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The day Nelly Korda reminded us she's human

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The day Nelly Korda reminded us she's human

LANCASTER, Pa. — Standing on the fringe of Lancaster Country Club’s 9th green, moments after stroking her final putt of the day, Nelly Korda opened her purple scorecard holder, looked down, and sighed so deeply that the expansion of her ribcage was visible from steps away.

Her shoulders lifted. Then they sank. A big, fat first-round 80 at the U.S. Women’s Open stared back up at her, the sight of her septuple bogey 10 early in the round likely sending shivers up her spine once again.

The world No.1 did not look like herself Thursday. She’s won six tournaments in seven starts on the LPGA Tour this season, including the first major, the Chevron Championship. She managed to raise trophies with her B game. But Korda still crumbled in the face of this U.S. Open test. She didn’t have it. It’ll take an all-time second round on a tough setup to even think about making the cut.

“I’m human,” Korda said after signing for her 10-over-par score. “I’m going to have bad days. I played some really solid golf up to this point. Today was just a bad day. That’s all I can say.”

There wasn’t much more to it than that. Korda’s game escaped her on a golf course that demands precision and control. It started after her third tee shot of the day, on the downhill 161-yard par-3 12th, which one player described as a hole that gives you “nowhere to miss.” Korda learned that the hard way.

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After waiting on the tee box for more than 25 minutes, Korda’s group had seen it all. Ingrid Lindblad, the No. 1 amateur in the world, dumped one into the creek short of the green. Gaby Lopez caught a gust of wind so strong that her ball ended up short of the same hazard. Once the green had finally cleared, Korda decided to use the information she’d collected during the excruciatingly long delay. She clubbed up, even making sure to tee her ball a club length behind the markers for good measure, and blasted a 6-iron into the back bunker. The ball was safe. But not for long.

With a leaf inconveniently nestled beneath her ball in the sand, Korda’s shot never had a chance of coming to a halt on the slick back-to-front sloping putting surface. Her ball plunged into the water. She took a drop on the opposite side of the meandering creek. One penalty shot. She chipped, and her ball rolled back into the water — again. Two penalty shots. Another drop. Another chip in the creek. Three penalty shots. With her third chip, she finally went long of the cup.

Two putts. A 10 on the scorecard.

Korda was gasping for air the rest of the day. Pars felt like small victories. The sloppy mistakes continued to sting, and her pace of play was noticeably quicker.

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“I just didn’t want to shoot 80, and I just kept making bogeys,” Korda said, suddenly remembering her recent history at this championship. “My last two rounds in the U.S. Women’s Open have not been good. I ended Sunday at Pebble I think shooting 81, and then today I shot 80.”

Korda’s front-nine total climbed so high that the standard bearer walking with her group struggled to find the right number cards to represent her score next to her name, momentarily leaving the spot blank, to the confusion of many spectators. She finished her first nine with a 10-over 45.

Albeit puzzled by Korda’s play — and sometimes silent as she let her driver plummet to the ground after off-line tee shots — those same spectators never left. They came out in droves Thursday morning to watch the world No. 1 walk the narrow fairways at Lancaster, a crowd befitting her new status in the game but one that hasn’t always been the case because of venue or other external factors. After getting wind of her septuple bogey, one local mother and daughter rushed to the course, hoping to get a glimpse of Korda before she potentially missed the weekend.

Korda’s robust gallery was by far the largest of the morning wave, and its members were just as content clapping in awe of her brilliance as they were offering her words of encouragement as she somehow salvaged a back-nine 35 with three birdies.


Nelly Korda’s first-round 80 takes her out of contention at the U.S. Women’s Open. (John Jones / USA Today Sports)

The world No. 1’s battle at Lancaster on Thursday was as relatable as it gets. This game is fickle. It’s maddening. Sometimes it makes no sense. Sometimes it can feel like a breeze. And no one has understood the latter better than Korda, who’s been living at the top of the leaderboard for the better part of three months. But she’s also aware that in this sport, that feeling doesn’t last forever — not even for the best player in the world.

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Tuesday, Korda spoke of the phenomenon, almost foreshadowing the carnage that would ensue two days later. “I think that’s what makes this game so great. You can be on top of the world the first two days, and then you wake up and you’re like, what am I doing right now? Why am I hitting it sideways? And you have no idea what’s going on,” Korda said. “It’s funny, golf is such a hard game.”

After signing her scorecard, answering exactly three questions about her round in the interview room, and congregating with her team behind the clubhouse, Korda headed back to the range. When she got to her spot at the leftmost edge of the hitting area, she didn’t rush to grab a club or pause to scroll through missed messages on her phone. She sat on the turf, legs crossed over one another. Korda remained still for several moments, alone.

She just needed a second.

(Top photo: Patrick Smith / Getty Images)

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Can You Match the Places These Authors Lived With Settings in Their Books?

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Can You Match the Places These Authors Lived With Settings in Their Books?

A strong sense of place can deeply influence a story, and in some cases, the setting can even feel like a character itself. This week’s literary geography quiz highlights places where authors were born (or lived) that later became locations in their books. To play, just make your selection in the multiple-choice list and the correct answer will be revealed. At the end of the quiz, you’ll find links to the works if you’d like to do further reading.

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Book Review: ‘America, U.S.A.,’ by Eddie S. Glaude Jr.

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Book Review: ‘America, U.S.A.,’ by Eddie S. Glaude Jr.

AMERICA, U.S.A.: How Race Shadows the Nation’s Anniversaries, by Eddie S. Glaude Jr.


For those of us in the national memory-keeping business, anniversaries hold near-totemic power. Satisfyingly round units of time, ideally bearing fancy, Latin-derived names, serve as the overburdened pegs on which to hang think pieces and museum exhibits, revisionist documentaries and maudlin public ceremonies. The arbitrary nature of such occasions is precisely what gives them their charge, inviting us to set aside complacency and submit to a comprehensive check-in.

In his new book, “America, U.S.A.,” Eddie S. Glaude Jr. presents an intriguing variation on the genre, seeing the country’s 250th birthday as an anniversary of anniversaries: 50 years since the malaise-ridden, schlock-heavy Bicentennial. A century since the subdued Prohibition-era Sesquicentennial. A century and a half since telegraphed reports of George Armstrong Custer’s defeat by the Lakota and Cheyenne at Little Bighorn rudely interrupted the Gilded Age Republic’s 100th birthday party.

If an anniversary offers a snapshot of a moment, the core of Glaude’s book is an old-timey photo album, a collection of notable episodes from earlier national reckonings, long-ago glances in the mirror. An estimable scholar of Black history, politics and religion at Princeton — best known for “Begin Again,” his 2020 meditation on James Baldwin’s relevance for our times — Glaude focuses, as his subtitle puts it, on “how race shadows the nation’s anniversaries.”

Such celebrations, he contends, have never really been the moments for honest self-reflection they are often advertised to be. Instead, the nation usually shatters the mirror, refusing to accept what it prefers not to see. “American anniversaries are often moments to turn a blind eye to the evils of the past and the present,” Glaude writes, “to suppress the fact of America’s divided soul.”

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It’s a clever concept, and, needless to say, perfectly timed. Last year, Glaude notes, the Trump administration executed a hostile takeover of the government’s studiously bipartisan 250th anniversary planning. It is now preparing a program that is certain to conceal more than it reveals about the country ostensibly being celebrated.

Glaude, in no mood for celebration, argues that such omissions and evasions also defined commemorations in the past. In 1875, Frederick Douglass predicted “one grand Centennial hosannah of peace and good will to all the white race of this country.” He was right: The nation reached 100 years old at a crucial moment in the post-Civil War fight over racial equality, with white Northerners ready to give up on Southern Reconstruction. The occasion would help the once-warring sections to reunite around a shared commitment to white supremacy. On May 10, 1876, at the opening of the Centennial Exposition in Philadelphia, the police tried to bar Douglass from the grandstand, until a white politician vouched for him.

The 150th anniversary came soon after a resurgent Ku Klux Klan successfully pushed for a restrictive immigration law aimed at keeping America a “Nordic” nation. At the lavishly funded, lightly attended celebrations in Philadelphia, Black veterans of World War I were excluded from marching in the opening parade. A writer with The Associated Negro Press wondered “what was in the breast of those black men who fought to make America safe for Democracy and on Monday stood on the sidelines, forgotten, as the Nordic strode by in all his vain pride.”

By 1976, when the nation marked its Bicentennial, the violence of the ’60s had destroyed any semblance of consensus. Vietnam and Watergate had eroded trust in the government. The commission initially tasked with organizing the anniversary was disbanded amid reports of corruption. Corporations filled the vacuum, Glaude explains, with “star-spangled whoopee cushions; patriotic toilet seats; Liberty hamburgers; red, white and blue beer cans.” The author, around 8 years old at the time, dimly remembers donning a pair of tricolor trousers.

A half-century later, Glaude is refreshingly honest about the depths of his despair. “I do not love America, and never have, especially now,” he writes in one of the more startling opening sentences I’ve read in some time. He dismisses this year’s Semiquincentennial as reaching back “to a storybook America that requires either the banishment of Black people from view or the reduction of our role in the country’s history, so as to affirm America’s ongoing quest to be a more perfect union.”

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Undoubtedly true. But Trump doesn’t own the country, at least not yet, nor the 250th anniversary of one of the most radically liberatory and confusingly contradictory events in world history — an inspiration, as Glaude shows, even to critical observers of the American experiment, like Douglass. Far from the revanchist MAGA-palooza in Washington, I suspect this summer’s unasked-for invitation to national soul-searching may surprise us yet.

Despite his despair, Glaude concludes that “the past still offers resources for us to freedom-dream.” So, too, does this book.


AMERICA, U.S.A.: How Race Shadows the Nation’s Anniversaries | By Eddie S. Glaude Jr. | Crown | 270 pp. | $31

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Summer’s Best Beach Reads

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Summer’s Best Beach Reads

Moore is a dependable ingredient in any summer reading soufflé. Her airy novels accomplish what they came to do: entertain and transport, without the pyrotechnics of, say, books that eschew quotation marks. In “Down With the Shipmans,” three sisters, laden with baggage, converge on their late mother’s beach cottage, only to learn that their father and his much younger wife are planning to sell the place.

The stakes are high, the drama is juicy and the views are sublime. Moore even provides two beach dogs — Leo (an unruly pit bull mix) and Cinnamon (“golden retriever, red bandanna, long pink tongue”) — to keep things lively. (Comes out June 2)

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