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Hard Summer 2024: These Latino DJs are set to spin at EDM festival

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Hard Summer 2024: These Latino DJs are set to spin at EDM festival

Bianca Oblivion, a rising Mexican American DJ and Los Angeles native, understands the importance of her upcoming appearance at Hard Summer, one of the largest electronic music festivals in Southern California.

“Obviously you’re going to get these headliners that are from all over the world,” Oblivion said. “There’s this representation now, this position I’m coming into; as a Latina, as someone who is from here and in the electronic music world. I don’t take that lightly.”

Oblivion is part of a list of local Latino artists slated to perform at the festival, which takes place on Saturday and Sunday at Hollywood Park. The event returns to L.A. after a decade and is expected to draw as many as 70,000 daily attendees.

Oblivion, who will open the festival’s Purple Stage, mixes British bass-heavy genres with Brazilian funk and other Latin top hits. The DJ says she plans to use the city’s musical influences as the basis for her set list.

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“I could tap into a feeling and an energy that is L.A. really for me,” she said. “I’m just excited to bring it all home.”

Other Latin acts slated to perform on the first day of the festival are Joaqu.n, Dina and Bianca Maieli.

An up-and-coming Mexican and Persian American DJ, Dina found her style in the underground scene, spinning Latin club, reggaeton and Brazilian funk. She says that performing in smaller, more intimate prepared her for the festival.

“Expect upbeat, dancy and things that you really haven’t heard before,” she said of her planned set. “I’m super excited to be able to just play party music.”

Colombian and South Indian artist Maieli says she plans to mix tech house with Brazilian funk during her first appearance at Hard Summer. She’s made waves with No Nazar, a DJ collective she co-founded that hosts parties across the country that highlight the music of the Caribbean and African diasporas.

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Two people embracing on a lawn at a festival.

“We already have big artists playing these tracks,” Maieli said. “But we need to make sure that the people who are really pushing it forward, the actual Latin artists themselves, are being seen and booked.”

CC Love, a Mexican American DJ from Southern California who has played at festivals like Electric Daisy Carnival, says she will selecting a sample of Latin music and tech house for her Saturday afternoon set.

“One thing I’ve noticed about playing Latin music versus playing other genres is that the passion is another level,” she said. “Even if it’s remixed, there’s just another level of passion with Latinos that they really love to sing their music and dance and vibe to it.”

Festival attendees dancing.

For those looking to hear music from the Dominican Republic with an East Coast twist, Giselle Peppers plans to tap into her heritage on the second day of Hard Summer. The Afro-Latina artist grew up in Paterson, N.J., but has called L.A. her home for more than three years.

“Attendees can expect an electrifying set that will keep them dancing the entire time,” Peppers said. “Heavily infused with the vibrant essence of my cultural heritage and influenced sounds where I grew up.”

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Movie Reviews

Movie Review: The Mortuary Assistant – HorrorFuel.com: Reviews, Ratings and Where to Watch the Best Horror Movies & TV Shows

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Movie Review: The Mortuary Assistant – HorrorFuel.com: Reviews, Ratings and Where to Watch the Best Horror Movies & TV Shows

Forget the “video game movie” curse; The Mortuary Assistant is a bone-chilling triumph that stands entirely on its own two feet. Starring Willa Holland (Arrow) as Rebecca Owens, the film follows a newly certified mortician whose “overtime shift” quickly devolves into a grueling battle for her soul.

What Makes It Work

The film expertly balances the stomach-churning procedural work of embalming with a spiraling demonic nightmare. Alongside a mysterious mentor played by Paul Sparks (Boardwalk Empire), Rebecca is forced to confront both ancient evils and her own buried traumas. And boy, does she have a lot of them.

Thanks to a full-scale, practical River Fields Mortuary set, the film drips with realism, like you can almost smell the rot and bloat of the bodies through the screen.

The skin effects are hauntingly accurate. The way the flesh moves during surgical scenes is so visceral. I’ve seen a lot of flesh wounds in horror films and in real life, and the bodies, skin, and organs. The Mortuary Assistant (especially in the opening scene) looks so real that I skipped supper after watching it. And that’s saying something. Your girl likes to eat.

Co-written by the game’s creator, Brian Clarke, the movie dives deeper into the demonic mythology. Whether you’ve seen every ending or don’t know a scalpel from a trocar, the story is perfectly self-contained. If you’ve never played the game, or played it a hundred times, the film works equally well, which is hard to do when it comes to game adaptations.

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Nailed It

This film does a lot of things right, but the isolation of the night shift is suffocating. Between the darkness of the hallways and the “residents” that refuse to stay still, the film delivers a relentlessly immersive experience. And thankfully, although this movie is filled with dark rooms and shadows, it’s easy to see every little thing. Don’t you hate it when a movie is so dark that you can’t see what’s happening? It’s one of my pet peeves.

The oh-so-awesome Jeremiah Kipp directs the film and has made something absolutely nightmare-inducing. Kipp recently joined us for an interview, took us inside the film, discussed its details and the game’s lore, and so much more. I urge you to check out our interview. He’s awesome!

The Verdict

This isn’t just a cash-grab; it’s a high-effort adaptation that respects the source material while elevating the horror genre. With incredible special effects and a powerhouse cast, it’s the kind of movie that will make you rethink working late ever again. Dropping on Friday the 13th, this is a must-watch for horror fans. It’s grisly, intelligent, and genuinely terrifying.

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Former Live Nation executive says he was fired after raising ‘financial misconduct’ concerns

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Former Live Nation executive says he was fired after raising ‘financial misconduct’ concerns

A former executive at Live Nation, the world’s largest live entertainment company, is suing the company, alleging that he was wrongfully terminated after he raised concerns about alleged financial misconduct and improper accounting practices.

Nicholas Rumanes alleges he was “fraudulently induced” in 2022 to leave a lucrative position as head of strategic development at a real estate investment trust to create a new role as executive vice president of development and business practice at Beverly Hills-based Live Nation.

In his new position, Rumanes said, he raised “serious and legitimate alarm” over the the company’s business practices.

As a result, he says, he was “unlawfully terminated,” according to the lawsuit filed Thursday in Los Angeles County Superior Court.

“Rumanes was, simply put, promised one job and forced to accept another. And then he was cut loose for insisting on doing that lesser job with integrity and honesty,” according to the lawsuit.

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He is seeking $35 million in damages.

Representatives for Live Nation were not immediately available for comment.

The lawsuit comes a week after a federal jury in Manhattan found that Live Nation and its Ticketmaster subsidiary had operated a monopoly over major concert venues, controlling 86% of the concert market.

Rumanes’ lawsuit describes a “culture of deception” at Live Nation, saying its “basic business model was to misstate and exaggerate financial figures in efforts to solicit and secure business.”

Such practices “spanned a wide spectrum of projects in what appeared to be a company-wide pattern of financial misrepresentation and misleading disclosures,” the lawsuit states.

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Rumanes says he received materials and documents that showed that the company inflated projected revenues across multiple venue development projects.

Additionally, Rumanes contends that the company violated a federal law that requires independent financial auditing and transparency and instead ran Live Nation “through a centralized, opaque structure” that enables it to “bypass oversight and internal checks and balances.”

In 2010, as a condition of the Live Nation-Ticketmaster merger, the newly formed company agreed to a consent decree with the government that prohibited the firm from threatening venues to use Ticketmaster. In 2019 the Justice Department found that the company had repeatedly breached the agreement, and it extended the decree.

Rumanes contends that he brought his concerns to the attention of the company’s management, but his warnings were “repeatedly ignored.”

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Movie Reviews

‘Madhuvidhu’ movie review: A light-hearted film that squanders a promising conflict

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‘Madhuvidhu’ movie review: A light-hearted film that squanders a promising conflict

At the centre of Madhuvidhu directed by Vishnu Aravind is a house where only men reside, three generations of them living in harmony. Unlike the Anjooran household in Godfather, this is not a house where entry is banned to women, but just that women don’t choose to come here. For Amrithraj alias Ammu (Sharafudheen), the protagonist, 28 marriage proposals have already fallen through although he was not lacking in interest.

When a not-so-cordial first meeting with Sneha (Kalyani Panicker) inevitably turns into mutual attraction, things appear about to change. But some unexpected hiccups are waiting for them, their different religions being one of them. Writers Jai Vishnu and Bipin Mohan do not seem to have any major ambitions with Madhuvidhu, but they seem rather content to aim for the middle space of a feel-good entertainer. Only that they end up hitting further lower.

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