Connect with us

Entertainment

‘KPop Demon Hunters’ was a ‘bright spot’ in a year of declining diversity among streaming films, study finds

Published

on

‘KPop Demon Hunters’ was a ‘bright spot’ in a year of declining diversity among streaming films, study finds

Diversity in last year’s streaming films followed the same downward trend as theatrical releases, a new study found, with the percentage of people of color directing, writing and leading films diminishing.

In past years, streaming was considered a more accessible outlet for early-career female or BIPOC filmmakers, which was reflected in data about gender and racial representation. According to Part 2 of UCLA’s 2026 Hollywood Diversity Report, which was released Wednesday and analyzed all of the original English-language films distributed on major streaming platforms in 2025, that trend reversed across every category studied.

The share of streaming films directed by women declined to just over 23%, the lowest it’s been since 2022, when the annual study began analyzing streaming and theatrical films separately. Among those female directors, an overwhelming majority (81%) were allotted budgets below $20 million, while more than a quarter of the films directed by white men exceeded $50 million.

Only about 31% of streaming films last year had BIPOC directors, down 10% since 2024, when the proportion more closely reflected U.S. demographics.

“This is an industry in flux — and in reverse, especially when it comes to diversification,” Darnell Hunt, UCLA’s executive vice chancellor and provost and the report’s co-founder, said in a statement.

Advertisement

“Unfortunately, as we’ve seen with theatrical films, we’re now seeing the impact of this current political climate in very meaningful and concrete ways,” he continued. “As budgets tighten, opportunities for filmmakers of underrepresented backgrounds are always the first to be squeezed out.”

Despite losing ground behind the scenes and in front of the camera, women and people of color continued to drive streaming viewership in 2025, the report found.

The year’s biggest streaming hit, “KPop Demon Hunters,” was also the most-watched original Netflix film of all time, and according to Neilsen ratings, it was most streamed by women in Latinx households, followed by women in Asian and Black households. The report acknowledged the film as a “bright spot” in a disappointing year for diversity.

Michael Tran, a sociologist who co-authored the report, noted that the film’s impact and earnings potential could have been even greater with a theatrical release.

“It was a missed opportunity for theaters,” Tran said. “We’ve tracked how diverse films tend to succeed at the box office, here and abroad. For ‘KPop Demon Hunters,’ we could have been talking about record-breaking box office receipts in addition to topping the ratings.”

Advertisement

When “KPop Demon Hunters” did briefly screen in theaters — for two days last August, with over 1,750 locations domestically and more than 1,150 sold-out screenings — it was the No. 1 movie that weekend, earning about $18 million in ticket sales (though Netflix does not report exact box office figures).

Data from the report also indicated that streaming films with at least somewhat diverse casts tended to outperform in terms of audience and social media engagement.

However, overall cast diversity in streaming films declined in 2025. For the first time since 2022, films with a majority-BIPOC cast did not represent the plurality of streaming titles. Most notably, the percentage of lead actors of color dropped from a high of 51% in 2024 to 36% in 2025.

Report authors called it an “industry-wide chilling effect” reminiscent of a similar decline in diversity among theatrical films in 2024. That said, streaming films continued to star BIPOC leads more often than their theatrical counterparts, the study found.

The overall number of streaming films also declined. While the annual UCLA report typically examines the top 100 original, English-language movies across streaming platforms, this time, there were only 89 for researchers to analyze.

Advertisement

In addition to studying race and gender demographics in the film industry, the report also examined on-camera representations of disability. According to the study, while adults with a disability make up at least 26% of the U.S. population, actors with a known disability represented 6.5% of total streaming movie actors, which is in line with the previous year.

According to the study’s authors, streamers hoping to compete in a fast-paced, globalized market should increase their diversity efforts in light of these results.

“Kids under 18 are already majority BIPOC. There’s no going back if a studio wants to be profitable and relevant to Gen Z and Gen Alpha,” said report co-founder and co-author Ana-Christina Ramón. “Severing all brand loyalty now will only make it more difficult to regain long-term subscribers in the future.”

Advertisement

Movie Reviews

Movie Review: ‘Leviticus’ makes a demon out of desire in an auspicious debut for Adrian Chiarella

Published

on

Movie Review: ‘Leviticus’ makes a demon out of desire in an auspicious debut for Adrian Chiarella

What if the object of your desire was also the thing that’s trying to kill you? Not slowly irritating you to death for leaving the toilet seat up again. We mean actively trying to strangle you.

That’s the intriguing premise behind the horror-satire “Leviticus,” an auspicious feature film debut for writer-director Adrian Chiarella that’s both deeply scary and a queer revolt.

Named for the book of the Old Testament often used to justify homophobia, the movie explores the burgeoning relationship between two young men that is shattered when so-called “conversion therapy” — a scientifically discredited practice — unleashes a demon that stalks them. Some have called the movie “It Follows” meets “Heated Rivalry,” but that’s a disservice to Chiarella’s ambition.

The film centers on Naim (Joe Bird, the breakout star of A24’s “Talk to Me” )and Ryan (newcomer Stacy Clausen), who we watch fitfully, awkwardly fall for each other, slowly exploring their sexuality and stutter-stepping into their true selves. Wrestling turns to flirtation, which becomes longing and tenderness.

That doesn’t go over well in the small Australian town where the movie is set, a blue-collar community with belching smoke stacks, low-slung houses, barking dogs and a Christian pastor — with a “deliverance healer” — who prefers his flock much more heterosexual.

Advertisement

Chiarella is leaning not only into the notion that sexual desire makes you vulnerable, but also the harm that repressing who you are can do. In this case, the demon takes the form of your crush. It has weaponized lust.

“You shouldn’t be near me. I shouldn’t be near you, either,” one of the would-be lovers says to the other.

This image released by Neon shows Stacy Clausen, left, and Joe Bird in a scene from “Leviticus.” Credit: AP/Uncredited

Chiarella starts his movie with a nod to Alfred Hitchcock — a shower scene worthy of “Psycho” — and nods to others in the genre, like “A Nightmare on Elm Street.” He can be a bit clunky with his images — a frog being eaten by a snake — but his pacing is flawless and his ramping up of terror is sure. “Leviticus” might be an indie film, but it’s got the blessing of Frank Ocean, who gave the filmmakers the right to use his song “Self Control.”

The monsters — in addition to the nasty one only the boys can see, of course — are the adults: the parents and caregivers and friends who turn on vulnerable, scared young men and make them scared of each other. Mom might kindly take some disliked olives off her son’s pizza, but she won’t accept him kissing another boy.

Advertisement

Chiarella’s pro-queer filmmaking extends to his ability to perfectly capture the fumbling ecstasy of new love, the fierce longing of stolen kisses and how scary it is to submit to a new partner. Kudos to Bird and Clausen for capturing that universal feeling.

With his film, Chiarella forms a triumvirate of young filmmakers making horror brilliant in summer 2026, alongside Curry Barker with “Obsession” and Kane Parsons’ “Backrooms.” The future of movies is in good hands.

This image released by Neon shows Joe Bird in a...

This image released by Neon shows Joe Bird in a scene from “Leviticus.” Credit: AP/Uncredited

“Leviticus,” a Neon release that’s in theaters Friday, is rated R by the Motion Picture Association for “bloody violent content, language, some sexual content and teen drug use.” Running time: 88 minutes. Three and a half stars out of four.

Continue Reading

Movie Reviews

‘Find Your Friends’ Movie Review: Helena Howard Standout Performance Nearly Saves Shudder Misfire – Deepest Dream

Published

on

‘Find Your Friends’ Movie Review: Helena Howard Standout Performance Nearly Saves Shudder Misfire – Deepest Dream



Helena Howard in “Find Your Friends” – Shudder


Advertisement

Advertisement

Actress Helena Howard stars in Find Your Friends as Amber, a disillusioned college student who goes on a girls’ trip in Joshua Tree. Partying with her friends (Chloe Cherry, Sophia Ali, Zión Moreno, Bella Thorne) should have been a blast, but tragedy and violence land at their doorstep. Directed and written by Izabel Pazkad, this 93-minute feature is now streaming on Shudder. Was it worth the watch? I review Find Your Friends with CinemAddicts co-host Eric Holmes, and we are in relative agreement. Check out our review below!

Read more: ‘Find Your Friends’ Movie Review: Helena Howard Standout Performance Nearly Saves Shudder Misfire

Chloe Cherry, Bella Throne, Sophia Ali, Zión Moreno,and Helena Howard in Izabel Pakzad’s FIND YOUR FRIENDS. Courtesy of Shudder. A Shudder Release

The narrative begins at a yacht party where the girls are taking shots and looking for a bit of fun. Amber makes out with a stranger to get her ex-boyfriend jealous, but that encounter turns into a sexual assault. After understandably attacking the rapist in front of his friends, Amber and her crew are kicked off the yacht and head to Joshua Tree.

Zión Moreno and Bella Thorne in “Find Your Friends” – Shudder

Partying at the AirBnb with loud music, drugs and liquour is not all fun and games. An angry neighbor (Chris Bauer) tells them to turn their music down, and an evening out to see a band leads to an even more nightmarish encounter with three men.

Helena Howard is terrific as Amber, as she delivers a layered performance as a young woman experiencing a ton of mental and physical anguish. On top of the misogynists who tragically alter her life, she is also experiencing a growing distance from her best friends. For most of the movie we are locked into Amber’s psyche and behavior, and Howard effectively captures these often stomach churning moments.

Helena Howard in “Find Your Friends” – Shudder

Unfortunately, the rest of the characters in Find Your Friends are, at best, paper thin. Although filmmaker Izabel Pakzad and cinematographer Tim Curtin capture the tension and frenetic behavior of these women and their eventual antagonists, it exists on a superficial level. Even a modicum of character exploration would have been welcome.

For horror-thriller enthusiasts, the inevitable confrontation does not occur until well into the third act. By that time, co-host Eric Holmes was checked out from the story. Thanks to Howard’s performance, I was still hanging on for dear life, but overall the movie was a disappointment.

Check out our full review:

Let us know your thoughts on Find Your Friends, now streaming on Shudder, in the comments!

Listen to our latest episode of CinemAddicts:

***We receive a slight commission if you purchase using our Amazon SiteStripe and/or our Affiliate Links. Thanks for your support!


Advertisement




Previous article‘Star Trek: Starfleet Academy Season One’ Digital Codes Giveaway With Exclusive Features!
Next article‘The Chosen In The Wild With Bear Grylls’ Lands Prime Video Premiere On August 9

Greg Srisavasdi

I’ve been a movie reviewer/interview since 1991 (as a UCLA Daily Bruin scribe), worked at Westwood One for 20 years. Currently a podcast co-host of “CinemAddicts” and “Find Your Film.” I can be reached at editor@deepestdream.com for inquiries or whatever the case may be!


Advertisement
Continue Reading

Entertainment

Rapper Mystikal has been sentenced to 20 years in prison for rape: ‘I deserve the max’

Published

on

Rapper Mystikal has been sentenced to 20 years in prison for rape: ‘I deserve the max’

Grammy-nominated rapper Mystikal has been sentenced to 20 years in prison for third-degree rape.

The “Danger” rapper was arrested in the summer of 2022 and booked into the Ascension Parish Jail in Louisiana and charged with first-degree rape, simple robbery, domestic abuse battery–strangulation, false imprisonment and simple criminal damage to property after the victim identified the rapper as the suspect from the hospital where she was being treated for injuries.

According to Baton Rouge-based ABC affiliate WBRZ, the victim told a Louisiana courtroom on Tuesday that Mystikal, real name Michael Tyler, punched and choked her, pulled braids out of her hair and forcibly raped her during the 2022 incident. The victim requested the maximum sentence for the rapper.

“If I did that to you, I deserve the max sentence,” Tyler told the courtroom before he was sentenced to 20 years for third-degree rape, which carries a maximum sentence of 25 years with no chance for early release or probation.

In March, Tyler entered a guilty plea, which knocked his first-degree rape charge down to third-degree. In Louisiana, first-degree rape carries a maximum sentence of life imprisonment. According to WBRZ, the rapper’s attorney filed a motion to withdraw the guilty plea days before Tyler was sentenced, but the motion was tossed.

Advertisement

The New Orleans-born artist was convicted more than two decades ago of sexual battery after pleading guilty to charges in 2003. He served six years in prison and was released in 2010.

The rapper was previously indicted in 2017 on rape and kidnapping charges stemming from allegations in 2016. He spent 18 months in jail before being released in 2019 on a $3-million bond, the Associated Press reported. The Caddo Parish district attorney in Louisiana ultimately dropped those charges in 2020 after a second grand jury declined to bring an indictment.

With his raspy vocal intensity and scream-like musical delivery, Mystikal shot to the top of the charts with Master P’s No Limit Records in the late 1990s. In 2004, the rapper’s original label, Jive Records, released two compilations of his music, “Prince of the South … The Hits” and “Chopped & Screwed.”

Former Times staff writer Nardine Saad contributed to this report.

Advertisement
Continue Reading
Advertisement

Trending