Movie Reviews
Karate Kid: Legends First Reviews: A Fast-Paced Feel-good Movie with a Breakout Star
For more than 40 years, the Karate Kid franchise has entertained fans with a four-film series, a remake-spinoff, and a TV show continuation. Now, the two best-reviewed movies of the bunch are crossing over for Karate Kid: Legends, with original star Ralph Macchio and the 2010 version’s Jackie Chan uniting to train the next martial arts hero, played by Ben Wang. The initial reception for the new installment is mixed, but most agree that it lives up to its past while making a star to watch out of Wang. Also, everyone seems to love Chan and Macchio together.
Here’s what critics are saying about Karate Kid: Legends:
How does it compare to the other installments?
Legends can hold its head as one of the best installments so far, better than Karate Kid (2010), but nothing on Karate Kid (1984).
— Jack Shepherd, Total Film
As far as Karate Kid movies go, this one can’t match the surprisingly elegant characterization of the first movie, but at 94 crisply paced minutes, it’s less distended than the shockingly overlong 2010 remake, and feels less obligatory than the old Macchio sequels.
— Jesse Hassenger, Paste Magazine
Karate Kid: Legends is a sensational sequel, building on the classic underdog framework of the original 1984 Karate Kid movie, while working in fresh fun, familiar faces, and a dazzling new talent.
— Kristy Puchko, Mashable
This is a fun, breezy adventure that nests right into the world of Karate Kid and largely delivers on the action, laughs, and heart fans love about the IP.
— Ben Wasserman, CBR
While the team-up may be fun for fans of previous Karate Kid movies and Cobra Kai, it also misses the emotional core of these coming-of-age stories.
— Matt Goldberg, The Wrap
[It] adds nothing original to the formula. It’s a formula that works, to be sure, making for a pleasant enough time filler. But that’s about it.
— Frank Scheck, The Hollywood Reporter
Neither as fun as the early seasons of Cobra Kai nor as effective as the 2010 reboot, Karate Kid: Legends relies heavily on franchise favourites while bringing nothing new to the party.
— Tara Brady, Irish Times
Between the first couple of seasons of Cobra Kai and now Legends, The Karate Kid is the rare franchise that can boast one of the very best legacyquels as well as one of the worst.
— Matt Singer, Screen Crush
Does it fit in well with Cobra Kai?
The movie grows out of that show’s ebullient spirit.
— Owen Gleiberman, Variety
Much like Cobra Kai, Legends has a bit more to say beyond revisiting some Crane Kicking hits.
— Ben Wasserman, CBR
For anyone who’s seen Cobra Kai, [this has] a familiar format, echoing how LaRusso and Johnny Lawrence tried to teach their students both Miyagi-do and Eagle Fang.
— Jack Shepherd, Total Film
Karate Kid: Legends ignores essentially all the events of Cobra Kai… Fans hoping Karate Kid: Legends will continue its storyline in some way should adjust their expectations accordingly.
— Matt Singer, Screen Crush
How is the story?
The plot is a “paint by the numbers,” generic story…It is also a stereotypical, “feel good” movie where one roots for the underdog and isn’t disappointed in the end.
— Allison Rose, FlickDirect
So simple, so unironic, so cheesy-sincere, so analog that you may feel it transporting you right back to the “innocence” of the ’80s. And that’s the best thing about Karate Kid: Legends.
— Owen Gleiberman, Variety
This is a surprisingly self-contained story all about Li, and a darn good one at that.
— Aidan Kelley, Collider
Turning the formula on its head where the young person will train an older person is a nice twist that still adheres to the standard beats of learning martial arts as material necessity and personal growth.
— Matt Goldberg, The Wrap
Karate Kid: Legends is like the IKEA instruction booklet for making a Karate Kid movie: a marvel of abbreviated, gestural storytelling that should be taught in schools as an example of what a perfectly structured script looks like.
— Walter Chaw, Film Freak Central
This latest installment goes way beyond recycling the basic premise… They might as well have called it Karate Kid: Déjà Vu.
— Matt Singer, Screen Crush
The plot is just awful, crammed with so many cliches that you’re barely done chuckling at one before another kicks you in the head.
— Frank Scheck, The Hollywood Reporter

Does it play better for older fans or newer audiences?
Older audiences will reminisce about watching Macchio play the Karate Kid. In comparison, younger audiences will enjoy the story and Ben Wang’s skills as an actor and martial artist.
— Allison Rose, FlickDirect
It’s certainly a crowd-pleasing film that will make you feel good all the way through, no matter how long you’ve been with the franchise.
— Mae Abdulbaki, Screen Rant
Setting the movie years after Cobra Kai certainly helps sell the movie to casual fans, allowing them to get into the story without having to cram six seasons of television into their heads in advance.
— Ben Wasserman, CBR
The movie ultimately chooses to work for its young audience more than its potentially nostalgic (or puzzled) parents.
— Jesse Hassenger, Paste Magazine
Karate Kid: Legends [is] a movie that understands its identity but still feels forced to cater to older fans in a way that neglects how well the film works for its target audience of younger viewers.
— Matt Goldberg, The Wrap
Starting off with a clip from 1986’s The Karate Kid Part II… there are numerous callbacks to past installments, and the end credits feature a cameo by one more franchise veteran.
— Frank Scheck, The Hollywood Reporter
How is the pacing?
Karate Kid: Legends is a movie that, for better and worse, doesn’t let up, offering you no chance to catch a breath.
— Jack Shepherd, Total Film
At a cool hour and 34 minutes, the film understands what it means to keep a story tight and moving.
— Mae Abdulbaki, Screen Rant
Working in Karate Kid: Legends‘ favor is how it’s cut and paced a lot like Jeff Rowe’s Teenage Mutant Ninja Turtles: Mutant Mayhem. It’s jaunty and light.
— Walter Chaw, Film Freak Central
The moment Daniel LaRusso is introduced, Karate Kid: Legends begins sprinting towards its closing moments at a jarring, breakneck pace.
— Aidan Kelley, Collider
Legends barely lasts 90 minutes, and it often feels like it’s been severely truncated in the editing room until all that remained were the training montages and fight scenes.
— Matt Singer, Screen Crush

And the martial arts action?
The fight scenes are well-choreographed and entertaining.
— Mae Abdulbaki, Screen Rant
For those who are fans of action sequences and especially Karate and Kung Fu, they should especially be pleased with what first-time feature film director Jonathan Entwistle has done to showcase the art form.
— Allison Rose, FlickDirect
[The movie is] designed to give you that “This is not your father’s Ralph Macchio fairy tale!” feeling.
— Owen Gleiberman, Variety
There’s some brilliant choreography on display, especially during one back-alley brawl that sees Li take on a bunch of ruffians. Yet, other fights are cut too fast, and some fancy camera work stops certain hits from having the impact they should.
— Jack Shepherd, Total Film
The fight sequences in Karate Kid: Legends can occasionally feel over-edited with one too many cuts and some creatively distracting animated additions, but on the whole, the fight choreography and stunt-work on display feels more elaborate than any of the prior films.
— Aidan Kelley, Collider
The fights are well-done, but nowhere near as crazy as what people saw on the Netflix series.
— Ben Wasserman, CBR
The fight choreography is passable but never impressive, and an over-reliance on shaky quick cuts drains out some much needed physicality. It doesn’t help that there’s surprisingly few of them.
— Wilson Chapman, IndieWire
Does it work as a comedy?
It is incredibly funny with plenty of laugh-out-loud moments that land at the right place and at the right time.
— Allison Rose, FlickDirect
Karate Kid: Legends had me laughing.
— Kristy Puchko, Mashable

How is Ben Wang?
Ben Wang is a great new lead for this series, not just for some stellar martial arts skills, but also for his almost effortless charisma and lovable personality.
— Aidan Kelley, Collider
He’s lithe and captivating.
— Owen Gleiberman, Variety
The young actor exudes an electric, everyman appeal.
— Ben Truitt, USA Today
Wang is excellent not only as an actor but as a student of martial arts.
— Allison Rose, FlickDirect
Wang carries on Chan’s legacy by performing action skillfully while being funny.
— Kristy Puchko, Mashable
An early fight sequence positions Wang to be an able inheritor of Chan’s prop-heavy, comedic, hero-who-gets-hurt style, and he himself is a charming, effortless sort with a touch of ineffable star power.
— Walter Chaw, Film Freak Central
There’s a natural charisma and vulnerability to Wang that lends itself well to Li’s journey… He’s also got a bit of an edge that, like Daniel in the original Karate Kid, defies the usual tropes of a picked-on teenage protagonist.
— Ben Wasserman, CBR
What about the Ralph Macchio-Jackie Chan team-up?
Watching them spar with Wang and each other is a treat to behold. There is a joy in watching them on screen together that audiences, young and old, will love.
— Allison Rose, FlickDirect
This tag-team of combat gurus turns out to be an ace comedy team.
— Owen Gleiberman, Variety
The few moments where Han and LaRusso bicker over how to teach Li are highlights, albeit underutilized ones.
— Aidan Kelley, Collider
When Chan and Macchio share the screen, it is an absolute joy… It’s such a fun dynamic that you cannot help but partly begrudge the writers for not giving Chan and Macchio more to do.
— Jack Shepherd, Total Film

Are there any other standouts in the cast?
Sadie Stanley… acts with an eagerly ingenuous personality that feels entirely pre-social media, to the point that she evokes the Ally Sheedy of WarGames. (Yes, that’s a high compliment; keep an eye out for Sadie Stanley.)
— Owen Gleiberman, Variety
Though he’s in a minor role, Wyatt Oleff is a scene-stealer as Alan, Li’s tutor.
— Mae Abdulbaki, Screen Rant
Does the movie have a villain problem?
Like William Zabka back in the day, Knight nicely inhabits the unstoppable karate villain role, though the movie begs to spend a little more time with him.
— Ben Truitt, USA Today
The film’s villains are a bit of a low point… one-dimensional even by Karate Kid standards.
— Aidan Kelley, Collider
Connor and O’Shea feel like afterthoughts in a way other Karate Kid antagonists didn’t, albeit for more over-the-top reasons pre-Cobra Kai.
— Ben Wasserman, CBR
Karate Kid: Legends opens in theaters on May 30, 2025.
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Movie Reviews
Movie reviews reveal 2026’s best Certified Fresh films are arriving in March – Art Threat
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Movie Reviews reveal 2026’s best Certified Fresh films are arriving this month with stellar critical acclaim. March 2026 brings an extraordinary lineup of top-rated releases. Critics and audiences are celebrating these exceptional films together.
🔥 Quick Facts
- Project Hail Mary: 95% Tomatometer, 96% audience score, released March 20, 2026
- Certified Fresh Status: 75% critic rating or higher with 5+ Top Critics reviews required
- March Releases: Hoppers (94%), GOAT (84%), Send Help (93%) all certified fresh
- Streaming Options: Multiple platforms including Netflix, Peacock with exclusive March releases
Project Hail Mary Dominates with 95% Critical Acclaim
Project Hail Mary opened March 20, 2026, becoming the standout theatrical certif fresh hit of the month. Ryan Gosling stars as science teacher Ryland Grace, waking up light-years from home with no memory. The sci-fi epic, directed by Phil Lord and Chris Miller, earned 95% from critics and 96% audience approval. Cinephiles praise its visual splendor and emotional depth.
According to reviews, the film balances spectacular space sequences with genuine human moments that resonate deeply. Amazon MGM Studios released this 156-minute masterpiece based on Andy Weir’s beloved novel. Early box office numbers exceed expectations significantly.
Streaming Certified Fresh Titles Light Up March
March 24, 2026 delivered major streaming victories. GOAT (Greatest of All Time) hit platforms with 84% critic score and 93% audience approval. This animated sports comedy features Caleb McLaughlin as an anthropomorphic goat chasing championship glory. Send Help arrived simultaneously, earning 93% critical praise with 87% viewer satisfaction. Both titles capture hearts through humor and heart.
Streaming platforms flooded March with 69 new movies and shows total. Critics celebrated the diverse quality spanning cult classics, acclaimed dramas, and blockbuster franchises all at once.
Beyond the Blockbusters: Other Standout Certified Fresh March Releases
| Title | Tomatometer Score | Release Date | Status |
| Hoppers | 94% | March 6, 2026 | Theaters |
| Ready or Not 2 | 73% | March 20, 2026 | Theaters |
| Late Shift | 96% | March 20, 2026 | Theaters |
| Two Prosecutors | 97% | March 20, 2026 | Theaters |
“Visually, it is strong and immersive, but the real strength of Project Hail Mary is not spectacle alone. It is the sense of wonder and humanity running through the entire experience. The film knows when to be exciting, when to be funny, and when to slow down and let the emotional moments land.”
— IMDb Critics, Film Review Community
What Makes a Film Certified Fresh on Rotten Tomatoes
Certified Fresh status represents the industry’s gold standard for quality filmmaking. A movie earning this distinction must achieve at least 75% rating from professional critics. Additionally, films require 5 or more Top Critics reviews for certification. Recent updates tightened these standards to ensure only genuinely excellent films qualify.
This rigorous process explains why March’s nine certified fresh titles matter significantly. Critics spent hours analyzing each film thoroughly before adding their names. The combined critical weight behind these movies suggests spring viewing will be exceptional.
Plan Your March Movie Marathon Now – Which Film Will You Watch First?
Theater-goers should prioritize Project Hail Mary before it leaves cinemas. The 156-minute runtime demands a big screen experience. Meanwhile, streaming subscribers face delightful choices between GOAT’s comedy charm and Send Help’s heartfelt drama. Ready or Not 2 and Late Shift round out theatrical options perfectly.
New releases continue flowing through March 27, 2026, keeping entertainment options fresh. Kiki’s Delivery Service rereleased March 13, while Stand by Me returned March 27 with new appreciation. Which certified fresh film matches your mood this weekend?
Sources
- Rotten Tomatoes – Official certification database and critical scoring system
- Variety – Best movies streaming in March 2026 coverage
- The Wrap – Most anticipated films arriving in March analysis
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Movie Reviews
MOVIE REVIEW: “THE KINDERHOOK CREATURE” is a fantastic deep dive into one of cryptozoology’s lesser-known mysteries – Rue Morgue
By BREANNA WHIPPLE
Starring Bruce G. Hallenbeck, Martha Hallenbeck and Paul Bartholomew
Directed by Seth Breedlove
Small Town Monsters
Whether you are a skeptic or a believer, it cannot be denied that certain pockets of our planet are hotspots for unusual activity. You’d be hard-pressed to find a person unfamiliar with the mysterious disappearances in the Bermuda Triangle, for example. Furthermore, places like Skinwalker Ranch in Utah have been documented extensively after multitudes of reports of various phenomena – UFOs, ghosts, cryptids, ancient shapeshifting elemental spirits that consume human flesh… it has it all. The Pacific Northwest is another location of intrigue with phenomena ranging from UFOs and cryptids to ghosts and sea monsters.
More often than not, all that is supernatural seems to flow collectively. It’s not at all uncommon for grey aliens to come with a side of poltergeists and shapeshifters. Evidently, where there is smoke, there is fire. And Kinderhook, New York, is one such place ablaze with the high strangeness.


THE KINDERHOOK CREATURE is a companion piece to The Kinderhook Creature & Beyond: A Personal Reminiscence by Bruce G. Hallenbeck. Naturally, Hallenbeck guides the unfolding events chronicled in the doc. Growing up under the care of his beloved late grandmother, Martha Hallenbeck, in a home surrounded by dense woods, he has memories that read like a choose-your-own-adventure novel. An unseen, incomprehensible, supernatural threat to shock and astound lurks around every corner. Martha was once quoted as saying, “I’d love to live in a haunted house!” Bruce’s apt response was, “Grandma, I think you do.”
“Haunted” feels like an inappropriate description. What happens in Kinderhook is so fantastical that it is difficult to fit under a single umbrella. White, bloblike apparitions are only the tip of the iceberg. A sargantuan beast with red eyes, the doc’s eponymous creature, has been seen stalking nearby. Strange noises emanate from the woods, UFOs have been spotted, objects have levitated and strange dreams have been had… Something is very different in Kinderhook.

To call THE KINDERHOOK CREATURE a wild-ride would be a gross understatement – the film is so full of so many unexpected twists, turns and encounters that it is a curious wonder why the area hasn’t been more widely acknowledged in cryptozoological circles until now. Again, director Seth Breedlove and the Small Monsters team have shone their spotlight on a tiny, strange corner of the world. On top of fantastic interview content, the documentary is chock-full of archival footage. Masterfully edited, THE KINDERHOOK CREATURE is made with love and attentive care, which is much deserved for a field of interest that isn’t always taken very seriously.
Of course, mystery is the source of the allure. As a species, we simply cannot know everything. Not every mystery can be solved, regardless of how advanced we become. Apelike humanoid sightings have been reported for as long as Indigenous people have been recording history with hide and stone. Theorists pore over speculations of time-travelling advanced beings, primitive species, protectors of the forest… It all sounds outrageous to those who have yet to open their mind to the possibility that there are forces at work that we simply cannot comprehend. One can easily write off the Patterson-Gimlin film as a hoax, but how can one explain the similarities in sightings from around the globe, again, for decades, if not centuries? One of the tales told in THE KINDERHOOK CREATURE mentions a sighting of a family of the Bigfoot-like cryptid. A similar occurrence is documented in the 1956 book The Long Walk by Sławomir Rawicz – a dramatic, first-hand account of a group of Gulag escapees in the 1940s that encountered a family of Yeti-like creatures in the Himalayas after fleeing Siberia on foot.

Even in the specific cases presented in THE KINDERHOOK CREATURE, there are curious synchronicities spanning a century. A woman speaks of an instance in 1981 when she and a friend skipped school to pick apples. While biking down a dirt road flanked by corn fields on both sides, they encountered a massive creature that towered above the stalks. Its gait was so wide that it was able to jump across the road with ease, its apelike arms swinging. What the girls likely did not know was that 100 years earlier, in 1881, livestock regularly went missing in the area. Locals eventually found a cave with piles of bones lying outside the entrance. Upon this discovery, they encountered a similar beast. They shot at it, nearly missing it. However, it left a mysterious lock of brown hair behind.
Breedlove has proved time and time again that Small Town Monsters is the reigning champion of quality cryptozoological documentaries. Aside from the obvious fun that naturally comes with investigating strange phenomena, much of the film focuses on Hallenbeck’s relationship with his grandmother. The bond they shared was beyond unique. They seemed to share an abundance of love, joy, fun and an appreciation for the mysterious.
We can learn a lot from these stories, exploring history, fear and curiosity. With THE KINDERHOOK CREATURE, Small Town Monsters again proves that cryptids and the legends that surround them will never get boring.
THE KINDERHOOK CREATURE: IN THE SHADOW OF SASQUATCH is available now on digital platforms.
Movie Reviews
Ron Brown’s movie reviews: ‘Project Hail Mary’ and more
Lisa Dent
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A native of Rockford, Lisa Dent, heard 2 pm to 6 pm weekdays, began her radio career in Fort Atkinson, Wisconsin in 1981. She has worked at stations in Minneapolis, San Diego, Seattle, and Houston. Dent returned to Chicago in 2002. (Click for more.)
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