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Fired assistant sues Paul Schrader, alleging sexual assault, harassment and retaliation

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Fired assistant sues Paul Schrader, alleging sexual assault, harassment and retaliation

A former assistant to Paul Schrader has accused the Oscar-nominated writer-director of sexual assault, sexual harassment, retaliation and reneging on a confidential settlement deal.

The accusations came in a complaint filed Thursday in New York seeking a summary judgment regarding enforcement of the settlement, which the “Taxi Driver” and “Raging Bull” screenwriter allegedly agreed to in principle on Feb. 5 but never signed. The former assistant is referred to in court documents as Jane Doe to protect her privacy amid allegations of sexual impropriety.

Philip J. Kessler, Schrader’s attorney, deemed the lawsuit “desperate, opportunistic and frivolous” in a comment to the Associated Press and said many of its llegations are false or materially misleading. He “absolutely” denied that Schrader ever attempted to have a sexual relationship with Doe and said that his client simply chose not to sign the proposed settlement.

According to a court document, Doe, 26, worked for Schrader, 78, from May 2021 to September 2024. The document alleges he sexually assaulted her in May 2024 during the Cannes Film Festival, where they were promoting his most recent directorial effort, the Richard Gere-Uma Thurman drama “Oh, Canada,” which he also co-wrote.

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Schrader forced Doe “to work in a sexually hostile, intimidating, and humiliating environment on a daily, if not hourly, basis,” according to an affirmation by her attorney, Gregory S. Chiarello. “Defendant Schrader’s barrage of sexual harassment included, among other things, sexual assault, forced exposure of his genitals, unwanted sexual advances, repeatedly professing his love and desire to touch Ms. Doe (both verbally and via numerous emails), and near-constant inappropriate sexual questions and lewd and misogynistic commentary.”

The document further alleges that, in Cannes, Schrader at one point ordered Doe to his room where he “trapped her inside, grabbed her arms, and thrust his face into hers to kiss her against her will, and then further restrained her in an effort to keep her in the room.”

Three days later, after “luring” Doe to his room ostensibly to pack his bags for him, saying he was “dying” and couldn’t do it himself, “Schrader opened the door to his hotel room wearing nothing but an open bathrobe with his penis fully exposed,” the filing says. “As Ms. Doe attempted to pack Mr. Schrader’s bags in terrified silence, he repeatedly commented, ‘I am so sweaty. I sweated through the bedsheets. Feel how wet they are.’ Ms. Doe packed his bags as quickly as she could, and left.”

Schrader sent Doe emails around the same time, the filing alleges, saying, “I sense you recoil every time I have the impulse to touch you” and “Sometimes I get the feeling (not today) that you are afraid I might touch you … I cringe at the thought you fear I might touch you.”

The writer-director fired Doe in late September after she “refused to acquiesce” to his sexual advances, the document says. Two days later, he emailed Doe, the document says, writing, “I f— up. Big time … If I have become a Harvey Weinstein in your mind then of course you have no choice but to put me in the rear view mirror.”

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After a settlement amount was determined in early February, the filing says, attorneys went back and forth via email about non-material details. The filing says that in late March the writer-director got sick, “did some ‘soul searching’” during the illness and decided he didn’t want to pay the full, agreed-upon amount.

Schrader’s attorney disagreed with that assertion. “The agreement that they’re trying to enforce against Mr. Schrader, in plain English, required both parties to sign it before it became legally effective,” Kessler told the AP. “Mr. Schrader declined to sign it. It’s frankly as simple as that.”

The settlement amount was redacted from documents associated with the claim. Doe is asking that Schrader pay her the allegedly agreed-upon sum plus interest, court costs, legal fees and additional damages equal to 10% of the settlement.

The Associated Press contributed to this report.

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‘Michael’ — a new movie about the King of Pop – is drumming up big buzz. The film was produced in-part by the co-executors of the late singer’s estate, and has some critics questioning whether it is too focused on sanitizing the singer’s troubled image.

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‘Clayface’ trailer teases DC Studios’ first proper horror movie

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‘Clayface’ trailer teases DC Studios’ first proper horror movie

The DC universe is going full on body horror.

DC Studios released its first trailer for “Clayface” on Wednesday, giving audiences a glimpse of the gruesome origins of the shape-shifting Batman villain.

Set to an eerie rendition of the Flaming Lips’ “Do You Realize??,” the teaser flashes among various images of up-and-coming Hollywood actor Matt Hagen (portrayed by Tom Rhys Harries) before and after a violent encounter as the camera slowly zooms toward his haunted eyes and bloody, bandaged face as he is recovering on a hospital bed.

The clip also includes footage of Hagen’s clay-like, malleable face, which he appears to gain after some sort of scientific procedure.

According to the DC description, “Clayface” will see Hagen transformed into a “revenge-filled monster” and explore “the loss of one’s identity and humanity, corrosive love, and the dark underbelly of scientific ambition.”

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“Clayface,” set for an Oct. 23 release, will be the third DCU film to hit theaters since James Gunn and Peter Safran took over DC Studios and reset (most of) its comic book superhero franchise. The studio’s upcoming slate also includes “Supergirl,” which will hit theaters June 26, as well as “Man of Tomorrow,” the sequel to Gunn’s 2025 blockbuster “Superman,” announced for 2027.

Who is Clayface?

Clayface is a DC Comics villain usually affiliated with Batman. The alias has been used by a number of different characters over the years, but they all usually possess shape-shifting abilities due to their clay-like bodies. Created by Bill Finger and Bob Kane, the original Clayface was a washed-up actor turned criminal who first appeared in a 1940 issue of “Detective Comics.”

Matt Hagen was the name of the second Clayface, who first appeared in an issue of “Detective Comics” in the 1960s. He was the first to have shape-shifting powers, which he gained after encountering a mysterious radioactive pool of protoplasm.

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Other versions of Clayface have been introduced in various media since.

Who is in ‘Clayface’?

The upcoming film stars Tom Rhys Harries as rising Hollywood actor Hagen. The cast also includes Naomi Ackie, who is seen in the trailer, reportedly as the scientist Hagen turns to for help following his disfigurement. Also set to appear are David Dencik, Max Minghella and Eddie Marsan, as well as Nancy Carroll and Joshua James.

Who are the ‘Clayface’ filmmakers?

Director James Watkins, known for horror films including “Speak No Evil” (2024), is helming “Clayface.” The script was written by prolific horror scribe Mike Flanagan (“The Haunting of Hill House,” “Doctor Sleep”) and Hossein Amini (“The Snowman”).

The producers are Matt Reeves, Lynn Harris, James Gunn and Peter Safran. Exective producers include Michael E. Uslan, Rafi Crohn, Paul Ritchie, Chantal Nong Vo and Lars P. Winther.

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Miyamoto says he was surprised Mario Galaxy Movie reviews were even harsher than the first | VGC

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Miyamoto says he was surprised Mario Galaxy Movie reviews were even harsher than the first | VGC

Nintendo’s Shigeru Miyamoto says he’s surprised at the negative critical reception to the Super Mario Galaxy Movie.

As reported by Famitsu, Miyamoto conducted a group interview with Japanese media to mark the local release of The Super Mario Galaxy Movie.

During the interview, Miyamoto was asked for his views on the critical reception to the film in the West, where critics’ reviews have been mostly negative.

Miyamoto replied that while he understood some of the negative points aimed at The Super Mario Bros Movie, he thought the reception would be better for the sequel.

“It’s true: the situation is indeed very similar,” he said. “Actually, regarding the previous film, I felt that the critics’ opinions did hold some validity. “However, I thought things would be different this time around—only to find that the criticism is even harsher than it was before.

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“It really is quite baffling: here we are—having crossed over from a different field—working hard with the specific aim of helping to revitalize the film industry, yet the very people who ought to be championing that cause seem to be the ones taking a passive stance.”

As was the case with the first film, opinion is divided between critics and the public on The Super Mario Galaxy Movie. On review aggregate site Rotten Tomatoes, the film currently has a critics’ score of 43% , while its audience score is 89%.

Shigeru Miyamoto says he was surprised by Mario Galaxy Movie reviews.

While this is down from the first film’s scores (which were 59% critics and 95% public) it does still appear to imply that the film’s target audience is generally enjoying it despite critical negativity.

The negative reception is unlikely to bother Universal and Illumination too much, considering the film currently has a global box office of $752 million before even releasing in Japan, meaning a $1 billion global gross is becoming increasingly likely.

Elsewhere in the interview, Miyamoto said he hoped the film would perform well in Japan, especially because it has a unique script rather than a simple localization as in other regions.

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“The Japanese version is a bit unique,” he said. “Normally, we create an English version and then localize it for each country, but for the first film, we developed the English and Japanese scripts simultaneously. For this film, we didn’t simply localize the completed English version – instead, we rewrote it entirely in Japanese to create a special Japanese version.

“So, if this doesn’t become a hit in Japan, I feel a sense of pressure – as the person in charge of the Japanese version – to not let [Illumination CEO and film co-producer] Chris [Meledandri] down.

“However, judging by the reactions of the audience members who’ve seen it, I feel that Mario fans are really embracing it. I also believe we’ve created a film that people can enjoy even if they haven’t seen the previous one, so I’m hopeful about that as well.”