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Review: ‘Athena,’ a fiery drama of civil unrest, is mostly blowing smoke

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Review: ‘Athena,’ a fiery drama of civil unrest, is mostly blowing smoke

Romain Gavras’ “Athena” opens with a single-take sequence so intricately choreographed, and so breathtaking in its visible sweep and emotional drive, it’s nearly a disgrace that there’s one other 90 minutes or so of film to go together with it. It begins at a information convention the place a French soldier, Abdel (Dali Benssalah), gravely acknowledges the latest killing of his 13-year-old brother, Idir, throughout an obvious altercation with police. The tragic incident — the third occasion of police brutality in two months, blares a information report — was captured in a video that’s since gone viral; with the group in an uproar, Abdel has been referred to as upon, at nice private value, to assist management the harm. However that goal is clearly futile as soon as one other man, Karim (Sami Slimane), hurls a Molotov cocktail, igniting this tinderbox of a film and turning these already tense environs right into a full-blown warfare zone.

Gavras’ choice to movie all this mayhem in a single shot — or one thing that appears an terrible lot like one shot — forges a visible hyperlink between Abdel and Karim, which is hardly an accident. It’s quickly revealed that the 2 males are brothers, although their shared grief at Idir’s dying has pulled them in radically completely different instructions. The shot retains unspooling, by no means blinking: With pulse-pounding virtuosity (the cinematography is by Matias Boucard), the digicam plunges after Karim and different indignant younger males as they ransack the police station, steal a cache of weapons after which joyride their means again to the Athena housing property they name residence. And this place is their residence, a sentiment they underscore by unfurling a French tricolor alongside the best way: It’s a defiant declaration of belonging in a rustic that hasn’t at all times claimed them in return.

Earlier than lengthy, one other flag — an Algerian flag — will burst into the body, an emblem of those younger males’s North African lineage that subtly ties “Athena” to any variety of political thrillers about French colonialism and Algerian resistance. On the similar time, the emphasis on police brutality carries a topical edge that transcends strict cultural and geographical borders; you is likely to be reminded of American headlines each latest and distant. You may additionally be reminded of 2019’s Oscar-nominated “Les Misérables,” a blistering banlieue drama written and directed by Ladj Ly. If “Athena” doesn’t obtain the identical energy (even with Ly credited as a co-writer with Gavras and Elias Belkeddar), it’s partly as a result of its politics finally really feel like a feint — a prop in a narrative that cares much less about its characters, and the huge array of human experiences they characterize, than about its personal formal virtuosity.

Nonetheless, let’s give that virtuosity its due. Gavras’ work right here could courtroom comparisons with the tense political thrillers made by his father, Costa-Gavras (“Z,” “Lacking”), however his talent with the digicam has lengthy been in proof. (Earlier than his earlier options, “Our Day Will Come” and “The World Is Yours,” he directed music movies for artists together with M.I.A., Jay-Z and Kanye West.) Because of the magic of digital modifying, the flowery long-take sequences of the sort he makes an attempt right here could also be simpler to drag off than they have been when, say, Orson Welles was capturing “Contact of Evil.” Nonetheless, Gavras exhibits spectacular dedication to the method as he plunges Athena (or “Athena!” to evaluate by the rallying cries of the group) right into a state of siege. The digicam retains shifting and shifting as chaos erupts, indignant male our bodies jostle each other within the body, and sparks and flares gentle up the night time sky, illuminating a battlefield filled with helmets and riot shields. The bodily verisimilitude is each jolting and enveloping.

As a sustained piece of motion choreography, then, “Athena” is ceaselessly staggering. As a drama about police violence, the woes of a long-ignored underclass and the complexities of recent French identification, the film feels skinny and overdetermined. Gavras has composed the story as a sweeping symphony of civil unrest, pushed to grimly operatic heights by the depth of the performances, the wailing choral crescendos of Gener8ion’s rating and, above all, the unyielding gaze of the digicam. He lunges for each the urgency of a information headline and the fatalism of a Greek tragedy, which primarily means he proffers gritty realism with one hand and embraces bald contrivances with the opposite.

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Anthony Bajon within the film “Athena.”

(Netflix)

There’s one thing slightly too dramatically expedient about the best way “Athena” facilities its story on not two however three squabbling brothers, every representing a unique face of immigrant rage. For some time, Abdel is the peacemaker caught within the center, decided to quell unrest and assist the residents of Athena evacuate safely. Karim, his lengthy hair marking him as this story’s romantic revolutionary, needs Idir’s killers publicly recognized and delivered to justice, and he’s prepared to make a hostage of a younger cop (a sympathetic Anthony Bajon) to make sure that occurs. The eldest of the siblings is Moktar (Ouassini Embarek), a drug supplier making an attempt to smuggle his means out of a nightmarish state of affairs. Not like his brothers, he cares and stands for nothing besides his earnings.

As forcefully inhabited as these characters are — particularly by Benssalah and Slimane, who make Abdel and Karim’s cohesion as palpable as their fury — they hardly ever come throughout as greater than items moved about at will in a fiery, doom-laden chess recreation. Much more of a cipher is Sébastien (Alexis Manenti), a mysterious determine — however not, fortunately, one other brother — who skulks with wordless menace across the periphery of the story, then ushers it towards its grim if spectacularly photogenic finale. In these moments, “Athena” exhibits it likes to play with hearth, although primarily due to how cool it seems.

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‘Athena’

In French and Arabic with English subtitles

Score: R, for language and violence

Working time: 1 hour, 37 minutes

Taking part in: Begins Sept. 23 on Netflix

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Movie Reviews

The Real Bros of Simi Valley: The Movie Review — Straight Up Having a Good Time

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The Real Bros of Simi Valley: The Movie Review — Straight Up Having a Good Time

Even if you didn’t watch The Real Bros of Simi Valley during its three-season run, it’s likely you’ve seen GIFs or clips of a handful of scenes as they’ve made their way around the internet the last few years. The two most popular are easily “Bro, I’m straight up not having a good time” and “Yo Xan, get your boy, dawg.” As great as those moments are, they’re just a glimpse into what the show had to offer. So how does it fare as a movie, nearly four years after its last episode?

The Real Bros of Simi Valley Plot

If you’re unfamiliar with the show, it’s a parody reality show, satirizing the lifestyle and culture of Southern California, in the vein of other reality shows, namely Jersey Shore and the Real Housewives series. It follows a group of nine friends in the titular Simi Valley in California. It’s a true ensemble cast, though Jimmy Tatro (who also directed and co-wrote with his longtime friend and creative partner Christian Pierce; the two co-created the show together) is ostensibly the lead as Xander, the de facto leader of the squad.

Picking up a couple years after the conclusion of season three, Real Bros finds the crew gearing up for their 10 year high school reunion. As the self-proclaimed sickest crew in their high school, they make it their mission to prove to everyone they’re still as dope as ever, if not even doper. And with the purchase of a brand new truck, Xander hopes to take home the coveted Truck of the Year Award handed out at every Simi High 10 year anniversary.

Jimmy Tatro in The Real Bros of Simi Valley: The Movie (2024)

The Real Bros of Simi Valley Critique

Right off the bat, it’s completely clear Real Bros is not a serious movie in any way whatsoever. Sure, if you squint hard enough, there are glimpses of deeper themes and messaging sprinkled in. Don’t judge your happiness and and success off the happiness and success of others. If you’re happy, be content with who you are and where you’re at in life. Xander and his wife Molly (Colleen Donovan) have some very obvious marital problems. But those are often played as a joke, and are quickly resolved. And that’s fine. That’s not the movie Real Bros wants to be.

And that also makes it a pretty easy movie to critique. Do you like the mockumentary setup? Is this your style of humor? Do you find the characters interesting? If yes, then you’ll like it. There is such little story here, with such low stakes, that those aspects essentially don’t matter for how “good” the overall movie is.

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Cast of The Real Bros Of Simi Valley: The Movie (2024)
Cast of The Real Bros Of Simi Valley: The Movie (2024)

The humor, though, is unique. You’re not going to find many movies (I can’t come up with any off the top of my head) with this kind of collection of characters. They’re very “bro-ey” and as a parody, the script leans hard into it.

For better or worse (better, in my opinion), Real Bros uses that style and setup to set itself apart from every other comedy out there right now. And for comedies these days, that’s really saying something, and is an impressive to pull off.

The biggest thing Real Bros has going for it is the cast and therefore characters as well. The entire main cast from the show returns, and they all jump right back into their roles as if the show ended yesterday. They all had three seasons to hone their characters, and it pays off in spades with the movie.

All the ins and outs, the smaller details for each of them, all of those were already known, and every character gets their own moment or two to shine. The cast already had great chemistry to work with. Some hurdles that other movies might have to work through, Real Bros didn’t have to give a second thought to.

The Real Bros Of Simi Valley: The Movie (2024)
The Real Bros Of Simi Valley: The Movie (2024)

While the humor and characters are the sole reasons for watching Real Bros, being so committed to the bit will likely push some newer viewers away. I appreciate it, but I was also coming in as a fan of the show. There are also certain character moments and storylines (one in particular with Xander and Molly’s son) where the jokes won’t fully land without having the context from the series. It’s not a huge ding against Real Bros, but there are a handful of moments and jokes like this, not just one or two. It’s still a low barrier of entry, but it bears mentioning.

In Conclusion

The Real Bros of Simi Valley: The Movie is a terrific follow-up to the show. Tatro and Pierce have such a feel for these characters and that’s evident in every scene. Fans of the show don’t need to be sold on the movie. It’s more of what you already know and love, simple as that. New viewers may not be drawn into the overly “bro-ey” style and some of the more outlandish aspects. But I’d encourage everyone to give it a shot (watch the trailer first), as it’s in line to finish as one of the year’s funniest movies.

If you want to check out the show before watching the movie, the entire series is available on Tatro’s Life According to Jimmy YouTube channel.

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The Real Bros of Simi Valley: The Movie is now streaming on The Roku Channel.

8 out of 10

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Ellen DeGeneres just canceled 4 dates on her comedy tour — no explanation given

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Ellen DeGeneres just canceled 4 dates on her comedy tour — no explanation given

Ellen DeGeneres has abruptly canceled four of her stand-up tour dates — and didn’t give a reason why.

Those who bought tickets to the former talk show host’s performances in Dallas (July 10), San Francisco (July 21), Seattle (July 23) and Chicago (Aug. 11) were informed by concert promoter Live Nation that “unfortunately, the Event Organizer has had to cancel your event.”

Ticket holders will be issued full refunds in the next two to three weeks, Live Nation said. The company did not respond to a request for comment.

The Ellen’s Last Stand … Up Tour is being billed in a press release as her “long-awaited comeback to stand-up comedy” and “the last opportunity for fans to witness a comedy legend in her final curtain call.” according to a press release. Eight of the 27 dates are sold out, with the two final shows in Minneapolis being filmed for a Netflix special.

DeGeneres’ return to the stage follows a fall from grace that came when “The Ellen DeGeneres Show” — which ended in 2022 after a nearly two-decade run — was hit with allegations that it was a toxic workplace. A 2020 BuzzFeed News investigation revealed allegations of intimidation, racism and sexual misconduct by producers.

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It’s a tumble that DeGeneres makes light of in her stand-up, , riffing on getting “kicked out of show business.”

“This is the second time I’ve been kicked out of show business,” DeGeneres said in April during a set at Largo at the Coronet. “Eventually they’re going to kick me out for a third time because I’m mean, old and gay.”

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Despicable Me 4 movie review: Still fun the fourth time around

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Despicable Me 4 movie review: Still fun the fourth time around

Despicable Me 4 English (Theatres)

2024

Director:Chris Renaud, Patrick Delage

Cast:Steve Carell, Kristen Wiig, Pierre Coffin

Following a few insightful but intense releases in the animation sphere, Despicable Me 4 comes as a welcome change. Despite my initial sequel scepticism — arguably well-founded, considering this was the fourth instalment of scenes from the lives of Gru, his girls and the minions — I was very pleasantly surprised. The expected drop in quality that often comes as a series progresses never arrived with this one. 

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The fourth film features a storyline that maintains the key elements of chaotic good that characterises the series. Yet, as a few new characters and challenges are introduced, the resultant town and family dynamics are amusing. As expected, the minions continue to find themselves in ridiculous, funny and adorable pickles. In terms of the cute quotient, the movie definitely rises to the challenge, with the sweet, curious young girls and the introduction of a few furry friends.

The winning factor was the pace — the plot developed smoothly and quickly, in a way that really made one-and-a-half hours fly by. In typical Despicable Me fashion, the balance between physical comedy and character quirks work for both, young children and older audiences. 

Steve Carell makes a reappearance as his classic Gru self, seeming to only get more comfortable in his wacky and endearing characterisation. Lesser screen time and predictable lines did not enable other voice actors to shine as much as the leads. 

The soundtrack is cool and fresh, typical of what Pharrell Williams has done throughout the series. It has you grooving along as you hear it, and also sticks around as you hum it while leaving the theatre. 

In all, the film promises easy laughs and a fun viewing experience. Particularly if you’re a fan of the mischievous minions or good ol’ Gru, this is a must-watch for the weekend.

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Published 05 July 2024, 20:44 IST

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