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Movie review: ‘Spider-Man: Across the Spider-Verse’ is a worthy sequel

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Movie review: ‘Spider-Man: Across the Spider-Verse’ is a worthy sequel

“Spider-Man: Across the Spider-Verse” is a coming-of-age story for both Gwen Stacy (Hailee Steinfeld) and Miles Morales (Shameik Moore). Credit: Sony Pictures Animation/TNS

Released in 2018, “Spider-Man: Into the Spider-Verse” is widely regarded as one of the best superhero movies of all time, as well as one of the best animated films of all time. In fact, it presently occupies spot No. 66 on IMDb’s renowned Top 250 list at the time of publication.

When it was announced in 2019 that there would be two sequels to form a “Spider-Verse” trilogy, a nervous excitement developed within the fan community, leaving moviegoers questioning if the sequels would live up to the original’s impossibly high standard. The answer to this question for “Across the Spider-Verse,” the second installment, is a resounding “It’s better.”

“Across the Spider-Verse” debuted as the highest-rated movie of all time on Letterboxd — a user-based movie reviewing app for film criticism — with a 4.7 out of 5 stars and earned a score of 9.1 out of 10 on IMDb. The praise is warranted. “Across the Spider-Verse” is stunning in every sense of the word — an overwhelmingly beautiful theatrical experience that spins the audience into a web from which they don’t want to escape.

The movie follows Miles Morales (Shameik Moore) trying to juggle the life of being a 15-year-old boy with the responsibility of being a Spider-Man, including battling the interdimensional threat “The Spot” (Jason Schwartzman) alongside his friends Spider-Gwen (Hailee Steinfeld) and Peter B. Parker (Jake Johnson).

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The original cast are just as impressive as they were in “Into the Spider-Verse.” New characters, such as Miguel O’Hara (Oscar Isaac), leader of the society of Spider-Men, are a breath of fresh air for the franchise.

Perhaps one of the reasons why “Across the Spider-Verse” is so beloved by audiences is because it is, in every aspect, why people are drawn to movies. There is an intricately and painstakingly detailed plot that gives every major character the time and attention they deserve, while also touching on what makes the many iterations of Spider-Man so popular — a sense of belonging, the idea that anyone can don the mask.

“Across the Spider-Verse” is a chaotically charming conglomeration of Spider-people, representing all different walks of life. Additionally, it’s visually spectacular, showcasing gorgeous cinematography for an animated film and an unfathomable amount of detail in every frame of its masterfully crafted animation. The soundtrack merits acclaim too, as composer Daniel Pemberton adds dimension to every character with their own distinct and spine-tingling theme.

That is not to say the movie is completely perfect. It is one of the lengthiest animated films of all time at 140 minutes, and it shows. Considering the third movie, “Beyond the Spider-Verse,” is set to release in less than a year, “Across the Spider-Verse” can leave viewers wondering just when the movie is going to end and leave room for the next, as there are multiple spots in the movie’s final 30 minutes where it seemed the story could have concluded.

There’s also a heavy dose of fan service in the form of cameo appearances, which may be a positive for some fans of Spider-Man but a negative for fans of tightly wound narratives. But what “Across the Spider-Verse” does well, it does so well that these faults are forgiven.

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If you love Spider-Man, astonishing animation or simply great movies, you must swing by your local theater to see “Across the Spider-Verse” as soon as possible.

Rating: 4.5/5

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Movie Reviews

Movie review: ‘Furiosa’ prequel brings new life to the Mad Max franchise

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Movie review: ‘Furiosa’ prequel brings new life to the Mad Max franchise
“Furiosa: A Mad Max Saga” is one of the most enriching prequels I’ve seen, adding emotional depth to franchise characters and detail to its worldbuilding, all while maintaining the style and action that fans have loved since director George Miller’s “Mad Max” saga debuted in 1979.
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Film Review: Secret: A Hidden Score (2024) by Hayato Kawai

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Film Review: Secret: A Hidden Score (2024) by Hayato Kawai

“I just wanted to be an ordinary girl”

The rather successful debut of Taiwanese musician Jay Chou in 2007, “Secret”, sent ripples to the film industry of the whole of Asia, with a Korean remake coming up in 2021, and this year, a Japanese one titled “Secret: A Hidden Score”. This review will deal with the latter. 

Minato was studying music in the US, but he came back to Japan after experiencing trauma and is currently studying piano at a prestigious music academy. One day, he hears a beautiful song played on the piano and becomes fascinated by the music. The song leads him to meet Yukino, who is the source of the music. Minato falls head over hills for the beautiful, cheerful, intriguing but also secretive and mysterious girl, and the two soon start hanging out as much as they can. Or better, as much as Yukino will allow, to the disgruntlement of another girl, Hikari, who also has feelings for Minato. Yukino helps Minato regain his will to be a musician, but one day, she suddenly disappears. 

There is a pattern to the Japanese films we usually catch in European/Western film festivals, which makes “Secret: A Hidden Score” a kind of a novelty, since this is the type of film that is quite popular in Japan, but does not get out of the borders so frequently. Whether this is a good thing, however, is a whole other topic. 

Hayato Kawai comes up with a very sensitive film about life in college, romance, and the concept of trauma and how people can heal. What is the most intriguing aspect of the whole narrative, however, is the relationship in the center of the movie, and particularly its imbalance. Minato falls for Yukino immediately, and while she also obviously likes him, she is holding back due to her secrets, in an aspect that makes the relationship, and subsequently, the whole film quite intriguing. 

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At the same time, this aspect, and again the whole movie, benefits the most by the charisma, the performance and the chemistry of the two main actors. Kotone Furukawa as Yukino in particular is a joy to watch throughout the movie, with the way her teasing and secretive nature eventually changes to a more open up one, and the way her whole story leads to drama being probably the best aspect of the whole film. Taiga Kyomoto as the nerdy, traumatized, hopelessly in love Minato is also quite good, with the interactions of the two being quite pleasant to watch. Gorgeous Mayuu Yokota as Hikari cements the prowess in the acting, while Ryota Miura and Ryotaro Sakaguchi as Minato and Hikari’s friends provide a very appealing humoristic element to the movie, even if they are too loud on occasion. 

Furthermore, the twist is also good, even if not that surprising, with the last part that explains more about what happened being particularly well directed. That it explains more of the character’s actions and demeanor while creating additional empathy for them works quite well for the movie too. In that regard, the placement of the flashbacks, the revelations and the aftermath are well embedded in the story, in a trait that should also be attributed to the editing, which is definitely on a high level here. 

At the same time, a number of issues all Japanese films seem to face nowadays are found in “Secret: A Hidden Score” also. The intense lagging, particularly in the last part of the movie, the scenes that seem almost unnecessary and an effort at forced sentimentalism are all here in abundance, bringing the quality of the whole thing several levels down. The extensive use of music is also an issue, although this is justified due to the nature of the story. Lastly, the story, and particularly the twist have not aged well since the original, with the whole thing appearing preterit on occasion. 

In the end, “Secret: A Hidden Score” is a mixed bag of a film that draws the viewer in with the charisma and beauty of its protagonists and a story that seems intriguing in the beginning, only to disappoint in the end. Probably fans of romantic TV dramas will be the ones that will enjoy the film.

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Mr & Mrs Mahi Movie Review, Rajkummar Rao, Janhvi Kapoor

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Mr & Mrs Mahi Movie Review, Rajkummar Rao, Janhvi Kapoor

Movie Name : Mr & Mrs Mahi

Release Date : May 31, 2024

123telugu.com Rating : 2.25/5

Starring : Rajkummar Rao, Janhvi Kapoor, Rajesh Sharma, Kumud Mishra, Zarina Wahab, and others

Director: Sharan Sharma

Producers: Karan Zohar, Zee Studios, Hiroo Yash Johar, and Apoorva Mehta

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Music Directors : Aadesh Shrivastava, Vishal Mishra, Tanishk Bagchi, Jaani, Achint–Yuva, Hunny–Bunny, Dhruv Dhalla and John Stewart Eduri

Cinematographer: Anay Goswamy

Editor: Nitin Baid

Related Links : Trailer


Rajkummar Rao and Janhvi Kapoor starrer Mr. & Mrs. Mahi finally released in theaters this Friday. Check out our review to find out more about the movie.

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Story:

Mahendra Agarwal (Rajkummar Rao) dreams of joining the Indian cricket team but fails. His father pushes him to run the family business instead. Later, his parents arrange his marriage to Mahima (Janhvi Kapoor), a doctor. Mahendra is surprised to learn that Mahima loves cricket too. He hopes to achieve his dream with her support. Will Mahima support his wish and leave her job? How will their parents react? What will ultimately happen? Find it out in the movie.

 

Plus Points:

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Rajkummar Rao once again proves why he is one of the finest actors around. His portrayal of a character experiencing hope, distress, failure, and ambition is truly remarkable.

Janhvi Kapoor looks decent on screen, and her dedication to learning cricket is evident in her performance.

Other actors, such as Kumud Mishra, who plays Mahendra’s father, and Rajesh Sharma as the coach, deliver commendable performances in their roles.

 

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Minus Points:

 

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While effective promotion is crucial for films like this, the trailer inadvertently revealed too much, robbing the big screen experience of its surprise factor. It’s like opening a gift only to find out you already know what’s inside.

The plot suffers from predictability, crying out for unexpected twists and turns to inject vitality into the storyline. Without these surprises, the viewing experience feels more like enduring a slow-paced match on a rainy day, testing the patience of even the most fervent cricket fans. Instead of delivering the adrenaline rush of a T20 match, the film unfolds at the leisurely pace of a test match, stretching the audience’s endurance to its limits.

The practice scenes and matches fail to ignite genuine excitement, blurring the lines between a cricket match and a family drama. This confusion persists throughout the unnecessarily protracted runtime, transforming the experience into a marathon rather than a sprint.

While the songs offer a brief reprieve, the lackluster background score fails to amplify the film’s emotional beats. Furthermore, the presence of numerous errors throughout the production only adds to the list of shortcomings.

 

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Technical Aspects:

 

While the concept holds promise, its execution falls short. A tighter screenplay by Sharan Sharma could have redeemed the film, but missed opportunities abound.

John Stewart Eduri’s score misses the mark in elevating key moments, while Anay Goswamy’s cinematography fails to capture the dynamism required for a sports drama.

Nitin Baid’s editing feels sluggish, further hindering the film’s momentum. Nonetheless, the production values manage to scrape by with a passing grade.

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Verdict:

On the whole, Mr. & Mrs. Mahi falls flat, neither delivering the excitement of a sports drama nor the warmth of a family tale. Instead, it stretches like an overlong short film, testing the patience of viewers. While Rajkummar Rao shines, the rest of the film feels like a tedious endurance test. Skip it and catch the upcoming T20 World Cup 2024 for real excitement.

123telugu.com Rating: 2.25/5

Reviewed by 123telugu Team

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