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REVIEW: Don’t Look at the Demon Serves Basic Horror Brought Down by Weak Characters

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REVIEW: Don’t Look at the Demon Serves Basic Horror Brought Down by Weak Characters

Do not Have a look at the Demon is a quietly necessary movie, the primary piece of Malaysian Cinema to obtain a worldwide launch in the USA. It comes from veterans of that nation’s film trade and options some really distinctive parts that would have elevated it right into a memorable addition to the style. The essential scares, nevertheless, and run-of-the-mill characters drag it down and depart an in the end bare-bones horror film with extra potential than it ever really realizes.


Do not Have a look at the Demon focuses totally on Jules (Fiona Dourif), a troubled younger lady whose skills as a medium with the supernatural have remodeled her into the star of a ghost-hunting tv collection. Alongside her producer/quasi-boyfriend Matty (Jordan Belfi) and crew members Wolf (Randy Wayne), Ben (Harris Dickinson), and Annie (Thao Nhu Phan), Jules is touring throughout the Asian continent filming her present. Drawn to the story of Martha (Malin Crépin) and Ian (William Miller), Jules is confronted with a very malevolent supernatural pressure that possesses a number of folks. Additionally it is secretly empowered by really unsettling acts perpetrated a long time earlier that also hang-out the Malaysian home.

RELATED: Why David Cronenberg’s Scanners Left A Lasting Impression On Horror

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The primary Malaysian-produced movie to obtain a large launch in the USA, Do not Have a look at the Demon follows the standard construction of a haunted home film, slowly peeling again the layers of the spirits and demonic pressure which have taken up residence within the constructing. The Malaysian cultural parts of the movie are arguably probably the most fascinating, because the revelations concerning the demon communicate to a genuinely unsettling and twisted idea that gives the movie’s largest plot shift and scares. There’s one thing to the idea of the movie — a very darkish horror movie that targets probably the most susceptible folks in the home at any given time. A few of these sequences are genuinely unsettling of their imagery, and kudos to director Brando Lee for some really distinctive and grisly ideas that will even take seasoned horror followers aback at instances.

The issue is the remainder of the movie round it, which might’t assist the set-up. The movie’s characters are largely forgettable fundamental takes on traditional archetypes — strong performers given little to truly play with. The human drama parts of the script, together with relationship troubles between Jules and Matty or the brewing battle between the producer and his crew, are extra distracting and boring than something. There’s little character growth or depth afforded to any of the characters throughout the movie save Jules, who is barely elevated past a inventory origin and fundamental character by Dourif’s efficiency. The Tenet veteran adjusts nicely to the movie’s scares and her function in them, however there’s solely a lot she will be able to do with a lackluster and by-the-numbers screenplay from Alfie Palermo.

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RELATED: How Poltergeist Accidently Helped Kill Its Personal Horror Subgenre

Even the horror of Do not Have a look at the Demon is basically depending on fundamental tropes, relying virtually solely on materials mined by different horror movies extra efficiently for its scares. It presents a novel distinction to Smile, which has additionally been criticized for utilizing widespread beats of the style. Nonetheless, Smile depends closely on compelling characters and creating an unsettling environment, giving these extra fundamental beats room to breathe and rework into one thing distinctive (to nice impact). Against this, Do not Have a look at the Demon retraces the tropes of the style, with scenes of possession, ghostly jump-scares, and demonic fake-outs all taking part in out precisely as one would anticipate.

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Do not Have a look at the Demon is a technically purposeful horror movie, and followers of the style will not less than get the prospect to witness some really wild and grim ideas. There is definitely potential within the movie, even when it is not all realized. If Lee had saved the story’s deal with the weather that made the movie stand out in a crowded discipline as an alternative of getting distracted with customary scares and underwhelming characters, it might need been one thing memorable. Future movies from the filmmaker ought to lean into these elements, and convey the sort of essentially horrifying concepts additional into the highlight as an alternative of attempting to infuse extra customary parts into it.

Catch Do not Have a look at the Demon in theaters Oct. 7.

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Movie Reviews

Movie review: 'Despicable Me 4' is exactly what you'd expect

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Movie review: 'Despicable Me 4' is exactly what you'd expect

Charm sets the film apart

“Despicable Me 4” isn’t amazing by any means and probably won’t be in conversation for Best Animated Film at the Oscars, but, like “Rise of Gru,” what sets it apart from any other run-of-the-mill animated film is the charm of the franchise. The reason people continue to rush to the theaters to see these films is their consistency. No matter if it’s a spinoff or a direct sequel, you know walking into a “Despicable Me” film what you’re going to get, and that’s perfectly fine because you’ll still have a good time.

The new additions of Maxime Le Mal (Will Ferrell) and Poppie (Joey King) are fine. They don’t get much setup and are just thrown at you as new characters, which is fine but very forgettable. The standouts, of course, are the Minions, as well as the addition of Gru Jr. The combination of the two was probably the best part of the whole film. I could’ve watched a 90-minute film of just that.

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Boneyard (2024) – Review | Crime Thriller | Heaven of Horror

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Boneyard (2024) – Review | Crime Thriller | Heaven of Horror

The True Story Behind Boneyard

Boneyard is inspired by (and fairly closely based on) the true crime case of West Mesa in Albuquerque, New Mexico, just like in the movie. The film is also dedicated to the victims of that unsolved case.

While the West Mesa case remains unsolved, we do know that the remains discovered in 2009 belonged to girls and women. Also, we know that they disappeared between 2001 and 2005.

The 11 victims in the true case are:

Jamie Barela, age 15
Monica Candelaria, age 22
Victoria Chavez, age 26
Virginia Cloven, age 24
Syllannia Edwards, age 15
Cinnamon Elks, age 32
Doreen Marquez, age 24
Julie Nieto, age 24
Veronica Romero, age 28
Evelyn Salazar, age 27
Michelle Valdez, age 22

At one point, the unknown serial killer is called the “Bone Collector” which threw me off. However, this was one of the names used for the suspected serial killer. The complete name used for him was “West Mesa Bone Collector“.

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Karan Johar, Guneet Monga’s Kill Movie Review: The ‘kill’ never slows down

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Karan Johar, Guneet Monga’s Kill Movie Review: The ‘kill’ never slows down

Nikhil Nagesh Bhat’s high energy action film Kill is not for the faint hearted.
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Language: Hindi

Director: Nikhil Nagesh Bhat

Cast: Lakshya, Raghav Juyal, Tanya Maniktala, Abhishek Chauhan, Ashish Vidyarthi, Adrija Sinha, Harsh Chhaya

 It’s true that we don’t really need stars to make a successful film. Nikhil Nagesh Bhat’s Kill has totally killed it with all its energy.  It is fresh, bold and a unique story that not many have thought about and that’s what makes it different. Violent no doubt, but don’t most movies have an element of violence?

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I believe Kill is a path breaking Indian action film, but definitely not for the faint heart. It is true that I am not too fond of extreme bloodshed, murder and also not to forget the smashing of head scenes. But keeping my choices aside, I would say Kill is a well-made film and the action sequences are simply mind-blowing. Having watched the movie at the
Red Sea International Film Festival
last year for the first time, I wonder, why did it take so long for the film to be released in India?

It’s insanely violent. What works for Kill is the simple storyline and no beating around the bush. Not much twist and turns and most importantly hitting the hammer right on the nail and sometimes on the people too. The action takes place inside the train with no unnecessary drama, dancing and singing. The concept is daring and fresh for the Indian audience and that makes 
Kill
 stand out. No flying cars, choppers and superman stunts and most importantly actors like Lakshya, Raghav Juyal and the battalion of dacoits are relatable to the Indian audience. They look like ordinary guys and that’s what makes them special. Lakshya plays the role of an army man, Amrit who is a great boyfriend to Tulika played by Tanya Maniktala.

Lakshya has done a brilliant job, but the actor to look out for is Raghav Juyal. He has a promising career ahead of him. He is one evil character you can’t stop hating. Raghav’s performance is intense and the dialogue delivery, expressions, and every action is absolutely compelling. I must say that this man truly knows his craft. The best thing that the movie brings out is that murderers too have emotions.

If you are looking for a high energy action film 
Kill
 is one such must watch. Nikhil Nagesh Bhat’ has no doubt done a brilliant job as a director, but without cinematographer Rafey Mehmood probably this film wouldn’t have been such a hit. The best part about the film Kill is that not even once will you get bored. No matter how much at times I hated the gory action scenes and tried closing my eyes, the more I got interested in what’s happening next. The discomfort of the blood splatter, the punching, kicking, stabbing and smashing of head all in a train will surely make you think twice before booking a train ticket next time!

Rating: 4 out of 5

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WATCH the trailer of Kill here: 

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