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‘True Lies’ spices up a marriage through spy work in a series version of the movie | CNN

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‘True Lies’ spices up a marriage through spy work in a series version of the movie | CNN



CNN
 — 

To anybody acquainted with the 1994 film “True Lies,” the primary query for a collection adaptation is the place to start. CBS maybe properly splits the distinction by clueing within the spouse on her husband’s clandestine life as a superspy throughout the premiere, establishing a double-secret situation that performs out agreeably sufficient over the primary 4 episodes, with out absolutely answering the different query, which is why hassle?

Tailored from James Cameron’s movie pairing Arnold Schwarzenegger and Jamie Lee Curtis, the collection begins with Helen (Ginger Gonzaga, not too long ago seen in “She-Hulk”) grousing about her husband Harry Tasker (Steve Howey) being type of boring. Though he’s a bit buff for a pc salesman, Helen complains that his “thought of enjoyable and journey is ordering espresso from Hawaii.”

Harry, nonetheless, has for years hidden the truth that he really works for Omega Sector, a super-secret authorities group, finishing up elaborate missions (now with a staff backing him) when he’s supposedly off on enterprise journeys.

Nonetheless, the juggling act has develop into a bit harder of late – “You’re the genius who determined to get married and have a household,” Gib (Omar Miller), Harry’s companion, reminds him – prompting Harry to impulsively carry Helen alongside on a last-minute mission to Paris. His longstanding ruse winds up being uncovered, which means Helen is now a part of issues, forcing the 2 to attempt managing a mixture of espionage and home bliss.

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As translated to the smaller display by writer-producer Matt Nix (whose collection “Burn Discover” possessed a lot the identical tone), “True Lies” basically turns the Taskers’ teenage children into the events who at the moment are being misled by their dad and mom’ moonlighting. Whereas that looks as if probably fertile territory, as a substitute of exploiting the kids’s blindness – making them, not Helen, the marks to be deceived – the preliminary batch of episodes type of ignores them, an avenue that can maybe current itself extra absolutely later.

The main target thus hinges on Helen adjusting to her new and harmful actuality, in addition to how the cloak-and-dagger machinations boost their marriage, which was the place the film ended up.

As constructed, that’s one thing of a hit-miss proposition. It’s humorous, for instance, when Harry has to elucidate his historical past with an alluring femme fatale, and extra tedious as Helen undergoes coaching whereas her husband retains reassuring her (not at all times convincingly), “You’re doing nice.”

The identical largely goes for the globetrotting motion, which clearly can’t method big-budget film ambitions however nonetheless feels a trifle generic at instances.

TV has a protracted monitor document of husband-and-wife spy and/or detective reveals, which could clarify why “True Lies” appears like a breezy throwback to a distinct period. The result’s a present that’s usually enjoyable, however past the worth of identify recognition (the reply to that second query above), doesn’t utterly make a case for investing in a collection model.

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“True Lies” has the potential to satisfy that elementary mission, nevertheless it nonetheless has a option to go earlier than justifying its existence. And that’s no lie.

“True Lies” premieres March 1 at 10 p.m. ET on CBS.

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Movie Reviews

The Return (2024) – Movie Review

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The Return (2024) – Movie Review

The Return, 2024,

Directed by Uberto Pasolini.
Starring Ralph Fiennes, Juliette Binoche, Charlie Plummer, Marwan Kenzari, Claudio Santamaria, Ángela Molina, Amir Wilson, Jamie Andrew Cutler, Moe Bar-El, Amesh Edireweera, Jaz Hutchins, Aaron Cobham, Ayman Al Aboud, Nicolas Exequiel Retrivi Mora, Giorgio Antonini, Matthew T. Reynolds, Fabius De Vivo, Magaajyia Silberfeld, Handrinou Ileana, Kaiti Manolidaki, Francesco Dwight Bianchi, Pavlos Iordanopoulos, Roberto Serpi, Stefano Santomauro, Maxim Gallozzi, Karandish Hanie, and Cosimo Desii.

SYNOPSIS:

After 20 years away Odysseus decides to come back. The King has finally returned home but much has changed in his kingdom since he left to fight in the Trojan war.

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The Return is certainly an accurate title. From director Uberto Pasolini, this is an intriguingly albeit sluggish character-driven story about Greek king Odysseus’s (Ralph Fiennes) return to Ithica following his disappearance during the Trojan War. Except as he washes up ashore looking like a dirty, bearded street beggar, it is gradually revealed that he doesn’t want to come home, feeling shame and regret over the ruthless and violent man he had to become to win that war, not to mention leading countless numbers of his men to death during the sacking of Troy, something that was made possible due to his creation of a gigantic wooden horse used for sneaking past the gates.

Having been absent for ten years, Odysseus’s wife Penelope (Juliette Binoche) still refuses to accept the likelihood of his death and re-marry to one of several suitors who have shown up incessantly vying for her hand. Their son Telemachus (Charlie Plummer) has a more defeated attitude, convinced the father he never really got to know died, the peace they currently have is a façade, and his mom needs to choose one of these men soon.

These three talented performers are exceptionally tapping into the psychological toll these ten years of uncertainty and pain have taken on them. For as loyal and resilient as Penelope is, Juliette Binoche effectively conveys that somewhere inside, this woman is about to break and knows she should probably choose one of these slimy lowlifes. Anyone with knowledge of Greek mythology is also probably aware of the creative bow-and-arrow game she uses for one of them to prove their worth. It also marks the film’s transition into something more explosive, action-based, and focused on mythology. Furthermore, the longer Penelope holds out, the more hostile and threatening some of these men become toward Telemachus, even if just as many of them wisely point out that killing him won’t get them what they want.

Until then, The Return is mostly all about that return, walking in circles around the same plot points even if it is admirable that the filmmakers (courtesy of a screenplay by Uberto Pasolini, Edward Bond, and John Collee) are more fascinated by the human stories behind the stories of war and creatures of Greek mythology. Ralph Fiennes is similarly excellent as a man who can’t bear the thought of looking his wife in the eyes after everything he has done in war, wandering around in his lowly disguise. Naturally, he increasingly becomes agitated by his wife’s predicament.

When watching two long-lost lovers reach a breaking point, the slow-burn approach works. However, The Return also feels underwritten and sits there for far too long, alongside some weak supporting characters and competently basic direction; for a film about Greek mythology, it’s disappointing that there isn’t anything visually striking here aside from how jacked Ralph Fiennes got for a role that has one action sequence. That climax is intense and satisfactory (even if it is strangely bloodless for a portion), but the journey there is frustratingly paced with stagnant storytelling.

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Flickering Myth Rating – Film: ★ ★ ★ / Movie: ★ ★

Robert Kojder is a member of the Chicago Film Critics Association and the Critics Choice Association. He is also the Flickering Myth Reviews Editor. Check here for new reviews, follow my Twitter or Letterboxd, or email me at MetalGearSolid719@gmail.com

https://www.youtube.com/watch?v=embed/playlist

 

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The Dispatch Movie Review: Manoj Bajpayee Shines in Gripping Investigative Thriller

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The Dispatch Movie Review: Manoj Bajpayee Shines in Gripping Investigative Thriller
New Delhi, Dec. 16 — The Dispatch movie review video featuring Manoj Bajpayee delves into his gripping performance in this investigative thriller. Set in the backdrop of journalism, the movie explores themes of truth, corruption, and ethics. The review highlights Manoj Bajpayee’s portrayal of a conflicted journalist navigating a web of deceit, along with the film’s intense narrative and engaging screenplay. It’s a must-watch for fans of hard-hitting dramas and Manoj Bajpayee’s stellar acting.The Dispatch movie review video featuring Manoj Bajpayee delves into his gripping performance in this investigative thriller. Set in the backdrop of journalism, the movie explores themes of truth, corruption, and ethics. The review highlights Manoj Bajpayee’s portrayal of a conflicted journalist navigating a web of deceit, along with the film’s intense narrative and engaging screenplay. It’s a must-watch for fans of hard-hitting dramas and Manoj Bajpayee’s stellar acting.
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Movie Reviews

Even Drew McIntyre’s movie reviews are savage

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Even Drew McIntyre’s movie reviews are savage

In case you forgot while he was away for a couple months after the CM Punk feud wrapped up at Bad Blood, Drew McIntyre can be savage. In the ring (or the many other places McIntyre and his rivals have been known to fight each other), on the microphone, and perhaps especially online — Drew knows how to use social media to vicious, hilarious effect.

It doesn’t even have to be about WWE or pro wrestling. Take McIntyre’s latest, for instance. It’s a self-affirming review of the new movie, Kraven the Hunter.

Sure, Sony’s “Spider-Man Villains Cinematic Universe without Spider-Man” is low-hanging fruit. The flick Drew offer his unvarnished review of just bombed at the box office over the weekend, and is being called a lowlight of the six-film franchise… a franchise that includes all-time clunkers Morbius and Madame Web.

McIntyre popped us with it, though. And convinced us that he should have been cast as Sergei Kravinoff, and really anything Aaron Taylor-Johnson’s up for. Including being the next James Bond.

Sorry, I digress. Let us know what you think about Drew’s Kraven review, or the movie itself, or McIntyre’s current WWE program, or his Hollywood prospects, in the comments below.

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