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‘The Sweet East’ is a fantastical odyssey featuring Talia Ryder, Ayo Edebiri, Jacob Elordi

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‘The Sweet East’ is a fantastical odyssey featuring Talia Ryder, Ayo Edebiri, Jacob Elordi


The film is screening this month as part of the Palm Springs International Film Festival.

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Note: This review originally published on Next Best Picture.

A need to leave it all behind and reinvent oneself is at the core of Sean Price Williams’ feature directorial debut “The Sweet East,” but it’s only just the beginning. He and screenwriter Nick Pinkerton take audiences through a silly, fantastical and colorful odyssey of contemporary American life with a teenager discovering differing ideologies, bizarre characters and enough absurdities to make everyone question what’s real or not.

Even if it’s Williams’ first time directing a smattering of great actors in this film, he does it like a pro and shows he’s not afraid to take big strides with his projects. It might not always pay off, as there are certainly highs and lows within “The Sweet East,” but it’s an original idea that certainly deserves kudos in a world of not-so-many original thoughts. Also serving as the film’s cinematographer, his usual visual spectacle is on display, which perfectly balances the changing landscape our heroine finds herself in.

The film opens on a miserable field trip in Washington, D.C., for high schooler Lillian (Talia Ryder), who is immediately identified as a different breed from the rest of her classmates. While they party it up on school buses and run around the hotel, she’s glued to her phone and occasionally gives them seething glances that would eviscerate anyone’s confidence. Her boyfriend also seems like an equally annoying guy who doesn’t actually care that he has a girlfriend.

It’s clear she’s looking for a way out, and one is granted at an arcade bar when a shooter storms in with a gun. Lillian meets Caleb (Earl Cave), who helps her escape and puts her on the start of her adventure.

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Divided into four parts, Pinkerton’s screenplay takes Lillian and viewers on a wild ride through the cities, ideologies and personalities of the Eastern seaboard. With Caleb, a man who hasn’t left his 2000s emo phase behind, Lillian finds herself among a gathering of progressives. These wannabe hippies are made up of trust fund babies and those running away from a stable and financially secure life, but we don’t get much time to learn much else about them. During a barely thought-out demonstration, Lillian slips away and stumbles upon a white supremacist gathering where she meets university professor Lawrence (Simon Rex).

This is where a bulk of the excitement and entertainment of the film comes into play. After Lillian makes up a story about how she escaped an abusive relationship (one she heard from one of the progressives), Lawrence decides to take her in, buy her clothing and practically bend at her every demand.

He, in return, projects his fantasies onto her, a recurring theme throughout the film. Simon Rex playing a talkative, anti-liberal Neo-Nazi was certainly not on anyone’s 2023 bingo card, but he totally sells the role and brings his classic humor along with it. Their relationship has hints of his previous film, “Red Rocket,” in that Lawrence lusts after Lillian, but that line is never fully crossed.

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After she ditches him, Lillian stumbles into director Molly (Ayo Edebiri from “The Bear,” “Bottoms”) and producer Matthew (Jeremy O. Harris), who are looking for the lead in Molly’s film. These two are highlights as they play overly enthusiastic filmmakers who are obsessed with everything Lillian, their new star, gives them. Jacob Elordi (from “Euphoria,” “Priscilla”), plays her costar in the film, and also seems to easily swoon over Lillian as she gets sucked into the tabloids and questions arise over their relationship. Ryder, having to keep up with these various encounters and the changes they bring, completely rolls with the punches and shows she’s game for anything.

But with each of these acts, our heroine never feels like a fully formed person. Yes, she does get to immerse herself in a new world each time and take on a new personality, but who Lillian is at her core and why she wants to leave it all behind isn’t addressed. It certainly has to be more than just a crappy field trip with raunchy high schoolers, but Pinkerton doesn’t give us much else to go off of. In general, while full of great moments, Pinkerton’s script seems to lack much depth in the end. It gets repetitive and loses its steam, particularly by the end when Lillian escapes her movie persona again and follows PA Mohammed (Rish Shah).

Even with some lows, “The Sweet East” is a promising directorial debut from Williams and shows a desire to bring engaging and new stories to the big screen. Ryder, who previously delivered a powerful performance in “Never Rarely Sometimes Always,” continues to show her range and capabilities as a leading lady, while other supporting characters bring much-needed dedication to their absurd characters to make this a wild and unforgettable journey worth taking.

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Ema Sasic covers entertainment and health in the Coachella Valley. Reach her at ema.sasic@desertsun.com or on Twitter @ema_sasic.

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UNTIL DAWN Review

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UNTIL DAWN Review
UNTIL DAWN is a horror movie based on a video game about a group of friends who find themselves trapped in a time loop, reliving the same night repeatedly with increasingly terrifying, fatal threats. One year after her sister Melanie vanished without a trace, Clover and her friends look to find more information about her disappearance. Clues lead them to an abandoned mining town implied to be in Pennsylvania. This place of unimaginable horrors traps them all in a horrifying time loop where they’re murdered again and again. They must work together to survive without losing themselves in the never-ending time loop of gruesome murder.

UNTIL DAWN is nicely shot and paced well, with believable performances. However, the movie has a strong humanist worldview featuring gruesome violence, lots of strong foul language, and excessive gore. The violence includes psychopathic killers, people spontaneously exploding, stabbings, kidnapping, demonic possession, and more. The frequent dying over and over in the plot of UNTIL DAWN puts the sanctity of life into question. It forces the characters to conduct abhorrent and unacceptable immoral actions for survival.

(HH, Pa, C, O, Ho, LLL, VVV, S, M):

Dominant Worldview and Other Worldview Content/Elements:

Strong humanist worldview that twists the concept of modern psychology into a supernatural hellscape with unexplained time loops and reoccurring nightmarish horror filled with excessive violence and gore, but with unexplained pagan supernatural elements (such as a storm circling a house, the appearance of more buildings, the time loop itself, and many more), the time loop perverts the laws of mortality and implies that the consequences of violence, murder, suicide, etc., don’t apply, the psychologist controlling the time loop discusses the situation with modern psychology in vague circles meant to confuse and disorient the nature of the reality in which the victims are trapped, religion or God is not explicitly discussed, but there’s an unexplained cross in front of a house that isn’t explained and a character references the belief that a possessed person cannot become possessed through contact but rather weakness of faith, and some occult content where one woman is a self-described psychic and is into “woo-woo” stuff as another character describes it, she tries to amplify her psychic abilities with help from the others by holding hands and meditation, and she often has strong feelings and seems to have a sense the others do not have, but no worship or symbols are shown, plus a girl dating a guy is said to have previously dated a girl as well as other men;

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Foul Language:

At least 101 obscenities (including 62 “f” words), two strong profanities mentioning the name of Jesus, and four light profanities;

Violence:

Very severe violence and gratuitous blood and gore throughout including but not limited to dead bodies, monsters, scarred masked psychopath, stabbing, beating, and people spontaneously exploding;

Sex:

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No sex shown, but a person puts on a VHS tape and a pornographic movie is heard playing briefly but not shown, and a woman is said to date a lot of people and one time dated another woman;

Nudity:

No nudity;

Alcohol Use:

No alcohol use;

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Smoking and/or Drug Use and Abuse:

No smoking or drugs; and,

Miscellaneous Immorality:

A psychologist is a callous antagonist whose motives are relatively unknown beyond having a morbid curiosity that led to awful experiments and playing games with other people, he purposely keeps people trapped for no known reason other than his sick and twisted observations that end in gruesome murder and unnecessary torture.

UNTIL DAWN is a horror movie based on a video game about a group of friends who find themselves trapped in a time loop, reliving the same night repeatedly with increasingly terrifying, fatal threats.
Advertisement

One year after her sister Melanie vanished without a trace, Clover and her friends look to find more information about her disappearance. Clues lead them to an abandoned mining town. This place of unimaginable horrors traps them all in a horrifying time loop where they will be murdered again and again.

UNTIL DAWN is nicely shot and paced well, with believable performances, but it has a strong humanist worldview overall with some occult elements is filled with gruesome violence, gore, lots of strong foul language, and a time loop that leads to an increasing amount of horrific murder and unacceptable immoral actions for survival.

The movie begins with a woman named Melanie clawing her way through the dirt with an unknown monster chasing after her. Digging her way out, she looks up to a masked psychopath standing over her with a scythe. She begs him, “No! Please not again. I can’t!” He fatally stabs her without a thought. It cuts to the main title, and an hourglass is shown with a ticking clock sound and unsettling music.

Cut to a group pf people in a red car driving up a winding mountain, an obvious nod to THE SHINING. It’s been one year after Clover’s sister Melanie vanished without a trace. The group consists of Max, Nina, Megan, Abe, and Clover. Shortly after their mother died, Melanie had decided to start a new life in New York. Clover decided to stay, which created tension between the sisters before Melanie left.

Clover and her friends are looking for more information about her disappearance. Their last stop is the last place she was seen in a video message taken in front of a middle-of-nowhere gas station. Megan, a proclaimed psychic, wants to join hands outside and see if they can feel any mystical energy regarding Melanie. Their attempt is cut short when an RV blares its horn and almost hits them, scaring them all.

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Clover goes inside the gas station for a cup of coffee while the others talk outside. Clover asks the man behind the register if he worked here last year. After confirming he’s been working there for years, she shows him a picture of Melanie from the video. He asks if she was missing and clarifies saying that Clover is not the first to come asking. When she asks if many people around here go missing, he says people “get in trouble” in Glore Valley. As their only lead, the group decides to go there and stick together.

Nervously driving to the valley in an increasingly dangerous storm, the group begins to question what they are doing. Suddenly the storm stops but is still raging behind them. They park in front of a house with a “Welcome Center” sign, with the storm circling around the area but leaving the house dry. Confused, they get out of the car and look around. Nina decides to see if there’s anyone inside so they can come up with a plan. Everyone goes in except Clover, who walks up to the strange rain wall.

Inside the house, they find a dated and dusty interior. The power and water don’t work, and they conclude that they are the first people to come there in years. There is a strange hourglass with a skull on the wall. Checking the guest book, Nina finds Melanie’s name signed multiple times, with increasingly shaky handwriting. In another room, Abe finds many missing posters with faces on a bulletin board and finds poster with Melanie’s face.

Outside, Clover thinks she sees a person in the rain. She also hears Melanie’s voice and runs after it. Concerned, Max calls after her and he pulls her back in. As Nina signs the guestbook, the sun suddenly sets and the clock starts ticking.

Inside the house now with the hourglass turned over, they try to understand what’s happening. The car is out in the rain now with someone revving the engine threateningly. Some of them go to the dark basement, where the lights don’t work. There is an eerie sense of dread as Abe goes to check out a noise, and Nina finds a scarred and masked psychopath standing in a room as the top half of Abe’s body falls to the ground.

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Hearing the commotion upstairs, the others go to see what happened and Max spots the killer. They run to hide, and the apparently invincible psychopath horrifically stabs each of them as they try to fight back. The sand in the hourglass runs back, as each character returns to where they were when Nina originally signed the book (she now signs it a second time). They remember what had just taken place, and how they were all murdered. Clearly stuck in this time loop escape room situation, they will now have to figure out how to escape this terrifying hellscape as the situations get worse with every loop.

UNTIL DAWN is nicely shot and paced well, with believable performances. However, the movie has a strong humanist worldview featuring gruesome violence, lots of strong foul language, and excessive gore. The violence includes psychopathic killers, people spontaneously exploding, stabbings, kidnapping, demonic possession, and more. The frequent dying over and over in the plot puts the sanctity of life into question. It forces the characters to conduct abhorrent and unacceptable immoral actions for survival.

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Movie Review – SHAKA: A STORY OF ALOHA

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Movie Review – SHAKA: A STORY OF ALOHA
SHAKA: A STORY OF ALOHA is shared with the audience by investigator Steve Sue in a calm and charming manner, but this documentary tells a powerful, positive and fascinating story. The “hang loose” thumb, pinky sign that originated in Hawaii and carries many meanings is the focus of this film. I just learned this gesture is called a “Shaka” and has a worldwide impact.  And, there are Shaka Contests.  Who knew? And how do you throw a Shaka? For me, […]
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