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Your 5 most burning questions about the new Nintendo Switch 2, answered

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Your 5 most burning questions about the new Nintendo Switch 2, answered

The Nintendo Switch 2 console has officially been released, as retailers opened their doors at midnight — 9 p.m. here on the West Coast — to welcome early adapters and die-hard fans. It’s the follow-up to Nintendo’s second-bestselling gaming device ever; with sales topping 150 million, the Switch is behind only the handheld Nintendo DS.

Thus, Switch 2 carries expectations.

Though it has a bigger, higher-resolution 1080p screen and more processing power than its predecessor to better run some of today’s most popular games, it’s not a wholesale re-imagining. It looks similar, albeit just a tad larger, and again comes with detachable controllers, which Nintendo dubs “Joy-Con,” only now they are magnetized. Switch owners will feel right at home with the new device.

And judging by lines at retailers yesterday — a social media friend of mine claims to have spent eight hours standing outside a Best Buy to get a Switch 2 on Day One — many have already made the plunge to buy the new console. Nintendo has stated that it expects to sell 15 million new consoles between now and the end of its fiscal year next March.

Yet a new video game console brings with it questions. What is worth playing? Is it easy to upgrade? And will it even be in stock?

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Nintendo has stated it believes it has enough consoles to meet demand, but whether there will be shortages after the initial rush remains an unknown. I’m still getting to know my Switch 2, but have spent some time with its showcase game and transferred my data from my prior console, and here are some initial answers to basic queries.

The showcase game for the Nintendo Switch 2 is “Mario Kart World.”

(Nintendo)

There’s only one new marquee game at launch: “Mario Kart World.” How is it?

While it may seem odd to release a new console with only one potential blockbuster title, remember that the most recent game in the series, “Mario Kart 8,” is one of Nintendo’s top-selling games, selling more than 67 million units since its release about a decade ago. Therefore, it’s a pretty safe bet, as it’s a game that works for casual and hardcore players, and has cross-generational appeal. Nintendo has also made “Mario Kart” the centerpiece of its theme park lands, of which there is one here at Universal Studios Hollywood.

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And there’s good news: It’s a winner.

While its feel and tone will be instantly familiar, it comes with a couple of new tricks. One of those is a new mode called “Knockout Tour,” in which you’ll need to maintain a certain placement throughout each of the race’s five checkpoints. It’s a fast play style that is constantly upping the tension, which is key for a game in which it’s always possible to go from first to last and vice versa at a moment’s notice. Another new option, and my early favorite, is the “free roam” setting. No racing here, just exploring.

At a preview session earlier this year, some of the most fun I had was when I wasn’t racing and was simply driving my kart off the track to see what hidden surprises awaited me in the world. I came across Toad characters fishing and ramshackle vehicles that encouraged me to follow them. It was play for play’s sake. This morning, I relaxed with coffee while pulling up to a cafe run by Yoshi, and then stumbled across some timed mini-challenges in the world. It adds a surprising sense of depth and presence to Mario’s Mushroom Kingdom.

Short answer: Early impressions are dazzling.

A digital re-creation of the Nintendo Switch 2 populated with tiny digital people.

“Nintendo Switch Welcome Tour” is a delightful exploration of the Nintendo Switch 2 featuring a host of mini games.

(Nintendo)

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Wait, there’s an add-on game that’s essentially a Switch 2 tutorial? What’s that about?

I was eager to get my hands on “Nintendo Switch 2 Welcome Tour,” a $9.99 title game-as-tutorial in which we control a tiny human avatar who appears to live in a giant Switch 2. Only instead of tech bits, we see a sleek mall-meets-amusement park world full of mini-games designed to showcase various aspects of the Switch 2’s technology — a guessing game centered on frames per second or a dodging challenge that has us using the Joy-Con detachable controllers as mouse-like gadgets. The latter is one of the key differences between the Switch and Switch 2, and will be especially handy in games that require precision.

Some of the other games in “Welcome Tour” are essentially demos. One aims to show off modern television sets with 4K resolution. Another has us adjusting Switch settings to help convey the vibrancy of HDR via animated fireworks. They’re simple, quick ways to get to know new tech, and I had fun with a mini-game that tests out the rumbling of the controllers, challenging us to pinpoint the precise moment the vibrations are at their most intense. They’re good mini-games that won’t last more than a minute or two.

Yet it’s a game designed to teach players about the new fancy game console they just bought, and therefore should come bundled with it. I wonder if I’ll revisit it after my initial week with it.

Short answer: “Nintendo Switch 2 Welcome Tour” is cute but should be free.

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The Nintendo Switch 2 and its dock

The Nintendo Switch 2 looks and feels familiar to the Switch.

(Nintendo)

How complicated is it to transfer data from my original Switch?

If you’re purchasing a Switch 2 and playing via cartridges rather than downloadable games, you can jump right in. But I’d recommend downloading the system update and transferring your saved game data and as many games as you’d like from your prior Switch. The Switch 2 is largely backward compatible, meaning the vast majority of older titles will work on it (Nintendo is maintaining a list).

While I opted not to download every game from my previous Switch, wanting to save space on the 256 GB internal storage of the new console, I was pleased to see that the more than 50 games I had on my older device were all ready to go. Better yet, this was all relatively simple to accomplish and extremely user intuitive. A QR code will have you log into your Nintendo account, and as long as your older Switch and Switch 2 are in the same room, everything should transfer within a couple hours, depending on how many games you want to port over.

Short answer: Don’t stress.

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A giant Donkey Kong

“Donkey Kong Bananza” is due next month for the Nintendo Switch 2.

(Nintendo)

Eek, the price! Will it increase?

Early headlines regarding the Switch 2 focused on the price. It’s high.

The base system sells for $449.99 and “Mario Kart World” carries a hefty $80 tag, the highest price Nintendo has given a game, and an atypical price for an industry that has long valued non-special editions of games at around $59.99. And just hours after announcing a price and pre-sale date, Nintendo pulled back its pre-order plan, stating that there was uncertainty due “the potential impact of tariffs and evolving market conditions.” President Trump’s trade war remains an evolving situation, but the Japanese tech giant ultimately decided not to increase the price of the system. That being said, Nintendo did up the cost of some of the accessories for the Switch 2.

In recent interviews, Nintendo of America President Doug Bowser said the company would continue to monitor the situation. For now, the price is set, but things seem to always be in flux in our current political climate. Nintendo’s gaming competitor Microsoft recently raised the prices on its Xbox consoles.

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Short answer: It remains unknown, but if you’re in the market for a Switch 2, it may be advisable to buy when you can.

The Nintendo Switch 2 box

A purchaser of the Nintendo Switch 2 at a Target in Chicago.

(Kiichiro Sato / Associated Press)

So, should I buy it?

This is, of course, the No. 1 question I receive, and I’m being honest when I say it’s difficult to answer. I’ve had a Switch 2 in my home for only half a day, at the time of writing, and while I attended a preview event earlier this year, I still haven’t been able to put it through its paces. Additionally, it’s always difficult to tell someone to drop $500 — $600 or more, if you’re buying some games and a recommended Pro Controller — on a video game console, which is, of course, a luxury item.

That being said, I am a big proponent of the importance of play, and Nintendo tends to get this right. The company’s video game mantra since its Nintendo Entertainment System days has been to show gaming and play as a medium full of possibilities, using world-building, competition and puzzles to enchant. I believe some new additions to “Mario Kart World,” for instance, such as the free roam mode, accomplish this goal. You likely already know if you’re a fan of the worlds Nintendo creates, whether they involve Mario and his brother Luigi or are franchises such as “Zelda” and “Animal Crossing.” And Nintendo isn’t going to abandon its core franchises — a new “Donkey Kong” title arrives in July — and there are some abilities, such as using the detachable controllers as mice, that should add some fun twists to future gameplay.

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Short answer: If you have the means, my early impression is that Switch 2 is a worthy successor. That being said, if you’re not a fan of “Mario Kart” or Nintendo’s main franchises, I think you’re safe to wait until there are more games to your liking, as the Switch has a robust catalog and Nintendo is going to continue to support it for the near future.

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With Highway 1 open, Big Sur braces for its busiest summer in years

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With Highway 1 open, Big Sur braces for its busiest summer in years

On a 75-mile cliff-hugging stretch of highway in California, traffic is way up, despite soaring gas prices. And locals expect the busiest summer in years.

The road is Highway 1 in Big Sur, which reopened in January after three years of repair and reconstruction following a pair of landslides. Drivers can once again embark on the state’s most famous road trip, covering the 100 miles between Cambria to the south and Carmel to the north without leaving the two-lane coastal highway. And they’re heading out in big numbers.

Caltrans estimates that as of May, Big Sur restaurant and retailer guest counts are up 40% from last year, and that northbound traffic at Ragged Point, the southern gateway to Big Sur, has risen 900% year-over-year.

People pose for photos near Bixby Bridge. Monterey County’s Board of Supervisors voted to explore a 12-month ban on parking around the bridge.

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Safety cones prevent parking along Coast Road near the Bixby Bridge.

Safety cones prevent parking along Coast Road near the Bixby Bridge.

“Take your time,” said Kirk Gafill, co-owner of the popular Nepenthe restaurant and president of the Big Sur Chamber of Commerce, offering advice to travelers. “You’re going to be sharing the road with a number of people.”

As travelers rediscover the road, the cost of driving has been shooting skyward. California’s average gas price ($6.11 per gallon as of May 26) is up 26% from the year before. In early April, rates hit $9.99 at the isolated gas station in the Big Sur community of Gorda.

For spring and summer travelers, these numbers would seem to pose a stark question: Stay home and save money, or head for the coast because the road is finally open and it’s still cheaper than flying?

So far, the latter answer is winning big.

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Fog lingers off the coast of Highway 1.

Fog lingers off the coast of Highway 1.

“We are definitely seeing a huge uptick in our reservations,” said Megan Handy, assistant general manager at the upscale Treebones resort. She estimated that bookings are 30% or more ahead of last year, and rates are unchanged since then. But “it’s still not feeling super crowded, which is nice. Everything still feels kind of calm.”

But added traffic has raised some anxiety. On May 19, Monterey County’s Board of Supervisors voted to explore a 12-month ban on parking at Bixby Bridge, one of the region’s top photo spots.

Over the years, the number of cars parking near the bridge — often illegally, sometimes impeding emergency vehicles — has risen. The proposed parking moratorium won’t take effect until the supervisors discuss it further.

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Busy as things are, several business owners pointed out that many international travelers have not yet returned — perhaps because most make their plans more than six months ahead, perhaps because of global politics, perhaps a little of each.

The biggest challenge for businesses during this resurgence? “Restaffing and retaining,” said Handy at Treetops.

At Nepenthe, Gafill said his business has seen a 45% boost in guest volume since the road’s reopening. Gafill said he would have expected a 35% pickup, “simply by virtue of reopening the highway.” The additional 10%, he said, might be “all that pent-up demand,” aided by “a very beautiful and very dry winter,” followed by a mild spring.

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A lunch crowd dines at popular restaurant Nepenthe.

A lunch crowd dines at popular restaurant Nepenthe.

Another possible factor: Nobody can be sure how long the road will remain open.

To cope with the influx of people, Gafill said, “everybody is trying to recruit and retain their existing staff.”

At the Ragged Point Inn, where rates dropped as low as $149 nightly last fall, rates are back over $200 and staffers are suggesting that customers book at least six months ahead. The inn has reopened its snack bar for the first time since early 2023, and management is investing in capital upgrades and staging live music on weekends throughout the summer.

Business “is up over 100%,” said Diane Ramey, whose family owns the inn. “I know not all of our neighbors are having the same lift, but everybody is doing better.”

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Traffic approaching Bixby Bridge.

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A visitor poses in an oversized chair at Big Sur River Inn.

A visitor poses in an oversized chair at Big Sur River Inn.

Even at the New Camaldoli Hermitage, a Benedictine monastery above Lucia, the road’s reopening and coming summer season have made a difference. Bookings are up an estimated 30% at the hermitage, which rent rooms and cottages (for two nights or more) to visitors who agree to its requirement of silence.

Big Sur business owners advise visitors to travel on weekdays for less traffic and the best hotel rates, and to get on the road as early as possible.

Since its opening in 1937, the highway has been vulnerable to landslides and shifting ground, operating on a longstanding cycle of landslide, closure, repair, reopening and then another landslide, or sometimes a fire. The U.S. Geological Survey has identified the Big Sur coastline as one of the most landslide-prone areas in the western United States. The 2023-2026 closure was the longest in the highway’s history.

Over time, road crews have used increasingly sophisticated strategies. In the most recent efforts, Caltrans said, it used drones to help survey the slopes and remotely operated bulldozers and excavators to reduce risks to workers.

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During the closure, no traffic was allowed on 6.8-mile span from just north of Lucia until about a mile south of the Esalen Institute. Drivers detoured inland by way of U.S. 101.

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Firings at CBS’ ’60 Minutes’ reflect the fight for media control in the age of Trump

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Firings at CBS’ ’60 Minutes’ reflect the fight for media control in the age of Trump

Correspondents of CBS’ 60 Minutes pose for a portrait in 2023. From left to right, they are Sharyn Alfonsi, L. Jon Wertheim, Bill Whitaker, Lesley Stahl, Scott Pelley, Cecilia Vega, and Anderson Cooper. Former Executive Producer Bill Owens sits on the far right. Only Wertheim, Whitaker and Stahl remain at the program.

CBS Photo Archive/CBS via Getty Images/CBS


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When CBS fired Scott Pelley on Tuesday night, the new 60 Minutes executive producer, Nick Bilton, told Pelley it was for insubordination at a staff meeting the day before.

The veteran correspondent argues he was defending the DNA of 60 Minutes and the integrity of its journalism.

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The battle royale over the network’s most prestigious and profitable news program is part of a broader fight over the direction of CBS News.

And given CBS’s acquisition by a billionaire family whose business interests have become intertwined with the political interests of President Trump, it reflects a larger war over control of the media in the current moment.

That father and son, Larry and David Ellison, bought CBS’ parent company, Paramount, last summer. In January, they became co-owners of TikTok’s U.S. operations. Now they’re seeking approval from Trump’s regulators to buy Warner Bros. Discovery, the parent company of CNN.

A glamorous show shorn, for now, of most its stars

CBS fired Cecilia Vega, a correspondent, and Tanya Simon, the executive producer, from 60 Minutes last week. They are shown in this photo at the 2026 White House Correspondents' Association Dinner on April 25, 2026 in Washington, D.C.

CBS fired Cecilia Vega, a correspondent, and Tanya Simon, the executive producer, from 60 Minutes last week. They are shown in this photo at the 2026 White House Correspondents’ Association Dinner on April 25, 2026 in Washington, D.C.

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Kristina Bumphrey/Variety via Getty Images/Variety

But the specifics of this individual episode matter — for 60 Minutes, CBS, its audience of millions, and even the news business itself.

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The program has been the most glamorous post in broadcast news. The correspondents are the stars of the show. And now, there are just three of them.

Anderson Cooper left last month, concerned over the direction of the network’s coverage. Last week was a virtual bloodbath: correspondents Cecilia Vega and Sharyn Alfonsi were fired. So were a producer and two show executives — including Tanya Simon, a longtime staffer who had stepped up as executive producer when her predecessor resigned in protest before the Ellisons’ takeover.

With Pelley’s ouster, only correspondents Lesley Stahl, Bill Whitaker, and Jon Wertheim remain. Now they are considering whether to resign, according to two associates with knowledge.

Their brand-new boss, Bilton, was previously a tech reporter for The New York Times and an investigative reporter for Vanity Fair. He executive-produced a documentary for Netflix about a couple accused of laundering Bitcoin and has been a producer on several other films.

Notably, he has no experience in television news.

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Neither does Bari Weiss, whom David Ellison installed as the network’s editor in chief last October. The Ellisons also bought her center-right views-and-news site, The Free Press.

She has maintained that the network of Walter Cronkite needs a makeover for the digital moment. She has also contended for years that CBS, along with the rest of mainstream media, is too reflexively anti-Trump, anti-Israel, and too woke.

A rejection of CBS News executives’ overtures

The new executive producer of 60 Minutes, Nick Bilton, has been a tech journalist and documentary filmmaker, but lacks experience in broadcast news.

The new executive producer of 60 Minutes, Nick Bilton, has been a tech journalist and documentary filmmaker, but lacks experience in broadcast news.

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Bilton attempted to set a conciliatory tone at Monday’s meeting — his first with the show. Pelley, a formidable veteran correspondent and former CBS Evening News anchor, wasn’t having it.

Pelley called Bilton unwelcome and unqualified. And Pelley said that Weiss was attempting to “murder” the program.

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In firing Pelley on Tuesday, Bilton said the journalist had hijacked the meeting and rejected overtures to work constructively through their differences. (NPR obtained a copy of the firing notice.) Bilton wrote that Pelley’s “antipathy to the future of the show came through loud and clear.”

In his own statement late Tuesday evening, shared with NPR, Pelley accused CBS’s new news leadership of killing 60 Minutes‘ DNA and pushing him “to inject falsehoods and bias into a politically sensitive story” and “to include assertions that are unverified.”

The accusations, to which CBS has not yet responded, echo those made by Alfonsi and Vega, the two correspondents fired last week.

Earlier this year, Alfonsi publicly complained after Weiss held one of her stories at the last minute, and kept it frozen for weeks, demanding an on-camera interview with a Trump White House official that never played out. It ran, unchanged from the intended version, with additional statements from the administration tacked on to the end.

After being fired, Vega said in a statement obtained by NPR that her team had “experienced efforts to insert political bias into our stories.”

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“Let’s call this what it is: censorship, both censorship and self-driven” Vega continued. “It is dangerous for the show and dangerous for democracy.”

Weiss previously rejected Alfonsi’s and Vega’s allegations. (CBS said Vega’s claims, for example, were “not based in reality” while expressing appreciation for her work.)

Weiss and Bilton say digital threat requires a 60 Minutes overhaul now

In a meeting this morning, Weiss said that Pelley chose his own path — that is, to be fired rather than to find a way to work through his concerns, according to attendees. The network and Weiss have not yet publicly addressed Pelley’s accusations of interference. 

Bilton and Weiss say they respect the show’s traditions, its accomplishments and its legacy of enterprise reporting, extended interviews and visual storytelling. It rose in the ratings 9% over the past season under Simon.

The two news leaders say, however, 60 Minutes needs to be overhauled before it becomes increasingly irrelevant in the era of streamers and other sources of news, information and entertainment in the digital age.

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Interviews with 12 current and former CBS News staffers, from producers to executives, suggest great reservations and suspicions remain about Weiss’ judgment and her ability to handle the prominent and even famous journalists on whom her division relies.

Weiss had initially sought to reinvent the CBS Evening News, dropping a two-anchor format that had sagged in the ratings. Cooper turned down Weiss’ overtures to anchor it and left the network altogether, concerned about her approach, according to associates. (They spoke on condition of anonymity because Cooper has not chosen to speak publicly on the matter.)

David Ellison became chairman and CEO of CBS' parent company, Paramount, after buying it last year.

David Ellison became chairman and CEO of CBS’ parent company, Paramount, after buying it last year.

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The ratings have continued to sag under new anchor Tony Dokoupil. And some CBS journalists, including producers who have left the Evening News, have publicly accused Weiss of making editorial decisions driven by politics. She has rejected those claims.

The decision to take on overhauling two key shows — one listing, one highly profitable, both high profile — carries significant risks for Weiss and the network, even apart from other considerations.

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But the Ellisons’ presence cannot be ignored.

When Shari Redstone was negotiating the sale of CBS’s parent company, Paramount, to the Ellisons’ Skydance Media last year, the network announced the end of Stephen Colbert’s late night show. He had been one of the president’s most biting and acerbic critics.

David Ellison also made a series of concessions directly to Trump’s chief broadcast regulator, Federal Communications Commission Chair Brendan Carr, gutting CBS’s diversity, equity and inclusion initiatives and appointing a conservative ombudsman to field complaints of bias against its news reporting.

Carr and other regulators approved the Paramount deal last summer.

The accommodations echo those made by other media titans.

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Amazon and Blue Origin founder Jeff Bezos remade the editorial pages of the Washington Post, which he owns, into a far more hospitable zone for Trump at the outset of his second term. So did Los Angeles Times owner Dr. Patrick Soon-Shiong, a noted medical device inventor. Amazon and Blue Origin have multi-billion dollar contracts with the federal government. Soon-Shiong’s medical research firm routinely has patent applications up for review with federal regulators. One was approved Tuesday.

The Ellisons are hoping to win approval from federal regulators next month for their purchase of Warner Bros. Discovery in a deal valued at more than $110 billion. It would include Warner Bros. Studio, HBO and CNN, among other properties.

As Weiss routs CBS News’ old guard, the question of what role she might play at CNN — and what changes that portends at CBS — hangs over journalists at the two networks. The fate of 60 Minutes serves as a high-stakes case study for both.

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We’re having a main character summer. Are you? : It’s Been a Minute

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We’re having a main character summer. Are you? : It’s Been a Minute
Are you ready for a whirlwind summer romance?Making plans to capitalize on summer can get overwhelming – from finding the right spot to hang or feeling comfortable in your clothes in the sweltering summer heat. So what does it mean to approach summer with a romantic joie de vivre?  Brittany is joined by Carly Olson, freelance journalist covering architecture and business, and Garrett Schlichte, writer and chef, to walk us through how to have a rom-com summer where you’re the star.Want more on how to be the best version of yourself? Check out these episodes:How to make friends & get good gossipIt only takes 30 minutes to be a good momSupport Public Media. Join NPR Plus.Follow Brittany on Instagram: @bmluseFor handpicked podcast recommendations every week, subscribe to NPR’s Pod Club newsletter at npr.org/podclub.
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