Entertainment
With 'OMG Fashun,' Julia Fox and Law Roach bring sustainable, daring style to reality TV
With the years-long success of series like “Project Runway” and “America’s Next Top Model,” fashion competition reality TV shows are nothing new. But “OMG Fashun” is a different type of series ripe for short attention spans and a style-savvy generation more attuned to the concerns about the environment.
“There’s so many awful things happening in the world,” says Julia Fox, the show’s co-host, over the phone from New Mexico, where she’s in production for a movie. “And this isn’t one of them.”
“OMG Fashun,” which premiered May 6 on E! and airs weekly at 9 p.m. Pacific, is a thrilling reality competition series hosted by Fox, fashion’s “It” girl and cultural renegade, and celebrity stylist Law Roach. The show brings sustainable fashion to the forefront with quickfire competitions and a rotation of guest judges that includes Phaedra Parks of “Real Housewives” fame, “13 Reasons Why” star Tommy Dorfman and more.
But “OMG Fashun” opts for snackable episodes primed for the TikTok generation — roughly 20 minutes each — that feature three rising “fashion disruptors” competing in two separate challenges. The catch? They’re encouraged to use sustainable, upcycled — and often — unconventional materials like insects and condoms. It’s chaotic — and that’s the point.
Behind the series is Scout Productions, known for reality shows like “Queer Eye,” “Legendary” and “The Gentle Art of Swedish Death Cleaning,” a company with decades of experience in the reality competition space. After producing the two-season streetwear competition series “The Hype,” Scout Productions co-founder David Collins and Chief Creative Officer Rob Eric were asked by their agent if they wanted to chat with Fox. A 15-minute conversation turned into an hour-long one.
Model Wisdom Kaye, left, a guest judge on “OMG Fashun” with hosts Julia Fox and Law Roach.
(Quantrell Colbert/E! Entertainment)
“She brought this originality to how we look at fashion, how we look at ourselves in fashion, what fashion actually is,” Eric says in an interview alongside Collins over Zoom. “That it doesn’t need to be a $40,000 outfit, but it actually could be leaves that she found in a park.” That sparked the idea for “OMG Fashun.” He added, “We thought, ‘Oh, what would it be like if we could take 90 minutes of ‘Project Runway,’ mix with ‘The Hype’ chopped into it, and put it into a 21-minute show?’
Eric and Collins, who executive produced the series, were in constant awe of how Fox, 34, made her mark in the fashion world with an unwavering sense of authenticity. “She wore a dress made of condoms. She wore a dress made of ties. All [the] sustainable stuff that she was doing, and it kept getting put into TMZ, WWD and Elle magazine. We knew that Julia had that voice,” Eric says.
Reality TV came naturally for Fox, whose prior credits have been in film. After all, she’s used to doing “new stuff.” However, it was admittedly “more work than acting” for her because whole episodes had to be shot in a day.
“It was a lot of outfit changes, a lot of time in hair and makeup, super early call time, ending super late at night,” she says.
But Fox seemingly made it look easy. Collins says everyone was “slack-jawed” from the second she sat down on the stage despite never having starred on a TV show before. “We’re like, ‘What? We’re not having to prompt her, tell her, and remind her?’ She just killed it over, over and over again,” he says.
Roach, 45, who was recruited by Scout Productions after working on “Legendary,” was intrigued by the premise of “OMG Fashun” — highlighting emerging designers and sustainability. Fox also had wanted to work with the stylist for a while. “We both had admiration for each other’s work and the things that she wore. I think her stylist is incredible,” he says over the phone from Los Angeles.
The pair ultimately had a “fun” dynamic, he says, since Fox “doesn’t take herself seriously at all.”
“She gave me so much agency to poke fun at her and she did the same to me,” Roach says. “She’d create this really fun and friendly and kooky work environment, so it was great. It made me excited to go to work every day and to see what she was going to wear because we didn’t share outfits.”
Julia Fox modeling a design on “OMG Fashun.”
(Quantrell Colbert/E! Entertainment)
While Fox and Roach had fun with their roles on the show, the talent was nothing to mock. “These young designers had these incredible gifts and ideas of how to take discarded materials and turn them into wearable works of art,” he says.
So “OMG Fashun” doesn’t just want to be another fashion show. “We’ve seen other shows that have a component where there’s a challenge where they’re instructed to create a garment out of recycled materials or upcycling or discarded fabrics,” Roach says. “But this one, the entire show is based on that principle.”
Fox often struggled to choose a winner because she was in such awe of the designers’ talents. In the nature challenge, for instance, she had to stop filming because she couldn’t decide between the contestants. Luckily, Fox is keen on wearing their designs whether they take home the top prize or not on “OMG Fashun.” “I did wear one of the outfits [from the show] during the press tour — the little black blazer with the underwear bottoms with the metal utensils on them, nail clippers, nail files and forks,” she said. She’s also kept in touch with many of the contestants too.
Amid the release of “OMG Fashun,” Roach made headlines for the “tenniscore” ensembles he helped architect for Zendaya and the hashtag he started — #TashiMadeMeWearIt — amid the “Challengers” press tour.
“Just to see people participate in tenniscore and going out in groups and dressing in this way, that’s the most heartwarming and incredible thing. I’m like, ‘This might be cool to give people this challenge to go out and to create these looks,’ he says.
Fox also admired how Zendaya’s looks were playful nods to the film and its themes. “It was definitely giving ‘OMG Fashun’ for sure,” she says.
With Fox’s presence on “OMG Fashun” and her affinity for daring looks, is a fashion line in her future? Not exactly.
“OMG Fashun” contestants Katya Lee, Chelsea Billingsley and Bradley Callahan.
(Quantrell Colbert/E! Entertainment)
“Is that really what this planet needs — another fashion line? Like, I’d rather prop up kids that are doing it and salute them for their efforts and call it a day,” she says. Fox also would rather rely on someone else’s talents: “Why would I want to do it myself when I could have someone else do it for me?”
Should “OMG Fashun” get another season, the co-hosts already know who they’d love to see as guest judges. Roach wants John Galliano, Grace Jones, Naomi Campbell or RuPaul on. Fox, on the other hand, wants to recruit Doja Cat, Dennis Rodman, Gwen Stefani or Lil’ Kim. “I love accidental-like fashion icons,” she says. “People that didn’t really set out or try but became [them].”
Ultimately, the hope is that viewers watching will shift their perspective on fashion. Fox wants people to “dig a little deeper” and “look inward.”
Roach adds, “We’ve gotten into this culture of once you have something, you post it on social media that it has to be discarded, you can never wear it again. I challenge people to reinvent the clothes that they already have and the way they’ve worn them. If you like it, buy it. If you love it, live in it.”
Movie Reviews
Movie review: A24’s “Marty Supreme” is a mixed bag of humor and intensity
Josh Safdie’s “Marty Supreme” arrives with all the energy and confidence of an aspiring athlete – even one of the table tennis variety.
The film is packed with vivid period detail and striking cinematography that brings 1950s New York to life. On a purely technical level, the movie succeeds. It’s visually inventive, rhythmically paced and often laugh-out-loud funny.
The plot is also engaging, moving at a fast pace to keep up momentum for over two hours. Safdie builds a world where table tennis is more than a game; instead becoming a stage for obsession, ego and ambition. Even as the story dips further and further into chaos, the narrative stays entertaining and unpredictable enough to keep audiences invested.
But as strong as the filmmaking is, the movie’s impact is limited by its abrasive lead. Timothée Chalamet’s Marty Mauser is undeniably watchable, yet consistently unlikable. His selfishness, impulsive decisions and willingness to steamroll everyone around him creates a major disconnect between Mauser and the audience.
Chalamet’s performance is committed and his intensity drives several of the film’s most engaging scenes. Still, it is difficult to root for a character who rarely shows the vulnerability or growth needed to anchor a story this ambitious. For many viewers (myself included), that emotional detachment will shape the entire experience.
The film’s tone may also catch audiences off guard. For a movie centered on table tennis, “Marty Supreme” is extraordinarily vulgar. Its R rating is well earned, with explicit sexual content, coarse language and several violent scenes that land with surprising force. From consensually dubious spanking scenes to Holocaust jokes, the film more than toes the line between bold and unsettling. The contrast between the lightness of the sport and the heaviness of the film’s content is intentionally jarring, but the shock factor can overshadow the story’s strengths.
Even so, “Marty Supreme” remains a compelling watch. Safdie’s direction is inventive, the pacing is tight and the supporting cast (including Gwenyth Paltrow and Tyler, The Creator) bring welcome depth to the film’s darker impulses.
The result is a movie that is engaging and frequently funny – but also brash and not particularly easy to love.
Whether viewers leave impressed or unsettled will depend on their tolerance for its unlikable hero and its unexpectedly graphic approach. For all its craft and confidence, “Marty Supreme” is the kind of film that invites debate and, for some, a fair amount of discomfort.
If nothing else, it proves that a table tennis movie can surprise you – for better and for worse.
“Marty Supreme” is set for a public release on Dec. 25, with specific times varying by theatre. If you are interested in attending a showing, consider taking advantage of discounted AMC tickets, available for reservation through the Center for Leadership and Engagement here at Simmons.
Entertainment
‘South Park’ creators clash with performers at their Colorado restaurant
“South Park” creators Matt Stone and Trey Parker, who this summer landed one of the richest TV deals ever, are being called Scrooges by performers at their Casa Bonita restaurant near Denver.
In late October, the performers, including the famed cliff divers, went on a three-day strike, citing unsafe working conditions and stalled negotiations over their first contract. The performers voted unanimously to unionize with Actors’ Equity Assn. a year ago.
The strike ended when the restaurant’s management agreed to bring in a mediator to assist in the negotiations.
But the standoff has continued, prompting Actors’ Equity to take out an ad in the Denver Post this week that depicts a “South Park” cartoon-like Parker and Stone awash in hundred-dollar bills while their staff, including a gorilla and a person clad in a swimsuit, shivers outside in the Colorado cold.
The union said its goal is to prod the star producers to resolve the labor tensions by giving about 60 Casa Bonita performers, including magicians and puppeteers, a pay increase and other benefits along with their first contract.
A full page ad is running in the Denver Post on Dec 24.
(Actors’ Equity Association)
Other Casa Bonita workers voted earlier this month to join the International Alliance of Theatrical Stage Employees Local 7.
“At Casa Bonita, we value all of our team members and their well being,” the restaurant management said in a statement. “We are negotiating in good faith with our unionized team members in the hopes of concluding fair collective bargaining agreements.”
Parker and Stone declined to comment through a spokesperson.
The pair, who also created the hit Broadway play “The Book of Mormon,” rescued the kitschy, bright-pink Mexican-themed eatery in Lakewood, Colo., from bankruptcy in 2021 and have since plowed more than $40 million into the restaurant to upgrade and correct unsafe electrical, plumbing and structural issues after the facility had fallen into disrepair.
For “South Park” super-fans, the venue has become something of a mecca since first being featured in the seventh season of the long-running Comedy Central cartoon.
In that episode, Cartman flips out when Kyle invites Stan, Kenny and Butters Stotch to his birthday party at Casa Bonita (not Cartman), where they are serenaded by the restaurant’s ubiquitous mariachi bands.
Along with legions of other kids who grew up in Colorado, Parker and Stone fondly remember making the trek to the Casa Bonita of their 1980s youth. Restoring the restaurant has become a passion project for the writers, a journey that became grist for a documentary, “¡Casa Bonita Mi Amor!,” which streams on Paramount+.
In July, Paramount managers were eager to tie up loose ends to facilitate the company’s sale to David Ellison’s Skydance Media and RedBird Capital Partners. The incoming management team also became involved in the protracted negotiations to strike a new deal with Parker and Stone’s production company, Park County, to avoid having the situation unravel, possibly tripping up their corporate takeover.
Paramount ultimately agreed to extend the overall deal for Park County as well as lock up the show’s exclusive global streaming rights for $300 million a year over five years. Until this year, the show streamed exclusively on HBO Max.
The overall deal is slated to bring Parker and Stone’s firm $1.25 billion through 2030.
As part of the pact, the team agreed to create 50 new “South Park” episodes for Paramount. The series has enjoyed a ratings bounce and increased cultural resonance this year as it routinely roasts President Trump.
Actors’ Equity, which also represents Broadway performers, is seeking pay raises for its members at Casa Bonita. Union representatives said performers’ wages there average $21 to $26 an hour.
“Matt and Trey have become fabulously wealthy by pointing out the hypocrisy of rich and powerful people,” said David Levy, communications director for Actors’ Equity. “And now they are behaving exactly like the people they like to take down.”
Movie Reviews
Movie Review 2025 with 11 Films of the Year
Image: Wicked: For Good – Movie Poster
Another year is drawing to a close, and it’s time for our cinema review! In 2025, we saw many franchises return to the big screen, along with sequels to cult classics and new adaptations of legendary stories. From sci-fi and horror to musical adaptations, a wide range of genres offered fresh releases. Whether all of it was truly great is for everyone to decide individually – here is our trailer recap!
While Disney continues to push its live-action remake strategy (Snow White, Lilo & Stitch), Pixar at least delivered a brand-new animated feature with Elio.
When it comes to video game adaptations, several titles were released this year – most notably the Minecraft adaption A Minecraft Movie starring Jack Black and Jason Momoa, the second installment of Five Nights at Freddy’s, and the Until Dawn film, which was heavily criticized by the community.
In Germany, Bully Herbig delivered a sequel to his comedy Der Schuh des Manitu with Das Kanu des Manitu, bringing the characters from one of his most successful films back to the big screen.
Just before Christmas, James Cameron launched the third part of his hit film series Avatar. Sequels also arrived for Jurassic World, the DCU, the Conjuring universe, and the popular animated film Zootopia.
Director Guillermo del Toro took on a new adaptation of the absolute sci-fi horror cult classic and novel by Mary Shelley: Frankenstein has now been brought back to life by the creator of films such as Pacific Rim and The Shape of Water.
When it comes to adaptations, arguably the most popular musical of the year: with Part 2, the Wicked hype has returned once again.
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