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92NY, a historic cultural center, turns 150 — grappling with today's Israel-Hamas war

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92NY, a historic cultural center, turns 150 — grappling with today's Israel-Hamas war

The 92nd Street Y, New York is celebrating its 150th anniversary. As a Jewish cultural institution, it’s also facing criticism related to the Israel-Hamas war.

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The 92nd Street Y, New York is celebrating its 150th anniversary. As a Jewish cultural institution, it’s also facing criticism related to the Israel-Hamas war.

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Nonprofits often struggle to adhere to their original mission statements, especially as they develop new programs and serve new audiences. For Jewish institutions, the Israel-Hamas war has been an inflection point.

That’s been especially true of The 92nd Street Y, New York, which turns 150 this month.

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92NY was founded by a group of German Jewish New Yorkers as one of the earliest branches of the Young Men’s Hebrew Association, which were modeled on the Young Men’s Christian Associations, better known as the YMCA.

It had a simple goal — help immigrants assimilate, said Seth Pinsky, CEO of 92NY.

“They saw a growing wave of Eastern European Jews and felt that these new immigrants would need a place where they could learn how to become Americans, become educated, gain skills, and adjust to a new life in a new country,” Pinsky said.

Swimming at New York’s Young Men’s Hebrew Association (YMHA) in 1911. The YMHA eventually became The 92nd Street Y, New York, a cultural force that hasn’t lost its community center vibe.

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Over time, The 92nd Street Y, New York became much more: a nondenominational, cultural powerhouse open to all. “Even though it was founded as a Jewish institution, has always been a Jewish institution, it is also an institution that has always served the wider world,” said Pinsky.

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‘Category buster’

Look through the archives and it seems like anybody who’s anybody in culture, science, politics and the like has appeared at 92NY: writers such as Dylan Thomas and Nobel Peace Prize winner Elie Wiesel, entertainers like Paul Robeson and Carol Burnett, and scientists like Dr. Jane Goodall. Modern dance pioneers Martha Graham and José Limón taught at 92NY before founding their own companies. Alvin Ailey debuted his best known work, Revelations at 92NY in 1960.

Martha Graham was among the modern dance pioneers who taught at 92NY before founding her own company.

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The 92nd Street Y, New York

Every day, thousands of people still use The 92nd Street Y, New York as their local community center. They come for its swimming pool, daycare, gym and numerous classes, from tap dancing to jewelry making.

They also come for events and lectures. Recent speakers include actor Emily Blunt and actor/singer Audra McDonald, former U.S. Rep Liz Cheney, and Ambassador Deborah Lipstadt, the U.S. Special Envoy to Combat and Monitor Antisemitism. During the pandemic, 92NY started streaming virtual presentations online, reaching millions of people around the world.

“It’s a category buster and there’s really nothing else like it anywhere,” said Pinsky.

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Pinsky said 92NY was built on Jewish and American values including “debate and a robust exchange of ideas.” From Israeli prime ministers to civil rights activists, for decades it has thrived as a place for diverse programs and points of view.

Ambassador Deborah Lipstadt, U.S. Special Envoy to Monitor and Combat Antisemitism, spoke with Rabbi David Ingber, senior director at 92NY’s Bronfman Center for Jewish Life on Jan. 24, 2024.

Vladimir Kolesnikov/Michael Priest Photography/The 92nd Street Y, New York


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Vladimir Kolesnikov/Michael Priest Photography/The 92nd Street Y, New York

But that identity was shaken after the Hamas-led attacks on Israel on Oct. 7, 2023. Afterward, 92NY postponed an event by one of its divisions, the well-regarded Unterberg Poetry Center.

Pulitzer Prize-winning writer Viet Thanh Nguyen was scheduled to talk at 92NY two weeks after the attacks. But he was also one of hundreds of writers who’d signed an open letter in the London Review of Books condemning Israel’s occupation and calling for a ceasefire. The Israeli government says that a ceasefire could lead to further attacks.

Nguyen’s novels are about surviving war and trauma, but Pinsky said it was not the right time for him to appear at 92NY.

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“It was during the traditional Jewish period of mourning, and it was about a week after the so-called Day of Rage, when Hamas called for the targeting not just of Israelis, but of Jews and Jewish institutions,” Pinsky said. “And so what we said was not that he couldn’t hold those opinions and not that he could never appear on our stage. But maybe that moment wasn’t the right moment.”

The Poetry Center’s director, Bernard Schwartz, refused to postpone and quickly arranged for the event to take place at a local bookstore instead.

Nguyen told the audience he believed he was canceled.

“Art is supposed to keep our minds and hearts open. So the greatest irony of all of this is that what could save us — or one of the things that could save us — art — has been silenced,” Nguyen said.

Writers, including playwright Tony Kushner, signed an open letter angry at 92NY’s decision. Some of those scheduled to speak last fall withdrew. Schwartz and the two other members of the Poetry Center’s staff resigned, effectively suspending the program.

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“It sends a terrible message, because writers have to be able to express themselves,” said James Shapiro, an author and English professor at Columbia University. He’s been actively involved with 92NY for years, including teaching a class on Shakespeare. He said he’s so furious, he doesn’t plan to return.

“I’m a Zionist. I’m a supporter of the Y. I’m a defender of my community,” said Shapiro, “And when a group within that community is effectively making it worse by aligning it with a view that Jews censor writers who don’t line up with their beliefs, it sets a terrible example.”

Shapiro praised the work of the Poetry Center’s small staff and “the brave stand that they took in defense of free speech.”

Pinsky said he’s well aware there are people in the literary world “who are not happy with the decision we made.” He vowed to rebuild the Poetry Center. “We’re ready to do the work and we think our poetry program and literature program is an important one, and it’s one that we want to get back on its feet.”

Cultural institutions need to ‘reconsider everything we do’

92NY is just one of many cultural institutions getting heat for whatever they do — or don’t do — related to the Israel-Hamas war. The decisions they make could affect their funding, audiences and staff morale.

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“The 92nd Street Y, like all Jewish institutions, but I think all institutions with conscience, have to think ‘How do we respond?’ ” said Susannah Heschel, chair of the Jewish Studies Program at Dartmouth College. “I think it means we have to reconsider everything we do. As a professor of Jewish Studies, what do I hope to achieve? And I’m not sure.”

CEO Pinsky said 92NY’s commitment to a “robust exchange of ideas” hasn’t changed. Since Oct. 7, it has featured conversations that have been both critical and supportive of the Israeli government.

Trying to make sense of difficult topics is one of the many reasons people go to 92NY. But they also come for concerts or to take a class or go for a swim. Pinsky said its mission to enrich individuals and create community is needed now “more than any time” in its 150-year history.

“The fabric of society is being pulled apart in so many different ways,” he said. “And bringing people together and making them feel connected is incredibly important. And that’s who we’ve always been and that’s who we continue to be.”

This story was edited for audio and digital platforms by Jennifer Vanasco.

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Hold on to your wishes — there's a 'Spider in the Well'

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Hold on to your wishes — there's a 'Spider in the Well'

Illustrations © 2024 Jess Hannigan

Spider in the Well, written and illustrated by Jess Hannigan

Illustrations © 2024 Jess Hannigan

Once upon a time, in the folkloric town of Bad Göodsburg, which is probably in Germany, there was an overworked newsboy.

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Not only did he bring the people their daily news, he also swept their chimneys, shined their shoes, and brought them their milk.

He was overworked, and underappreciated.

So, when the townspeople discover that their wishing well is broken, the newsboy sets off to fix it — and get some revenge. Thus begins this children’s tale of extortion, labor rights, and justice.

Author and illustrator Jess Hannigan spoke about her debut picture book, Spider in the Well, with NPR’s Tamara Keith. Here are excerpts from that conversation, edited in parts for clarity and length.

Spider in the Well

Illustrations © 2024 Jess Hannigan

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Illustrations © 2024 Jess Hannigan

Interview highlights

Tamara Keith: How did you come to write a book about a spider, when I understand that you are afraid of spiders?

Jess Hannigan: I am. I don’t care for them. But do I love the webs they spin? Yes. Do I love the spooky aesthetic? Of course. Basically, the whole story came about because I really just had the image of looking down a well with the web, with the spider in it, and I thought that would look cool. And then I kind of asked myself, like, ‘Is there a story here? Why is he in there? What’s he catching in the web?’ And it kind of just wrote itself from there.

Keith: Is everyone in Bad Göodsburg a little bit bad and a little bit good? Or are all people a little bit bad and a little bit good?

Hannigan: Well it’s supposed to be, you know, real life. I really like when a character is in a gray area with some good and some bad because it’s realistic and relatable. And we have heroes and we have “villains,” but they’re just like us. And that way they’re humanized. And you just get to kind of discuss who you side with, who you agree with.

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Keith: How would you describe what this book looks like?

Hannigan: I did the whole thing completely digitally. I kind of was going for a sort of imperfect printmaking effect because I love the look of block printing, but I don’t have the patience. So this was kind of a happy medium of me achieving that kind of folkloric, old-timey printing look without any of the labor.

Spider in the Well, written and illustrated by Jess Hannigan

Illustrations © 2024 Jess Hannigan

Spider in the Well, written and illustrated by Jess Hannigan

Illustrations © 2024 Jess Hannigan

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Keith: Where did you draw your inspiration for the art? The colors are not colors that you traditionally see in a children’s book. It’s like black and hot orange and purple.

Hannigan: A lot of my inspiration for the kind of shapes that I use comes from like, Polish posters. They’re from the 1960s and ’70s — Polish poster design was crazy and they had the wackiest shapes and colors, and I was introduced to those back in college.

These were just the colors that I had been obsessed with at the time that I happened to be making the book. They are like these kind of sickly, weird tones. And I used all those purples and greens for the “bad guys” because I guess it suited their vibe. But I’m actually colorblind, very slightly. So everyone’s been telling me this book is such a lovely shade of orange and I’ve been telling everyone it’s red.

Keith: What lesson do you want the kids who are reading this book — or who are reading it with their parents — what do you want them to take away from it?

Hannigan: I didn’t go into making this story with a lesson in mind. I know books with morals are important and they have a place for sure. But really I just wanted to make people laugh. And to go back and read it again and think, ‘What the heck was this guy even doing? Where did they learn how to do blackmail? Who taught them about extortion and labor rights and things?’

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I love stories like that, that just make you wonder more about them.

Spider in the Well, written and illustrated by Jess Hannigan

Illustrations © 2024 Jess Hannigan

Spider in the Well, written and illustrated by Jess Hannigan

Illustrations © 2024 Jess Hannigan

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Diddy Posts Apology Video for Cassie Beating

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Wait Wait… Don't Tell Me!

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Wait Wait… Don't Tell Me!
NPR’s weekly news quiz hosted by Peter Sagal. Have a laugh and test your knowledge with today’s funniest comedians and a celebrity guest.Hate free content? Try a subscription to Wait Wait… Don’t Tell Me!+. Your subscription supports public radio and unlocks fun bonus episodes along with sponsor-free listening. Learn more at https://plus.npr.org/waitwait
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