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Moonage Daydream Review: The David Bowie Documentary You Never Knew You Needed

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Moonage Daydream Review: The David Bowie Documentary You Never Knew You Needed

Making an attempt to seize all the things David Bowie has accomplished is a idiot’s errand and a cradle-to-the-grave biography appears pointless on this period of Wikipedia deep dives. However the essence of David Bowie is worthy of a feature-length movie. Author-director Brett Morgen (Jane) isn’t any stranger to deciphering icons. Morgen’s 2015 HBO documentary, Cobain: Montage of Heck, earned seven Emmy nominations and did so whereas bending the style utilizing stunning animation. On this regard, documentary filmmaking may be evolving sooner than some other style. The widespread issue is creating a way of intimacy between the topic and viewer. Moonage Daydream does not actually concern itself with David Bowie’s impact on the world; it lives and dies inside his personal thoughts, and the selections he made that impacted his artwork.

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David Bowie narrates a hallucinogenic expertise void of construction on this huge introspective on his creativity. The movie is constructed sequence by sequence, however each scene is a mash of found-footage, classic live shows, and explosions of shade. Even a few of the scenes that really feel filmed can’t be confirmed to be someway as a result of your complete documentary is so sprawling. Different visible points embrace fireplace within the deep of house and a whole bunch of photographs of traditional movie. By the tip of Moonage Daydream, viewers will really feel nearer to the person than the music.

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Associated: Each David Bowie Film Ranked From Worst to Finest

Moonage Daydream is a film about how David Bowie thinks. In that regard, it’s a raging success. The interiority achieved by Morgen is nothing wanting good. The modifying is top-notch and a standout. In a single sequence Bowie is on stage in 1975 and the digital camera cuts between each him and a fan having an an identical, virtually orgasmic, expertise, nevertheless it’s chopping collectively so quick they virtually seem to be the identical individual. Equally, the sound modifying blends Bowie’s voice over instrumentals of his music, then abruptly cuts to a searing interview about his private life. Maybe the good modifying trick is a single picture of Bowie expanded right into a pastel of stickers that refill the display like a mosaic.

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Although Moonage Daydream is about on not being a regular documentary, the content material is pure gold when it does drift into acquainted territory. The movie goes 40 minutes with out mentioning Bowie’s household; when it does, revelations about his brother and his relationship with psychological sickness will deliver audiences to tears. In terms of how Bowie truly wrote songs, fascinating tidbits — like the truth that he would write down totally different concepts and blend and match them to make fascinating songs — confirmed how literal such an esoteric artist might be with out audiences figuring out. In his phrases: “It sounds extremely indulgent and certainly it’s. As a result of what I’m attempting to do is mould the standard strategies of rock and roll with newer processes, looking for a brand new type of language.”

Probably the most fascinating thought put forth in Moonage Daydream is the intention behind Bowie’s course of. Each private and non-private interviews depict him explaining issues some other artist would take into account taboo. Listening to him talk about his bisexuality is nothing wanting courageous. He seemed proper within the hosts’ eyes and defined his fact whereas nonetheless acknowledging that he was weaponizing individuals’s sexual angst to form his celeb. Later in his profession, he would make the change to extra in style music with excessive intention. Earlier than anybody obtained the possibility to say he was promoting out, he had already advised the general public he needed to make music that felt good and made individuals really feel good. It is a assertion that holds weight when he had spent practically a decade making musical puzzles. When he launched the track “Let’s Dance,” that is precisely what the individuals did.

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Morgen goes by way of hell and again, typically actually, to create this portrait of an artist’s mindset. The fifth shot of Nosferatu — the movie’s footage was used within the music video for “Below Stress,” the collaboration between Bowie and Queen — is a bit a lot, and there’s a case to be made that at two hours and quarter-hour lengthy, each scene of montages ought to be shorter. However what’s proven onscreen is as plain as Bowie himself. By way of artful modifying and shrewd decisions in movement graphics, Moonage Daydream paints an image of a person and his unbelievable thoughts.

Moonage Daydream launched in theaters on September 16. The movie is 135 minutes lengthy and is rated PG-13 for some sexual photos/nudity, temporary robust language and smoking.

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Movie Reviews

The Real Bros of Simi Valley: The Movie Review — Straight Up Having a Good Time

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The Real Bros of Simi Valley: The Movie Review — Straight Up Having a Good Time

Even if you didn’t watch The Real Bros of Simi Valley during its three-season run, it’s likely you’ve seen GIFs or clips of a handful of scenes as they’ve made their way around the internet the last few years. The two most popular are easily “Bro, I’m straight up not having a good time” and “Yo Xan, get your boy, dawg.” As great as those moments are, they’re just a glimpse into what the show had to offer. So how does it fare as a movie, nearly four years after its last episode?

The Real Bros of Simi Valley Plot

If you’re unfamiliar with the show, it’s a parody reality show, satirizing the lifestyle and culture of Southern California, in the vein of other reality shows, namely Jersey Shore and the Real Housewives series. It follows a group of nine friends in the titular Simi Valley in California. It’s a true ensemble cast, though Jimmy Tatro (who also directed and co-wrote with his longtime friend and creative partner Christian Pierce; the two co-created the show together) is ostensibly the lead as Xander, the de facto leader of the squad.

Picking up a couple years after the conclusion of season three, Real Bros finds the crew gearing up for their 10 year high school reunion. As the self-proclaimed sickest crew in their high school, they make it their mission to prove to everyone they’re still as dope as ever, if not even doper. And with the purchase of a brand new truck, Xander hopes to take home the coveted Truck of the Year Award handed out at every Simi High 10 year anniversary.

Jimmy Tatro in The Real Bros of Simi Valley: The Movie (2024)

The Real Bros of Simi Valley Critique

Right off the bat, it’s completely clear Real Bros is not a serious movie in any way whatsoever. Sure, if you squint hard enough, there are glimpses of deeper themes and messaging sprinkled in. Don’t judge your happiness and and success off the happiness and success of others. If you’re happy, be content with who you are and where you’re at in life. Xander and his wife Molly (Colleen Donovan) have some very obvious marital problems. But those are often played as a joke, and are quickly resolved. And that’s fine. That’s not the movie Real Bros wants to be.

And that also makes it a pretty easy movie to critique. Do you like the mockumentary setup? Is this your style of humor? Do you find the characters interesting? If yes, then you’ll like it. There is such little story here, with such low stakes, that those aspects essentially don’t matter for how “good” the overall movie is.

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Cast of The Real Bros Of Simi Valley: The Movie (2024)
Cast of The Real Bros Of Simi Valley: The Movie (2024)

The humor, though, is unique. You’re not going to find many movies (I can’t come up with any off the top of my head) with this kind of collection of characters. They’re very “bro-ey” and as a parody, the script leans hard into it.

For better or worse (better, in my opinion), Real Bros uses that style and setup to set itself apart from every other comedy out there right now. And for comedies these days, that’s really saying something, and is an impressive to pull off.

The biggest thing Real Bros has going for it is the cast and therefore characters as well. The entire main cast from the show returns, and they all jump right back into their roles as if the show ended yesterday. They all had three seasons to hone their characters, and it pays off in spades with the movie.

All the ins and outs, the smaller details for each of them, all of those were already known, and every character gets their own moment or two to shine. The cast already had great chemistry to work with. Some hurdles that other movies might have to work through, Real Bros didn’t have to give a second thought to.

The Real Bros Of Simi Valley: The Movie (2024)
The Real Bros Of Simi Valley: The Movie (2024)

While the humor and characters are the sole reasons for watching Real Bros, being so committed to the bit will likely push some newer viewers away. I appreciate it, but I was also coming in as a fan of the show. There are also certain character moments and storylines (one in particular with Xander and Molly’s son) where the jokes won’t fully land without having the context from the series. It’s not a huge ding against Real Bros, but there are a handful of moments and jokes like this, not just one or two. It’s still a low barrier of entry, but it bears mentioning.

In Conclusion

The Real Bros of Simi Valley: The Movie is a terrific follow-up to the show. Tatro and Pierce have such a feel for these characters and that’s evident in every scene. Fans of the show don’t need to be sold on the movie. It’s more of what you already know and love, simple as that. New viewers may not be drawn into the overly “bro-ey” style and some of the more outlandish aspects. But I’d encourage everyone to give it a shot (watch the trailer first), as it’s in line to finish as one of the year’s funniest movies.

If you want to check out the show before watching the movie, the entire series is available on Tatro’s Life According to Jimmy YouTube channel.

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The Real Bros of Simi Valley: The Movie is now streaming on The Roku Channel.

8 out of 10

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Movie Reviews

Despicable Me 4 movie review: Still fun the fourth time around

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Despicable Me 4 movie review: Still fun the fourth time around

Despicable Me 4 English (Theatres)

2024

Director:Chris Renaud, Patrick Delage

Cast:Steve Carell, Kristen Wiig, Pierre Coffin

Following a few insightful but intense releases in the animation sphere, Despicable Me 4 comes as a welcome change. Despite my initial sequel scepticism — arguably well-founded, considering this was the fourth instalment of scenes from the lives of Gru, his girls and the minions — I was very pleasantly surprised. The expected drop in quality that often comes as a series progresses never arrived with this one. 

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The fourth film features a storyline that maintains the key elements of chaotic good that characterises the series. Yet, as a few new characters and challenges are introduced, the resultant town and family dynamics are amusing. As expected, the minions continue to find themselves in ridiculous, funny and adorable pickles. In terms of the cute quotient, the movie definitely rises to the challenge, with the sweet, curious young girls and the introduction of a few furry friends.

The winning factor was the pace — the plot developed smoothly and quickly, in a way that really made one-and-a-half hours fly by. In typical Despicable Me fashion, the balance between physical comedy and character quirks work for both, young children and older audiences. 

Steve Carell makes a reappearance as his classic Gru self, seeming to only get more comfortable in his wacky and endearing characterisation. Lesser screen time and predictable lines did not enable other voice actors to shine as much as the leads. 

The soundtrack is cool and fresh, typical of what Pharrell Williams has done throughout the series. It has you grooving along as you hear it, and also sticks around as you hum it while leaving the theatre. 

In all, the film promises easy laughs and a fun viewing experience. Particularly if you’re a fan of the mischievous minions or good ol’ Gru, this is a must-watch for the weekend.

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Published 05 July 2024, 20:44 IST

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‘Despicable Me 4’ movie review: Surf this tide of multi-hued super-villainy including the blue-and-yellow kind

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‘Despicable Me 4’ movie review: Surf this tide of multi-hued super-villainy including the blue-and-yellow kind

A still from ‘Despicable Me 4’ 

The sixth entry in the Despicable Me franchise and a sequel to 2017’s Despicable Me 3, Despicable Me 4 sees Felonious Gru (Steve Carell) heading to his school Lycée Pas Bon for a reunion. But he is also undercover for the Anti-Villain League (AVL) to capture Maxine Le Mal (Will Ferrell).

Maxine and Gru have a long-standing rivalry from their school days especially after Gru sang Culture Club’s ‘Karma Chameleon’ dressed as Boy George at the talent show. Maxine, who was planning to sing the same song, also dressed as Boy George, could not do so as everyone would think he was copying Gru (shudder).

Despicable Me 4 

Director: Chris Renaud

Voice cast: Steve Carell, Kristen Wiig, Pierre Coffin, Joey King, Miranda Cosgrove, Sofía Vergara, Steve Coogan, Chris Renaud, Madison Polan, Dana Gaier, Chloe Fineman, Stephen Colbert, Will Ferrell

Story line: Gru and his family are relocated to a safe house after some of his activities at the AVL. There, however, is no rest for the wicked as he is hounded by an old school rival and a new fan

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Run time:  94 minutes

Maxine has developed many villainous properties including a machine to turn people into enhanced bugs. Gru arrests Maxine who promptly escapes the AVL’s maximum security prison with help from his femme fatale girlfriend Valentina (Sofía Vergara) and swears vengeance on Gru and his family.

The former director of AVL Silas Ramsbottom (Steve Coogan) comes out of retirement to get Gru and his family, which includes his wife,Lucy (Kristen Wiig) adopted daughters Margo (Miranda Cosgrove), Edith (Dana Gaier), and Agnes (Madison Polan) and son Gru Jr, (Tara Strong) to a safe house in the upscale Mayflower neighbourhood.  

A still from ‘Despicable Me 4’ 

A still from ‘Despicable Me 4’ 

Though the Grus, with the cover name of Cunningham, try to blend in, they do stick out. Gru’s attempt at making friends with his neighbour the super-rich Perry Prescott (Stephen Colbert) fall flat while Lucy’s efforts at the hair salon end up in an epic fail with burning a customer, Melora’s (Laraine Newman) hair. Perry’s wife Patsy (Chloe Fineman) invites the Cunninghams to a game of tennis, which Lucy knows is no sign of being accepted.

The Prescott daughter Poppy (Joey King), however recognises Gru and blackmails him to joining her on a heist to steal the school mascot. Apart from the three minions (Pierre Coffin) who accompany the Gru family, the rest are at AVL headquarters and Silas puts five into a programme for the creation of super-powered Mega Minions. The programme is quickly shut down as the Mega Minions unleash all kinds of mayhem under the guise of helping.

The voice work is fun with most of the gang reprising their roles. Romesh Ranganathan as Gru’s quarter master Dr. Nefario and Chris Renaud as the tough-as-nails principal Übelschlecht have a blast as do Ferrell and Vergara. Some of the sequences are inventive, especially the one with the mega minion and the Swiss cheese.

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Stuff keeps happening through Despicable Me 4’s 94 minutes and before you know it, the credits are rolling, which might be a good thing if you want to pounded into submission with a relentless procession of gags. Despicable Me 4 is fun while it lasts, but might not stand as a synonym for enduring.

Despicable Me 4 is currently running in theatres

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