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Fitness guru Richard Simmons dead at 76

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Fitness guru Richard Simmons dead at 76

Richard Simmons, the colorful fitness guru who turned aerobic dancing and positive energy into decades of fame, died Saturday, law enforcement sources said. He was 76.

Simmons was found at his home, and there was no evidence of foul play, sources told The Times.

Simmons specialized in helping obese people lose weight, starting with a Los Angeles fitness studio and eventually making appearances on TV shows, including a popular stint on “General Hospital.”

Tom Estey, who worked as a representative for Simmons for 32 years, on Saturday lamented the fitness guru’s death and asked his fans to celebrate his memory.

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“Today, this planet lost an angel,” Estey said. “It’s a very somber day. I think kindness is a very strong word. The world has lost touch with kindness, but he never did. With Richard Simmons, what you saw was what you get.”

In his biography, Simmons said struggling with being overweight inspired him to help others.

Over the years, he hosted a variety of shows, produced videos and even had a chain of fitness studios. All the while, he made regular appearances in movies and TV shows.

In recent years, Simmons had become the subject of fascination, some of it unwanted. He retreated from public view, and some worried about his health.

In 2017, the “Missing Richard Simmons” podcast revisited the speculation behind Simmons’ welfare, although he refuted many of the rumors.

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Estey recently told “Entertainment Tonight” that Simmons was celebrating his 76th birthday by working on a new Broadway musical.

Simmons, who was active on social media, appeared to be in good spirits in recent days. He posted a black-and-white photograph of himself next to a cake on his birthday to mark the occasion.

“I never got so many messages about my birthday in my life!” Simmons wrote on Facebook. “I am sitting here writing emails. Have a most beautiful rest of your Friday.”

It was a marked change of pace from earlier in the year when Simmons had posted cryptic messages ruminating over his mortality.

“I am … dying,” Simmons wrote on Facebook. “Oh I can see your faces now. The truth is we all are dying. Every day we live we are getting closer to our death. Why am I telling you this? Because I want you to enjoy your life to the fullest every single day. Get up in the morning and look at the sky … count your blessings and enjoy. “

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Simmons had shared in March that he’d been diagnosed with skin cancer. He noted a “strange looking bump” underneath his right eye. He said a dermatologist found it to be basal cell carcinoma, one of the most common forms of skin cancer that can form due to long-term exposure to the sun’s ultraviolet light.

Milton Teagle Simmons was born on July 12, 1948, in New Orleans to Leonard Douglas and Shirley May Simmons. He has one brother, Lenny Simmons.

The family was creative; Leonard was an emcee, and Shirley was a dancer, who later appeared in one of Simmons’ workout videos for seniors. Simmons learned to charm customers as a child selling pralines, according to his biography.

Simmons went to Catholic School, and graduated from Cor Jesu High School.

Despite becoming one of the world’s best-known fitness influencers, Simmons’ early years were marked by body image issues and struggles with his weight.

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Simmons grew up in the French Quarter in New Orleans, where, his biography noted, “lard was a food group and dessert mandatory.” The young Richard struggled reportedly weighed 268 pounds when he graduated high school.

His biography notes that Simmons tried “everything from bizarre diets to laxatives” before he began exercising and more “moderate eating.”

Earlier this year, actor Pauly Shore portrayed Simmons in a short film called “The Court Jester,” which premiered at Sundance Film Festival and was produced by the Wolper Organization, a Warner Bros. subsidiary. In promoting the movie, Shore had also teased the production of a larger biopic on the fitness icon, noting his fascination with Simmons’ selflessness.

“It was always about helping people,” Shore said in a January interview with The Times. “When you watched him, he felt very sincere when it came to helping overweight people or people that had mental issues…. And he was also very silly and funny and goofy and didn’t take himself serious. You always hear these kinds of self-help people, but they’re very serious, there’s nothing really funny about him. And he was f— hilarious.”

Simmons, however, made it clear that he was not on board with the film.

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“You may have heard they may be doing a movie about me with Pauly Shore,” Simmons wrote in a post. “I have never given my permission for this movie. So don’t believe everything you read.”

Movie Reviews

Movie Review: The Mortuary Assistant – HorrorFuel.com: Reviews, Ratings and Where to Watch the Best Horror Movies & TV Shows

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Movie Review: The Mortuary Assistant – HorrorFuel.com: Reviews, Ratings and Where to Watch the Best Horror Movies & TV Shows

Forget the “video game movie” curse; The Mortuary Assistant is a bone-chilling triumph that stands entirely on its own two feet. Starring Willa Holland (Arrow) as Rebecca Owens, the film follows a newly certified mortician whose “overtime shift” quickly devolves into a grueling battle for her soul.

What Makes It Work

The film expertly balances the stomach-churning procedural work of embalming with a spiraling demonic nightmare. Alongside a mysterious mentor played by Paul Sparks (Boardwalk Empire), Rebecca is forced to confront both ancient evils and her own buried traumas. And boy, does she have a lot of them.

Thanks to a full-scale, practical River Fields Mortuary set, the film drips with realism, like you can almost smell the rot and bloat of the bodies through the screen.

The skin effects are hauntingly accurate. The way the flesh moves during surgical scenes is so visceral. I’ve seen a lot of flesh wounds in horror films and in real life, and the bodies, skin, and organs. The Mortuary Assistant (especially in the opening scene) looks so real that I skipped supper after watching it. And that’s saying something. Your girl likes to eat.

Co-written by the game’s creator, Brian Clarke, the movie dives deeper into the demonic mythology. Whether you’ve seen every ending or don’t know a scalpel from a trocar, the story is perfectly self-contained. If you’ve never played the game, or played it a hundred times, the film works equally well, which is hard to do when it comes to game adaptations.

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Nailed It

This film does a lot of things right, but the isolation of the night shift is suffocating. Between the darkness of the hallways and the “residents” that refuse to stay still, the film delivers a relentlessly immersive experience. And thankfully, although this movie is filled with dark rooms and shadows, it’s easy to see every little thing. Don’t you hate it when a movie is so dark that you can’t see what’s happening? It’s one of my pet peeves.

The oh-so-awesome Jeremiah Kipp directs the film and has made something absolutely nightmare-inducing. Kipp recently joined us for an interview, took us inside the film, discussed its details and the game’s lore, and so much more. I urge you to check out our interview. He’s awesome!

The Verdict

This isn’t just a cash-grab; it’s a high-effort adaptation that respects the source material while elevating the horror genre. With incredible special effects and a powerhouse cast, it’s the kind of movie that will make you rethink working late ever again. Dropping on Friday the 13th, this is a must-watch for horror fans. It’s grisly, intelligent, and genuinely terrifying.

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Former Live Nation executive says he was fired after raising ‘financial misconduct’ concerns

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Former Live Nation executive says he was fired after raising ‘financial misconduct’ concerns

A former executive at Live Nation, the world’s largest live entertainment company, is suing the company, alleging that he was wrongfully terminated after he raised concerns about alleged financial misconduct and improper accounting practices.

Nicholas Rumanes alleges he was “fraudulently induced” in 2022 to leave a lucrative position as head of strategic development at a real estate investment trust to create a new role as executive vice president of development and business practice at Beverly Hills-based Live Nation.

In his new position, Rumanes said, he raised “serious and legitimate alarm” over the the company’s business practices.

As a result, he says, he was “unlawfully terminated,” according to the lawsuit filed Thursday in Los Angeles County Superior Court.

“Rumanes was, simply put, promised one job and forced to accept another. And then he was cut loose for insisting on doing that lesser job with integrity and honesty,” according to the lawsuit.

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He is seeking $35 million in damages.

Representatives for Live Nation were not immediately available for comment.

The lawsuit comes a week after a federal jury in Manhattan found that Live Nation and its Ticketmaster subsidiary had operated a monopoly over major concert venues, controlling 86% of the concert market.

Rumanes’ lawsuit describes a “culture of deception” at Live Nation, saying its “basic business model was to misstate and exaggerate financial figures in efforts to solicit and secure business.”

Such practices “spanned a wide spectrum of projects in what appeared to be a company-wide pattern of financial misrepresentation and misleading disclosures,” the lawsuit states.

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Rumanes says he received materials and documents that showed that the company inflated projected revenues across multiple venue development projects.

Additionally, Rumanes contends that the company violated a federal law that requires independent financial auditing and transparency and instead ran Live Nation “through a centralized, opaque structure” that enables it to “bypass oversight and internal checks and balances.”

In 2010, as a condition of the Live Nation-Ticketmaster merger, the newly formed company agreed to a consent decree with the government that prohibited the firm from threatening venues to use Ticketmaster. In 2019 the Justice Department found that the company had repeatedly breached the agreement, and it extended the decree.

Rumanes contends that he brought his concerns to the attention of the company’s management, but his warnings were “repeatedly ignored.”

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Movie Reviews

‘Madhuvidhu’ movie review: A light-hearted film that squanders a promising conflict

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‘Madhuvidhu’ movie review: A light-hearted film that squanders a promising conflict

At the centre of Madhuvidhu directed by Vishnu Aravind is a house where only men reside, three generations of them living in harmony. Unlike the Anjooran household in Godfather, this is not a house where entry is banned to women, but just that women don’t choose to come here. For Amrithraj alias Ammu (Sharafudheen), the protagonist, 28 marriage proposals have already fallen through although he was not lacking in interest.

When a not-so-cordial first meeting with Sneha (Kalyani Panicker) inevitably turns into mutual attraction, things appear about to change. But some unexpected hiccups are waiting for them, their different religions being one of them. Writers Jai Vishnu and Bipin Mohan do not seem to have any major ambitions with Madhuvidhu, but they seem rather content to aim for the middle space of a feel-good entertainer. Only that they end up hitting further lower.

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