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'Gladiator II' – A Stunning Sequel Cements 2024's Best Film [Review]

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'Gladiator II' – A Stunning Sequel Cements 2024's Best Film [Review]

Like the rest of you, I was perplexed when it was announced that Ridley Scott was doing a sequel to his hit film Gladiator. The first film seemed like it was wrapped up pretty well. After all the history of Rome, is just that, history. Well, here we are in 2024 and we’ve got Gladiator II coming out. The likes of Maximus are gone, but the arena is still here. Rome has been infected by corruption and it’s twin Emperors (played by Joseph Quinn and Fred Hechinger) are running the city into the ground while sending its armies out to conquer far-off lands. The opening of the film centers on the assault on Numidia by the Roman army. Scott shows that he’s still got it regarding battle scenes here.

The story focuses on Lucius (Paul Mescal), a transplant to Numidia, who doesn’t know much about his past, or at least doesn’t let on what he knows about his past. The Roman army is led by Marcus Acacius (Pedro Pascal), who is now married to Lucilla (Connie Nielsen). Rome conquers Numidia and Lucius is taken in as a slave for the Roman Empire. He finds his way to a “tryout” to be a Gladiator, and Macrinus (Denzel Washington) takes notice of his rage and combat prowess. Along the way, plots to overthrow the Emperors come about, the true story of who Lucius is, and Macrinus’ plot to take over unfolds.

Let’s start with the somewhat shaky portions of Gladiator II, the CGI. I won’t harp on this as much as others will because it’s pretty small in the grand scheme of the film. The sections where there’s big battles going on with ships or other landscapes, do look a bit too smooth and fake. However, the CG on animals in the arena or other sections look great. There’s a scene where a group of gladiators led by Lucius have to fight monkeys and they look fantastic. So it’s a bit mixed, but it really doesn’t take much away from the film.

What else is shaky about Gladiator II? Nothing else.

For a film that originally felt like it didn’t need to exist, especially considering the first film is an absolute masterpiece, this fits right in. Ridley Scott directs the hell out of a story that goes much deeper than just a gladiator finding out his past and his place in the Roman Empire. It’s about the corruption of government officials, the endless drive for power, what adversity can do to people, and other social and systemic issues that we all face to this day. It might be set far in the past, but Gladiator II’s lessons are just as hard-hitting.

Denzel Washington stands above an already excellent cast in his role as Macrinus. If you wanted to see an acting tour-de-force, you get it from Denzel here. Somehow he makes one of the most vicious and unlikeable men on screen into at least a bit relatable. His endless quest for power comes about because of his past. The entire film’s thread is about people running away or trying to hide their past. Seeing him and Mescal go back and forth is just a treat for audiences. Mescal does more than enough to hold his own while sharing the screen. Pascal might not be in the film for as long as his top billing indicates, but his performance is heartbreaking at points.

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The twin emperors played by Joseph Quinn and Fred Hechinger are quite frankly, little freaks. They’re detestable, aloof, unknowing of the issues that plague their society. They fight like brothers and feel very much like the ruling influencer class of today. They act impulsively for more glory, more debauchery, and more excess. Quinn doesn’t have a lot of time or material, but in his short screen time, he gets the message across about how awful these two are.

The highlight of the film is a fight in the arena between Pascal and Mescal. It’s a ballet dance disguised as a fight to the death with swords and other blunt objects. All of the scenes in the arena are top notch with excellent choreography and visceral fights. The violence here is necessary but not overused. When Ridley turns it up, you can feel it, but it’s not just for the sake of being violent. It’s showing how degraded the Roman society has gotten when it comes to cheering on excessive violence.

One performance that might get lost in the shuffle of star power is Alexander Karim as Ravi, the arena doctor, and a former gladiator. He takes Lucius under his wing and adds some of the most personable moments in the film. In a film with so many horrid and reprehensible people doing violent and grisly acts, the one person who’s probably done the most grisly acts in his career is the most soft and touching character in the film.

In a year with plenty of excellent films, Gladiator II stands with little rivals. Between the otherwordly performances and thrilling plot, there’s a lesson for everyone to learn about the excess of an empire led by shortsighted, maniacal people. The quest for power never stops for certain men and Gladiator II shows the horrors and triumph of it all.

Gladiator II releases in theaters on November 22nd, 2024.

For more Reviews, make sure to check back to That Hashtag Show.

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Movie Reviews

‘Hoppers’ review: Who can argue with hilarious talking animals?

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‘Hoppers’ review: Who can argue with hilarious talking animals?

Just when you think Pixar’s petting-zoo cute new movie “Hoppers” is flagrantly ripping off James Cameron, the characters come clean.


movie review

HOPPERS

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Running time: 105 minutes. Rated PG (action/peril, some scary images and mild language). In theaters March 6.

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“You guys, this is like ‘Avatar’!,” squeals 19-year-old Mabel (Piper Curda), the studio’s rare college-age heroine. 

Shoots back her nutty professor, Dr. Fairfax (Kathy Kajimy): “This is nothing like ‘Avatar!’”

Sorry, Doc, it definitely is. And that’s fine. Placing the smart sci-fi story atop an animated family film feels right for Pixar, which has long fused the technological, the fantastical and the natural into a warm signature blend. Also, come on, “Avatar” is “Dances With Wolves” via “E.T.”

What separates “Hoppers” from the pack of recent Pix flix, which have been wholesome as a church bake sale, is its comic irreverence. 

Director Daniel Chong’s original movie is terribly funny, and often in an unfamiliar, warped way for the cerebral and mushy studio. For example, I’ve never witnessed so many speaking characters be killed off in a Pixar movie — and laughed heartily at their offings to boot.

What’s the parallel to Pandora? Mabel, a budding environmental activist, has stumbled on a secret laboratory where her kooky teachers can beam their minds into realistic robot animals in order to study them. They call the devices “hoppers.”  

In Pixar’s “Hoppers,” a teen girl discovers a secret device that can turn her into a talking beaver. AP

Bold and fiery Mabel — PETA, but palatable — sees an opportunity. 

The mayor of Beaverton, Jerry (Jon Hamm), plans to destroy her beloved local pond that’s teeming with wildlife to build an expressway. And the only thing stopping the egomaniacal pol — a more upbeat version of President Business from “The Lego Movie” — is the water’s critters, who have all mysteriously disappeared. 

So, Mabel avatars into beaver-bot, and sets off in search of the lost creatures to discover why they’ve left.

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From there, the movie written by Jesse Andrews (“Luca”) toys with “Toy Story.” Here’s what mischief fuzzy mammals, birds, reptiles and insects get up to when humans aren’t snooping around. Dance aerobics, it turns out. 

Mabel (Piper Curda) meets King George (Bobby Moynihan). AP

Per the usual, “Hoppers” goes deep inside their intricate society. The beasts have a formal political system of antagonistic “Game of Thrones”-like royal houses. The most menacing are the Insect Queen (Meryl Streep — I’d call her a chameleon, but she’s playing a bug), a staunch monarch butterfly and her conniving caterpillar kid (Dave Franco). They’re scheming for power. 

Perfectly content with his station is Mabel’s new best furry friend King George (Bobby Moynihan), a gullible beaver who ascended to the throne unexpectedly. He happily enforces “pond rules,” such as, “When you gotta eat, eat.”   

That means predators have free rein to nosh on prey, and everybody’s cool with it. Because of bone-dry deliveries, like exhausted office drones, the four-legged cast members are hilarious as they go about their Animal Planet activities. 

Mayor Jerry (Jon Hamm) plans to destroy a local pond to build an expressway. AP

No surprise — talking lizards, sharks, bears, geese and frogs are the real stars here. They far outshine Mabel, even when she dons beaver attire. Much like a 19-year-old in a job interview, she doesn’t leave much of an impression. 

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Yes, the teen has a heartfelt motivation: The embattled pond was her late grandma’s favorite place. Mabel promised her that she’d protect it. 

But in personality she doesn’t rank as one of Pixar’s most engaging leads, perhaps because she’s past voting age. Mabel is nestled in a nebulous phase between teenage rebellion and adulthood that’s pretty blasé, even if a touch of tension comes from her hiding her Homo sapien identity from her new diminutive pals. When animated, kids make better adventurers, plain and simple.

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“Hoppers” continues Pixar’s run of humble, charming originals (“Luca,” “Elio”) in between billion-dollar-grossing, idea-starved sequels (“Inside Out 2,” probably “Toy Story 5”). The Disney-owned studio’s days of irrepressible innovation and unmatched imagination are well behind it. No one’s awed by anything anymore. “Coco,” almost 10 years ago, was their last new property to wow on the scale of peak Pixar.

Look, the new movie is likable and has a brain, heart and ample laughs. That’s more than I can say for most family fare. “A Minecraft Movie” made me wanna hop right out of the theater.

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Movie Reviews

Review | Hoppers: Pixar’s new animation is a hilarious, heartfelt animal Avatar

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Review | Hoppers: Pixar’s new animation is a hilarious, heartfelt animal Avatar

4/5 stars

Bounding into cinemas just in time for spring, the latest Pixar animation is a pleasingly charming tale of man vs nature, with a bit of crazy robot tech thrown in.

The star of Hoppers is Mabel Tanaka (voiced by Piper Curda), a young animal-lover leading a one-girl protest over a freeway being built through the tranquil countryside near her hometown of Beaverton.

Because the freeway is the pet project of the town’s popular mayor, Jerry (Jon Hamm), who is vying for re-election, Mabel’s protests fall on deaf ears.

Everything changes when she stumbles upon top-secret research by her biology professor, Dr Sam Fairfax (Kathy Najimy), that allows for the human consciousness to be linked to robotic animals. This lets users get up close and personal with other species.

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“This is like Avatar,” Mabel coos, and, in truth, it is. Plugged into a headset, Mabel is reborn inside a robotic beaver. She plans to recruit a real beaver to help populate the glade, which is set to be destroyed by Jerry’s proposed road.
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Movie Reviews

Film reviews: ‘How to Make a Killing,’ ‘Pillion,’ and ‘Midwinter Break’

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Film reviews: ‘How to Make a Killing,’ ‘Pillion,’ and ‘Midwinter Break’

‘How to Make a Killing’

Directed by John Patton Ford (R)

★★

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