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A completely subjective ranking of Los Angeles neighborhoods by walkability

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A completely subjective ranking of Los Angeles neighborhoods by walkability

Admit it, you’re here because you want to see how walkable your favorite (or least favorite, I suppose) L.A. neighborhood is. You want bragging rights, you want your biases confirmed, you want a totally unscientific, more than a little opinionated ranking of Los Angeles neighborhoods by walkability. And we’re here to give it to you.

L.A. really is a walking city.
Explore our ground-level guide to the people and places keeping our sidewalks alive.

Why unscientific? For starters because those kinds of number-crunching rankings already exist in urban planning master’s degree projects and on apartment-rental websites such as walkscore.com. And let’s face it, while data tells a story, it doesn’t tell the whole story.

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That’s why I put together this list: to highlight the things that make walking in a neighborhood, and in our dear city, especially unique. Those include celebrity adjacency (Will I see someone famous?), L.A.-ness (Is there an instantly-recognizable palm-tree dotted backdrop?), pedestrian density (If I saw someone walking here, would I immediately suspect something’s amok?). I also consulted many a friend and colleague — folks who’ve actually lived in these neighborhoods.

Finally, as an Angeleno who’s lived here for 27 years and likes to explore the city on foot after a few drinks (or a puff or two of the herb), I took a few — how shall I put it? — personal liberties. In short, this is my highly particular list. Perhaps you have one of your own?

Be forewarned: This is not an exhaustive overview (L.A. is big! And many neighborhoods are mostly residential.) but one that touches on the four least- and most-walkable neighborhoods (at the top and bottom of the list, respectively), along with some handpicked in-betweens you’re probably familiar with.

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Swan Lake at the entrance to the Hotel Bel-Air located at 701 Stone Canyon Road in Los Angeles.

(Al Seib / Los Angeles Times)

18. Bel-Air
It’s a fact: L.A.’s wealthiest neighborhoods are, for the most part, the least pedestrian-friendly, more concerned with privacy hedges than the safe passage of foot traffic. Exhibit A: this sidewalk-free enclave where people once, presumably, moved about without vehicular assistance, but no longer seem to. I’ve never once seen a pedestrian here. Nor have I met anyone who has. Are there celebrities to be found on these icy manicured streets? Undoubtedly, but chances are you won’t have the opportunity to lay eyes on the likes of Rupert Murdoch (who recently tied the knot at his winery here), Joni Mitchell or Jennifer Lopez. Unless, that is, you’re a paparazzo who’s specifically called on to do so. Oh, and don’t bother looking for the original “Fresh Prince” house either. That’s actually in Brentwood.

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A hiker at Inspiration Point in Will Rogers State Historic Park in Pacific Palisades.

(Brian van der Brug / Los Angeles Times)

17. Pacific Palisades
No one walks to — or from — anywhere in the Palisades. And, if anybody looks like they’re walking, it’s probably because they’ve just parked the car or are popping from one store to the next at Rick Caruso’s Palisades Village. I walked here — just once — and felt like I was sporting the scarlet letter (“P” for pedestrian, naturally) the entire time. And what good is a stretch of coastline if you can’t walk there without taking your life in your hands? Even so, the neighborhood has plenty of idyllic, Californian backdrops and its fair share of celebrity residents. You could easily find yourself next to a soup-slurping Cheech Marin at Casa Nostra Ristorante or crossing paths with Tom Hanks and Rita Wilson, who have a house here.

Drone view overlooking the Hollywood sign in Griffith Park in Los Angeles.

(Brian van der Brug / Los Angeles Times)

16. Hollywood Hills
A rabbit warren of steep, narrow, twisty streets and near-total lack of sidewalks make foot traffic in most of this hilly neighborhood not just challenging but downright dangerous. And, since it’s overwhelmingly residential, places — other than hillside homes — to walk to and from are all but nonexistent. While plenty of celebs call the hills home, your best bet at laying eyes on a star is to find a spot where you can gaze out at the Hollywood sign on nearby Mt. Lee in Beachwood Canyon. (P.S.: No one likes to admit it, but there’s also a serious rat problem in them there hills. And the last thing I want to worry about if I’m trying to outrun a rapacious rodent is dodging traffic.)

A couple walking in Elysian Park

(Myung J. Chun / Los Angeles Times)

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15. Elysian Park
Notably home to two things: Dodger Stadium — itself so inaccessible on foot that there has been a years-long effort to build a gondola to ferry people there from Union Station — as well as the neighborhood’s namesake 600-acre park, which may put it toward the top of a strollability index. But as far as access to shopping and dining options, not so much (the seasonal Dodger Dog notwithstanding).

Rodeo Drive shopping mall

(Al Seib / Los Angeles Times)

14. Beverly Hills
A dense concentration of high-profile places to go and things to do in the Golden Triangle certainly make this swanky slice of Greater L.A. seem walkable. Which it is — up to a point. But most of Beverly Hills is, well, hills. North of Sunset Boulevard and the part known as “the flats” are mostly residential, so neither really lend themselves to robust pedestrian traffic. The only thing that keeps it from ranking worse on the list is that you’d be hard-pressed to find a better backdrop for the socials than the shops of Rodeo Drive. Case in point: I recently watched a a young influencer-type stick her smartphone to the front window of the Gucci boutique— literally, using some sort of suction cup phone case — so she could step back and beam her whereabouts to TikTok.

A view of Sua in the neighborhood of Larchmont in Los Angeles

(Shelby Moore / For The Times)

13. Larchmont/Hancock Park
It pains me to give one of my favorite neighborhoods in the entire city a sub-par rank but the delightful meander that is two bustling blocks of Larchmont Boulevard isn’t enough to offset the quick transition into full residential territory just a block in either direction. But if you are strolling that one lovely thoroughfare, be on the lookout for Kiernan Shipka, who likes to grab her coffee at Go Get Em Tiger, or Emma Roberts, who stocks up on periodicals at the newstand there. The farmers market, held on Wednesdays and Sundays, isn’t bad either.

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Fountains in Grand Park in Los Angeles

(Myung J. Chun / Los Angeles Times)

12. Downtown L.A.
I have a theory: Downtown L.A. ranks near the top of a lot of walkability rankings because it’s just expected that a dense urban core that serves as a major transit hub would, by default, be a great place for people to live their best car-free lives. But here we’re grading on a curve — and factoring in the reality that the same place where we can easily dash out on foot to grab a French dip sandwich or take in the symphony is also a place filled with enough dark alleys, vacant storefronts and litter-strewn sidewalks to make the on-foot feel on guard after dark.

Street scene on Western Avenue in Koreatown

(Brian van der Brug / Los Angeles Times)

11. Koreatown
This is a neighborhood that ticks all the boxes for walkability — it’s densely packed with shopping and dining options (like a lot of delicious dining options), it’s easily navigable on foot, and parking is so scarce, having a car is more a liability than an asset. But it’s densely populated too, and that combination of pedestrian traffic and the cars zooming along the main arteries of Wilshire and Olympic boulevards and Third Street, take a little bloom off the rose.

Edo by Edoardo Baldi at The Grove in Los Angeles

(Allen J. Schaben / Los Angeles Times)

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10. Beverly Grove/Fairfax
The Grove shopping center, the Original Farmers Market, LACMA and the Academy Museum combine to give this part of Mid-City a solid score. The biggest hurdle here — literally in some cases — are the handful of root-busted, near impassable sidewalks. The only thing more quintessentially L.A. than posing for a photo in front of Chris Burden’s “Urban Light” installation (in front of LACMA) is doing it in a room full of Oscar statuettes at the Academy Museum next door. This is also where you’ll be able to amble through the grassy greenspace around the La Brea Tar Pits (super fun when you’re a little baked, BTW) where gooey asphalt can be seen bubbling up and oozing out of the ground, thick and smelling like a freshly resurfaced roadway. An alluring, distinctly Angeleno perfume, if I’ve ever smelled one.

Tourists checking out the stars on the Hollywood Walk of Fame

(Allen J. Schaben / Los Angeles Times)

9. Hollywood
Out of necessity — and opportunity — there’s a direct correlation between tourist popularity and walkability in L.A. neighborhoods. That puts Hollywood in the top half of this list — but just barely. It’s pedestrian-heavy and mass-transit-accessible with something to eat, buy or take a photo of at nearly every turn. Though A-list celebs are usually in short supply (but for the occasional movie premiere or awards show), there are legions of spider-folk, Jack Sparrows and other costumed characters along Hollywood Boulevard who will gladly play the part (for a “donation,” of course). And, no matter how skilled a driver you are, you’ll never be able to explore the Hollywood Walk of Fame from behind the wheel.

Unfortunately, the same draws that make it a walkable gawk for touristas of every stripe makes it a frustrating exercise in perambulation for locals — kind of like New York’s Times Square with balmier weather. A lot of the shops traffic in tacky souvenirs and most of the eateries are of the soggy pizza sort (beloved old-school Musso & Frank’s the rare exception). And, statistically, when you get that many people prowling the sidewalks, the chances for shenanigans are high. That’s how I found myself (in a somewhat altered state, I’ll admit) being screamed at — and I mean screamed at — by a ghoulish-looking clown in full face paint as we passed each other in a Hollywood Boulevard crosswalk.

The Culver City EverWalk Walking Club

(Christina House / Los Angeles Times)

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8. Culver City
If you don’t immediately think of Culver City as walkable, it’s probably because you’ve only driven through it on the way to somewhere else. In addition to myriad dining and shopping options that are thickest where Washington, Culver and Venice boulevards intersect, there are also a few pieces of walk-by Hollywood history. One is the wedge-shaped Culver Hotel — where the actors who played the Munchkins stayed during the filming of “The Wizard of Oz,” and the Washington Boulevard entrance to Culver Studios, which can be seen in the opening titles of “Gone With the Wind.” A cliché photo op? Perhaps. But frankly, I don’t give a damn.

Hungry customers in line at Villa's Tacos in Highland Park

(Mariah Tauger / Los Angeles Times)

7. Highland Park
There’s a reason why L.A.’s legendary Bob Baker’s Marionette Theater decamped to Highland Park in 2019. Not only does it sit on York Street across from a children’s playground with a rattlesnake slide, but it’s also on the edge of a bustling commercial stretch where you can find gourmet bagels, lengua tacos at low prices and delightful trinkets for nearly every person in your life. The flow of pedestrian traffic is strong day and night both here and on Figueroa Street (where you can also access the Metro A Line). If you hang around enough, you might even pass by an NELA-dwelling celebrity or two (my colleagues have spotted the likes of John C. Reilly and Eric Warheim in these parts).

People walking around Echo Park Lake in Los Angeles

(Dania Maxwell / Los Angeles Times)

6. Echo Park
The crown jewel of this neighborhood — and the big pedestrian draw — is Echo Park Lake, where walking one loop will get you about a mile closer to your step goal (and it’s especially beautiful during lotus season). But that’s not all that makes this a good place to forgo your four-wheeled transportation; there’s also the vibrant, explorable bend in Sunset Boulevard that runs from Taix to to Quarter Sheets (past El Prado and the Time Travel Mart) and the stretch of Echo Park Avenue just north of Sunset (look for the mural-covered buildings at the corner) that takes you toward the Echo Park outpost of Jon & Vinny’s Cookbook market.

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You might think that bordering the not-so-walkable Elysian Park (see above) would negatively impact Echo Park’s walkability, but several of my colleagues assure me it’s actually the opposite — using it as a kind of pedestrian base camp for a 20-minute walk to Dodger Stadium (gondola plans be damned). The one thing that does cut into the walkability (or at least some of the enjoyment of walking) around these parts are the steepness of some of the streets as they rise toward the hills north of Sunset.

The Swan Stairs zig-zag up the hillside from Westerly Terrace to Swan Place in Silver Lake.

(Myung J. Chun / Los Angeles Times)

5. Silver Lake
The meat in Silver Lake’s walkabilty sandwich is Sunset Junction, where Santa Monica and Sunset boulevards converge and there’s plenty for pedestrians to peruse, including Mohawk General Store and Taiwanese noodle shop Pine & Crane, a twice-weekly farmers market and one of the best Erewhons to people-watch in. Bonus: There’s also the Silver Lake Reservoir — for that kind of walking — and some serious cardio-elevating staircases in the mix, including the historic Music Box Steps, made famous by the silent-film comedy duo Laurel and Hardy in the 1930s.

The Los Feliz Theatre

(Glenn Koenig / Los Angeles Times)

4. Los Feliz
What gives this neighborhood the walkability edge over its seemingly similar neighbors? Two retail- and restaurant-heavy streets for starters — Hillhurst and Vermont Avenues, home to a pedestrian-pleasing assortment of restaurants, (Little Dom’s), bars (Ye Rustic for some of the best chicken wings in the city, the so-hip-it-hurts Dresden Room bar and lounge for martinis and some live music) and shops (Skylight Books for the printed word). Keep your eyes peeled because you could easily find yourself downward dogging next to Sandra Oh in a Pilates class or bump into Aaron Paul at Albertsons. This urban walker’s paradise also gets extra points because of its location — right at the base of Griffith Park — making it a gateway, nay a biped’s launchpad, into one of the largest urban parks in North America.

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People are entertained by a magician as they enjoy a sunny day at the Santa Monica Pier.

(Jason Armond / Los Angeles Times)

3. Santa Monica
Thank the 10 million tourists that trek to the pier here for helping make the city — particularly the stretch along Ocean Avenue and the three car-free blocks of the Third Street Promenade — among the Southland’s most walkable. It gets extra points for the pedestrian bridges over the bustling Pacific Coast Highway that help folks get safely from the shops-and-restaurants part of town to the beach. Pro tip: Leave the pier and its immediate surroundings to the out-of-towners and channel your pedestrian energy on the less-trafficked, local parts of town. (There are plenty — Wilshire and Pico boulevards east of Lincoln Boulevard and stretches of Montana Avenue for starters.) Grab dinner at nearby old-school haunt Chez Jay or head a little farther afield for a knee-wobbling mai tai at the Galley. When you leave you’ll be happy you arrived on foot.

A surfer walking on the Venice Beach Boardwalk

(Luis Sinco / Los Angeles Times)

2. Venice
Another tourist-heavy, pedestrian-friendly part of town — with a view of the Pacific Ocean thrown in for good measure. You might need to get here by car, but the sooner you ditch it in a (probably overpriced) parking spot the better. That frees you up to dip into the human soup of the boardwalk for people-watching at its finest: pigeon-training, python-handling carnies, vendors who can write your name on a grain of rice or balance your chakras. (During one visit, I spent the better part of a half-hour doing nothing but watching a guy dressed like an escapee from a “Where’s Waldo?” book — bold-red-and-white-striped shirt, black knit cap, skinny-leg jeans — popping in and out of shops.) Who knows, you might even glimpse Arnold Schwarzenegger or Owen Wilson pedal past you on a bike.

From the strand it’s a win-win for the walking class no matter the direction, thanks to a wide swath of sandy beach and the mighty Pacific on one side and quaint, artsy neighborhoods with mural-covered walls and funky yarn art trees on the other. Another short stroll to the Venice Canals can transport you seemingly worlds away to a network of European-style canals and past a magical, people-powered carousel for kids — neither of which are accessible by car.

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A couple holding hands in West Hollywood

(Mel Melcon / Los Angeles Times)

1. West Hollywood
I’ll admit it — I’m wildly biased about WeHo’s walkability for a couple of reasons. It was the the first place I lived when I moved to town more than a quarter-century ago and it was here — in a liquor store at the corner of Sunset Boulevard and Larrabee Street — that I had my very first celebrity sighting (“Goodfellas” actor Paul Sorvino eating a powdered donut). That felt like peak walkability — the original Spago, Tower Records, the Viper Room and Whiskey a Go Go all within walking (and occasionally stumbling) distance of each other. And the assortment of walkable wonderment has only increased in the years since. In addition to the dense concentration of places to eat and drink (heavily clustered along Sunset and Santa Monica boulevards) that make this a pedestrian-friendly destination any time of day and late into the night, this compact neighborhood/city , is home to five of the county’s six open cannabis consumption lounges — most clustered along a two-mile stretch of Santa Monica Boulevard. Being able to light up a joint at a place like the leafy jungle oasis that is the Woods (the dispensary and weed lounge co-owned by Woody Harrelson) or grab dinner and a bong hit at the sex-shop-adjacent PleasureMed and not have to climb behind the wheel makes West Hollywood the unbeatable holy grail of L.A. neighborhood walkability — and the recipient of the most vaunted honor of this unscientific endeavor: a pair of golden sneakers.

Standalone illustration of a person walking

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30 years ago, ‘Waiting to Exhale’ was the blockbuster Hollywood didn’t anticipate

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30 years ago, ‘Waiting to Exhale’ was the blockbuster Hollywood didn’t anticipate

Loretta Devine, Whitney Houston, Angela Bassett and Lela Rochon.

Merie W. Wallace/20th Century Fox


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Many (predominantly white) critics weren’t impressed with the movie Waiting to Exhale when it opened in 1995, but moviegoers turned up in droves, making it one of the year’s most profitable blockbusters. In a year in review, The Los Angeles Times dubbed the film a “social phenomenon,” and the NAACP lavished it with Image Awards for outstanding motion picture, lead actress and more.

Ten years after the acclaim and controversy of Alice Walker’s The Color Purple and long before Girlfriends and Girls Trip, the Black women’s ensemble feature was a rarity on American screens — until this modestly-budgeted, big studio adaptation of Terry McMillan’s popular novel made its splashy debut. Before Sex and the City delved into the sex lives and pitfalls of urban daters, audiences thrilled to the sight of Waiting to Exhale foregrounding the romantic lives and misadventures of four successful, single Black women, not just struggling to survive but striving for more.

“I haven’t gotten to the point where I’ll take whatever I can get,” Savannah (Whitney Houston) observes in the movie as she refuses to settle and moves from Denver to Phoenix. “There’s a big difference between being thirsty and being dehydrated.” Her words apply to people craving better representation just as they do women seeking a love connection. In the 1990s, even as Black women were often let down while longing to see themselves depicted fully and lovingly as the center of stories, they kept seeking, often practicing what cultural scholars like Stuart Hall called negotiated reading. As scholar Jacqueline Bobo wrote in 1988 about Black women’s reception of Steven Spielberg’s adaptation of The Color Purple, “we understand that mainstream media has never rendered our segment of the population faithfully … out of habit, as readers of mainstream texts, we have learnt to ferret out the beneficial and put up blinders against the rest.”

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A humane and cheeky comedy, Waiting to Exhale exceeded expectations. So women showed up for this movie, surprising even executives at 20th Century Fox, who should have known better given the book’s fans, who swamped readings by the thousands. They gathered. They laughed. They talked. And they cried. And many saw themselves in these four women, regardless of whether they had the wardrobes and lifestyles. They knew the pain of working hard and successfully building a life, when all your family can see is that you don’t have the thing that was still so prized and validating in women’s lives — a socially approved, church-sanctified partner.

The resonance was so deep that, for years to come, the story’s reception and impact would be studied by cultural scholars. When Jacqueline Bobo published her book-length study of Black Women as Cultural Readers, Waiting to Exhale was a recurring reference point. And when Black women authors are asked about their influences, the movie Waiting to Exhale and the novel remain touchstones, the movie often the first point of entry. Danyel Smith called them “era-defining” and Tara M. Stringfellow wrote that McMillan taught her that “sisterhood is as necessary as air.”

Translating the 1992 novel to the big screen 

Like its faithful film adaptation, Terry McMillan’s bestselling book is tart, a little raunchy and incisive. Her portraits of four successful, attractive middle class Black women reflected important social changes including dramatic increases in working women and educational attainment in the 1970s to 1990s. While sociologists were debating “the marriage gap” and declining rates of marriage for Black women, McMillan’s characters were commiserating, exploring their options, cracking jokes, and braving the messy realities of life in a series of poignant and laugh out loud funny vignettes.

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It’s remarkable to see how well the film and book correspond: While the screenplay compressed some of the novel’s nuance and depth of the characters’ inner monologues and social observation, it retained and even amplified the emotional power. Despite some biases of the time – including fatphobia and the use of homophobic slurs – the themes hold up.

Casting was a major part of the charm. Still hot off her film debut opposite Kevin Costner in The Bodyguard in 1992, Whitney Houston gave the film unmistakable star power. As Savannah, she’s ambitious, the one who isn’t willing to settle no matter how much her mother pressures her, even as she recognizes dwindling odds of marriage and an abundance of frustrating suitors. She doesn’t need rescue or support. What she craves, what she’s holding out for, despite the insistent phone calls from her mother, is soul-deep love. In the book, Savannah admits to herself: “I worry. I worry about if and when I’ll ever find the right man, if I’ll ever be able to exhale… Never in a million years would I have ever believed that I would be thirty-six years old and still childless and single. But here I am.” On screen she’s just 33, and expresses these sentiments in conversation. The point lands just the same.

Savannah’s best friend Bernadine (Angela Bassett) is equal parts fierce and wounded — an impeccably groomed and soon-to-be divorced mother of two who helped build a business with her husband and then got unceremoniously dumped for a younger and whiter version of herself. Loretta Devine is striking as Gloria, a hair salon owner who has all but given up on romantic love, and dreads the looming empty nest after focusing all her attention on mothering her 17-year old son (flawlessly cast in Donald Faison of Clueless). Last, there’s the beautiful yet naive corporate underwriter Robin, played by Lela Rochon, whose taste in men leaves a lot to be desired and provides comic gold in her hapless dating adventures. Robin’s motley crew of suitors include Mykelti Williamson delivering an indelible comic turn, Leon Robinson and Wendell Pierce.

The creative talent behind the scenes was also crucial to the film’s success. It was actor Forest Whitaker’s directorial debut, working with a screenplay co-written by McMillan and Oscar-winning writer Ronald Bass, best known at the time for Rain Man. The film’s episodic structure centering milestone holidays is a little choppy and uneven, but many of the scenes deliver a gut punch or laugh out loud joy. The writing duo faithfully distilled the character and tone from the source material including much of the original dialogue. Scholars Tina M. Harris and Patricia S. Hill argue that McMillan also “influenced directorial decisions and character development” on set, enriching the story’s authentic portrayals of Black women.

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In the movie’s single most enduring (and now iconic) scene, after Bernadine’s husband tells her he’s leaving her for the company accountant, she empties his closet and then burns his expensive belongings and car in their driveway. Clad in a black lace nightgown and silk robe, with a cigarette in her hand and a look of disgust and determination on her face, Angela Bassett vibrates with indignation — heightened with sound effects and camera angles, it’s a brilliantly provocative visual translation of the events McMillan imagined in print. In the book, McMillan paints a similar picture with words. Bernadine is “feeling antsy,” fuming over being left after putting up with so much. Anger rising, she reflects on the excessive power her husband had wielded in their home and takes stock — of the “close to a thousand books, most in alphabetical order” and of John’s closet, with shirts “grouped by color” and suits “in order by designer” and of how he “had even counted the number of times they made love.” Concluding, “there was too much order in this damn house,” she frees herself, lighting most of his stuff on fire and throwing a garage sale, pricing every remaining possession at a dollar.

Three decades later, the appeal endures, despite reviews like the one in Salon that likened gender representation in Waiting to Exhale to “male bashing taken to an extreme,” “crack for the female psyche” and “cheap thrills and psychological lies masquerading as social commentary.” Three years after Waiting to Exhale‘s debut, Sex and the City would use a similar formula. Mirroring Whitaker’s production, SATC centered four white professional women pursuing romance and experiencing raunchy, farcical dating and sexual disappointments while embracing each other. It also paired action with contemplative voice overs and gave the women even more upscale and enviable lifestyles. The HBO show premiered to popular delight and somewhat better reviews, eventually garnering 54 Emmy nominations and 7 wins. Today, I see Waiting to Exhale as blazing a trail and deserving appreciation as a deeply human work of commercial art that took Black women’s lives and concerns seriously and executed its vision with style.

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‘The Middle’ Actor Pat Finn Dead at 60 After Cancer Battle

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‘The Middle’ Actor Pat Finn Dead at 60 After Cancer Battle

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‘The Middle’ Actor Dead at 60

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In Brooklyn’s Park Slope neighborhood, children’s entertainment comes with strings

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In Brooklyn’s Park Slope neighborhood, children’s entertainment comes with strings

The Tin Soldier, one of Nicolas Coppola’s marionette puppets, is the main character in The Steadfast Tin Soldier show at Coppola’s Puppetworks theater in Brooklyn’s Park Slope neighborhood.

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Every weekend, at 12:30 or 2:30 p.m., children gather on foam mats and colored blocks to watch wooden renditions of The Tortoise and the Hare, Pinocchio and Aladdin for exactly 45 minutes — the length of one side of a cassette tape. “This isn’t a screen! It’s for reals happenin’ back there!” Alyssa Parkhurst, a 24-year-old puppeteer, says before each show. For most of the theater’s patrons, this is their first experience with live entertainment.

Puppetworks has served Brooklyn’s Park Slope neighborhood for over 30 years. Many of its current regulars are the grandchildren of early patrons of the theater. Its founder and artistic director, 90-year-old Nicolas Coppola, has been a professional puppeteer since 1954.

The outside of Puppetworks in Park Slope.

The Puppetworks theater in Brooklyn’s Park Slope neighborhood.

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A workshop station behind the stage at Puppetworks, where puppets featured in the show are stored and regularly repaired.

A workshop station behind the stage at Puppetworks, where puppets are stored and repaired.

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A picture of Nicolas Coppola, the founder and artistic director of Puppetworks, in the theater space.

A picture of Nicolas Coppola, Puppetworks’ founder and artistic director, from 1970, in which he’s demonstrating an ice skater marionette puppet.

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For just $11 a seat ($12 for adults), puppets of all types — marionette, swing, hand and rod — take turns transporting patrons back to the ’80s, when most of Puppetworks’ puppets were made and the audio tracks were taped. Century-old stories are brought back to life. Some even with a modern twist.

Since Coppola started the theater, changes have been made to the theater’s repertoire of shows to better meet the cultural moment. The biggest change was the characterization of princesses in the ’60s and ’70s, Coppola says: “Now, we’re a little more enlightened.”

Michael Jones, the newest addition of puppeteers at Puppetworks with Jack-a-Napes, one of the main characters in "The Steadfast Tin Soldier." (right) A demonstration marionette puppet, used for showing children how movement and control works.

Right: Michael Jones, Puppetworks’ newest puppeteer, poses for a photo with Jack-a-Napes, one of the main characters in The Steadfast Tin Soldier. Left: A demonstration marionette puppet, used for showing children how movement and control works.

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Marionette puppets from previous shows at Puppetworks hanging on the wall.

Marionette puppets from previous Puppetworks shows hang on one of the theater’s walls.

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A child attending a 12:30PM showing at Puppetworks on December 6, dressed up in holiday attire featuring the ballerina and tin soldier also in "The Steadfast Tin Soldier."

A child attends Puppetworks’ 12:30 p.m. showing on Saturday, Dec. 6, dressed in holiday attire that features the ballerina and tin soldier in The Steadfast Tin Soldier.

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Streaming has also influenced the theater’s selection of shows. Puppetworks recently brought back Rumpelstiltskin after the tale was repopularized following Dreamworks’ release of the Shrek film franchise.

Most of the parents in attendance find out about the theater through word of mouth or school visits, where Puppetworks’ team puts on shows throughout the week. Many say they take an interest in the establishment for its ability to peel their children away from screens.

Whitney Sprayberry was introduced to Puppetworks by her husband, who grew up in the neighborhood. “My husband and I are both artists, so we much prefer live entertainment. We allow screens, but are mindful of what we’re watching and how often.”

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Left: Puppetworks’ current manager of stage operations, Jamie Moore, who joined the team in the early 2000s as a puppeteer, holds an otter hand puppet from their holiday show. Right: A Pinocchio mask hangs behind the ticket booth at Puppetworks’ entrance.

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A child attending a 12:30PM showing at Puppetworks on December 6, dressed up in holiday attire.

A child attends Puppetworks’ 12:30 p.m. showing on Saturday, Dec. 6, dressed in holiday attire.

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Left: Two gingerbread people, characters in one of Puppetworks’ holiday skits. Right: Ronny Wasserstrom, a swing puppeteer and one of Puppetworks’ first puppeteers, holds a “talking head” puppet he made, wearing matching shirts.

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Other parents in the audience say they found the theater through one of Ronny Wasserstrom’s shows. Wasserstrom, one of Puppetworks’ first puppeteers, regularly performs for free at a nearby park.

Coppola says he isn’t a Luddite — he’s fascinated by animation’s endless possibilities, but cautions of how it could limit a child’s imagination. “The part of theater they’re not getting by being on the phone is the sense of community. In our small way, we’re keeping that going.”

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Attendees of a 12:30PM showing of "The Steadfast Tin Soldier" and "Nutcracker Sweets" at Puppetworks on December 6, 2025.

Puppetworks’ 12:30 p.m. showing of The Steadfast Tin Soldier and The Nutcracker Sweets on Saturday, Dec. 6.

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Children meeting and seeing up close one of the puppets in "The Steadfast Tin Soldier" after the show.

Children get a chance to see one of the puppets in The Steadfast Tin Soldier up close after a show.

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Left: Alyssa Parkhurst, Puppetworks’ youngest puppeteer, holds a snowman marionette puppet, a character in the theater’s holiday show. Right: An ice skater, a dancing character in one of Puppetworks’ holiday skits.

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Community is what keeps Sabrina Chap, the mother of 4-year-old Vida, a regular at Puppetworks. Every couple of weeks, when Puppetworks puts on a new show, she rallies a large group to attend. “It’s a way I connect all the parents in the neighborhood whose kids go to different schools,” she said. “A lot of these kids live within a block of each other.”

Three candy canes, dancing characters in one of Puppetworks' holiday skits, hanging in the space waiting to be repaired after a show.

Three candy canes — dancing characters in one of Puppetworks’ holiday skits — wait to be repaired after a show.

Anh Nguyen for NPR

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Anh Nguyen is a photographer based in Brooklyn, N.Y. You can see more of her work online, at nguyenminhanh.com , or on Instagram, at @minhanhnguyenn. Tiffany Ng is a tech and culture writer. Find more of her work on her website, breakfastatmyhouse.com.

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