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‘The Sweet East’ is a fantastical odyssey featuring Talia Ryder, Ayo Edebiri, Jacob Elordi

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‘The Sweet East’ is a fantastical odyssey featuring Talia Ryder, Ayo Edebiri, Jacob Elordi


The film is screening this month as part of the Palm Springs International Film Festival.

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Note: This review originally published on Next Best Picture.

A need to leave it all behind and reinvent oneself is at the core of Sean Price Williams’ feature directorial debut “The Sweet East,” but it’s only just the beginning. He and screenwriter Nick Pinkerton take audiences through a silly, fantastical and colorful odyssey of contemporary American life with a teenager discovering differing ideologies, bizarre characters and enough absurdities to make everyone question what’s real or not.

Even if it’s Williams’ first time directing a smattering of great actors in this film, he does it like a pro and shows he’s not afraid to take big strides with his projects. It might not always pay off, as there are certainly highs and lows within “The Sweet East,” but it’s an original idea that certainly deserves kudos in a world of not-so-many original thoughts. Also serving as the film’s cinematographer, his usual visual spectacle is on display, which perfectly balances the changing landscape our heroine finds herself in.

The film opens on a miserable field trip in Washington, D.C., for high schooler Lillian (Talia Ryder), who is immediately identified as a different breed from the rest of her classmates. While they party it up on school buses and run around the hotel, she’s glued to her phone and occasionally gives them seething glances that would eviscerate anyone’s confidence. Her boyfriend also seems like an equally annoying guy who doesn’t actually care that he has a girlfriend.

It’s clear she’s looking for a way out, and one is granted at an arcade bar when a shooter storms in with a gun. Lillian meets Caleb (Earl Cave), who helps her escape and puts her on the start of her adventure.

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Divided into four parts, Pinkerton’s screenplay takes Lillian and viewers on a wild ride through the cities, ideologies and personalities of the Eastern seaboard. With Caleb, a man who hasn’t left his 2000s emo phase behind, Lillian finds herself among a gathering of progressives. These wannabe hippies are made up of trust fund babies and those running away from a stable and financially secure life, but we don’t get much time to learn much else about them. During a barely thought-out demonstration, Lillian slips away and stumbles upon a white supremacist gathering where she meets university professor Lawrence (Simon Rex).

This is where a bulk of the excitement and entertainment of the film comes into play. After Lillian makes up a story about how she escaped an abusive relationship (one she heard from one of the progressives), Lawrence decides to take her in, buy her clothing and practically bend at her every demand.

He, in return, projects his fantasies onto her, a recurring theme throughout the film. Simon Rex playing a talkative, anti-liberal Neo-Nazi was certainly not on anyone’s 2023 bingo card, but he totally sells the role and brings his classic humor along with it. Their relationship has hints of his previous film, “Red Rocket,” in that Lawrence lusts after Lillian, but that line is never fully crossed.

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After she ditches him, Lillian stumbles into director Molly (Ayo Edebiri from “The Bear,” “Bottoms”) and producer Matthew (Jeremy O. Harris), who are looking for the lead in Molly’s film. These two are highlights as they play overly enthusiastic filmmakers who are obsessed with everything Lillian, their new star, gives them. Jacob Elordi (from “Euphoria,” “Priscilla”), plays her costar in the film, and also seems to easily swoon over Lillian as she gets sucked into the tabloids and questions arise over their relationship. Ryder, having to keep up with these various encounters and the changes they bring, completely rolls with the punches and shows she’s game for anything.

But with each of these acts, our heroine never feels like a fully formed person. Yes, she does get to immerse herself in a new world each time and take on a new personality, but who Lillian is at her core and why she wants to leave it all behind isn’t addressed. It certainly has to be more than just a crappy field trip with raunchy high schoolers, but Pinkerton doesn’t give us much else to go off of. In general, while full of great moments, Pinkerton’s script seems to lack much depth in the end. It gets repetitive and loses its steam, particularly by the end when Lillian escapes her movie persona again and follows PA Mohammed (Rish Shah).

Even with some lows, “The Sweet East” is a promising directorial debut from Williams and shows a desire to bring engaging and new stories to the big screen. Ryder, who previously delivered a powerful performance in “Never Rarely Sometimes Always,” continues to show her range and capabilities as a leading lady, while other supporting characters bring much-needed dedication to their absurd characters to make this a wild and unforgettable journey worth taking.

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Ema Sasic covers entertainment and health in the Coachella Valley. Reach her at ema.sasic@desertsun.com or on Twitter @ema_sasic.

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Movie Reviews

Movie Review: The Cat (1991) – 88 Films Blu-ray – HorrorFuel.com: Reviews, Ratings and Where to Watch the Best Horror Movies & TV Shows

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Movie Review: The Cat (1991) – 88 Films Blu-ray – HorrorFuel.com: Reviews, Ratings and Where to Watch the Best Horror Movies & TV Shows
Holy shit… Ngai Choi Lam’s The Cat… Honestly that should (and could) be the entirety of this review, but you need to hear more, believe me… Author/paranormal scholar Wisely (Waise Lee, Bullet in the Head) writes novels based in part on his exploits… exploits that include an absolute hum-fucking-dinger that includes his pal Li Tung […]
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1985 Movie Reviews – Bad Medicine, King Solomon’s Mines, and One Magic Christmas | The Nerdy

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1985 Movie Reviews – Bad Medicine, King Solomon’s Mines, and One Magic Christmas | The Nerdy
by Sean P. Aune | November 22, 2025November 22, 2025 10:30 am EST

Welcome to an exciting year-long project here at The Nerdy. 1985 was an exciting year for films giving us a lot of films that would go on to be beloved favorites and cult classics. It was also the start to a major shift in cultural and societal norms, and some of those still reverberate to this day.

We’re going to pick and choose which movies we hit, but right now the list stands at nearly four dozen.

Yes, we’re insane, but 1985 was that great of a year for film.

The articles will come out – in most cases – on the same day the films hit theaters in 1985 so that it is their true 40th anniversary. All films are also watched again for the purposes of these reviews and are not being done from memory. In some cases, it truly will be the first time we’ve seen them.

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This time around, it’s Nov. 22, 1985, and we’re off to see Bad Medicine, King Solomon’s Mines, and One Magic Christmas.

Bad Medicine

Steve Guttenberg really was having a moment in the 1980s. Sadly, this film was part of that moment.

Jeffrey Marx (Guttenberg), comes from a medical family, but he has been able to get into a medical school due to low scores. His father finally sets up to go to a school in Central America. Once there he makes a few new friends, and eventually discovers not only does he actually like medicine, but he’s good at it.

This film had a few ingredients to be fun, but it lost it’s way with too many sub-plots. We didn’t need the owner of the school (Alan Arkin) lusting after Liz (Julie Hagerty). It added absolutely nothing to the overall story, and only served to slow the pace of the film down in several spots.

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There may have been a decent film hiding in here, just no one knew how to get to the meat of it, apparently.


King Solomon’s Mines

Kids love Indiana Jones, so lets make our own!

Jesse Huston (Sharon Stone) wants to find her father, and hires Allan Quatermain (Richard Chamberlain) to help her. Her father had been looking for the fabled King Solomon’s Mines, so naturally they end up on the path to looking for them as well, running into every obstacle imaginable along the way.

Lets make no mistake, this is not a good movie. It is an out-and-out ripoff of everything that made Indiana Jones cool and successful. But despite it not being good, Chamberlain is so blasted charming as Quatermain that it’s hard not to root for the film a bit.

What kept tearing me out of the film was the stunts. Realistically, you know Indiana Jones should be dead about 20 times a movie, but the stunts were so good that you could believe he survived it. And it’s just not the same here. The scene where Quatermain gets dragged behind the train hitting all of the boards of the track was just too far to even be believable for a moment, and that really pulled me out of the film.

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I give them points for trying, but they just never quite make it over the line.


One Magic Christmas

Hey kids! Christmas is coming! Who’s ready to get depressed?

Christmas angel Gideon (Harry Dean Stanton) gets assigned to help Ginnie Grainger (Mary Steenburgen) find the Christmas spirit… and so what if she watches her husband get killed along the way and she believes at one point both her kids are dead the same day?

Merry Christmas, everyone!

The film is unflinchingly sad for the majority of its runtime, making it difficult to fathom how it was made. In the end, Ginnie does get her Christmas spirit as Santa rewinds time so that her husband never dies. Of course, he doesn’t remove her memory of watching him get shot and him dying in front of her, but, you know, it was the 80s, who cared about trauma?

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Just a bleak film that is baffling how it got made.

1985 Movie Reviews will return on Nov. 29, 2025, with Rocky IV and Santa Claus: The Movie.


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Movie Reviews

Sisu: Road to Revenge

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Sisu: Road to Revenge

The lethal and tenacious Aatami Korpi returns in this sequel to 2022’s Sisu. Like its predecessor, Sisu: Road to Revenge offers up nonstop, gory hyper-violence as the old soldier shoots and stabs his way through the Soviet Union’s Red Army to avenge his family’s murder. Paired with all the bloodshed is a handful of f-words and some drinking, as well.

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