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Stephen King's Wild New Horror Movie Is Getting Very Strong Reviews

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Stephen King's Wild New Horror Movie Is Getting Very Strong Reviews

The Monkey, the latest film adaptation from one of hit author Stephen King’s novels, is receiving rave reviews after its first critic screenings.

Coming mere months after Salem’s Lot (based on another King novel), The Monkey is set to tell a horrifying story centered on a vintage toy monkey. This toy winds up being cursed, leading to a string of deaths unfolding around a pair of twin brothers as they have to find a way to eliminate the toy for good.

Led by Theo James, The Monkey is due to drop in theaters for the first time on February 21, marking the latest in a long list of 2025 horror outings.

First Critics Reactions to Stephen King’s The Monkey

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Critics shared their first reactions to the film adaptation of Stephen King’s The Monkey following the first official press screenings.

Collider’s Perri Nemiroff called the film “a super bloody blast,” giving director Oz Perkins credit for sharing his own unique perspective on the Stephen King short story:

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“‘The Monkey’ is a super bloody blast! A nearly non-stop series of gleefully violent kill scenes that well earn every ‘holy sh*t’ response they got out of me. Loved how quickly Oz Perkins cements that this is a version of the Stephen King short story that’s uniquely his own. I like some of his films more than others, but that’s something I often appreciate about his work in general. He always appears to have a clear, bold vision that’s been executed unapologetically.”

Nemiroff continued, telling fans not to compare the movie to something like Longlegs (see more on spoilers from Longlegs here). She detailed how this movie has a “particular style and energy,” which Perkins conveys to perfection:

“For anyone going straight from ‘Longlegs’ to ‘The Monkey’ and expecting more of the same, I’d let those expectations go. And that’s a good thing! As a horror lover, I can’t imagine a bigger treat than getting two movies from a filmmaker within a single year that well highlight his skills and confidence behind the lens in such drastically different ways. The Monkey rocks a *very* particular style and energy, and Perkins knew precisely how to make that vibe soar. Same goes for Theo James, Christian Convery and Tatiana Maslany. They knew exactly the type of movie they were making and don’t hold back while playing in that space.”

The Monkey is a bloody blast,” declared critic Eric Goldman, who felt the film took “a big shift away from Longlegswhile comparing it to movies like Final Destination:

“‘The Monkey’ is a bloody blast. A big shift away from the feel of ‘Longlegs,’ the movie is a full on horror-comedy with Osgood Perkins having a ton of fun going into ‘Final Destination’ territory with one crazy-gory-twisted death after another.”

Awards Radar’s Joey Magidson thoroughly enjoyed The Monkey, describing it as “savagely funny and savagely gory” while calling it the movie that “establishes Osgood Perkins as a horror master:”

“‘The Monkey’ absolutely rules. Savagely funny and savagely gory in equal measure, it’s a bloody good time that establishes Osgood Perkins as a horror master. You’ll be howling with laughter and covering your eyes in equal measure. I loved it.”

According to The Wrap senior writer Drew Taylor, Perkins’ latest effort is “about as good a time as you can have at the movies” due to its humor and how scary it is:

“Adored ‘The Monkey.’ Oz Perkins has been one of the most exciting genre filmmakers since he started and his latest is about as good a time as you can have at the movies – funny, scary, poignant and so, so fun. A rare movie that can be compared to ‘Gremlins’ in terms of giddy chaos”

Reel Blend’s Jake Hamilton feels The Monkey will be a horror movie he watches “over and over for the rest of [his] life,” praising the horror aspect while noting he had not laughed harder at a movie in years:

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“‘The Monkey’ is going to be one of those horror movies I watch over and over for the rest of my life. Dark and brutal enough so that calling it a ‘horror comedy’ feels wrong, but it’s also the hardest I’ve laughed in a movie theater in years. A new classic King adaption is born.”

Fandango’s Erik Davis praised the comedy aspects of this film, recalling it being “incredibly funny to the point people were cackling in [his] theater” while urging people to enjoy it “with a crowd:”

“2025 is all about horror out of the gate, and Oz Perkins’ ‘The Monkey’ is a very good time – incredibly funny to the point people were cackling in my theater, but also dark, gory & brutal with some amazing kills. Very different from ‘Longlegs’ – Perkins flexing his range, tonally, delivering a film that very much enjoys monkeying around. You’ll jump and yell and cover your eyes, but you’ll definitely walk out smiling. No doubt you should watch this with a crowd.”

Davis continued, heaping praise on Theo James while wishing “there was more Elijah Wood” throughout the film:

“Theo James definitely brings it, the film asks a lot of him and he delivers. Wish there was more Elijah Wood, but not saying too much because I don’t want to spoil the film.”

Horror News’ Jacob Davison echoed Davis’ sentiments telling fans to “see it with a really big crowd to laugh and scream along with,” noting how it sets the stage for a great year of movies:

“Just saw ‘The Monkey’ and it was one mean but funny as hell horror comedy and Stephen King adaptation! You’ll want to see it with a big crowd to laugh and scream along with… Really sets the tone for 2025!”

The Monkey is Osgood Perkins’ lightest film yet,” opined Guy at the Movies’ Jeff Nelson, although he lamented the fact that its “dramatic underpinnings fall short:”

“‘The Monkey’ is Osgood Perkins’ lightest film yet, despite the heavy helping of gory monkey business. Genuinely funny when the comedy lands, but its dramatic underpinnings fall short.”

After a couple of viewings, slashfilm’s Bill Bria feels the film “keeps getting funnier” with each viewing:

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“I’ve been lucky enough to see ‘The Monkey’ a couple times now, and it keeps getting funnier every time I see it. Oz Perkins shifts into a ‘Tales From the Crypt,’ ‘Creepshow’ mode by way of Morgan & Wong: a mean, grisly horror comedy riff on the impersonal fate which awaits us all.”

Describing The Monkey as “one of the most bat shit horror films” he’s seen in a long time, That Hashtag Show’s Junior Felix gave Perkins credit for going “full throttle” and bringing real consequences:

“‘The Monkey’ is one of the most Bat Shit crazy horror films I’ve seen in YEARS! Osgood Perkins goes full throttle in a demented film about facing consequences. A bloody, grizzly, hilariously bonkers film that tries to out do itself kill after kill.”

The Direct’s Russ Milheim called the new horror outing “an absolutely wild, brutal dark comedy” with creative deaths, saying that fans of Final Destination “will feel right at home:”

“‘The Monkey’ is an absolutely wild, brutal dark comedy filled with aggressively creative deaths that’ll keep audiences glued to their seats laughing the whole time. Fans of ‘Final Destination’ will feel right at home.”

Tessa Smith of Mama’s Geeky also compared The Monkey to Final Destination, describing the movie as “over the top in the very best way:”

“I can’t stop thinking about ‘The Monkey.’ It’s like ‘Final Destination’ on crack. Over the top in the very best way. I can’t wait to watch my friends watch it…”

What To Think of Strong Reviews for The Monkey

The Monkey will mark the first of a new round of horror movies coming in 2025, which is expected to be joined by movies like Five Nights at Freddy’s 2. It also has the advantage of getting to enjoy a theatrical release, which Salem’s Lot (the last King movie adaptation) did not.

While horror movies do not often perform well financially in theaters, King has a reputation as one of the great horror writers in history. With dozens of movie adaptations of books credited to him, he remains as popular a figure as any in the genre.

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However, it will be challenged by heavy competition from other movies coming out close to that same release date. Most prominent from that perspective are Paddington in Peru and Captain America: Brave New World (and its popcorn buckets), both of which hit theaters one week prior to The Monkey

While movies of that caliber may keep The Monkey from reaching its highest potential, it should still be able to stand strong in the horror genre for those in search of a spook.


The Monkey is due to be released in theaters on February 21.

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Ron Brown’s movie reviews: ‘Project Hail Mary’ and more

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Ron Brown’s movie reviews: ‘Project Hail Mary’ and more

Lisa Dent

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A native of Rockford, Lisa Dent, heard 2 pm to 6 pm weekdays, began her radio career in Fort Atkinson, Wisconsin in 1981. She has worked at stations in Minneapolis, San Diego, Seattle, and Houston. Dent returned to Chicago in 2002. (Click for more.)

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Movie Reviews 2026: Ukrainian and World Premieres

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Movie Reviews 2026: Ukrainian and World Premieres

The world of cinema and TV series offers hundreds of premieres every year, but not all of them are worth the time spent. Viewers are increasingly looking not just for entertainment, but for meaning — stories that leave an aftertaste, make them think, or help them experience strong emotions. That is why reviews are becoming an important guide: they help separate truly high-quality content from loud but empty hype. UNN has reviewed the most anticipated premieres and selected films worth watching.

“Kakhovka Object” (war drama)

The film shows war not only as combat operations but also as a test of human dignity, character, and choice. Through the fate of the main character, the viewer sees how difficult it is to make decisions in extreme circumstances when every step can affect the lives of others. The director masterfully combines psychological tension with realistic details, creating an atmosphere of complete immersion. The film is not only about war but also about human responsibility, strength of spirit, and the ability to remain human in the chaos of events.

“Mavka. The True Myth” (romantic fantasy)

The premiere will take place on March 1, 2026. This is a continuation of the Ukrainian fantasy tradition, where national myths and legends come to life on screen. The film reveals Mavka’s inner world, her desire for love and freedom, as well as the conflict between the human and the magical. The animation promises to be bright and detailed, and the story is universal: it touches on the themes of choice, self-discovery, and responsibility for one’s feelings. This film will be a good example of modern Ukrainian animation, capable of captivating both children and adults.

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“When Will You Divorce?” (corporate comedy)

A comedy about personal life and work relationships that raises questions about the balance between career and personal feelings. The film humorously shows how easy it is to get confused in one’s own emotions, trying to satisfy the expectations of others. The authors successfully combined light life situations and ironic dialogues, which makes the viewing entertaining but not superficial. This film is for those who appreciate modern humor and recognize themselves or colleagues in the characters. 

“Odyssey” (epic adventure drama)

A large-scale adaptation of Odysseus’s travels after the Trojan War. The film shows not only the hero’s physical trials but also his inner transformation: courage, ingenuity, patience, and moral choice in critical moments. The artistic design and the use of modern technologies to create epic landscapes and battle scenes are impressive. The director managed to combine a classic story with a modern cinematic rhythm, which makes “Odyssey” not only spectacular but also emotionally deep. 

“Lord of the Universe” (sci-fi, action)

The film transports the viewer into a vibrant magical world where heroes fight for justice, and the line between good and evil constantly shifts. This is a story about courage, self-sacrifice, and responsibility for one’s own destiny and the destiny of others. The combination of special effects, a fantasy world, and an adventure plot makes the film attractive to a wide audience. But the main thing is not the effects, but the internal struggle of the characters, which gives the film depth and meaning.

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“Scream 7” (2026)

The return to the famous slasher franchise proved unsuccessful. Despite the direction of series veteran Kevin Williamson and the comeback of Neve Campbell and Courteney Cox, the film received mostly negative reviews from critics. 

Thus, 2026 promises to be a landmark year for Ukrainian and world cinema. Even with fewer premieres, there is a tendency towards a deep elaboration of characters, psychological conflicts, and moral issues, which makes modern films and series not only entertainment but also a way of understanding human life and the modern world.

“You Are Space” breaks records: Ukrainian sci-fi attracts over 326,000 viewers10.02.26, 21:04 • 6852 views

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Movie reviews reveal A Poet and All That’s Left of You dominate March with perfect 100% scores – Art Threat

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Two masterpieces just shattered critical consensus on Rotten Tomatoes. Both A Poet and All That’s Left of You have garnered rare perfect 100% scores from critics, dominating March 2026’s excellence rankings. These dual releases represent a historic moment for international cinema.

🔥 Quick Facts

  • A Poet: 100% Rotten Tomatoes score from critics celebrating Simón Mesa Soto‘s Colombian drama
  • All That’s Left of You: 100% Certified Fresh multi-generational Palestinian epic by Cherien Dabis
  • Release Timeline: Both films expanding dramatically in theaters March 2026 after festival triumphs
  • Critical Moment: Rare simultaneous perfect scores elevate international storytelling into mainstream spotlight

A Poet Achieves Unanimous Critical Acclaim

Simón Mesa Soto‘s A Poet stands as one of 2026’s finest achievements. Starring Ubeimar Rios as Oscar Restrepo, a once-promising writer turned tragic failure, the film examines fatherhood’s weight with devastating wit and elegance. The Colombian-Swedish-German co-production premiered at Cannes Film Festival’s Un Certain Regard section last year and has conquered every distribution market since.

The ensemble cast includes Rebeca Andrade, Guillermo Cardona, and Humberto Restrepo, delivering layered performances that anchor the film’s four-chapter structure. Critics hailed the film as a triumph of tone, mixing tragicomic observation with genuine emotional devastation. The New York Times called it “The Romance of Misery”, recognizing its ability to find beauty in human failure. The film’s philosophical depth and formal precision explain its unprecedented critical consensus.

Title A Poet (Un Poeta)
Director Simón Mesa Soto
Lead Actor Ubeimar Rios as Oscar Restrepo
Rotten Tomatoes 100% Certified Fresh
Theatrical Status Expanding in March 2026

All That’s Left of You Shatters Records as Palestinian Saga

Cherien Dabis wrote, directed, and starred in All That’s Left of You, a sweeping three-generational epic set in the Occupied West Bank spanning decades of family trauma and resilience. Featuring Saleh Bakri, Mohammad Bakri, Adam Bakri, and Maria Zreik, the film follows a teenage boy swept into a pivotal protest with consequences that ripple through his family’s future.

Produced by Watermelon Pictures, the film premiered at Sundance Film Festival 2025, where it immediately earned Certified Fresh status and near-universal praise. Filming relocated to Cyprus, Greece, and Jordan after production complications, yet the result feels seamlessly authentic. Critics point to Dabis’s multi-media mastery (she directs, performs, and produces) as essential to the film’s emotional authority. The film’s scope rivals the greatest epics while maintaining intimate character work that defines recent international cinema.

All That’s Left of You arrived in selected theaters on January 9, 2026 and steadily expanded throughout early March. The film’s 100% Rotten Tomatoes score reflects not just critical respect but genuine reverence for Dabis’s artistic vision. This achievement represents Palestinian cinema reaching its greatest artistic and commercial moment.

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Why These Two Films Dominate March 2026’s Conversation

Rarity defines these simultaneous perfect scores. A Poet and All That’s Left of You occupy the rare 100% Tomatometer tier reserved for films of historic excellence. The 2026 FilmFare recognized both as front-runners for major awards, acknowledging how they’ve elevated the expectations for drama itself. Industry observers note that achieving perfect critical consensus in today’s fractious landscape represents not consensus but unanimous recognition of artistic achievement.

Both films reflect cinema’s global moment. Simón Mesa Soto‘s Colombian vision and Cherien DabisPalestinian perspective prove that international storytelling now commands the cultural conversation. Rotten TomatoesOfficial Rankings place both films in its exclusive Certified Fresh top tier. March 2026 becomes the month cinema decided: universal critical acclaim belongs to filmmakers willing to transcend borders.

“All That’s Left of You is a sweeping multigenerational epic that captures the thematic breadth of great cinema while exploring what it means to endure generational trauma.”

Rotten Tomatoes Critics Consensus, Officials

The Future of International Cinema Starts Now

Both films expand to more theaters through March 2026 and beyond. A Poet hits streaming services and digital platforms simultaneously, making it accessible to audiences beyond Select Release cities. All That’s Left of You continues rolling out across regional markets, having already secured international distribution. Industry observers expect both to capture major festival awards at upcoming spring cinema celebrations.

These perfect scores matter beyond accolades. They signal to studios, streamers, and investors that audiences hunger for international voices and authentic storytelling. March 2026 becomes a watershed moment where Colombian drama and Palestinian cinema proved they belong in the conversation with any major market release. The critical paths of A Poet and All That’s Left of You forecast how cinema itself will evolve toward greater global representation.

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Where Can Film Lovers Watch These Perfect-Score Masterpieces?

Both films remain available in theatrical releases across the United States and expanding internationally. A Poet plays select theaters with plans to widen release through spring 2026, while All That’s Left of You continues broader theatrical circulation. Check major ticketing platforms for showtimes and streaming availability. International audiences should consult local cinema schedules for release dates and language availability. These 100% Rotten Tomatoes achievements deserve the big screen experience both directors envisioned.

Sources

  • Rotten Tomatoes – Official Tomatometer scores and Critics Consensus for both films
  • The New York Times – Critical analysis and reviews of A Poet’s artistic achievement
  • Watermelon Pictures – Official distribution and production information for All That’s Left of You

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