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How ‘Heated Rivalry’ became a joyful community: ‘It gave us a reason to dance’

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How ‘Heated Rivalry’ became a joyful community: ‘It gave us a reason to dance’

Picture this: You’re scrolling TikTok when a video grabs your attention — it’s a packed dance floor at an L.A. venue, lights low and moody with people vibing together as clips from “Heated Rivalry,” the hit queer hockey romance, flicker across the walls. The crowd sings along to pulse-thumping anthems from Britney Spears, Charli XCX and Bad Bunny, with a Paramore sing-along thrown in for everyone’s inner emo babe. Cheers erupt whenever favorite moments with the show’s central couple, Ilya Rozanov and Shane Hollander — played by Connor Storrie and Hudson Williams, respectively — come to life around them.

A TikTok offering a glimpse of this gathering, posted by Raven Yamamoto at a Heated Rivalry Night at the Vermont Hollywood, reads: “Never kill yourself. Just go to Heated Rivalry Night.”

The sentiment is tongue-in-cheek, but the feeling behind it is not. The dance party held at the Vermont and organized by Club 90s, channels the sensuous vacation-from-reality energy adored by fans of the TV show, and the book series it’s based on, that premiered in November and became a breakout hit for HBO Max. The show, acquired from the Canadian streamer Crave, has already been renewed for a second season and made stars out of its two leads, whose steamy onscreen romance has given rise to a new fandom and sprung a series of events that reflect its culture.

Heated Rivalry Night, curated by Club 90s founder and DJ Jeffrey Lyman, began as a single event that quickly sold out, leading to extra dates — another is being held at the Vermont on Sunday — and more than 100 multi-city pop-ups are planned over the next few months in places like Brooklyn, Washington, D.C., Chicago and London. Social media, particularly TikTok, has amplified the events, turning clips from the dance floor into viral, word-of-mouth-fueled promotion. The events almost didn’t happen: After a supporter emailed requesting a themed night, Lyman hadn’t considered it before because the show’s soundtrack has limited danceable music. But between his love for the series and an “I’ll figure it out” mindset, he dove in.

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2 A a pair of women wearing colorfully tinted sunglasses scream as they stand on a crowded dance floor.

1. Heated Rivalry Night features different genres of music and clips from the TV series play on the walls of the venue. (Ronaldo Bolanos/Los Angeles Times) 2. Kaliah Dabee, center, sings during the event at the Vermont Hollywood. (Ronaldo Bolanos/Los Angeles Times)

“Me and my co-video creator were just working nonstop all week long figuring out how to make the night work. We found all these edits on TikTok and trimmed them into full-on music videos for the night, and then put together the show in four days. I had no idea what to expect. The response was just insane,” Lyman recalls. “Every single post I saw on TikTok was from the night, with hundreds of thousands of views and comments. I was like, all right, we gotta get this thing going because everyone was requesting us in every single city.”

The event has become a space for fans to gather and feel understood, surrounded by others who are drawn to the show’s tenderness, longing, steamy sex and emotional intensity that define it. For many, the universe also sparks a quiet, personal question: Is that sort of romance real — and could it exist in my own life too?

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“Nights like these make life worth living. I had so much fun, more fun than I’ve had at a club in a long time,” says Yamamoto, whose entire friend group was “obsessed” with “Heated Rivalry” from the start. “I think it’s really easy to feel alone in a room with hundreds of people, even at events where you have something in common with everyone there.”

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But Heated Rivalry Night, he says, is different, noting the warmth and mutual comfort among the crowd members in attendance. “I mean, you could have shown up alone and left with 10 new friends,” Yamamoto adds.

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That sense of community is exactly what Lyman hoped to create, where people of all ages, genders and sexual preferences can come together to celebrate the themes of the show.

“I think it resonates so much because the show is just beautiful, everything about it,” he says. “That’s been my ultimate goal with every party — one big accepting space where everyone can let their freak flag fly and be whoever they want, with no judgment.”

Music is another key element of that celebration.

“I want everyone to have their culture represented. I’m Latino myself, I love Bad Bunny — of course I had to throw him in. This is kind of a no-holds barred thing, I’m throwing in every genre,” Lyman says, highlighting how the eclectic music selection mirrors the crowd’s range of tastes. A typical night can seamlessly bounce from CupcakKe to Robyn, Chappell Roan to Beyoncé and Lady Gaga’s aughts banger “Telephone,” and also “Rivalry,” the show’s theme song by Peter Peter.

A crowd of people on the dance floor, many holding cups and water bottles.

“I think it resonates so much because the show is just beautiful, everything about it,” says Heated Rivalry Night organizer Jeffrey Lyman. “That’s been my ultimate goal with every party — one big accepting space where everyone can let their freak flag fly and be whoever they want, with no judgment.”

(Ronaldo Bolanos/Los Angeles Times)

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Some moments hit even deeper emotionally. One of the standout sequences of a Heated Rivalry Night is when Lyman played a video montage of Shane coming out to his parents, set to Lorde’s “Supercut.”

“The first time I played it, I had, like, this emotional breakdown almost and I was in tears because everyone was cheering him on,” recalls Lyman, explaining that he didn’t personally get to come out to his family and the initial response was not positive or affirming. “And so flash forward so many years later, to have people literally screaming and cheering for this scene for him coming out — it blew my mind. And it just made me so happy for how far we’ve progressed in terms of acceptance.”

How the show has created a community

Ask a viewer on their umpteenth rewatch of “Heated Rivalry,” or a fan in the comments of a meticulous scene breakdown on TikTok, or a Hollanov enthusiast decked in cheeky merch, and the answer is consistently clear: The “Heated Rivalry” universe is a world that feels good to inhabit and revisit. In Los Angeles, the interest in the show has inspired other events as well, like “Heated Rivalry”-themed hot yoga and comedy shows, and fan-made merch, ranging from cozy blankets to graphic tees to custom hockey jerseys, has become ubiquitous.

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Jose Bizuet, an educator in training, is still relatively new to the series — he’s four episodes into “Heated Rivalry — but loves it so far. Waiting in line to enter the Vermont, Bizuet explained his motivation for attending the event.

A woman in a white tank top holds up a small poster with circular cutouts of scenes from the TV series "Heated Rivalry."

Fans have created “Heated Rivalry” merch, and several events themed to the TV show have emerged in L.A. and beyond.

(Ronaldo Bolanos / Los Angeles Times)

“I feel like a lot of spaces aren’t accepting of queer bodies, but I know that this space will be accepting of it,” he says. “I’m just excited to have fun, be with my friends, explore different bodies, and just have fun with everybody.”

Inside, pop hits and 2000s classics played alongside clips of Ilya and Shane, as well as fan edits — like a montage of the character Scott Hunter (played by François Arnaud) set to Usher’s “Daddy’s Home” and the infamous IYKYK Google Drive edit set to Megan Thee Stallion’s “Big Ole Freak.” The latter, a fan-made video of Ilya and Shane, was originally shared widely on Google Drive before becoming difficult to find in full, making it a treasured “if you know, you know” gem among the fandom — and the kind of moment that had the crowd cheering in recognition.

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Rachel Jackson and Nicole Chamberlain have loved hockey — and a good romance story — for years; they’re fans of the Nashville Predators and Chicago Blackhawks, respectively. “This series was right up our alley. We fell in love with it and read a bunch of the books,” says Jackson as she waited in line to enter the Vermont.

Chamberlain adds: “It’s cool to be part of something, and it’s just lovely to see the community rally around this story.”

Two people wearing hockey jersey with Rozanov and Hollander on the back, look down at a big crowd from a balcony.

Partygoers wearing Rozanov and Hollander hockey jerseys at Heated Rivalry Night. Organizer Jeffrey Lyman says he’s been surprised by the response to the themed dance party.

(Ronaldo Bolanos / Los Angeles Times)

In a post-quarantine landscape marked by isolation and digital overload, fans described a hunger for physical spaces where online connection could translate into real-world presence. Queer nightlife has long functioned as both refuge and community, and Heated Rivalry Night slots neatly into that lineage.

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“I think it’s really special that ‘Heated Rivalry’ has become so popular in the U.S. under an administration that relentlessly attacks the rights and livelihoods of queer people,” says Yamamoto. “Celebrating a show about queer love with so many other queer people and allies who understand that felt like a protest in some ways.”

Assessing ‘Heated Rivalry’s’ effect and influence

Rachel Reid, the author of the Game Changers book series that the show is based on, has been struck by the scale and intensity of the fandom that’s grown around “Heated Rivalry.” From watch parties at a resort in the Philippines to drag shows, themed skate nights, and lively gatherings at West Hollywood’s gay sports bar Hi Tops, she’s seen fans across the globe bring the story to life in ways both big and intimate.

“I wish I could get to them all. I’m so proud to be a part of something that’s making people so happy and is also creating community and creating safe places for people to go,” Reid says. “It’s a really good feeling. It’s been my favorite part of all of this.”

She says people have told her the show has helped them try to find romance again. “Quite a few people have reached out to tell me they’d given up on relationships, and watching ‘Heated Rivalry’ made them want to try again, to believe in falling in love. That’s been incredible to hear.”

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The tender queer romance depicted in "Heated Rivalry" has been refreshing for viewers. From left, François Arnaud, Robbie G.K., Connor Storrie and Hudson Williams in scenes from the show.
Two men in a shower leaning toward one another.

The tender queer romance depicted in “Heated Rivalry” has been refreshing for viewers. From left, François Arnaud, Robbie G.K., Connor Storrie and Hudson Williams in scenes from the show. (Sabrina Lantos/HBO Max)

The prioritization of queer joy and queer pleasure are foundational to the show, which is present even during emotional highs and lows, and that’s intentional. The trauma, harrowing ordeals or deaths that are typically depicted onscreen, and that audiences have come to expect from queer TV and films, were refreshingly absent.

“That’s extremely important to me, and I knew it was important to Jacob Tierney as well, who made the show,” says Reid. When the two brainstormed the creative direction, Reid says they were on the same page. “It would just be joyful. And it would be sexy in a way that nobody got punished for it. It was really important to me and really important to him, and I think it came through in the show for sure.”

Jacob Tierney, who adapted, wrote and directed the series for television, echoed this perspective. “Rachel’s book is unapologetically queer joy, and from the very first read, I knew I wanted to bring this shamelessly funny, glorious, romantic story to life, complete with the kind of happy ending that gay people so rarely see in the media,” he says.

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He told Reid he wanted to honor the book with the seriousness it deserves.

“At a time when queer lives and love are still so often framed through pain or erasure, I felt it was important to tell a story that celebrates pleasure, tenderness, and happiness as something worth protecting,” Tierney adds. “Watching the series bring people together and spark meaningful conversations about how these stories are told has been profoundly moving.”

A woman in a white long sleeve top holds an arm up as she's surrounded by a crowd of people dancing.

“Watching the series bring people together and spark meaningful conversations about how these stories are told has been profoundly moving,” says Jacob Tierney, who adapted “Heated Rivalry” for television.

(Ronaldo Bolanos / Los Angeles Times)

As the night wound down in Hollywood, partygoers lingered, sweaty and smiling, voices raspy from singing with friends and strangers who felt like friends.

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Outside, the crowd spilled onto the sidewalk, already talking about the next Heated Rivalry Night. For a few hours, the story had leapt off the screen into something tangible — proof that the right song, room and people can make all the difference.

“Heated Rivalry” cannot fix all of the world’s ills, of course, but its influence is evident in Los Angeles and beyond. “It gave us a reason to dance. We haven’t had a lot of those in the past year,” Yamamoto says.

“Joy is resistance, too.”

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Soho House sued after bartender alleges she was ‘drugged and raped’ by her supervisor

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Soho House sued after bartender alleges she was ‘drugged and raped’ by her supervisor

A bartender who worked at Soho House’s exclusive Soho Warehouse in downtown Los Angeles is alleging a supervisor at the posh membership club and hotel drugged and raped her, according to a lawsuit filed in Los Angeles Superior Court on Wednesday.

The woman, who filed as Jane Doe, said in her complaint that she was “subjected to repeated sexual advances and unwelcomed physical touching” by one of her supervisors, Leonard Marcelo Vichique Maya, immediately after she began working as a bartender at Berenjak, the club’s restaurant, in September 2025.

Doe is suing Vichique Maya, Soho House, Soho House Los Angeles and Soho Warehouse for sexual harassment, retaliation and other claims..

“This is as egregious an instance of callous corporate indifference to workplace sexual violence that anyone can experience,” said her attorney Nick Yasman of Los Angeles-based West Coast Trial Lawyers in a statement.

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Representatives for Soho House and Vichique Maya were not immediately available for comment.

Doe has further alleged that Vichique Maya made “numerous comments” about her appearance, propositioned her to be his “hook-up buddy” and told her that she “would be pregnant by now” had they met earlier, all within earshot of her supervisors and colleagues.

After two weeks on the job, Doe said that she reported Vichique Maya’s conduct to two male supervisors, including Soho House’s floor manager and food and beverage director, states the complaint, but “neither took any semblance of corrective or investigatory action.”

According to the suit, Doe claims that despite “his pattern of harassing behavior and complaints,” the company, did not address his alleged misconduct. ”

She claims his behavior escalated after a “team-bonding” work event on Sept. 13, where Doe said she became disoriented after drinking with supervisors and co-workers, eventually losing consciousness, and woke up naked in Vichique Maya’s apartment.

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“Paralyzed and speechless despite her consciousness slowly returning, Plaintiff was condemned to simply watch in horror as [sic] MARCELO repeatedly raped her inanimate body,” states the suit.

The next day, Doe said that she reported to her floor manager that Vichique Maya had “sexually assaulted her.”

She said her general manager “confirmed” that he “appeared to be preying” on her during the work event, telling her that “These things happen between coworkers.”

When she proclaimed that she could no longer work with Vichique Maya,” she said the general manager dismissed her concerns telling her: “I have a restaurant to run; I can’t have it blow up on me.”

Despite informing three managers that she was “raped,” Doe said she was continuously scheduled to work shifts with Vichique Maya during which he repeatedly sexually harassed her.

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In December, Doe filed a complaint with Soho House human resources, and she was assured that an investigation would be opened and “immediate corrective action” taken.

However, during the investigation, Doe said that she was placed on indefinite leave while Vichique Maya continued working. A month later, she was informed the company had completed its investigation and found her report of rape “was uncorroborated” and he “would not be disciplined.”

In February, the plaintiff said that she was forced to quit her job.

One of the first, exclusive members-only social clubs, Soho House debuted in London in 1995 and quickly became the bolt-hole of choice for celebrities and the deep-pocketed. It expanded globally with 48 houses in 19 countries.

It drew high-profile investors, including Ron Burkle through his investment fund Yucaipa.

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In 2021, the company filed for an initial public offering on the New York Stock Exchange, but it has faced financial challenges. .

Last year, Soho House went private, selling itself to a group of investors including Apollo Global Management and actor Ashton Kutcher, who also joined its board of directors, at a $2.7-billion valuation.

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MOVIE REVIEWS: “Mercy,” “Return to Silent Hill,” “Sentimental Value” & “In Cold Light” – Valdosta Daily Times

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MOVIE REVIEWS: “Mercy,” “Return to Silent Hill,” “Sentimental Value” & “In Cold Light” – Valdosta Daily Times

“Mercy”

(Thriller/Crime: 1 hour, 39 minutes)

Starring: Chris Pratt, Rebecca Ferguson, Kali Reis

Director: Timur Bekmambetov

Rated: PG-13 (Violence, bloody images, strong language, drug content and teen smoking)

Movie Review:

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“Mercy” is a science fiction movie based on one of the more common themes of moviedom lately, artificial intelligence (AI). This crime thriller cleverly creates an intriguing story using technology and the justice system, yet it fails to be consistently interesting and intelligent throughout. The conclusion is less significant than the initial setup, as the concluding scenes become typical action sequences.

Detective Chris Raven (Pratt) of the LA Police Department is a huge supporter of the city’s new judicial courtroom. Crimes are now judged by an AI program (Ferguson) in the Mercy Court. The court is run by an artificial program that makes decisions based on all of the evidence before it without any prejudice. Detective Raven is all for this system until he is convicted of killing his wife. Now he must use all of the data, including the AI‘s ability to tap into everyone’s electronic devices, security cameras, and even into government files, within reason, to prove he did not murder his wife.

Mercy is an interesting movie. It entertains throughout, even when the story gets sloppy and characters’ actions are irrational. This mainly occurs during the final scenes. The movie tries too hard to insert unneeded narrative twists. This is disappointing because the story is interesting. What makes it fascinating is that it happens in real time. This is the most brilliant facet.

All the other theatrics are unnecessary. Director Timur Bekmambetov (“Profile,” 2018; “Wanted,” 2008) and “Mercy’s” producers should have just kept the ending simple, no plot twists or superfluous action sequences.
Grade: C (This flick needs some mercy. Let the trial begin.)

“Return to Silent Hill”

(Horror: 1 hour, 46 minutes)

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Starring: Jeremy Irvine, Hannah Emily Anderson and Robert Strange

Director: Christophe Gans

Rated: R (Bloody violent content, strong language and brief drug use.)

Movie Review:

“Return to Silent Hill” is about one man’s quest to return to the love of his life. The problem is she has moved on to the afterlife. Meanwhile, audiences lose part of their life watching this movie, which is unlike any of the two prequels in this series. This one is a psychological horror that bores.

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Artist James Sunderland (Irvine) decides to return to Silent Hill, a place where many people died during a devastating illness that nearly enveloped the entirety of the city’s population. What is left there is a horror show of freakish creatures, all with violent intent. Still, Sunderland searches for the love of his life, Mary Crane (Anderson).

Think of this movie as a slow suicide, where a guy goes back to retrieve his dead girlfriend. To do so, he must travel to the modern land of the dead that Silent Hill has become. This one is a type of swan song by the main character, and the movie becomes less scary while lackluster romantic notions wander aimlessly.

Grade: D (Do not return to see this.)

“Sentimental Value”

(Drama: 2 hours, 13 minutes)

Starring: Renate Reinsve, Stellan Skarsgård, Inga Ibsdotter Lilleaas and Elle Fanning

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Director: Joachim Trier

Rated: R (Language, sexual reference, nudity and thematic elements)

Movie Review:

“Sentimental Value” is a Norwegian film that won the Grand Prix in France’s Cannes Film Festival and was nominated for nine Academy Awards, including Best Motion Picture. It is a solid drama filled with symbolism and family connections. It is brilliant performances by a talented cast under the direction of Joachim Trier (“The Worst Person in the World,” 2021).

This screenplay is about Gustav Borg (Skarsgård). He is a father, grandfather and a famed film director. He stayed away from his two daughters, actress Nora Borgwhile (Reinsve) and historian Agnes Borg Pettersen (Lilleaas), while he was creating works as a filmmaker. The director comes back into the lives of his daughters after the death of their mother. Their reunion leads to a rediscovery of their bond at their family home in Oslo.

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Stellan Skarsgård is always a solid actor. He takes his roles and makes them tangible characters that seem like you know them, even when they’re speaking a foreign language. That is the quality of his act and why he gets nominated for multiple awards each season.

“Sentimental Value” is a valuable movie filled with enriching sentiment. It is an enjoyable film for those who value a good drama. The acting and original writing alone make the movie worth it. “Sentimental Value” starts in a very simple way, but everything in between, even when low-key, remains potent. Joachim Trier and writer Eskil Vogt have worked together on multiple projects such as “The Worst Person in the World” (2021). Their pairing is once again worthy.

Grade: A- (Any motive valuable movie.)

“In Cold Light ”

(Crime: 1 hour , 36 minutes)

Starring: Maika Monroe, Allan Hawco and Troy Kotsur

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Director: Maxime Giroux

Rated: R (Violence, bloody images, strong language and drug material)

Movie Review:

“In Cold Light” sticks to a very straightforward story, primarily taking place over a short period. The problem is the story leaves one in the cold. Audiences have to guess what is being communicated because this movie uses American Sign Language (ASL) without subtitles. For those moviegoers who do not know ASL, they are left deciphering characters’ actions and facial expressions during some pivotal scenes.

Ava Bly (Monroe) attempts to start a legit life after prison. Her life changes when Ava’s twin, Tom Bly (Jesse Irving) is murdered while seated next to her. As her brother’s killers pursue her, Ava must evade law enforcement, which contains some crooked cops led by Bob Whyte (Hawco).

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For a brief moment, this movie hits its exceptional moment when Oscar-recipient Helen Hunt enters the picture as a motherly Claire, a crime boss who seems more like a social worker/psychologist. Her long scene is wasted as it arrives too late.

French Canadian director Maxime Giroux’s style has potential in his first English-language film, but it does not fit a wayward narrative. A rarity, this crime drama has characters commit many dumb actions at once.

Moreover, Giroux (“Félix et Meira,” 2014) and writer Patrick Whistler forget to let their audiences in on their story. They allow much to get lost in translation, especially during heated conversations between Monroe’s Ava and her father, Will Bly, played by Academy Award-winning actor Troy Kotsur (“CODA,” 2021).

Grade: C- (Just cold and dark.)

More movie reviews online at www.valdostadailytimes.com.

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Paramount-Warner Bros. deal stirs fears about what it means for CNN

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Paramount-Warner Bros. deal stirs fears about what it means for CNN

As the media industry took stock of Paramount Skydance’s startling acquisition of Warner Bros. Discovery, one question lingered on the minds of many in the news business and beyond: What will this mean for CNN?

The iconic 24-hour cable news network is among the various Warner Bros. assets that would be scooped up by Paramount in a deal announced Thursday that could transform the media landscape.

Paramount has undergone a swift transformation under Chief Executive David Ellison following his family’s acquisition of the company last summer. These changes reached CBS News almost immediately with the appointment of Bari Weiss, the controversial Free Press co-founder, as its new editor in chief.

Bari Weiss moderated a town hall with Erika Kirk, widow of slain conservative activist Charlie Kirk.

(CBS via Getty Images)

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Weiss’ tenure so far has been rocky.

Her decision to pull a “60 Minutes” story about conditions inside an El Salvador prison that housed undocumented Venezuelan migrants from the U.S. received widespread criticism and accusations of political motivation. The network said the story was held for more reporting, and the segment eventually aired.

There was more upheaval last week at the news magazine, when “60 Minutes” correspondent and CNN news anchor Anderson Cooper announced that he’d be leaving to spend more time with his family.

And earlier this year, a veteran producer at “CBS Evening News With Tony Dokoupil” was fired after he expressed disagreement about the editorial direction of the newscast.

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Now, the concern is that similar changes could be in store for CNN, which has long been a target of President Trump’s ire. He has personally called for the ouster of hosts at the network who have questioned his policies.

CNN Worldwide Chief Executive Mark Thompson tried to quell some of those fears, particularly inside his own newsroom.

In an internal memo dated Thursday and obtained by The Times, Thompson urged employees not to “jump to conclusions about the future” and try to concentrate on their work.

“We’re still near the start of what is already an incredibly newsy year at home and abroad,” he wrote in the note. “Let’s continue to focus on delivering the best possible journalism to the millions of people who rely on us all around the world.”

Chairman and CEO of CNN Worldwide Mark Thompson and media editor for Semafor, Maxwell Tani, speak onstage.

Chairman and CEO of CNN Worldwide Mark Thompson and media editor for Semafor, Maxwell Tani, speak onstage.

(Shannon Finney / Getty Images for Semafor)

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CNN declined to comment beyond Thompson’s memo.

Ellison has said his vision for a news business is one that is ideologically down the middle.

“We want to build a scaled news service that is basically, fundamentally in the trust business, that is in the truth business, and that speaks to the 70% of Americans that are in the middle,” he said during a Dec. 8 interview on CNBC, shortly after Warner said it had chosen Netflix as the winning bidder for its studios, HBO and HBO Max. “And we believe that by doing so that is for us, kind of doing well, while doing good.”

Ellison demurred when asked whether Trump would embrace him as CNN’s owner, given the president’s past criticisms of the network.

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“We’ve had great conversations with the president about this, but … I don’t want to speak for him in any way, shape or form,” he said.

First Amendment scholars have raised concerns about press freedom and free speech rights under the Trump administration, particularly after last month’s arrest of former CNN journalist Don Lemon and the Federal Communications Commission’s pressure on late-night hosts like Jimmy Kimmel and Stephen Colbert.

Press freedom groups have long asked questions in other countries about how authoritarian regimes use their power and “oligarchical alliances to belittle, silence, and punish independent journalistic voices, or to steer media ownership toward … a preferred version of the truth,” said RonNell Andersen Jones, a 1st Amendment scholar and distinguished professor in the college of law at the University of Utah, in an email.

“We see them asking at least some of these questions about the U.S. today,” she wrote.

Apprehension about the merger also extends beyond its implications for CNN and the media business.

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Lawmakers such as Rep. Laura Friedman (D-Glendale), Sen. Adam Schiff (D-Calif.) and Sen. Cory Booker (D-N.J.) have raised concerns about how the consolidation of two major Hollywood studios could affect industry jobs and film and television production — which has significantly slowed since the pandemic, the dual writers’ and actors’ strikes in 2023 and corporate cutbacks in spending.

Sen. Elizabeth Warren (D-Mass.) called the deal an “antitrust disaster” that she feared could raise prices and limit choices for consumers.

“With the cloud of corruption looming over Trump’s Department of Justice, it’ll be up to the American people to speak up and state attorneys general to enforce the law,” she said in a statement.

Already, California Atty. Gen. Rob Bonta has said the merger isn’t a “done deal,” adding that he is in communication with other states attorneys general about the issue.

“As the epicenter of the entertainment industry, California has a special interest in protecting competition,” he posted Friday on X.

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The deal is subject to approval by the U.S. Justice Department. Bonta and other state attorneys general are expected to file a legal challenge to the mega-merger on antitrust grounds.

Ellison addressed some of these concerns in a statement Friday.

“By bringing together these world-class studios, our complementary streaming platforms, and the extraordinary talent behind them, we will create even greater value for audiences, partners and shareholders,” he said. “We couldn’t be more excited for what’s ahead.”

Times staff writer Meg James contributed to this report.

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