Movie Reviews
Movie Review: New Bob Dylan biopic 'A Complete Unknown' is a complete hit – What's Up Newp
“People make up their past, they remember what they want, they forget the rest.”
So says Timothée Chalamet, who plays Bob Dylan in the brilliant new film, A Complete Unknown, in a tense confrontation with Elle Fanning, who plays Sylvie Russo, a character based on Dylan’s on-and-off NYC girlfriend Suze Rotolo, as she prods him to share more about his mysterious past. Of course, he doesn’t, setting the stage for the enduring mystery of perhaps the greatest singer-songwriter of all time, a puzzle that continues to intrigue us.
I was fortunate to attend an advance screening of the movie over the weekend, and I can assure you, the buzz around this film is real. A Complete Unknown deserves all the accolades you’ve been hearing – including three Golden Globe nominations and Oscar talk for Chalamet, as well as for Edward Norton, who plays a perfect Pete Seeger. At the screening, the sold-out Newport audience widely applauded the film as the closing credits rolled; no one yelled “Judas” and no boos were audible.
The film, which should appeal to a wide audience given Chalamet’s youthful charm, opens Christmas Day across the country and begins an extensive run at Newport’s Jane Pickens Theatre on December 26. Advance tickets are available here.
Unlike some other great music biopics (Walk the Line, Bohemian Rhapsody, Coal Miner’s Daughter), A Complete Unknown covers a comparatively brief period in Dylan’s life, from his arrival and rise to fame in New York’s Greenwich Village in 1961, to that divisive moment when he “went electric” at the 1965 Newport Folk Festival, a cultural moment as important as Elvis on Ed Sullivan or The Beatles landing at JFK.
Chalamet is extraordinary playing the well-known singer, but still manages to build out his own character, much like Joachin Phoenix did in his Johnny Cash interpretation in I Walk the Line. And that’s not easy – Dylan is quirky and not easy to mimic. In interviews, Chalamet has said that he had several years to learn Dylan’s mannerisms, mirroring his vocals and acquiring his distinct guitar strumming patterns. He sings all the songs in the film, very close to the original recordings. And it works – Dylan himself recently approved the performance in a widely shared tweet.
Director James Mangold boldly re-creates Greenwich Village in the early 60s, with all the spirited grit and grime of the time, in street scenes and tightly packed basement nightclubs where folk music ruled the day. The story is compelling, the music is authentic, and the acting is outstanding all-around, with love interests Elle Fanning (Sylvie Russo) and Monica Barbaro (Joan Baez) brilliant in their supporting roles.
Mangold doesn’t over-mythologize Dylan, and the film doesn’t shy away from the singer’s darker side, his often rude treatment of those close to him, especially women, and his nasty eye rolls directed toward his mentor, folk legend Pete Seeger. Bob Dylan – always an enigma, kind of a bully, and occasionally “an asshole” as Barbaro, playing Baez, tells him.
Of course, the film plays fast and loose with many facts; Rolling Stone magazine spotted over two dozen places where the film veers from the known historical record, but let’s remember that this a work of historical fiction, not a documentary. It’s closer to the spirit of the truth than anything else I’ve seen about Dylan, including interviews with the bard, who is known for his reticence and occasional deception. The story closely mirrors that period in his life, and the spirit of the narrative is certainly one version of the truth.
Meanwhile, here on Aquidneck Island, where Dylan and his like stormed the Bastille at the 1965 Newport Folk Festival, he’s not so unknown. His spirit is ever present at the Festival, where he appeared from 1963-1965 and again in 2002, sporting a strange wig that still has fans guessing. The “City by the Sea,” along with Greenwich Village, serve almost as co-stars in the film, with frequent Newport references and numerous scenes from the festival grounds and the Viking Hotel. (Note: those scenes were filmed mainly in New Jersey.)
As far as getting to know Dylan’s motivations a little better through the film, that ain’t happening. Chalamet plays him close to the chest, as elusive as ever. When I interviewed longtime Festival producer George Wein in 2015, he told me that Dylan, like Miles Davis in the jazz world, intentionally curated a certain persona, centered around an air of mystery. “Both were always concerned with not doing what you expected of them … throughout their life,” said Wein. “Dylan, his last album, nobody would ever dream he would do an album of Tin Pan Alley ballads.”
The film echoes Wein’s remarks. Dylan was never afraid to take the initiative, from visiting Woody Guthrie in the hospital when he arrived in New York to choosing an electric guitar at Newport in ’65. Sure, he was influenced by the people around him, but he was always his own boss, rarely submitting to the will of others. He did things his way, and continues to do so, like it or not. Perhaps that’s part of the reason he’s such the icon he has become today. Indeed, “If you’re not busy being born, you’re busy dying.”
Click here for more information on A Complete Unknown.
Movie Reviews
MOVIE REVIEW: “THE KINDERHOOK CREATURE” is a fantastic deep dive into one of cryptozoology’s lesser-known mysteries – Rue Morgue
By BREANNA WHIPPLE
Starring Bruce G. Hallenbeck, Martha Hallenbeck and Paul Bartholomew
Directed by Seth Breedlove
Small Town Monsters
Whether you are a skeptic or a believer, it cannot be denied that certain pockets of our planet are hotspots for unusual activity. You’d be hard-pressed to find a person unfamiliar with the mysterious disappearances in the Bermuda Triangle, for example. Furthermore, places like Skinwalker Ranch in Utah have been documented extensively after multitudes of reports of various phenomena – UFOs, ghosts, cryptids, ancient shapeshifting elemental spirits that consume human flesh… it has it all. The Pacific Northwest is another location of intrigue with phenomena ranging from UFOs and cryptids to ghosts and sea monsters.
More often than not, all that is supernatural seems to flow collectively. It’s not at all uncommon for grey aliens to come with a side of poltergeists and shapeshifters. Evidently, where there is smoke, there is fire. And Kinderhook, New York, is one such place ablaze with the high strangeness.


THE KINDERHOOK CREATURE is a companion piece to The Kinderhook Creature & Beyond: A Personal Reminiscence by Bruce G. Hallenbeck. Naturally, Hallenbeck guides the unfolding events chronicled in the doc. Growing up under the care of his beloved late grandmother, Martha Hallenbeck, in a home surrounded by dense woods, he has memories that read like a choose-your-own-adventure novel. An unseen, incomprehensible, supernatural threat to shock and astound lurks around every corner. Martha was once quoted as saying, “I’d love to live in a haunted house!” Bruce’s apt response was, “Grandma, I think you do.”
“Haunted” feels like an inappropriate description. What happens in Kinderhook is so fantastical that it is difficult to fit under a single umbrella. White, bloblike apparitions are only the tip of the iceberg. A sargantuan beast with red eyes, the doc’s eponymous creature, has been seen stalking nearby. Strange noises emanate from the woods, UFOs have been spotted, objects have levitated and strange dreams have been had… Something is very different in Kinderhook.

To call THE KINDERHOOK CREATURE a wild-ride would be a gross understatement – the film is so full of so many unexpected twists, turns and encounters that it is a curious wonder why the area hasn’t been more widely acknowledged in cryptozoological circles until now. Again, director Seth Breedlove and the Small Monsters team have shone their spotlight on a tiny, strange corner of the world. On top of fantastic interview content, the documentary is chock-full of archival footage. Masterfully edited, THE KINDERHOOK CREATURE is made with love and attentive care, which is much deserved for a field of interest that isn’t always taken very seriously.
Of course, mystery is the source of the allure. As a species, we simply cannot know everything. Not every mystery can be solved, regardless of how advanced we become. Apelike humanoid sightings have been reported for as long as Indigenous people have been recording history with hide and stone. Theorists pore over speculations of time-travelling advanced beings, primitive species, protectors of the forest… It all sounds outrageous to those who have yet to open their mind to the possibility that there are forces at work that we simply cannot comprehend. One can easily write off the Patterson-Gimlin film as a hoax, but how can one explain the similarities in sightings from around the globe, again, for decades, if not centuries? One of the tales told in THE KINDERHOOK CREATURE mentions a sighting of a family of the Bigfoot-like cryptid. A similar occurrence is documented in the 1956 book The Long Walk by Sławomir Rawicz – a dramatic, first-hand account of a group of Gulag escapees in the 1940s that encountered a family of Yeti-like creatures in the Himalayas after fleeing Siberia on foot.

Even in the specific cases presented in THE KINDERHOOK CREATURE, there are curious synchronicities spanning a century. A woman speaks of an instance in 1981 when she and a friend skipped school to pick apples. While biking down a dirt road flanked by corn fields on both sides, they encountered a massive creature that towered above the stalks. Its gait was so wide that it was able to jump across the road with ease, its apelike arms swinging. What the girls likely did not know was that 100 years earlier, in 1881, livestock regularly went missing in the area. Locals eventually found a cave with piles of bones lying outside the entrance. Upon this discovery, they encountered a similar beast. They shot at it, nearly missing it. However, it left a mysterious lock of brown hair behind.
Breedlove has proved time and time again that Small Town Monsters is the reigning champion of quality cryptozoological documentaries. Aside from the obvious fun that naturally comes with investigating strange phenomena, much of the film focuses on Hallenbeck’s relationship with his grandmother. The bond they shared was beyond unique. They seemed to share an abundance of love, joy, fun and an appreciation for the mysterious.
We can learn a lot from these stories, exploring history, fear and curiosity. With THE KINDERHOOK CREATURE, Small Town Monsters again proves that cryptids and the legends that surround them will never get boring.
THE KINDERHOOK CREATURE: IN THE SHADOW OF SASQUATCH is available now on digital platforms.
Movie Reviews
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Lisa Dent
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A native of Rockford, Lisa Dent, heard 2 pm to 6 pm weekdays, began her radio career in Fort Atkinson, Wisconsin in 1981. She has worked at stations in Minneapolis, San Diego, Seattle, and Houston. Dent returned to Chicago in 2002. (Click for more.)
Movie Reviews
Movie Reviews 2026: Ukrainian and World Premieres
The world of cinema and TV series offers hundreds of premieres every year, but not all of them are worth the time spent. Viewers are increasingly looking not just for entertainment, but for meaning — stories that leave an aftertaste, make them think, or help them experience strong emotions. That is why reviews are becoming an important guide: they help separate truly high-quality content from loud but empty hype. UNN has reviewed the most anticipated premieres and selected films worth watching.
“Kakhovka Object” (war drama)
The film shows war not only as combat operations but also as a test of human dignity, character, and choice. Through the fate of the main character, the viewer sees how difficult it is to make decisions in extreme circumstances when every step can affect the lives of others. The director masterfully combines psychological tension with realistic details, creating an atmosphere of complete immersion. The film is not only about war but also about human responsibility, strength of spirit, and the ability to remain human in the chaos of events.
“Mavka. The True Myth” (romantic fantasy)
The premiere will take place on March 1, 2026. This is a continuation of the Ukrainian fantasy tradition, where national myths and legends come to life on screen. The film reveals Mavka’s inner world, her desire for love and freedom, as well as the conflict between the human and the magical. The animation promises to be bright and detailed, and the story is universal: it touches on the themes of choice, self-discovery, and responsibility for one’s feelings. This film will be a good example of modern Ukrainian animation, capable of captivating both children and adults.
“When Will You Divorce?” (corporate comedy)
A comedy about personal life and work relationships that raises questions about the balance between career and personal feelings. The film humorously shows how easy it is to get confused in one’s own emotions, trying to satisfy the expectations of others. The authors successfully combined light life situations and ironic dialogues, which makes the viewing entertaining but not superficial. This film is for those who appreciate modern humor and recognize themselves or colleagues in the characters.
“Odyssey” (epic adventure drama)
A large-scale adaptation of Odysseus’s travels after the Trojan War. The film shows not only the hero’s physical trials but also his inner transformation: courage, ingenuity, patience, and moral choice in critical moments. The artistic design and the use of modern technologies to create epic landscapes and battle scenes are impressive. The director managed to combine a classic story with a modern cinematic rhythm, which makes “Odyssey” not only spectacular but also emotionally deep.
“Lord of the Universe” (sci-fi, action)
The film transports the viewer into a vibrant magical world where heroes fight for justice, and the line between good and evil constantly shifts. This is a story about courage, self-sacrifice, and responsibility for one’s own destiny and the destiny of others. The combination of special effects, a fantasy world, and an adventure plot makes the film attractive to a wide audience. But the main thing is not the effects, but the internal struggle of the characters, which gives the film depth and meaning.
“Scream 7” (2026)
The return to the famous slasher franchise proved unsuccessful. Despite the direction of series veteran Kevin Williamson and the comeback of Neve Campbell and Courteney Cox, the film received mostly negative reviews from critics.
Thus, 2026 promises to be a landmark year for Ukrainian and world cinema. Even with fewer premieres, there is a tendency towards a deep elaboration of characters, psychological conflicts, and moral issues, which makes modern films and series not only entertainment but also a way of understanding human life and the modern world.
“You Are Space” breaks records: Ukrainian sci-fi attracts over 326,000 viewers10.02.26, 21:04 • 6852 views
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