaks and a meandering creek. And before the hike, there are two other crucial steps: getting to the trailhead and knowing what to expect.

The trail to Montecito Hot Springs.

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These rustic spring pools are about 95 miles northwest of L.A. City Hall, just upslope from well-to-do Montecito, whose residents include Oprah Winfrey, Prince Harry and his wife, Meghan Markle, and Gwyneth Paltrow.

Though the trail and hot springs are part of Los Padres National Forest, the trailhead is in a residential neighborhood of gated mansions. Beyond the trailhead parking area (which has room for eight or nine cars), the neighborhood includes very little curbside parking. After visitation surged during the pandemic, some neighbors were accused by county officials of placing boulders to obstruct public parking. Parking options were reduced further when county officials added parking restrictions earlier this year.

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Bottom line: Unless you can arrive on a weekday between 8 and 10 a.m., you’re probably better off taking a rideshare service to get there. Whenever you arrive, you’re likely to have company. And you might want to wait until the landscape dries out a bit from the rains of recent weeks.

As Los Padres National Forest spokesman Andrew Madsen warned, “the foothills of Santa Barbara are especially fragile and hiking is especially precarious in the aftermath of heavy rains.”

All that said, the hike is rewarding and free. From the Hot Springs Canyon trailhead at East Mountain Drive and Riven Rock Road, it’s a 2.5-mile out-and-back trail to the hot springs, with about 800 feet of altitude gain on the way.

Arriving at 10 a.m. on a Tuesday, I got the last parking spot at the trailhead, stepped past the signs forbidding parking before 8 a.m. or after sunset, then stepped past another sign warning that “this is a challenging and rugged hike.” Also, there are no bathrooms or trash cans on the trail or at the springs.

“It’s important that people know what’s going on up there before they show up,” said Madsen. “It’s not all that glamorous.”

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Even though it’s only 1.2 or 1.3 miles to the hot springs, plan on about an hour of uphill hiking. Once you’re above the residential lots, you’ll see pipes along the way, carrying water down the hill, along with occasional trailside poison oak. As you near the pools, you’ll pick up the scent of sulfur and notice the water turning a strange bluish hue. Then the trail jumps across the creek — which I initially missed.

But there was a silver lining. That detour gave me a chance to admire the stone ruins of a hotel that was built next to the springs in 1870s. After a fire, it became a private club. Then it burned in the Coyote fire of 1964, which blackened more than 65,000 acres, destroyed more than 90 homes and killed a firefighter. The hot springs and surrounding land have been part of Los Padres National Forest since 2013.

Hikers look west over flowers and greenery from behind low stone ruins near Montecito Hot Springs.

Hikers look west from the ruins near Montecito Hot Springs.

(Christopher Reynolds / Los Angeles Times)

On a clear day with the sun in the right place, you can stand among the overgrown ruins, look west and see the ocean, a few old oil platforms and the long, low silhouette of Santa Cruz Island. This is what the native Chumash would have seen (minus the oil platforms) through the many years they used the springs before European immigrants arrived.

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Pleasant as that view was, I was ready to soak, as were the two couples who got momentarily lost with me. (We were all Montecito Hot Springs rookies.) Once we’d retraced our steps to the creek and crossed it, the trail took us quickly past a hand-lettered CLOTHING OPTIONAL sign to a series of spring-fed pools of varying temperatures.

A dozen people were already lazing in and around the uppermost pools (one woman topless, one man bottomless), but several pools remained empty. I took one that was about 2 feet deep and perhaps 90 degrees. In one pool near me sat Ryan Binter, 30, and Kyra Rubinstein, 26, both from Wichita, Kan.

Hikers Ryan Binter and Kyra Rubinstein soak at Montecito Hot Springs.

Hikers Ryan Binter and Kyra Rubinstein, visiting from Wichita, Kan., soak at Montecito Hot Springs.

(Christopher Reynolds / Los Angeles Times)

“She found this,” said Binter, praising Rubinstein’s internet search savvy.

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At the next pool were Emanuel Leon, 20, of Carpinteria, Calif., and Evelyn Torres, 19, of Santa Barbara. The last time they’d tried this hike, they’d strayed off-track and missed the hot springs, so this time, they were savoring the scene.

“Revenge!” said Leon, settling in.

The soaking was so mellow, quiet and unhurried that I was surprised to learn that the pools were not erected legally. As Madsen of the Los Padres National Forest explained later by phone, they were “created by the trail gnomes” — hikers arranging rocks themselves to adjust water flow and temperature, with no government entities involved.

Legal or not, they made a nice reward after the hike uphill. The downhill hike out was easier and quicker, of course, but still tricky because of the rocks and twisting trail.

On your way out of Montecito, especially if it’s your first time, take a good look at the adobe-style grandeur of the Our Lady of Mt. Carmel Catholic Church building, which looks like it was smuggled into California from Santa Fe. For food and drink, head to Coast Village Road (the community’s main drag) or the Montecito Village Shopping Center on East Valley Road. Those shops and restaurants may not match the wonder and comfort of a natural bath in the woods, but for civilization, they’re not bad.

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George Clooney gets French citizenship — and another dust-up with Trump

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George Clooney gets French citizenship — and another dust-up with Trump

The French government confirmed this week that it has granted citizenship to George and Amal Clooney — pictured on a London red carpet in October — and their 7-year-old twins.

Henry Nicholls/AFP via Getty Images


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Henry Nicholls/AFP via Getty Images

One of Hollywood’s most recognizable stars is now officially a French citizen.

A French government bulletin published last weekend confirms that the country has granted citizenship to George Clooney, along with his wife, human rights lawyer Amal Clooney, and their 7-year-old twins.

The Clooneys — who hail from Lexington, Ky. and Beirut, Lebanon, respectively — bought an 18th-century estate in Provence, France in 2021. In an Esquire interview this October, the Oscar-winning actor and filmmaker described the French “farm” as their primary residence, a decision he said was made with their kids in mind.

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“I was worried about raising our kids in LA, in the culture of Hollywood,” Clooney said. “I felt like they were never going to get a fair shake at life. France — they kind of don’t give a s*** about fame. I don’t want them to be walking around worried about paparazzi. I don’t want them being compared to somebody else’s famous kids.”

In another interview on his recent Jay Kelly press tour, Clooney mentioned that his wife and kids speak perfect French, joking that they use it to insult him to his face while he still struggles to learn the language.

This week, after a French official raised questions of fairness, France’s Foreign Ministry explained that the Clooneys were eligible under a law that permits citizenship for foreign nationals who contribute to the country’s international influence and cultural outreach, The Associated Press reports.

The French government specifically cited the actor’s clout as a global movie star and the lawyer’s work with academic institutions and international organizations in France.

“They maintain strong personal, professional and family ties with our country,” the ministry added, per the AP. “Like many French citizens, we are delighted to welcome Georges and Amal Clooney into the national community.”

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They aren’t the only ones celebrating. President Trump, who has a history of trading barbs with Clooney, welcomed the news by taking another dig at the actor.

In a New Year’s Eve Truth Social post, Trump called the couple “two of the worst political prognosticators of all time” and slammed Clooney for throwing his support behind then-Vice President Kamala Harris during the 2024 election.

“Clooney got more publicity for politics than he did for his very few, and totally mediocre, movies,” wrote Trump, who himself has made cameos in several films over the years. “He wasn’t a movie star at all, he was just an average guy who complained, constantly, about common sense in politics. MAKE AMERICA GREAT AGAIN!”

Clooney responded the next day via a statement shared with outlets including Deadline and Variety.

“I totally agree with the current president,” Clooney said, before referencing the midterm elections later this year. “We have to make America great again. We’ll start in November.”

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Clooney and Trump — once friendly — have long criticized each other

Clooney, a longtime activist and Democratic Party donor, has remained active in U.S. politics despite his overseas move.

In July 2024, he rocked the political establishment by publishing a New York Times op-ed urging then-President Joe Biden — for whom he had prominently fundraised just weeks prior — to drop his reelection bid to make way for another Democrat with better chances of taking the White House. A growing chorus of calls led to Biden’s withdrawal from the race by the end of that month.

In a December interview with NPR’s Fresh Air, Clooney said his decision to speak out on that and other issues generally comes down to “when I feel like no one else is gonna do it.”

“You’ll lose all of your clout if you fight every fight,” he added. “You have to pick the ones that you know well, that you’re well informed on, and that you have some say and you hope that that has at least some effect.”

Clooney has been a vocal critic of Trump throughout both of his terms, most recently on the topic of press freedoms during the actor’s Broadway portrayal of the late journalist Edward R. Murrow last spring.

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And Trump has been similarly outspoken in his dislike of Clooney, including in an insult-laden Truth Social post — calling him a “fake movie actor” — after the publication of his New York Times op-ed.

In December, just days before this latest dust-up, Clooney shared in a Variety interview that he and Trump had been on good terms during the president’s reality television days. He said Trump used to call him often and once tried to help him get into a hospital to see a back surgeon.

“He’s a big goofball. Well, he was,” Clooney added. “That all changed.”

In the same Variety interview, Clooney — the son of longtime television anchor Nick Clooney — slammed CBS and ABC for abandoning their journalistic duty by paying to settle lawsuits with the Trump administration. He expressed concern about the current media landscape, particularly the direction of CBS News under its controversial new editor in chief, Bari Weiss.

Weiss responded by inviting Clooney to visit the CBS Broadcast Center to learn more about their work, in a written statement published in the New York Post on Tuesday. It began with “Bonjour, Mr. Clooney,” in a nod to the actor’s new milestone.

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Clooney told NPR last month that he will continue to stand up for what he believes in, even if it means people who disagree with him decide not to see his movies.

“I don’t give up my right to freedom of speech because I have a Screen Actors Guild card,” he added. “The minute that I’m asked to just straight-up lie, then I’ve lost.”

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