Entertainment
Review: Krysten Ritter knows how to write a compelling antihero
Book Review
Retreat
By Krysten Ritter
Harper: 272 pages, $29
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One winter’s night, at a charity gala in a Chicago gallery, a con is on. Liz Dawson, masquerading as art consultant Elizabeth Hastings, finds the mark she has set her sights on, Mrs. Reed. After her bogus sob story elicits the sympathy of the wealthy collector and philanthropist, Liz then piques her interest with the offer of a Keith Haring painting that doesn’t exist. Eventually they part, Mrs. Reed walking away with one of Liz’s business cards, Liz making off with Mrs. Reed’s ruby ring.
Krysten Ritter hooks us with this deft opener to her new novel and reels us in. The Los Angeles-based actor (star of the Marvel series “Jessica Jones”) and author follows her 2017 debut, “Bonfire,” by delivering another thriller fronted by a gutsy, feisty female protagonist. “Retreat” begins by showing what smooth-operating scammer Liz is capable of. But as Ritter thickens her plot and ups the stakes, swapping con tricks for corpses, the book turns into a mystery, one that its antiheroine tries frantically to unravel.
Liz’s problems start small but come in threes. Mrs. Reed’s son plagues her with concerns, and then threats, about the $50,000 investment she persuaded his mother to make for a painting she will never see. A hotel hounds her for unpaid bills. Surely it won’t be long before the police are questioning her about the scarf she left behind at the scene of a recent crime.
Fortunately, Liz is able to leave these cares far behind. When a golden opportunity comes her way to manage an art installation in Casa Esmerelda, an oceanfront villa in a luxury Mexican resort, she enthusiastically seizes it. The property’s owners, venture capitalist Oliver Beresford and his wife, Isabelle, will be in Bali, giving Liz a week to relax and recharge in their gated private enclave. Soon she is sampling the delights of Punta Mita and mingling with the community’s super-rich residents. Some of them mistake her for Isabelle Beresford. Rather than correct them, Liz decides to keep up the pretense — no great stretch for someone so used to sloughing off and trying on one alias after another.
But while hiking with her new friend Tilly, Liz is horrified at coming across two dead bodies. “This is not what I signed up for,” she tells herself. “I don’t do death and danger — not real, life-threatening danger.” To reveal more here would be to spoil all. Suffice it to say, Liz’s grisly discovery heralds a change in her fortunes. Instead of having fun in the sun, she finds herself moving around in the shadows in search of answers. Her sleuthing entails hunting out a secret subterranean office, hacking into emails, sifting layers of deceit, creating “digital deflections” to cover the tracks of a missing person and evaluating whether one character’s dirty deeds could extend to murder. She looks for the truth while hiding behind a false front. But are those around her who they claim they are?
Ritter’s second novel is a fiendish tale of trouble in paradise. Co-written by Lindsay Jamieson, it boasts several strengths: It is expertly paced, tightly plotted and, in places, genuinely gripping. However, “Retreat” has its flaws. It is laced with the requisite twists and turns we expect from this genre, but one big reveal is so big that we see it coming. On occasion the prose is marred by groan-inducing clichés, particularly when it attempts to stoke tension (“My heart pounds; my breath races”) or convey romance (“I let myself get lost in Jay’s dark eyes for a moment”).
However, we forget about faults during the book’s many absorbing episodes. Ritter routinely ramps up the intrigue and drama, such as in one taut scene where Liz scrolls through someone’s phone for clues — and is forced to think on the spot when caught in the act. Ritter also excels with sharp lines about, and acute observations of, the gilded worlds and charmed existences of the privileged elite (a Yale graduate showcases “the naive pride of someone winning at life when they started at the finish line”).
Best of all is the novel’s main character. Liz is a compelling creation, at once smart, sassy and wily, and there is fun to be had watching her slickly outwit credulous individuals. “You’re different from all the other women here. You’re real,” one unsuspecting lady of leisure tells her. It is equally rewarding seeing Liz flounder as she gets more and more out of her depth. “I’m Cinderella after the ball,” she says at one point, “and the spell is wearing off.” Ritter fleshes out Liz and shows more of her vulnerable side through flashbacks to the hard knocks she experienced in her emotionally turbulent past. We come to champion her as the streamlined narrative hurtles toward its shock finale.
Readers who don’t make it that far will no doubt bewail the novel’s unlikely premise and other stumbling-block implausibilities. But it pays just to sit back, suspend disbelief and enjoy the ride.
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‘Clayface’ trailer teases DC Studios’ first proper horror movie
The DC universe is going full on body horror.
DC Studios released its first trailer for “Clayface” on Wednesday, giving audiences a glimpse of the gruesome origins of the shape-shifting Batman villain.
Set to an eerie rendition of the Flaming Lips’ “Do You Realize??,” the teaser flashes among various images of up-and-coming Hollywood actor Matt Hagen (portrayed by Tom Rhys Harries) before and after a violent encounter as the camera slowly zooms toward his haunted eyes and bloody, bandaged face as he is recovering on a hospital bed.
The clip also includes footage of Hagen’s clay-like, malleable face, which he appears to gain after some sort of scientific procedure.
According to the DC description, “Clayface” will see Hagen transformed into a “revenge-filled monster” and explore “the loss of one’s identity and humanity, corrosive love, and the dark underbelly of scientific ambition.”
“Clayface,” set for an Oct. 23 release, will be the third DCU film to hit theaters since James Gunn and Peter Safran took over DC Studios and reset (most of) its comic book superhero franchise. The studio’s upcoming slate also includes “Supergirl,” which will hit theaters June 26, as well as “Man of Tomorrow,” the sequel to Gunn’s 2025 blockbuster “Superman,” announced for 2027.
Who is Clayface?
Clayface is a DC Comics villain usually affiliated with Batman. The alias has been used by a number of different characters over the years, but they all usually possess shape-shifting abilities due to their clay-like bodies. Created by Bill Finger and Bob Kane, the original Clayface was a washed-up actor turned criminal who first appeared in a 1940 issue of “Detective Comics.”
Matt Hagen was the name of the second Clayface, who first appeared in an issue of “Detective Comics” in the 1960s. He was the first to have shape-shifting powers, which he gained after encountering a mysterious radioactive pool of protoplasm.
Other versions of Clayface have been introduced in various media since.
Who is in ‘Clayface’?
The upcoming film stars Tom Rhys Harries as rising Hollywood actor Hagen. The cast also includes Naomi Ackie, who is seen in the trailer, reportedly as the scientist Hagen turns to for help following his disfigurement. Also set to appear are David Dencik, Max Minghella and Eddie Marsan, as well as Nancy Carroll and Joshua James.
Who are the ‘Clayface’ filmmakers?
Director James Watkins, known for horror films including “Speak No Evil” (2024), is helming “Clayface.” The script was written by prolific horror scribe Mike Flanagan (“The Haunting of Hill House,” “Doctor Sleep”) and Hossein Amini (“The Snowman”).
The producers are Matt Reeves, Lynn Harris, James Gunn and Peter Safran. Exective producers include Michael E. Uslan, Rafi Crohn, Paul Ritchie, Chantal Nong Vo and Lars P. Winther.
Movie Reviews
Miyamoto says he was surprised Mario Galaxy Movie reviews were even harsher than the first | VGC
Nintendo’s Shigeru Miyamoto says he’s surprised at the negative critical reception to the Super Mario Galaxy Movie.
As reported by Famitsu, Miyamoto conducted a group interview with Japanese media to mark the local release of The Super Mario Galaxy Movie.
During the interview, Miyamoto was asked for his views on the critical reception to the film in the West, where critics’ reviews have been mostly negative.
Miyamoto replied that while he understood some of the negative points aimed at The Super Mario Bros Movie, he thought the reception would be better for the sequel.
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As was the case with the first film, opinion is divided between critics and the public on The Super Mario Galaxy Movie. On review aggregate site Rotten Tomatoes, the film currently has a critics’ score of 43% , while its audience score is 89%.
While this is down from the first film’s scores (which were 59% critics and 95% public) it does still appear to imply that the film’s target audience is generally enjoying it despite critical negativity.
The negative reception is unlikely to bother Universal and Illumination too much, considering the film currently has a global box office of $752 million before even releasing in Japan, meaning a $1 billion global gross is becoming increasingly likely.
Elsewhere in the interview, Miyamoto said he hoped the film would perform well in Japan, especially because it has a unique script rather than a simple localization as in other regions.
“The Japanese version is a bit unique,” he said. “Normally, we create an English version and then localize it for each country, but for the first film, we developed the English and Japanese scripts simultaneously. For this film, we didn’t simply localize the completed English version – instead, we rewrote it entirely in Japanese to create a special Japanese version.
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