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At Nevada's Clown Motel, the vibe is creepier than ever, and business is good

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At Nevada's Clown Motel, the vibe is creepier than ever, and business is good

Business is so good at the Clown Motel, you might expect more of its painted faces to be smiling.

But as Vijay Mehar has learned in his years as owner of the creepiest motel in Tonopah, Nev., happy clowns are not what most of his customers want.

What they seem to want is fear, loathing, painted faces, circus vibes and hints of paranormal activity. Basically, Mehar said recently, “they want to be scared.”

So aiming to lure more people off Main Street (a.k.a. U.S. 95) to visit this 31-room motel in the dusty, stark middle of Nevada, Mehar is boosting his creepiness quotient.

A giant cutout of a clown adorns the side of the Clown Motel.

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(Christopher Reynolds / Los Angeles Times)

By the end of 2025, he’s hoping to have completed a 900-square-foot addition, doubling the size of the motel’s busy, disquieting lobby-museum-gift shop area. Meanwhile, behind the motel, Mehar is planning a year-round haunted house, to be made of 11 shipping containers.

Many details are yet to be settled, but the idea is for these additions to complement the motel’s existing guest rooms, which teem with enough clown imagery to eclipse a Ringling Brothers reunion. Mehar also aims to convert an existing room into a honeymoon suite.

“America’s Scariest Motel,” read the brochures by the register. “Let fear run down your spine.”

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There are paintings, dolls and ceramic figures, each with its own expression — smiling, laughing, smirking, weeping or silently shrieking. And then there are the neighbors. The motel stands next to the Old Tonopah Cemetery, most of whose residents perished between 1900 and 1911, often in mining accidents.

A portrait of an evil clown is painted on the wall next to the motel rooms at the Clown Motel.

The creepy clown film “It” is muralized on the walls outside the rooms.

(Christopher Reynolds / Los Angeles Times)

Some guests explore the cemetery after dark or google “fear of clowns” (coulrophobia). Others settle in with a horror movie, perhaps one of the three made on site in the last six years. (“I am the bad clown in ‘Clown Motel 2,’ ” Mehar confided.)

Mehar said hundreds of people stop by the motel on busy days, mostly focusing on the gift shop and the crowded, dusty shelves of the museum. The clowns there, contributed by donors worldwide, are not for sale.

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“When we came here, there were 800 or 850 clowns,” Mehar said. “Right now, we have close to 6,000.”

The lobby-gift shop-museum expansion means more room to show them off, along with the motel’s wall-mounted array of presidential caricatures, Joe Biden and Donald Trump included, each sporting a clown’s red nose.

Several clown miniatures sit on a shelf; a sign reads "Donated precious clowns from all over the world."

Clown miniatures, donated to the Clown Motel from around the world, are on display around the motel.

(Christopher Reynolds / Los Angeles Times)

In the six years Mehar has owned the place, the gift shop merch inventory has swollen from hats, T-shirts and sweatshirts to include nearly 100 products: art, ash trays, bracelets, bumper stickers, clothing, key chains, magnets, mugs, patches, shot glasses and wallets.

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“Do you use knives? I have clown knives,” Behar said, raising one in his right hand. The blades are 4 inches long.

Throughout the motel’s corridors and no-frills guest rooms (usually $85 to $150; rated at 3.5 stars by Yelp and Trip Advisor), the clowns continue against a color scheme of purple, yellow and red, augmented by polka dots of blue and green.

A spot check revealed five clowns in Room 102 and a dozen in Room 208 (but none in the bathrooms). Several rooms are themed, including 222, which highlights Clownvis (Elvis as a clown, basically).

If you book that room, the motel warns, you may be awakened by a mysterious “malevolent entity.” The hotel also warns all guests that, despite monthly pest-control visits, you may encounter “UFI’s (Unwanted Flying Insects),” because rooms open to the outdoors. (This part of Nevada is known for its many Mormon crickets.)

Artwork portraying clowns is hung on a wall next to a bed in a motel room.

Every room at the Clown Motel, has its own art display.

(Christopher Reynolds / Los Angeles Times)

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“If we had paid 60, or 70, or even 80 bucks, this place might have been worth it,” wrote one unamused motel customer on Trip Advisor recently.

“We had good fun, and even better we weren’t murdered,” wrote another.

It’s a family project. After years as an art director, Mehar’s brother, Hame Anand, serves as manager of the motel and has masterminded its latest face-lift, which includes a pair of clown cut-outs, two stories tall, that beckon passing traffic.

Many travelers make the 210-mile drive north from Las Vegas just for the clown experience. At booking or check-in, guests often sign on for a motel and cemetery tour with guide Wanda Crisp.

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Tonopah sits roughly midway between Las Vegas and Reno, with a population (about 2,100) that’s been shrinking for more than 30 years. The hillside town, born as a silver-mining outpost in the first years of the 20th century, features a pair of historic hotels, the Mizpah (built in 1907, renovated 2011) and the Belvada (built as a bank in 1906, renovated in 2020), which flank Main Street in the heart of town. Tonopah Historic Mining Park includes an underground tunnel and displays of old equipment and minerals.

A man stands behind a motel counter.

The Clown Motel is owned by Vijay Mehar and his family.

(Christopher Reynolds / Los Angeles Times)

You could say the Clown Motel grew out of the cemetery. As local boosters tell the story, a miner and clown-collector named Clarence David was killed in 1911 in a mining accident and buried in the cemetery. Thus, when two of his children, Leona and Leroy, decided to open a motel (then known as the David Motel) next to the cemetery in 1985, they displayed about 150 of their late father’s clown images and figures.

A decade later, they sold it to longtime Tonopah entrepreneur Bob Perchetti, who transformed the motel as part of his efforts to boost local tourism.

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The big breakthrough came in 2015, when a crew from the television series “Ghost Adventures” came to shoot at the Clown Motel, intriguing lovers of kitsch and horror nationwide.

By then, Perchetti (who died this year) was well into his 70s. A few years later, he put the 1.2-acre motel property up for sale, asking $900,000 and later $600,000 (clown collection included). In 2019, veteran Las Vegas motel proprietor Mehar and his family bought it.

The front of a building reads the Clown Motel.

The façade of the Clown Motel.

(Christopher Reynolds / Los Angeles Times)

Mehar, who now splits his time between Tonopah and Vegas, declined to say the sale price, but said he was able to pay off the loan within a few years. Two or three times a year, “the paranormal people” will book the whole place, Mehar said, “and there’s a YouTuber every second day.”

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That doesn’t mean the motel is a gold mine — Mehar still does most repairs and improvements himself — but in its niche, it has no rival.

“You know the American dream, rich and famous?” Mehar asked. “We’re half the way.”

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Momfluencers, Tradwives, and the Perils of Modern Motherhood : Code Switch

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Momfluencers, Tradwives, and the Perils of Modern Motherhood : Code Switch
Collage art of woman posing in front of fridge with baby on table

Motherhood in the U.S. is revered. Actual mothers? Not so much. So where’s a bedraggled mom to turn when she feels overworked, overwhelmed, and underappreciated? Turns out, momfluencers are stepping in to fill that void, including a particular category of momfluencer: the tradwife. We dive into that world to understand how it might intersect with the incoming presidential administration, what it has to do with white supremacy, and where moms of color fit in.

We want to hear from our listeners about what you like about Code Switch and how we could do better. Please tell us what you think by taking our short survey, and thank you!

This episode was produced by Jess Kung. It was edited by Courtney Stein. Our engineer was Josephine Nyounai.

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Sly Stallone Calls Himself a Coward For Sending Breakup Letter to Jennifer Flavin

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Sly Stallone Calls Himself a Coward For Sending Breakup Letter to Jennifer Flavin

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J. Edgar Hoover's biographer weighs in on Trump's pick to lead the FBI

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J. Edgar Hoover's biographer weighs in on Trump's pick to lead the FBI

Kash Patel speaks before Republican presidential nominee former President Donald Trump during a campaign rally at Thomas & Mack Center, Thursday, Oct. 24, 2024, in Las Vegas.

Alex Brandon/AP


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Alex Brandon/AP

President-elect Donald Trump shocked even some of his most ardent critics when he announced he would nominate former national security aide Kash Patel to lead the FBI.

Trump called Patel a “brilliant lawyer, investigator, and ‘America First’ fighter who has spent his career exposing corruption, defending Justice, and protecting the American People” in a post on social media over the weekend.

Patel, a former Justice Department prosecutor and fierce FBI critic, openly vowed to find ways to punish Trump’s perceived enemies. Critics say that would be an appalling use of the justice system to carry out political ends.

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But if that were to occur, it would not be the first time. The agency’s longest serving director, J. Edgar Hoover, authorized covert harassment campaigns against perceived enemies like the Rev. Martin Luther King Jr.

There are more guardrails on the FBI now than there were decades ago, historian and author Beverly Gage told NPR’s Michel Martin. But whether protections will be strong enough to hold up against pushes they haven’t been subjected to, as could happen under Patel, is the big question.

Gage, who wrote the Pulitzer Prize-winning G-Man: J. Edgar Hoover and the Making of the American Century, also believes the FBI’s politicization could damage the American public’s view of it even further.

She spoke to Morning Edition about what Patel’s pick means for the FBI and how the agency has in the past exerted vast amounts of power and influence, particularly under Hoover, its most notable director.

This interview has been edited for length and clarity. 

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Michel Martin: What is the history of the FBI? How did it start and how did it become what a lot of people call the preeminent law enforcement agency in the United States?

Beverly Gage: The FBI got started pretty informally and actually pretty controversially during the progressive era. The Justice Department decided it needed its own investigators. This was around 1908. J. Edgar Hoover became the head of the bureau in 1924, and he’s really the one who put his stamp on it and turned it into, as you said, our premier law enforcement agency, but also our domestic intelligence agency. And those things have sometimes gone very well together and sometimes not so much.

Martin: How did it happen that he led the FBI for 48 years? I mean, that’s just inconceivable today.

Gage: Hoover came in at a moment when the government was just starting to expand in the 1920s. And he really built the bureaucracy in his own image and kind of managed its politics really successfully for almost half a century.

Martin: The fact that the FBI director has a 10-year term, which exceeds the two terms allowed to a president, was that a reaction to Hoover?

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Gage: It was a reaction to Hoover. The analysis at the time in the ’60s and ’70s – he died in 1972 – was that future directors should not be able to amass that kind of power because it made Hoover sort of invulnerable.

Martin: Was there a bipartisan consensus at the time that there needed to be these kinds of controls?

Gage: Hoover served under four Democrats and four Republicans. He was pretty careful to be nonpartisan, really tried to keep the FBI out of politics because he thought it would damage the agency. He thought that it wasn’t right and he never would have done what we’re seeing today.

Martin: Liberals have long been suspicious of the FBI because of that legacy of covert harassment campaigns. When did the right start to become suspicious of the FBI?

Gage: When Hoover died in 1972, there would have been a lot of suspicion coming from the left and from liberals who were very critical about the FBI’s disruption of the civil rights movement, the antiwar movement. He was an ideological conservative, but a lot of conservatives really thought of the FBI as the part of the state that they liked. And so one of the really interesting things that’s happened certainly in the last decade is that we can see that flip around, but we’ve never seen anything like what’s been happening in the last several years, which is certainly Trump and his allies, but in large part, the mainstream Republican Party has really turned on the FBI and the national security state in a whole new way.

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Martin: What do you make of Mr. Patel’s vow that he will use the levers of the justice system to punish those who he believes have unfairly targeted the president elect? Can he do that?

Gage: Look, there are a lot more controls on what the FBI can do, both legally and in terms of intelligence than there were during Hoover’s day. What Hoover did a lot of and where I think there is some more wiggle room even today, is in harassment campaigns, in wiretapping and bugging, the use of secret information. And in some ways, the great danger at the FBI is not going after people such that we’re going to end up in court. But the use of secret information, the use of the FBI’s surveillance and intelligence powers to specifically target people who are your personal enemies, your political enemies or your ideological enemies.

Martin: Well, one of the things that Hoover did is he authorized behavior that many people today look at as completely outside the boundaries, like, for example, discovering things about people’s personal lives. Are there any guardrails against that kind of conduct happening again?

Gage: There are more guardrails now than there were then. A lot of them are internal to the FBI and to the Justice Department. The question is whether they’re going to be strong enough to hold against a push that they have never been subjected to before. The major things that happened in the 1970s, after Hoover’s death, to begin to revise control, prevent the sorts of practices that went on during his time partly were about Congress. Congressional intelligence committees came into being. They had a lot more access to what was happening in the world of intelligence. There’s a little bit of law that’s now in place that looks quite different, but a lot of it was about internal reforms within the Justice Department and the FBI itself.

Martin: Which can be abrogated if the people who run that department so choose.

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Gage: It does seem that that’s possible.

Martin: Do you have a sense of just what the public thinks about the FBI now?

Gage: I think that the FBI is in some real trouble with the public. The FBI’s legitimacy, its ability to do its work, its ability to have the support of the public really depended upon its nonpartisan image. And I think this latest appointment may potentially damage it even further. Trump seems to be saying, I want to use the FBI and its powers in order to go after my enemies and I want to destroy the FBI kind of from within. And he wants both of these things at once.

This article was edited by Treye Green. The radio version was edited by Adriana Gallardo and produced by Julie Depenbrock.

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