Star cast (Voiceovers): Auliʻi Cravalho, Dwayne Johnson, Khaleesi Lambert-Tsuda, Rose Matafeo, David Fane, Hualālai Chung, Awhimai Fraser, and Gerald Ramsey

Directors: David Derrick Jr., Jason Hand, Dana Ledoux Miller

Well, the first part of Moana was like a breath of fresh air for me, and I still cherish it as one of my favourites thanks to its emotional depth and other amazing elements. After a gap of eight years, the second part of our beloved is set to hit the screens, and while the expectations are sky-high, with a heavy heart, I have to admit that it fails to recreate the magic of the first part.

Talking about the plot, _
Moana 2 s_tarts after 3 years from where the first part concluded. Our beloved wayfinder Moana is hunting for more islands like her own Motunui, where people reside. Amid this, she gets an unexpected call from her ancestors, who inform her about the cursed island of Motufetu, which is deserted by the power-hungry god Nalo.

As the world is disconnected due to Motufetu being submerged in the ocean, Moana along with her small group of unique and weird people is on a mission to find Motufetu, which will reconnect all the people. On the journey, she also finds her old friend Maui, who claims himself to be a demi-god. Well, will they be able to save the island and beat god Nalo? For that, you have to watch Moana 2 on the big screen.

Honestly, the makers have made Moana 2 a visual spectacle but failed to add depth to the emotions of the characters and are marred by the unidimensional and predictable storyline. While the sequel is ahead of its predecessor in terms of VFX but lacks the magic of the first part.

The film doesn’t have any high points or wow moments as the challenges faced by the limited and prominent characters don’t emerge as an engrossing experience. Despite these problems, I still feel Moana 2 will be a delightful experience for kids between 10-12 years, who will love the cheerfulness and larger-than-life portrayals.

On the whole, Moana 2 is not a bad film but nowhere close to its prequel.

Moana 2 is releasing on 29th November

Rating: 2.5 (out of 5 stars)

I saw the stage play several years ago in Chicago and was lukewarm about the show. So, I was not excited about going to the screening. Wow, was I pleasantly surprised. The movie is very different from the stage play. If you are not a fan of the stage play, you owe it to yourself to try the movie.

“Wicked” is the story of Glinda, the good witch of the North, telling the troubled story of Elphaba’s life to the people of Munchkin land. Elphaba, the Wicked Witch of the West, is rejected most of her life because of her green skin. At Shiz University, she forms an unlikely friendship with a beautiful young woman named Galinda, another student who is filled with an undaunted desire to be popular. Following an encounter with the Wizard of Oz, their relationship soon reaches a crossroad as their lives begin to take different paths.

Academy Award nominee Cynthia Erivo stars as Elphaba. Ariana Grande costars as Glinda/Galinda. Academy Award nominee Jeff Goldblum is the Wonderful Wizard of Oz. Academy Award winner Michelle Yeoh is Madame Morrible. Jonathan Bailey is Fiyero, the love interest. Ethan Slater is Boq. Marissa Bode is Elphaba’s sister Nessa. Idina Menzel and Kristen Chenoweth, the original Elphaba and Glinda in the 2003 stage play hit have cameo roles in “Wicked” the movie as Wiz-O-Mania super stars.

The performances of Erivo, Grande and Bailey are outstanding. Both have gorgeous voices that is a joy to listen to even though I thought the music was beautiful but there wasn’t an outstanding song.

Jon M. Chu directed.  He also directed one of my favorite movies, “Crazy Rich Asians.” Winnie Holzman and Dana Fox wrote the screenplay based on the book “Wicked” by Gregory Maguire that was based on the L. Frank Baum classic book, “The Wonderful Wizard of Oz.” The movie was so much more detailed than the stage play and the story made more sense.

The Choreography by Christopher Scott was reminiscent of the Busby Berkeley movies of the 1930s.

Cinematographer Alice Brooks does a phenomenal job of emphasizing the beauty of the choreography, the sets and the costumes.

Paul Tazewell’s costumes are colorful, beautiful and add so much to the beauty of the movie.

I expect that “Wicked, Part One” will be nominated for all sorts of Academy Awards, Critics Choice Awards, and Golden Globes. It is a beautiful entertaining film for the whole family.

“Wicked Part One” rated PG is now showing in Edwardsville, Alton, Granite City, Jerseyville and Carlinville. I give it 5 stars. The sequel, “Wicked Part Two,” is scheduled for release on November 21, 2025. 

Parents of young children should let loose a hearty “chee hoo” upon the Thanksgiving-timed release of “Moana 2.” That’s the long weekend’s entertainment sorted, with a sequel that comes close to the soaring storytelling and exhilarating anthems of the first film, which delighted young audiences eight years ago, resulting in countless Halloween costumes and babies belting about how far they’ll go.

That first film, which celebrates the strength and power of young girls — as well as Polynesian culture with reverence and specificity — was a balm in the uncertain November of 2016. It was a massive box office hit and was nominated for two Academy Awards — for animated film and for original song for a tune by Lin-Manuel Miranda.

“Moana” felt revolutionary within the Disney canon because our spunky protagonist is decidedly not a princess (she’ll be the first to tell you that). She felt radical, especially for older generations that grew up on passive heroes whose lives were dictated by weddings or resistance to them. That Moana was a girl of action, an explorer — strong, capable, brave, family-oriented and empathetic — made her a remarkable role model, and the character has lost none of her moxie in the sequel.

Although the impressive voice cast of Pacific Islanders, including original Moana voicer Auliʻi Cravalho and Dwayne Johnson, has returned (with a few additions), a new creative team has been assembled for the sequel, which was originally developed as a series and then reworked into a feature-length film. The good news is that the seams don’t show on the finished movie, which is as visually dazzling and culturally rich as the first and an apt continuation of Moana’s story. She is now a revered “wayfinder” in her community on a tiny Pacific island.

Moana has a desire to explore even farther into the ocean, to go beyond where she’s ever gone before — specifically to connect with other people. During a ritual ceremony, she receives a vision of an island, Motufetu, that once connected all the people of the ocean but that has since been cursed by a god named Nalo. Moana puts together a crew that includes her friend and historian Moni (Hualalai Chung), boatmaker Loto (Rose Matafeo) and farmer Kele (David Fane), in order to find Motofetu.

Along the way, they’ll have to scoop up the demigod Maui (Johnson), who has been waylaid inside a giant clam by Nalo, with only the company of a mysterious and nefarious bat-woman, Matangi (Awhimai Fraser). The entire team will have to collaborate — even with the feisty bunch of coconut warriors known as the Kakamora — in order to break Nalo’s curse, achieve their goal and assemble the community of Moana’s dream.

David G. Derrick Jr., Jason Hand and Dana Ledoux Miller are the trio of directors on the film, with Miller and Jared Bush writing the screenplay. But the biggest creative difference that audiences will notice is the songs. With Miranda moving on, the songwriters known as Barlow & Bear (Abigail Barlow and Emily Bear) have written all the numbers for the sequel, collaborating with returning composers Mark Mancina and Opetaia Foa’i. Barlow & Bear went viral in 2021 with their “Unofficial Bridgerton Musical” album, which eventually won a musical theater Grammy.

The songs in “Moana 2” are good, to be sure. They’re just not as addictive as Miranda’s ear worms — the man has an uncanny skill for sprinkling seriously habit-forming syncopations into his songwriting — and while the big ballad “Beyond” and the jazzy rock number “Get Lost” are certainly stirring, they don’t quite stick in the brain like “You’re Welcome” or tug on the heartstrings like “How Far I’ll Go.”

But “Moana 2” is a worthy sequel, with gorgeous animation, a thoughtful representation of Polynesian culture and another exciting adventure for our inspiring Moana. Does it go beyond the first film? No, but that would have been a tall order. That it stands up as a sturdy and satisfying follow-up is more than enough.

Walsh is a Tribune News Service film critic.