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Thamma Movie Review: The Ultimate Mythical Masala From Maddock Verse!

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Thamma Movie Review: The Ultimate Mythical Masala From Maddock Verse!

Director: Aditya Sarpotdar

Writers: Niren Bhatt, Suresh Mathew, Arun Falara

Cast: Ayushmann Khurrana, Rashmika Mandanna, Nawazuddin Siddiqui, Paresh Rawal, Sathyaraj, Fasial Malik, Geeta Aggarwal, Rachit Singh

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Duration: 149 minutes

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Rating: 4/5

 

Every now on then, a crossover yet original franchise movie takes everything by surprise and storm, Thamma is one of those movies, the film not only elevate the standard of whole franchise but has enough easter eggs to future instalments as well. This epic saga has everything going for itself, it is fun, wild, original, unique, relatable and above all packed with stellar acting, outstanding VFX, smashing numbers, it is something we have never seen before in mainstream Indian cinema.

The film kick-offs in this lush, mythological forest where ancient legends live and breathe — literally. But there is one cardinal rule, no one ever harm a human, and their sole purpose is to protect human race against evil forces. And one fine day is cardinal rule is broken which leads to many chaos, some centuries old and some set in present and future. Thamma is the prefect mix of folklore, fantasy, sentiment, and action into one thoroughly engaging ride.

Ayushmann Khurrana as Alok, who stars as a small-town reporter who gets into something much, much bigger than he could ever have dreamed. His character is so likable at the beginning — goofy, chatter box, inquisitive, and  pure hearted. The arch of his character is something to watch out for, he goes undergoes many transformation and each one is deeper, darker, and incredibly emotional. You just feel what he’s experiencing.

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Rashmika Mandanna as Tadaka, is a revelation. She’s hot when she needs to be, but the thing is, she comes off as so real and grounded. She doesn’t play the typical “horror heroine” cliche of screaming all the time or being eye candy. She has a genuine emotional center to her character, and her chemistry with Ayushmann is natural and organic.

Most of the first half goes away rather quickly establishing new characters, with back stories, and it is really smooth and engaging.

And then comes the second half, where the film goes into supersonic overdrive. Dramatic plot turns, action on a high level, major reveals, comic relief and love, but amidst of all the chaos, everything makes sense, everything has a meaning, even the dance routine has deep rooted back story, and then comes an epic showstopping fight between Ayushmann’s character Alok and Bhediya himself (yep, Varun Dhawan returns!).

Betaal Vs Bhediya, this is straight-up big-screen magic, outstanding choreography, amazing VFX, roaring music and towering performances, this is moment where you’re just glued to the screen, and do not want to miss a thing. It’s not just a faceoff, it is perfectly timed epic cinematic moment which will etched forever in fans memory.

And if this wasn’t enough, there is more coming. Thamma is loaded Diwali bonanza, You’re left with all awe and more questions — such as what is the precise relationship between Alok and Bhediya, There’s a big twist which gives you clues, but doesn’t give away everything. It’s maddeningly delicious — in a positive sense. You crave to know more.

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And then there is one and only Sar Kata, making a sneaky comeback. A perfect goosebumps experience. It’s also a giveaway that all these movies are setting up to become part of one big, shared universe. Thamma is just a tasting, there is more coming, much more.

After from the leading duo, the epic saga is packed with outstanding performances by entire ensemble. Paresh Rawal is a comedy scene-stealer as he plays Ayushmann’s grumpy yet clever dad with just the right mix of wit and sarcasm. The film also marks debut of Nawazuddin Siddiqui in MHCU and he is such a seasoned performer that it feels like he has always been part of the world..  He is hilarious, witty, evil, intense, brooding, and unmistakably ambitious, qualities that makes him a formidable enemy.

Veteran actor Sathyaraj is also back as (Hand Of God) Mr Elvis, the quirky supernatural authority. And he is the pivotal point where tow mega franchise make an epic cross-over, he’s more than a comedic relief role. Die-hard fans of the universe may even glimpse one of his subtle disclosures that foreshadows a huge upcoming twist.

And then there is ever so gorgeous Nora Fatehi, her cameo is not just a mere glam flash. Her moment actually contributes to narrative substance and is directly connected to the original story which started it all, Stree. She brings emotional depth, and the makers smart adapted the item song as one more cross-over point. Nora will change entire universe. She a secret to world’s mysteries or not, or something much more complex, either way, we’re excited.

Also Read | Thamma Trailer: Ayushmann Khurrana And Rashmika Mandanna Star In Bloody Love Story This Diwali – WATCH

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Apart from the poignant BGM, the album is a banger, it’s not loud numbers but serving a bigger purpose. There are no random dance-number-in-the-middle-of-the-woods nonsense, the songs are verry specific, even a dance routine is also a hint to the origin of Betaal and Rakhtbeej story.

And all of this doesn’t make you jump with joy, there is one epic faceoff between Thamma and Bhediya, a visual and action spectacle, which will leave you gasping for air.

Thamma is not just another addition to a superb franchise, it’s a genre-defying breakthrough for Indian genre films and shared universe storytelling, which is rare feist to accomplish. The film is smart, intelligent  emotional, humorous, and ridiculously entertaining. Packed with exceptional performances, clever writing, and some serious world building, this movie is able to juggle big laughs, emotional moments, and high-fantasy action without any loss of momentum.

If you’re already a Stree fan, or Bhediya, or of the wider Maddock horror-universe — hold onto your seats. Thamma’s not just a good time at the cinema. It’s the start of something very, very much bigger.

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Movie Reviews

‘The Spongebob Movie: Search for Squarepants’ Review: Adventure Romp Soaks up a Good Time for SpongeBob Fans of All Ages

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‘The Spongebob Movie: Search for Squarepants’ Review: Adventure Romp Soaks up a Good Time for SpongeBob Fans of All Ages

I’m convinced that each SpongeBob movie released on the big screen serves as a testament to the current state of the series. The 2004 film was a send-off for the early series run. Sponge Out of Water symbolized the Paul Tibbitt era, and Sponge on the Run served as a major transitional period between soft reboot and spin-off setup. The team responsible for Search for SquarePants, which consists of current showrunners Marc Ceccarelli and Vince Waller, as well as the seasoned Kaz, is showcasing their comedic and absurdist abilities. The sole purpose of the film is to elicit laughter with its distinctively silly and irreverent, whimsical humor. More so than its predecessor, it creates a mindless romp. Granted, there are far too many butt-related jokes, to a weird degree.

Truthfully, I am apprehensive about the insistence of each SpongeBob movie being CG-animated. However, Drymon, who directed the final Hotel Transylvania film, Transformania, brings the series’ quirky, outrageous 2D-influenced poses and expressive style into a 3D space. Its CG execution, done by Texas-based Reel FX (Book of Life, Rumble, Scoob), is far superior to Mikros Animation’s Sponge on the Run, which, despite its polish, has experimental frame rate issues with the comic timing and is influenced by The Spider-Verse. FX encapsulates the same fast, frenetic pace in its absurdist humor, which enables a significant number of the jokes to be effective and feel like classic SpongeBob.

With lovely touches like gorgeous 2D artwork in flashback scenes and mosaic backgrounds during multiple action shots, Drymon and co expand the cinematic scope, enhancing its theatrical space. Taking on a darker, if not more obscene, tone in the main underworld setting, the film’s purple- and green-infused visual palette adds a unique shine that sets it apart from other Sponge-features. Its strong visual aesthetic preserves the SpongeBob identity while capturing the spirit of swashbuckling and satisfying a Pirates of the Caribbean void in the heart.

The film’s slapstick energy is evident throughout, as it’s purposefully played as a romp. The animators’ hilarious antics, which make the most of each set piece to a comical degree, feel like the ideal old-fashioned love letter to the new adults who grew up with SpongeBob and are now introducing it to their kids. This is a perfect bridge. There’s a “Twelfth Street Rag” needle drop in a standout montage sequence that will have older viewers astral projecting with joy. 

Search for SquarePants retreads water but with a charming swashbuckling freshness.

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Movie Reviews

Movie Review: ‘The SpongeBob Movie: Search for SquarePants’ – Catholic Review

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Movie Review: ‘The SpongeBob Movie: Search for SquarePants’ – Catholic Review

NEW YORK (OSV News) – Cartoon characters can devolve into dullards over time. But some are more enduringly appealing than others, as the adventure “The SpongeBob Movie: Search for SquarePants” (Paramount) proves.

Yellow, absorbent and porous on the outside, unflaggingly upbeat SpongeBob (voice of Tom Kenny) is childlike and anxious to please within. He also displays the kind of eagerness for grown-up experiences that is often found in real-life youngsters but that gets him into trouble in this fourth big-screen outing for his character.

Initially, his yearning for maturity takes a relatively harmless form. Having learned that he is now exactly 36 clams tall, the requisite height to ride the immense roller coaster at Captain Booty Beard’s Fun Park, he determines to do so.

Predictably, perhaps, he finds the ride too scary for him. This prompts Mr. Krabs (voice of Clancy Brown), the owner of the Krusty Krab — the fast-food restaurant where SpongeBob works as a cook — to inform his chef that he is still an immature bubble-blowing boy who needs to be tested as a swashbuckling adventurer.

The opportunity for such a trial soon arises with the appearance of the ghostly green Flying Dutchman (voice of Mark Hamill), a pirate whose elaborately spooky lair, the Underworld, is adjacent to SpongeBob’s friendly neighborhood, Bikini Bottom. Subject to a curse, the Dutchman longs to lift it and return to human status.

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To do so, he needs to find someone both innocent and gullible to whom he can transfer the spell. SpongeBob, of course, fits the bill.

So the buccaneer lures SpongeBob, accompanied by his naive starfish pal Patrick (voice of Bill Fagerbakke), into a series of challenges designed to prove that the lad has what it takes. Mr. Krabs, the restaurateur’s ill-tempered other employee, Squidward (voice of Rodger Bumpass), and SpongeBob’s pet snail, Gary, all follow in pursuit.

Along the way, SpongeBob and Patrick’s ingenuity and love of carefree play usually succeed in thwarting the Dutchman’s plans.

As with most episodes of the TV series, which premiered on Nickelodeon in 1999, there are sight gags intended either for adults or savvy older children. This time out, though, director Derek Drymon and screenwriters Pam Brady and Matt Lieberman produce mostly misfires.

These include an elaborate gag about Davy Jones’ legendary locker — which, after much buildup, turns out to be an ordinary gym locker. Additionally, in moments of high stress, SpongeBob expels what he calls “my lucky brick.” As euphemistic poop gags go, it’s more peculiar than naughty.

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True to form, SpongeBob emerges from his latest escapades smarter, wiser, pleased with his newly acquired skills and with increased loyalty to his friends. So, although the script’s humor may often fall short, the franchise’s beguiling charm remains.

The film contains characters in cartoonish peril and occasional scatological humor. The OSV News classification is A-I – general patronage. The Motion Picture Association rating is PG — parental guidance suggested. Some material may not be suitable for children.

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The Housemaid

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The Housemaid

Too good to be true? Yep, that’s just what Millie’s new job as a housemaid is—and everyone in the audience knows it. What they might not expect, though, is the amount of nudity, profanity and blood The Housemaid comes with. And this content can’t be scrubbed away.

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