AMERICANS WITH NO ADDRESS: THE DOCUMENTARY is a well thought out, superbly executed, inspirational documentary that explores the homeless crisis in the United States. Despite increases in homelessness in recent years, government funding to reduce the number has increased by three times in the last 12 years. Clearly, government has failed to solve the problem. The filmmakers interviews dozens of people, including experts, government officials, homeless people, doctors, and charity workers. Many argue that government initiatives make the problem worse. The movie shows how nonprofit groups have banded together to fill the gap.

More than a million homeless people in the United States lack basic needs, self-worth, medical care, and a sense of community. Each person has inherent dignity, because every person is created in God’s image. The government may have failed, but private citizens have rallied to answer the call. AMERICANS WITH NO ADDRESS: THE DOCUMENTARY stands apart because it lays out the need, while also highlighting some solutions. However, the movie has plenty of disturbing content about crime, poverty, substance abuse, and mental illness. Strong caution is advised for pre-teenage children.

(CCC, BBB, V, AA, DD, M):

Dominant Worldview and Other Worldview Content/Elements:

Strong Christian, biblical worldview in documentary about the issue of homelessness, with dozens of interviews of experts, government officials, homeless people, doctors, and charity workers, including many Christians;

Foul Language:

No foul language;

Violence:

Some discussion about violent crime, plus a brief scene from an upcoming movie where a man holds a knife against an elderly homeless man;

Sex:

No sex;

Nudity:

No nudity;

Alcohol Use:

Discussion about alcohol abuse and alcoholism, and the need for rehab and recovery;

Smoking and/or Drug Use and Abuse:

Discussion about drug abuse, overdoses and the drug epidemic and the need for better rehab and recovery programs; and,

Miscellaneous Immorality:

Some discussion about mental illness and its effect on homelessness.

AMERICANS WITH NO ADDRESS: THE DOCUMENTARY is a very well thought out, superbly executed, and inspirational documentary that explores the current homeless crisis in the United States. All political parties agree that the government has failed to solve the problem, and some argue that the government has made the problem much worse. This masterfully done documentary includes content with adult topics, such as drug use, violence, broken families, and crime. So, MOVIEGUIDE® advises extreme caution for children.

The movie explores the homelessness epidemic in 20 cities across 18 states in the United States. It interviews dozens of people about the subject, including experts, government officials, policemen, homeless people, doctors, and people working in nonprofit groups giving food and shelter to the homeless.

According to the United States government, homelessness rose 12% in 2023, to 653,104 people. Also, it’s been estimated that one third of the population knows a family member or a friend who became homeless in the last year. Homeless encampments that were once only associated with “Skid Row” in big cities are now seen everywhere. Yet, government spending on homelessness has tripled in the last 12 years.

The documentary says the homeless problem isn’t new. In fact, it’s been brewing since Congress passed the IMD Exclusion Act of 1965, which left the problem of homelessness to the states. This essentially means that the federal government will not offer assistance to any homeless persons between the ages of 21 and 65.

In 2013, the federal government began providing HUD housing to homeless persons without requiring treatment for substance addiction recovery and mental health illnesses. Experts agree this is a system set up to fail. To make matters worse, in the last several years, state governments have stepped in to provide clean needles, straws and other paraphernalia to assist homeless people in their substance abuse issues. Hospitals are only allowed to provide 15 beds to mental health patients, no matter the size of the hospital. Many people in need are turned away or end up in prison. The rate of incarceration has exploded in recent years. Moreover, the closure of most mental hospitals in the 1970s and 1980s only made the problem worse.

The system clearly is broken, the movie argues. In fact, the movie shows that many of the measures taken have been detrimental to those in need and is costing taxpayers even more money. For example, the city of San Francisco spends $257,000 per day to clean up homeless encampments. This doesn’t solve the problem, because the homeless population simply moves to another nearby location.

More than physical needs, scores of people are bereft of love, self-worth and a sense of community. Each person has inherent dignity as every person is created in the image and likeness of God.

The movie quotes Mother Teresa, a champion for the homeless, who once said, “We think that sometimes poverty is only being hungry, naked and homeless. The poverty of being unwanted, unloved and uncared for is the greatest poverty.” Then, movie also quotes the co-founder of the Salvation Army in 1865, Catherine Booth, who said, “You are not here in the world for yourself. You have been sent here for others. The world is waiting for you.” Amy Grant personalizes it best in the movie when she ponders, “What if I were that person? Because life can turn on a dime.”

The government has failed us, but private citizens have rallied to answer this call to care for our brothers and sisters who are “outcasts, lost and forgotten.” Some of these organizations across the country include Step Up, Haven For Hope, Community First! Village, the Salvation Army, St. Vincent De Paul, Harbor of Light, Helping Hands, and The Helping Up Mission, a collaboration between Johns Hopkins University and The Helping Up Mission. These programs are spread out across the country. All of them are successful, to one extent or another, the movie notes.

In the end, the movie’s best, most enlightening parts are the stories of the people involved in this issue, whether it be the homeless people themselves or the Christians and charity workers helping them.

Review: ‘Super/Man: The Christopher Reeve Story’ is a heartfelt documentary that dives deep into the life of the beloved actor who portrayed Superman on-screen and embodied resilience off-screen. Directors Ian Bonhôte and Peter Ettedgui craft a moving narrative that interweaves Reeve’s rise to stardom with his devastating horseback riding accident in 1995, which left him paralysed. The film balances his extraordinary public life and the intimate, personal moments shared by his children, wife Dana Reeve, and close friends.

The documentary’s emotional depth is driven by interviews with Reeve’s family, including his children, Alexandra, Matthew, and Will Reeve, who reflect on the day of the accident and the profound changes it brought to their lives. Gae Exton, Reeve’s former partner and mother of two of his children, also provides rare insights into their relationship. However, Dana Reeve, his wife and steadfast caregiver, emerges as a quiet hero. Her unwavering support and compassion offer a touching reminder of the true power of love and resilience. The inclusion of home videos adds an intimate layer, showcasing the strength of their family bond even through adversity.

While Reeve’s accident was a defining moment, the film doesn’t dwell solely on the tragedy. Instead, it celebrates his journey from being a Hollywood superstar to becoming a fierce advocate for spinal cord injury research and disability rights. The use of Reeve’s own voice, narrating from his audiobook Still Me, adds a deeply personal touch, reminding viewers of his indomitable spirit.

Visually, the film blends archival footage, rare behind-the-scenes clips of Reeve’s Superman, and innovative CGI to symbolise his paralysis through the metaphor of Kryptonite—a clever nod to his most famous role. The animated sequences depicting Reeve as a superhero confronting his own vulnerabilities are a creative highlight.

The documentary also features candid interviews with Reeve’s close friends, including Glenn Close, Susan Sarandon, and Jeff Daniels. Their stories—especially those about his friendships with fellow Juilliard classmates like Robin Williams—reveal a multifaceted Reeve, one who was both humble and deeply ambitious.

Despite the sombre tone, Super/Man is ultimately an uplifting film. It reinforces the idea that heroism isn’t about superhuman powers but about perseverance, empathy, and overcoming life’s greatest challenges. Christopher and Dana Reeve embodied these values, and their legacy continues through their children and the Christopher and Dana Reeve Foundation.

While the documentary may leave some viewers wanting to know more about Reeve’s pre-accident career or more details about his family relationships, it succeeds in portraying the essence of his character. This is a touching tribute to a man who, despite unimaginable hardship, found the strength to inspire others.

Final report
Vettaiyan is another award-winning league film that skillfully incorporates Rajini’s signature stardom elements. It is a decent one-time watch. Directed by critically acclaimed ‘Jai Bhim’ filmmaker T.J. Gnanavel, the movie delivers a thoughtful narrative that tackles themes of society-enforced encounters and the online education industry. This crime drama boasts standout performances from Rajinikanth, Amitabh Bachchan, Rana Daggubati, and Fahadh Faasil. The dialogues are sharp, and Anirudh’s two songs add to the film’s appeal. This isn’t your typical fan boy crowd-pleaser, yet it manages to achieve the same effect in a unique way. Flip side, it runs on a single thread and preachy at times.

Go watch it for the stellar casting, Good script and thought provoking dialogues

Positives:

Superstar’s Swag is intact

Superb screen presence & Performances of Amitabh, Fahad and Rana

Direction,Subject & Dialogues

Good production values

Negatives:

Runs on single thread

Preachy at times

First Half Report:
The first half of #Vettaiyan stands out as one of the best scripts in recent times. Director TJ Gnanavel has crafted a crime investigation story that blends elements of social responsibility with thought-provoking message. If you’re seeking pure mass entertainment, this isn’t the film for you. However, its fast-paced screenplay and direction keep you hooked to the screen throughout. Rajini, Amitab and Fahad are simply superb.