Lifestyle
At Disneyland's Pixar Place Hotel, hang out with Bing Bong and fall in love with animation
They say you shouldn’t sleep where you work, but Pixar chief Pete Docter means it at as a compliment when he says that Disneyland’s reimagined Paradise Pier Hotel — now branded to the Emeryville-based animation powerhouse — is like “walking into Pixar.”
An exaggeration, sure, but the Pixar Place Hotel entryway that greets guests echoes some of the branding seen on the company’s official campus, thanks to a large desk lamp — a nod to Pixar’s “Luxo Jr.” short and the “i” in Pixar’s logo — atop a ball with a red star. Likewise the mix of character designs and encased maquettes that dot the check-in area.
But the chilled-out takes on Pixar soundtracks, splashes of color and a couch that nods to Heimlich the caterpillar from the film “A Bug’s Life” ever-so-slightly shift the tone. There’s still an underlying corporate campus feel, but the aim is something warm, inviting and slightly whimsical — check the back of the lobby couch that acts as a jumping-off point for wall sketches of Remy from “Ratatouille.”
The feel — part art gallery, part lounge — is a drastic improvement from the hotel’s Paradise Pier days, when its entry corridors felt more like commuter spaces than comforting ones. The revamp of the Paradise Pier Hotel into the Pixar Place Hotel is the latest reinvention for the place of lodging at 1717 Disneyland Drive. Walt Disney Co. acquired the Anaheim property in 1995, when the 15-story building was known as the Pan Pacific Hotel, but its Paradise Pier Hotel days were likely numbered when the Paradise Pier section of Disney California Adventure became Pixar Pier in 2018.
“For those of you who are into the creative process, I think you’ll be really happy,” said Docter at the hotel’s opening ceremony this week. “This hotel really celebrates that. You get to see rough drawings, color studies, animation sketches.”
There’s more to know if you’re considering a stay at the Pixar Place Hotel. Here’s what stood out from a tour of the property.
Achieving the Pixar tone
Disney likes to say that the Pixar Place Hotel is “Pixar-themed.” That’s not fully accurate, as the hotel is more Pixar-branded than it is themed, as a theme is an idea or a recurring art motif. Think of the California Craftsman look of the Disneyland Resort’s Grand Californian Hotel & Spa or the Midcentury Modern feel of the Disneyland Hotel next door.
The Pixar Place Hotel is striving for a contemporary theme that splits the difference between playfulness and elegance. This is evident in the cleaner look of the hotel from the outside, as it has been repainted white with subtle strips of color. Inside, there are cool, museum-like grays and whites that are broken up with intentional touches that celebrate the art of animation.
The floor, for instance, is accentuated with not-so-hidden stainless steel caricatures of Pixar characters. The maquettes, from films such as “Monsters Inc.” and “Finding Nemo,” are framed in glass cases with illuminated color panels. And near the rear of the lobby, wall sketches, which Disney said were painted by Pixar artists, evolve into lit CGI-like wire-frame portraits, attempting to show the evolution from hand-drawn to computer animation.
The art of the Pixar Place Hotel aims to show the evolution of computer animation.
(Todd Martens / Los Angeles Times)
There’s a mix of styles, as much of the artwork was created specifically for the hotel. Across from the check-in desks, for instance, sits a “Finding Nemo” wall, where characters are seen in a more painterly presentation. The showcase piece of the lobby is a large mobile, situated above the Pixar lamp and ball, with abstracted, stained glass-like figures from “The Incredibles,” “Wall-E,” “Finding Nemo” and more. They are flanked by colored panels, which react to the music played in the area, an effect that is of course better seen in the evening.
“Pixar is a balance of sophistication and whimsy that really is core to their values,” said Kirstin Makela, an art director at Walt Disney Imagineering, the company’s secretive arm devoted to theme park experiences. “They’re a studio that’s been at the cutting edge of what they do. They take it very seriously that their characters are represented in that high esteem that they deserve because they are works of art.
“So it really is about creating a space that feels like a living art gallery that allows for the work to be elevated and feel celebrated, and allows for the work to get that dynamic pop of color and energy,” Makela continued.
Inside the rooms
The revamped Pixar Place Hotel rooms have significantly more color than in prior incarnations.
(Todd Martens / Los Angeles)
Gone are the carpeted tan-and-beige-heavy rooms that marked the Paradise Pier Hotel, which seemed to be going for a sandy beach-type feel.
The remodeled Pixar Place rooms have wood panels for flooring, and are significantly brighter, thanks to a large Pixar mural above the bedding. The latter is a shift in hues, as the piece transitions from key scenes from Pixar films including “Up,” “Ratatouille,” “Toy Story,” “Finding Nemo,” “Soul,” “Coco”and “Inside Out.” The work is lit from the bottom, and has a brushed rather than CGI feel. It’s present in standard rooms and suites, and Disney said the goal was for it to look and feel something like a rainbow.
There’s other Pixar art in the room, as above a red couch is a framed piece showing different characters — Bo Peep from “Toy Story,” Joe Gardner from “Soul,” Sadness from “Inside Out” — in varying states of movement. Disney credited the latter to Tasha Sounart, a creative director at the animation studio. Also included in the rooms is the hardbound “The Art of Pixar” book, and various depictions of the Pixar lamp and ball, from an actual lamp on the desk to traces of the ball and the lamp in the bedding, carpeting and decorative pillows.
Each room features the Pixar lamp that serves as the company’s logo.
(Richard Harbaugh / Disneyland Resort )
In describing the aesthetic, Imaginering’s interior design manager Tami Empero said, “The trend in hotels today are really neutral colors, like beiges and grays. We really focused on red, yellow and blue to drive home the Pixar theme.”
A hotel with character(s)
At select times, a jazz musician acting as Joe Gardner from Pixar’s “Soul” will perform in the hotel lobby.
(Christian Thompson / Disneyland Resort)
The Pixar Place Hotel is unique in that it has exclusive character interactions to help give the space a sense of life and playfulness. On a third-floor pool deck, for instance, guests will find the pink, elephant-like creature Bing Bong from “Inside Out.”
And in the lobby, a piano will feature a jazz musician given a slight Joe Gardner makeover. Entertainment offerings will vary by day, but expect to find Bing Bong most mornings and afternoons near the pool, and jazz music is currently scheduled to be played five days per week, mostly in the evenings.
Bing Bong from “Inside Out” will meet guests on the pool deck of Disneyland’s Pixar Place Hotel.
(Todd Martens / Los Angeles Times)
Imagineering also found some places for clever injections of Pixar personalities. Take, for instance, the pool deck’s fire pit, where flames sprout from fixtures designed to look like Anger from “Inside Out” or Ember from the more recent “Elemental.”
The pool deck is home, too, to a water slide for little ones featuring “Finding Nemo’s” turtle character of Crush and a splash pad that boasts a number of characters from the underwater film, including Hank and Dory. Notable design elements include lighting designed to mimic seaweed and some choral reef rockwork.
A fire pit in the look of the character Anger from “Inside Out.”
(Christian Thompson / Disneyland Resort)
Some lesser known Pixar works are also highlighted outdoors near the pool, home to a walk-up window featuring salads, burgers, chicken fingers and the like, as well as frozen alcoholic floats. The outpost, dubbed Small Bytes, opens in March.
A gaming area features chess tables, a nod to the short “Geri’s Game,” as well as shuffleboard that references “La Luna” via star-affixed discs and a cornhole-inspired game that nods to the animation studio’s “Bao,” in which players will toss adorable dumplings into steamer baskets.
Perks, dining, pricing and a piece of fine print
Southern California chain Great Maple operates the three dining areas of Pixar Place Hotel.
(Christian Thompson / Disneyland Resort)
While all Disneyland Resort hotels offer slightly earlier access to the parks (30 minutes before opening) — and Pixar Place is no different — the animation-focused hotel also has its own, relatively convenient entry to Disney California Adventure park. The gate is across the street from the hotel and tucked away next to the Grand Californian. Pixar Place Hotel guests can use it to enter and exit the park.
There are three dining options at the hotel, including the poolside walk-up window. The core restaurant is the latest outpost of Southern California chain Great Maple, which features a diner aesthetic and mostly comfort food options. Pixar Place is the first hotel at the Disneyland Resort to outsource its food offerings, meaning all three dining facilities are handled by Great Maple. I’ve only dined at Great Maple once, and opted for the $28 burger, a hearty offering albeit a bit on the pricier side for a family-focused theme park hotel. Near Great Maple in the lobby is the more casual Sketch Pad Cafe, a grab-and-go coffee shop. The hotel currently does not offer in-room dining.
Great Maple does feature stoic, black-and-white portraits of Pixar characters, but its look slightly clashes with the rest of the hotel, as green-tinted bar seats and booths deviate from the Pixar colors featured so prominently elsewhere. A better fit would have been something more akin to the Lamplight Lounge, the Pixar-focused restaurant at Disney California Adventure that features music and artwork from the films, as well as menus and drinks that nod to the studio’s history.
While it’s worth noting that the Pixar Place aesthetic, from the lobby to the rooms, is a drastic improvement from the dated Paradise Pier Hotel, it can certainly no longer be considered a budget — or even low-priced —offering at the Disneyland Resort. In a sampling of room rates throughout the year, I found nothing lower than $405 per night for a standard room, and about $100 more for high-traffic holiday months.
Back in 2018, for instance, I stayed at Paradise Pier at a rate of $327.60 per night. I did stop staying at the hotel because it’s not the quietest of places to sleep, meaning you will hear the alarm clocks of neighboring rooms, as well as any loud guests, some coughs and sneezes included. Since this is a family-focused hotel, expect that it will be on the noisier side.
So if you opt for this locale, maybe just use those Bluetooth-enabled alarm clocks to play the “Soul” soundtrack on repeat as a bit of low-level white noise.
Lifestyle
Mundane, magic, maybe both — a new book explores ‘The Writer’s Room’
There’s a three-story house in Baltimore that looks a bit imposing. You walk up the stone steps before even getting up to the porch, and then you enter the door and you’re greeted with a glass case of literary awards. It’s The Clifton House, formerly home of Lucille Clifton.
The National Book Award-winning poet lived there with her husband, Fred, starting in 1967 until the bank foreclosed on the house in 1980. Clifton’s daughter, Sidney Clifton, has since revived the house and turned it into a cultural hub, hosting artists, readings, workshops and more. But even during a February visit, in the mid-afternoon with no organized events on, the house feels full.
The corner of Lucille Clifton’s bedroom, where she would wake up and write in the mornings
Andrew Limbong/NPR
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Andrew Limbong/NPR
“There’s a presence here,” Clifton House Executive Director Joël Díaz told me. “There’s a presence here that sits at attention.”
Sometimes, rooms where famous writers worked can be places of ineffable magic. Other times, they can just be rooms.
Princeton University Press
Katie da Cunha Lewin is the author of the new book, The Writer’s Room: The Hidden Worlds That Shape the Books We Love, which explores the appeal of these rooms. Lewin is a big Virginia Woolf fan, and the very first place Lewin visited working on the book was Monk’s House — Woolf’s summer home in Sussex, England. On the way there, there were dreams of seeing Woolf’s desk, of retracing Woolf’s steps and imagining what her creative process would feel like. It turned out to be a bit of a disappointment for Lewin — everything interesting was behind glass, she said. Still, in the book Lewin writes about how she took a picture of the room and saved it on her phone, going back to check it and re-check it, “in the hope it would allow me some of its magic.”
Let’s be real, writing is a little boring. Unlike a band on fire in the recording studio, or a painter possessed in their studio, the visual image of a writer sitting at a desk click-clacking away at a keyboard or scribbling on a piece of paper isn’t particularly exciting. And yet, the myth of the writer’s room continues to enrapture us. You can head to Massachusetts to see where Louisa May Alcott wrote Little Women. Or go down to Florida to visit the home of Zora Neale Hurston. Or book a stay at the Scott & Zelda Fitzgerald Museum in Alabama, where the famous couple lived for a time. But what, exactly, is the draw?

Lewin said in an interview that whenever she was at a book event or an author reading, an audience question about the writer’s writing space came up. And yes, some of this is basic fan-driven curiosity. But also “it started to occur to me that it was a central mystery about writing, as if writing is a magic thing that just happens rather than actually labor,” she said.
In a lot of ways, the book is a debunking of the myths we’re presented about writers in their rooms. She writes about the types of writers who couldn’t lock themselves in an office for hours on end, and instead had to find moments in-between to work on their art. She covers the writers who make a big show of their rooms, as a way to seem more writerly. She writes about writers who have had their homes and rooms preserved, versus the ones whose rooms have been lost to time and new real estate developments. The central argument of the book is that there is no magic formula to writing — that there is no daily to-do list to follow, no just-right office chair to buy in order to become a writer. You just have to write.
Lifestyle
Bruce Johnston Retiring From The Beach Boys After 61 Years
Bruce Johnston
I’m Riding My Last Wave With The Beach Boys
Published
Bruce Johnston is riding off into the California sunset … at least for now.
The Beach Boys legend announced Wednesday he’s stepping away from touring after six decades with the iconic band. The 83-year-old revealed in a statement to Rolling Stone he’s hanging up his touring hat to focus on what he calls part three of his long music career.
“It’s time for Part Three of my lengthy musical career!” Johnston said. “I can write songs forever, and wait until you hear what’s coming!!! As my major talent beyond singing is songwriting, now is the time to get serious again.”
Johnston famously stepped in for co-founder Brian Wilson in 1965 for live performances, becoming a staple of the Beach Boys’ touring lineup ever since. Now, he says he’s shifting gears toward songwriting and even some speaking engagements … with occasional touring member John Stamos helping him craft what he’ll talk about onstage.
“I might even sing ‘Disney Girls’ & ‘I Write The Songs!!’” he teased.
But don’t call it a full-on farewell tour just yet. Johnston made it clear he’s not shutting the door completely, saying he’s excited to reunite with the band for special occasions, including their upcoming July 2-4 shows at the Hollywood Bowl as part of the Beach Boys’ 2026 tour. The run celebrates both the 60th anniversary of “Pet Sounds” and America’s 250th birthday.
“This isn’t goodbye, it’s see you soon,” he wrote. “I am forever grateful to be a part of the Beach Boys musical legacy.”
Lifestyle
On the brink of death, a woman is saved by a stranger and his family
In 1982, Jean Muenchrath was injured in a mountaineering accident and on the brink of death when a stranger and his family went out of their way to save her life.
Jean Muenchrath
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Jean Muenchrath
In early May 1982, Jean Muenchrath and her boyfriend set out on a mountaineering trip in the Sierra Nevada, a mountain range in California. They had done many backcountry trips in the area before, so the terrain was somewhat familiar to both of them. But after they reached one of the summits, a violent storm swept in. It began to snow heavily, and soon the pair was engulfed in a blizzard, with thunder and lightning reverberating around them.
“Getting struck and killed by lightning was a real possibility since we were the highest thing around for miles and lightning was striking all around us,” Muenchrath said.
To reach safer ground, they decided to abandon their plan of taking a trail back. Instead, using their ice axes, they climbed down the face of the mountain through steep and icy snow chutes.
They were both skilled at this type of descent, but at one particularly difficult part of the route, Muenchrath slipped and tumbled over 100 feet down the rocky mountain face. She barely survived the fall and suffered life-threatening injuries.

This was before cellular or satellite phones, so calling for help wasn’t an option. The couple was forced to hike through deep snow back to the trailhead. Once they arrived, Muenchrath collapsed in the parking lot. It had been five days since she’d fallen.
”My clothes were bloody. I had multiple fractures in my spine and pelvis, a head injury and gangrene from a deep wound,” Muenchrath said.
Not long after they reached the trailhead parking lot, a car pulled in. A man was driving, with his wife in the passenger seat and their baby in the back. As soon as the man saw Muenchrath’s condition, he ran over to help.
”He gently stroked my head, and he held my face [and] reassured me by saying something like, ‘You’re going to be OK now. I’ll be right back to get you,’” Muenchrath remembered.
For the first time in days, her panic began to lift.
“My unsung hero gave me hope that I’d reach a hospital and I’d survive. He took away my fears.”
Within a few minutes, the man had unpacked his car. His wife agreed to stay back in the parking lot with their baby in order to make room for Muenchrath, her boyfriend and their backpacks.
The man drove them to a nearby town so that the couple could get medical treatment.
“I remember looking into the eyes of my unsung hero as he carried me into the emergency room in Lone Pine, California. I was so weak, I couldn’t find the words to express the gratitude I felt in my heart.”

The gratitude she felt that day only grew. Now, nearly 45 years later, she still thinks about the man and his family.
”He gave me the gift of allowing me to live my life and my dreams,” Muenchrath said.
At some point along the way, the man gave Muenchrath his contact information. But in the chaos of the day, she lost it and has never been able to find him.
”If I knew where my unsung hero was today, I would fly across the country to meet him again. I’d hug him, buy him a meal and tell him how much he continues to mean to me by saving my life. Wherever you are, I say thank you from the depths of my being.”
My Unsung Hero is also a podcast — new episodes are released every Tuesday. To share the story of your unsung hero with the Hidden Brain team, record a voice memo on your phone and send it to myunsunghero@hiddenbrain.org.
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