Connect with us

Entertainment

Olivia Rodrigo’s documentary takes us on a California road trip. See where she goes

Published

on

Did you get déjà vu whereas watching Olivia Rodrigo’s “Driving Dwelling 2 U”?

In that case, you’ve most likely visited no less than one of many locations the place the music documentary was shot. Early within the live performance movie, which paperwork the making of the Rodrigo’s debut studio album, “Bitter,” the teenager pop sensation explains why she selected to shoot the undertaking at varied areas in Utah, Arizona and California.

“A lot of the album was written between Salt Lake Metropolis and Los Angeles, and so I assumed it might be enjoyable to do a street journey one final time,” Rodrigo says on the high of the movie, which premiered Friday on Disney+.

“I wish to play the songs in these locations that meant a lot to me and revisit them with older eyes.”

The kid actor-turned-Grammy-nominated musician — who grew up in Temecula — has divided her time lately between the Golden State and Utah, the place her Disney+ present “Excessive Faculty Musical: The Musical: The Collection” is filmed.

Advertisement

Earlier than the record-shattering launch of her first single, “Drivers License,” Rodrigo was rumored to be in a relationship together with her “Excessive Faculty Musical” co-star Joshua Bassett — which allegedly ended within the breakup Rodrigo describes vividly on “Bitter.”

“This relationship was positively the heartbreak that saved on giving,” the 19-year-old singer-songwriter says within the doc.

“I used to be on this scenario the place I needed to see him. He was with another person, which was devastating to me. It felt like my world was ending virtually day by day. No person understood how I used to be feeling or associated to it. … By writing songs about precisely how I felt, I used to be making a good friend for me.”

Along with interviews with Rodrigo and behind-the-scenes footage from studio periods together with her producer, Dan Nigro, the movie additionally options progressive reside performances of just about each “Bitter” observe, from “Good 4 U” to “Deja Vu.”

By performing the songs at a collection of picturesque locations throughout the American West, Rodrigo takes audiences on a mini-tour of her residence state — from Malibu to the Mojave Desert. Right here’s a information to all of the California stops on the “Driving Dwelling 2 U” itinerary.

Advertisement

Purple Rock Canyon State Park

Purple Rock Canyon State Park, California.

(David H. Carriere / Getty Photographs)

One particular person’s mountain climbing vacation spot is one other particular person’s live performance venue. A dramatic orchestral rendition of Rodrigo’s pop-punk anthem “Good 4 U” (across the 38-minute mark within the doc) was shot at Purple Rock Canyon State Park, situated 120 miles north of L.A. and 25 miles northeast of Mojave on Freeway 14.

Should you thought, “God, I want that I may do this,” whereas watching Rodrigo traipse via the scenic desert cliffs of the Sierra Nevada and El Paso mountain ranges, guess what? You may! Purple Rock Canyon State Park is open to guests every day from dawn to sundown. For extra info on mountain climbing, tenting and biking alternatives, go to the California Division of Parks and Recreation web site.

Advertisement

Roy’s Motel and Café

A large sign on a highway that reads 'Roy's vacancy motel cafe'

Roy’s Motel and Cafe within the Mojave Desert city of Amboy.

(Brian van der Brug / Los Angeles Occasions)

For an intimate efficiency of the heartbreak ballad “Traitor” (across the 50-minute mark) Rodrigo pulls into the country gasoline station outdoors Roy’s Motel and Café, situated within the Mojave Desert on Route 66.

The historic Amboy landmark has served as a dependable relaxation space for weary vacationers for the reason that late Thirties and for a time was thе “оnlу ѕtор tо fіnd gаѕ, a hоt dіѕh аnd a bеd” within the neighborhood, based on the Amboy web site.

Mojave Air & Area Port

Three white planes on a tarmac

The Virgin Galactic hangar at Mojave Air and Area Port.

(Reed Saxon / Related Press)

Advertisement

God, it’s brutal out within the Mojave Desert — which is perhaps why Rodrigo selected to shoot her heavy-metal efficiency of “Brutal” (across the 61-minute mark) in an airplane boneyard on the Mojave Air & Area Port.

An deserted plane overgrown with vines and weeds supplies the proper dystopian setting for an angsty music video about overwhelming insecurity, anxiousness and the shortcoming to parallel park.

La Jolla Seashore, close to Malibu

A view of green hills and the pacific ocean

Sara Wan path via Corral Canyon Park in Malibu, Calif.

(Matt Pawlik)

Advertisement

Towards the very finish of the documentary, Rodrigo embarks on a automotive experience to Malibu. — however not for the music you would possibly count on.

The live performance movie closes, appropriately, with a strings-heavy association of the album’s empathetic coda, “Hope Ur OK” (across the 66-minute mark), filmed at sundown on La Jolla Seashore, simply up the coast from Malibu’s metropolis limits.

Continue Reading
Advertisement
Click to comment

Leave a Reply

Your email address will not be published. Required fields are marked *

This site uses Akismet to reduce spam. Learn how your comment data is processed.

Entertainment

'Inside Out 2' calms box office anxiety with blockbuster opening

Published

on

'Inside Out 2' calms box office anxiety with blockbuster opening

Hollywood’s summer movie anxieties gave way to joy this weekend with the massive debut of Disney and Pixar’s “Inside Out 2.” The animated sequel earned $155 million in ticket sales from 4,440 theaters in the U.S. and Canada, according to studio estimates Sunday.

It’s the second-highest opening weekend in Pixar’s nearly 29 years of making films and the second-biggest animated opening ever (behind only the $182.7 million launch of “Incredibles 2” in 2018). It’s also the biggest of 2024, which had not had any films debut over $100 million. With an estimated $140 million from international showings, “Inside Out 2” had a staggering, and record-breaking, $295 million global debut.

The success is significant for Pixar, marking a much-needed return to form for a studio that has had a string of underwhelming launches including “Elemental,” which did eventually become a success, and “ Lightyear,” which didn’t. It’s also important for the greater Hollywood ecosystem and the health of theatrical exhibition, which had been running at a 26% deficit before this weekend. “Inside Out 2” marks the biggest opening since “Barbie” launched to $162 million last July.

“This is a monumental weekend for movie theaters,” said Paul Dergarabedian, the senior media analyst for Comscore.

Kelsey Mann directed “Inside Out 2,” which picks up with Riley as she turns 13. That means the arrival of new emotions like Anxiety (Maya Hawke), Ennui (Adèle Exarchopoulos), Envy ( Ayo Edebiri ) and Embarrassment (Paul Walter Hauser) to the mix. Amy Poehler once again lent her voice to Joy in a cast that includes Tony Hale, Lewis Black and Phyllis Smith as Fear, Anger and Sadness, respectively. It got glowing reviews from both critics (92% on Rotten Tomatoes) and audiences who gave it an A CinemaScore, suggesting that this won’t be a first-weekend wonder either. With kids out of school and an open market until “Despicable Me 4” enters the ring over the Fourth of July holiday weekend, “Inside Out 2” is just getting started.

Advertisement

The film is estimated to have cost $200 million to produce, which does not account for the millions spent on marketing. Going into the weekend, it was tracking for a debut in the $90 million range, which would have been in line with “Inside Out’s” first weekend in June 2019. Even that would have been considered a terrific achievement, and enough to claim the biggest opening of the year — finally unseating March releases like “ Dune: Part Two ” and “ Godzilla x Kong.”

It got off to a huge start with $13 million from Thursday preview showings, which started at 3 p.m. As the only major release of the weekend, its theatrical footprint was equally impressive — playing on 400 IMAX screens, more than 900 “premium large format” screens and over 2,500 3D screens.

“The family audience still loves going to the movies,” Dergarabedian said. “As an outside of the home experience, it’s still a relative bargain.”

This re-commitment to theatrical comes after Disney sent several Pixar films straight to its streaming service, Disney+, during the pandemic including “Soul,” “Luca” and “Turning Red.” Last month, the New York Times reported that Pixar had decided to return its focus to feature films (and not producing shows for Disney+) and that it had laid off 14% of its workforce (about 175 employees).

“As important as this weekend is for the industry at large, for Pixar this is huge. They’ve been trying to get their groove back since the pandemic,” Dergarabedian said. “Pixar had for decades one of the most impressive box office track records ever. They’ve really come back big.”

Advertisement

Second place went to Sony’s “Bad Boys: Ride or Die,” now in its second weekend with $33 million, down only 42% from its opening. In just 12 days, it’s already earned more than $112 million domestically and $214 million globally. As of Friday, the four-film franchise had crossed the $1 billion mark.

“Bad Boys’” success last weekend was the start of a higher-earning turnaround for the lagging summer movie season. For Hollywood, the summer season, which runs from the first weekend in May through Labor Day, usually represents about 40% of the yearly box office. The deficit is still significant, with ticket sales down 28% for the summer and 24% for the year (and this is still before “Barbenheimer”), but it’s progress in a more promising direction nonetheless.

“We’re not going to get there overnight,” Dergarabedian said. “But it’s good news for theaters. And we have some big movies on the way.”

Bahr writes for the Associated Press.

Advertisement
Continue Reading

Movie Reviews

Movie Review: Top 5 Movies to Watch This Father's Day June 16, 2024 –

Published

on

Movie Review: Top 5 Movies to Watch This Father's Day June 16, 2024 –

A staff report

June 16, 2024 – Happy Father’s Day! What better way to celebrate than by sitting down with your dad and enjoying some quality films together? Whether you’re looking for heartwarming classics or thought-provoking dramas, here are five movies that are sure to make this Father’s Day special:

1. To Kill a Mockingbird (1962)

Gregory Peck delivers an unforgettable performance as Atticus Finch, a principled lawyer in the American South who teaches his children valuable lessons about morality and justice. Based on Harper Lee’s novel, this timeless film is a poignant exploration of fatherhood and standing up for what is right.

Watch it: To Kill a Mockingbird on Prime Video

Advertisement

2. Moneyball (2011)  

For the baseball-loving dads out there, “Moneyball” offers a fresh take on the sport with Brad Pitt portraying Billy Beane, the innovative general manager of the Oakland A’s. This David-vs.-Goliath story, based on a true story and Michael Lewis’ book, showcases how unconventional thinking can lead to unexpected victories.

Watch it: Moneyball on NetflixPrime Video

3. National Lampoon’s Vacation (1983)

Chevy Chase stars as the well-intentioned but hapless Clark Griswold, who embarks on a disastrous cross-country road trip with his family to the elusive Walley World. Full of humor and iconic moments, this comedy is a perfect choice for a lighthearted Father’s Day movie marathon.

Advertisement

Watch it: National Lampoon’s Vacation on Prime Video

4. Minari (2020)

“Minari” tells the heartfelt story of a Korean American family striving for a better life in rural Arkansas. Steven Yeun’s portrayal of the father, Jacob, navigating the challenges of farming and family dynamics, is both tender and powerful. This critically acclaimed film offers a touching exploration of immigrant experiences and familial bonds.

Watch it: Minari on MaxPrime Video

5. Sr. (2022)

Advertisement

In this moving documentary, Robert Downey Jr. pays tribute to his father, Robert Downey Sr., a pioneering filmmaker known for his avant-garde works. Through personal interviews and archival footage, the film celebrates their unique relationship and explores themes of legacy and artistic influence.

Watch it: Sr. on Netflix

This Father’s Day, honor your dad with a cinematic journey through these diverse and enriching stories that celebrate the complexities of fatherhood, family, and the human experience. Whether you prefer classic tales of courage, inspiring underdog stories, or intimate documentaries, these films are sure to create lasting memories and meaningful conversations with your dad.

About Author

Continue Reading

Entertainment

Beyoncé and Jay-Z: Malibu renaissance couple

Published

on

Beyoncé and Jay-Z: Malibu renaissance couple

Jay-Z was born in Brooklyn, N.Y., and Beyoncé in Houston. But Exhibit A of their global entertainment dominance sits squarely in Southern California on the Malibu coast, a gleaming 40,000-square-foot concrete-and-glass mansion that the couple bought last year for $200 million, a record sum for a single-family home in California. Their combined net worth, according to Forbes, is estimated at more than $3 billion.

Discover the changemakers who are shaping every cultural corner of Los Angeles. This week we bring you The Money, a collection of bankers, political bundlers, philanthropists and others whose deep pockets give them their juice. Come back each Sunday for another installment.

The power that hip-hop’s premier couple wields goes well beyond the symbolic. They have teamed up on some of the most storied collaborations of the last decade, traversing stadiums across North America, along with two shows in Paris, for the sometimes bumpy On the Run tour in 2014. Four years later, they ran it back with the more harmonious On the Run II, which grossed more than $250 million. In between, in 2016, they rented out the Louvre and outshone the “Mona Lisa” in the six-minute music video for “Apeshit,” in which Beyoncé shunned her signature vocal runs to instead rap bar-for-bar alongside her husband. (The family collaborations have extended to the couple’s children, with eldest child Blue Ivy Carter joining her mother on the 2023 Renaissance world tour.)

Advertisement

They have teamed up on some of the most storied collaborations of the last decade.

The last few years, though, have belonged to Beyoncé, who outpaced Jay-Z — and most of the recording industry — while touring behind the 2022 blockbuster “Renaissance” album and then releasing “Cowboy Carter,” another record-breaking album that saw the artist plant her flag firmly in country music terrain. The Renaissance tour, which was her highest-grossing (and the eighth highest of all time) included four late-summer stops at SoFi Stadium and a concert movie, which former Times reporter Marissa Evans called “a grandiose dare to anyone who tried to ask us to be less of ourselves.” Meanwhile, the “Renaissance” album continued to shake dance floors across the globe, while also earning Beyoncé, 42, a 32nd Grammy, making her the most decorated artist in the history of the awards show.

Beyoncé in a silver body suit, hat and boots singing on a stage surrounded by backup dancers in similar attire

Beyoncé performs on stage during the Renaissance tour at SoFi Stadium in Inglewood on Sept. 4.

(Kevin Mazur / WireImage / Parkwood)

Even in an “off year,” Jay-Z, 54, still went where few others have gone. Last summer, the Brooklyn Public Library honored him with “The Book of HOV,” a multimedia exhibit showcasing unseen photos, archived artifacts and some of his original masters. Visitors didn’t even have to step inside the library to marvel at his greatness; some of his most timeless lyrics were stamped along the building’s towering exterior. It’s another reason why galaxy-brained entrepreneurs would line up to pay $500,000 for the chance to pick his mind over dinner — even if the man himself says it’d be a fool’s decision.

Advertisement

More from L.A. Influential

Continue Reading

Trending