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The Iron Claw review: Zac Efron stuns in this soulful wrestling drama

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The Iron Claw review: Zac Efron stuns in this soulful wrestling drama

The father, a mouthy, aggressive leader – determined to win, destined to fail – promises his boys the world. In return, they’ll do something he never could. By 1984, one of the lads has achieved dad’s dream, taking home a National Wrestling Alliance World Heavyweight Championship belt. By 1993, dad has lost five out of six of his sons. If The Iron Claw wasn’t based on real events, you’d ask for your money back.

Not since Darren Aronofsky’s The Wrestler has a mainstream sports picture worked this hard to make us cry. Hardcore wrestling enthusiasts will know the tragic Von Erich family tale inside out; the rest of us will figure it out as it goes along.

Like all the best sports features, however, Sean Durkin’s film doesn’t necessarily require an interest in the protagonists’ pastime. Durkin’s film is loaded with testosterone and boasts its fair share of brutal body slams and painful choke manoeuvres. But it’s not about what happens inside the ring; it is, instead, the devastating story of a family who forgot to look out for one another.

We begin in 1970s Texas where a young Kevin Von Erich (a tremendous Zac Efron), convinces his father, Jack ‘Fritz’ Von Erich (Holt McCallany), that he’s ready for the big time.

Jack, a retired wrestling champ who wishes he’d done more with his time in the ring, is a successful promoter with World Class Championship Wrestling. Most of the Von Erich boys idolise their old man, and dad has made it his mission to turn every one of them into superstar athletes.

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Coming up behind Kevin is David (Harris Dickinson), a talented fighter with a flair for the dramatic. Kevin is a great wrestler, but he struggles with social interactions. David is a natural showman, and so Jack encourages them both to fight together. Meanwhile, a younger sibling, Mike (Stanley Simons), dreams of becoming a professional musician, but Jack won’t allow it.

When Kevin fluffs his chance at a world title, his dad switches things up. First, he focuses his attention on David; next, he enlists Kerry (Jeremy Allen White), the favourite son, to form a tag team with the others. Within time, the mighty Von Erich siblings begin to make a name for themselves.

Their mother, Doris (Maura Tierney), prefers not to be included in the family business. Likewise, Kevin’s girlfriend, Pam (Lily James), wonders how much, exactly, is real in the complicated world of professional wrestling (a fair question which the film never properly answers).​

There is more. Kevin worries about a so-called family ‘curse’ that claimed the life of his eldest brother, Jack Jr, when they were children. Is he imagining things, or are the Von Erich men really cursed? The way Durkin’s film moves in its second half, you wonder if Kevin might be on to something.

Mr Durkin doesn’t cover everything. There was another Von Erich brother, Chris, but The Iron Claw’s writer-director decided not to include him in the final screenplay as he says it was “one more tragedy that the film couldn’t really withstand”.

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It’s only after watching this profoundly moving film that you’ll understand Durkin’s reasoning. The Iron Claw packs a powerful punch. The wrestling sequences are masterfully staged, beautifully shot and brilliantly performed.

Away from the ring, however, Durkin does not make things easy for his audience. You’ll barely have time to wrap your head around one harrowing incident when another occurs, then another, and I sometimes worried if the film – undeniably effective, if a little untidy in parts – could bear the weight.

Phenomenal performances help. White is excellent as a tortured young athlete who struggles to communicate the thoughts inside his head. McCallany devotes himself entirely to the role of a toxic patriarch who believes his signature move, ‘the Iron Claw’, to be his most devastating. It isn’t – instead, it is his ability to make his sons feel like they’re never good enough.

Kevin is the only one who questions his dad, and this is where Efron shines. A transformative role, in more ways than one, Efron’s soulful, muscular turn stunned the hell out of me, and the committed Californian has never been as good as he is here. Brace yourself for heartache.

Four stars

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Movie Reviews

8News Reel Talk: ‘The Devil Wears Prada 2’ movie review

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8News Reel Talk: ‘The Devil Wears Prada 2’ movie review

RICHMOND, Va. (WRIC) — In this episode of 8News Reel Talk, digital producer Julia Broberg is joined by anchor Deanna Allbrittin and reporter Allison Williams to talk about “The Devil Wears Prada 2.”

The hosts gave their reviews and assigned the following star ratings:

Deanna: ★★★★.5

Allison: ★★★.25

Julia: ★★

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To watch more livestreams and digital video content, head to the WRIC+ Originals page. You can also watch full on-demand videos on your smart TV using the WRIC+ app.

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“Billie Eilish – Hit Me Hard and Soft: The Tour” Movie Review – Spotlight Report

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“Billie Eilish – Hit Me Hard and Soft: The Tour” Movie Review – Spotlight Report

Billie Eilish fans prepare yourself,  the much talked about secret project has finally arrived on the big screens!

Billie Eilish has always been about intimacy over artifice, but her latest concert film takes that to a visceral new level. Co-directed by Eilish and James Cameron, Billie Eilish – Hit Me Hard and Soft: The Tour (Live in 3D) manages to bridge the gap between a massive stadium show and the quiet grit of life backstage.

The film starts 18 minutes out from the show and builds the tension until audiences are literally folded into a box with her. Being taken under the stage, passing fans who have no idea she’s inches away, sets a tone of total immersion. What makes this film different is the balance between the spectacle and the behind-the-scenes reality. We see the creative shorthand between Billie and James Cameron as they chase what she calls the “best kind of sensory overload”.

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The film is very much fan focussed, with the sound mix being so specific that you can hear individual fans singing along in sync with the visuals.

There are so many standout moments, the handheld camera work during “Bad Guy” that gives a dizzying POV of the band, and the chilling minute of silence Billie requests from the crowd to record a vocal loop.

The film captures her unique stage presence. Influenced by rap culture, Billie refuses to have anyone else on stage, unlike many female artists that use back up dancers. Billie can hold the entire stadium in awe by herself which is incredible to witness, until Finneas joins her for a beautiful, emotional piano set.

Between the high-tech visuals and the “Puppy Room” (where she keeps rescue dogs for staff to decompress), the film feels incredibly personal. While the film doesn’t give us any new insights into Billie, Billie Eilish – Hit Me Hard and Soft: The Tour (Live in 3D) is an enjoyable experience that elevates the tradition concert film.

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Mortal Kombat 2 film producer asks ‘why the f**k’ critics who ‘have never played the game’ were allowed to review it | VGC

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Mortal Kombat 2 film producer asks ‘why the f**k’ critics who ‘have never played the game’ were allowed to review it | VGC

The producer of the Mortal Kombat 2 movie has called out critics who gave it a negative review.

At the time of writing, Mortal Kombat 2 has a score of 73% on film review aggregator site Rotten Tomatoes, and a score of 48 on Metacritic.

While this means reviews have generally been mixed, the film’s producer Todd Garner took to X to criticise those who wrote negative reviews, suggesting that some of them were written by critics who aren’t familiar with the source material.

“Some of these reviews are cracking me up,” Garner wrote. “It’s clear they have never played the game and have no idea what the fans want or any of the rules/canon of Mortal Kombat.

“One reviewer was mad that a guy ‘had a laser eye’! Why the fuck do we still allow people that don’t have any love for the genre review these movies! Baffling.”

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When questioned on this viewpoint by some followers, Garner explained that while he doesn’t have an issue with negative reviews in general, his problem is specifically reviewers who don’t appear to be familiar with Mortal Kombat.

“My comment was very squarely directed at a couple of reviewers that did not like the ‘zombies’ and the fact that there was a ‘guy with a laser eye’, etc,” he said. “Those are elements that are baked into the Mortal Kombat IP and therefore we were dead in the water going in.

“There is no way for that person to review how it functioned as a film, because they did not like the foundational elements of the IP. I just wish when something is so obviously fan leaning in its DNA, that critics would take that into consideration.”

One follower then countered Garner’s complaint by arguing that he shouldn’t be criticising people who don’t know the games, when the films themselves take creative license with the IP.

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“Bro to be fair, you invented Cole Young, Arcana and couldn’t even get the simple lore of Mileena and Kitana correct,” said user Dudeguy29. “I’d say you shouldn’t be tossing any stones here.”

“Fair,” Garner replied.

Garner previously criticised the cast of the Street Fighter movie when, during The Game Awards last year, comedian Andrew Schulz – who plays Dan in the Street Fighter film – claimed that the Mortal Kombat 2 movie cast were also in attendance, before joking: “I’m just kidding, they didn’t come, they don’t care about you, they only care about money.”

The jibe didn’t go down well with Garner, who stated on X at the time: “I don’t climb over others to get ahead”. When recently asked how he felt about the cast vs cast rivalry, however, Mortal Kombat co-creator Ed Boon laughed and said he had no issue with it at all.

Mortal Kombat 2 is released in cinemas this Friday, May 8, while Street Fighter arrives later in the year on October 16.

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