Connect with us

Entertainment

Mike Pinder, Moody Blues keyboardist, dies at 82

Published

on

Mike Pinder, Moody Blues keyboardist, dies at 82

Mike Pinder, the keyboardist and last surviving original member of the rock group the Moody Blues, has died. he was 82.

Moody Blues bassist John Lodge posted a statement from Pinder’s family to Facebook. “Michael Thomas Pinder died on Wednesday, April 24th, 2024 at his home in Northern California, surrounded by his devoted family. Michael’s family would like to share with his trusted friends and caring fans that he passed peacefully. His final days were filled with music, encircled by the love of his family. Michael lived his life with a childlike wonder, walking a deeply introspective path which fused the mind and the heart.”

Pinder, born in the Erdington area of Birmingham, England, in 1941, co-founded the group in May 1964, co-writing the early hit “Go Now.” After several early lineup changes, in 1967 they released “Days of Future Passed,” considered one of the first prog-rock albums, which also saw Pinder’s debut recording with a Mellotron — an early electro-acoustic keyboard that uses manipulated tape loops to create an otherworldly orchestral sound.

The instrument became a hallmark of Pinder’s style in the group, including on its timeless single “Nights in White Satin,” one of classic rock’s most soaring ballads, which eventually hit No. 2 on the Billboard charts. While the Moody Blues were entwined with the late ‘60s hippie era, the band never made it to the canonical Woodstock Festival — they were booked and on the original poster, but canceled for a European gig.

Pinder was an occasional vocalist in the Moody Blues, singing on tracks like “The Day Begins” and “Ride My See-Saw,” and drove the band to even headier progressive terrain on LPs like 1968’s “In Search of the Lost Chord” and 1969’s “On the Threshold of a Dream.” These albums would influence a generation of ‘70s prog acts like King Crimson, Genesis and Yes.

Advertisement

Pinder would go on to release nine albums with the band, including 1969’s “To Our Children’s Children’s Children” (inspired by the first moon landing), and broadened his repertoire of instruments to include Chamberlin and synthesizers. His last contribution to the group was 1978’s “Octave,” where he sang lead on the ballad “One Step Into the Light.”

During and after his stint with the band, he released three solo albums — 1976’s “The Promise,” 1994’s “Among the Stars” and 1995’s “A Planet With One Mind.”

The Moody Blues were inducted into the Rock and Roll Hall of Fame in 2018. A full list of survivors was not immediately available.

“He created his music and the message he shared with the world from this spiritually grounded place,” Pinder’s family said in their statement. “As he always said, ‘Keep your head above the clouds, but keep your feet on the ground.’ His authentic essence lifted up everyone who came into contact with him. His lyrics, philosophy, and vision of humanity and our place in the cosmos will touch generations to come.”

Advertisement

Movie Reviews

Miyamoto says he was surprised Mario Galaxy Movie reviews were even harsher than the first | VGC

Published

on

Miyamoto says he was surprised Mario Galaxy Movie reviews were even harsher than the first | VGC

Nintendo’s Shigeru Miyamoto says he’s surprised at the negative critical reception to the Super Mario Galaxy Movie.

As reported by Famitsu, Miyamoto conducted a group interview with Japanese media to mark the local release of The Super Mario Galaxy Movie.

During the interview, Miyamoto was asked for his views on the critical reception to the film in the West, where critics’ reviews have been mostly negative.

Miyamoto replied that while he understood some of the negative points aimed at The Super Mario Bros Movie, he thought the reception would be better for the sequel.

“It’s true: the situation is indeed very similar,” he said. “Actually, regarding the previous film, I felt that the critics’ opinions did hold some validity. “However, I thought things would be different this time around—only to find that the criticism is even harsher than it was before.

Advertisement

“It really is quite baffling: here we are—having crossed over from a different field—working hard with the specific aim of helping to revitalize the film industry, yet the very people who ought to be championing that cause seem to be the ones taking a passive stance.”

As was the case with the first film, opinion is divided between critics and the public on The Super Mario Galaxy Movie. On review aggregate site Rotten Tomatoes, the film currently has a critics’ score of 43% , while its audience score is 89%.

Shigeru Miyamoto says he was surprised by Mario Galaxy Movie reviews.

While this is down from the first film’s scores (which were 59% critics and 95% public) it does still appear to imply that the film’s target audience is generally enjoying it despite critical negativity.

The negative reception is unlikely to bother Universal and Illumination too much, considering the film currently has a global box office of $752 million before even releasing in Japan, meaning a $1 billion global gross is becoming increasingly likely.

Elsewhere in the interview, Miyamoto said he hoped the film would perform well in Japan, especially because it has a unique script rather than a simple localization as in other regions.

Advertisement

“The Japanese version is a bit unique,” he said. “Normally, we create an English version and then localize it for each country, but for the first film, we developed the English and Japanese scripts simultaneously. For this film, we didn’t simply localize the completed English version – instead, we rewrote it entirely in Japanese to create a special Japanese version.

“So, if this doesn’t become a hit in Japan, I feel a sense of pressure – as the person in charge of the Japanese version – to not let [Illumination CEO and film co-producer] Chris [Meledandri] down.

“However, judging by the reactions of the audience members who’ve seen it, I feel that Mario fans are really embracing it. I also believe we’ve created a film that people can enjoy even if they haven’t seen the previous one, so I’m hopeful about that as well.”