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Fabrizio Guido's subtle comedy is a slam dunk in Netflix 'Running Point'

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Fabrizio Guido's subtle comedy is a slam dunk in Netflix 'Running Point'

Unlike his character Jackie Moreno in the Netflix sitcom “Running Point,” Fabrizio Guido wasn’t much of a basketball connoisseur before booking the gig. He’s more into pugilism.

“I constantly compare acting [to] boxing,” said the 25-year-old Angeleno about getting the call informing him that he would be portraying Moreno, a concessions worker for the fictional Los Angeles Waves who finds out he’s the product of an affair and, in turn, the youngest and newest member of a basketball family dynasty.

“I remember I just threw both hands up in the air like if I had just been boxing 12 rounds and it was the knockout I had been looking for.”

The comedy series, which premiered Feb. 27, stars Kate Hudson as Isla Gordon, the only sister in a family of brothers who is often overlooked but is unexpectedly appointed as the new Waves president.

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The revelation that Jackie is a love child and the fifth Gordon sibling is one of the many blips Isla encounters as she looks to prove herself in a male-dominated industry.

Much like his new half-sister, 19 year-old Jackie is looking to prove himself as a new member of the Gordon clan. Though an outsider in the family, Jackie’s comedic chops have rendered him a fan favorite for his off-the-cuff lines and seamless delivery.

Humor is a skill Guido has crafted in previous roles as Mikey Gutierrez in Netflix’s series “Mr. Iglesias,” as Dennis (a.k.a. Baby Joker) in the Laura Steinel film “Family,” and Mr. Jensen in Paramount’s “Good Burger 2.”

De Los spoke to Guido following the announcement of “Running Point‘s” renewal for a second season.

The following Q&A has been lightly edited for clarity and length.

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Tell me more about yourself. Where did you grow up?

I am L.A. born and raised. I was born in Montebello. To be honest with you, I’m at a point in my life where I can’t exactly claim anywhere ’cause I moved around a lot as a kid. I spent a lot of time in Whittier, Pico Rivera. I lived in Culver City at one point and in San Diego for a couple of years. My formative years were spent in Alhambra, near City Terrace, so that whole East [L.A.] community.

How did you land the role of Jackie Moreno?

 It was a very traditional kind of process. An audition came my way from my team; it was “Running Point.” The role was Jackie Moreno, who was a 19-year-old kid from L.A., Boyle Heights specifically.

They wanted someone with very strong comedic chops. I feel like that was a big focus for the role. I read it and fell in love with this character. I felt like I could bring more to what the page had to offer, and that’s not a knock on our writers. This is an essence I’m familiar with, a culture I’m familiar with.

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I was told the audition went really well. They said I was their top pick. I wake up a day later, and my phone is blowing up. My DMs are full of an open casting [call] that [co-creator] Mindy Kaling put out for the same role. I was like, “I thought we were tight!”

I just said thank you to everybody sending the casting call my way, and I was like, you know what, I’m happy. I’m actually really happy about this. I feel like it’s a perfect opportunity to just attack the impostor syndrome and get it out of the way. I was like, “I gotta feel like I earned it. Fine. This is perfect. Let’s go against the world. Let’s do this.”
Bam. I sent [in the tape]. I just felt like the role was mine.

Walk me through the day when you got the news that you booked Jackie Moreno?

I can’t describe it, but I felt like a workhorse blocking out a lot of the noise.

I constantly compare acting to boxing. I’m not talking about getting beat up or it being a fight. When I say fight, I mean the beautiful sport that is boxing. I just felt like a fight for these 12 rounds. I remember I was home alone, and my agents had spoken to my mom.

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The call came in from my mom. She’s on the other side of the phone crying, “They want you for this show.”

It was exactly the project I wanted.

What are some personal elements that resonate with you and your character?

For starters, it was definitely the cultural aspect. I knew Jackie might have to dabble in some Spanish and I was like, “perfect.” A huge part of this character’s life is his relationship with his mom and what it’s like to deal with her loss. I love the layers of that. I think everybody deals with loss. I’m slightly older than Jackie, so I had to dial it back to a younger part of me that I felt like was enthusiastic and ready to learn.

And you got to work with Keyla Monterroso Mejia in one of the first scenes. How was that?

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I was just talking to her last week. She gave me a call. She’s the absolute best.  I was so excited to get the chance to work with her ’cause I feel like you get to see a side that’s not always seen in that style of comedy.

Keyla Monterroso Mejia as Ana Moreno and Fabrizio Guido as Jackie in Episode 102 of Running Point.

Keyla Monterroso Mejia as Ana Moreno and Fabrizio Guido as Jackie in “Running Point.”

( Netflix)

Tell me how you were able to form an onscreen relationship with your older, rich and white siblings?

I think in the same way as Jackie — I don’t want to say I wanted to be accepted but I had a thirst to understand them. I feel like that thirst for me personally [was] as an artist. I would sit in, hearing them talk. I would listen to the life experience that they have. They’re so easy to get along with, so funny.

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Scott MacArthur, Fabrizio Guido, Kate Hudson and Drew Tarver

(Katrina Marcinowski/Netflix)

Oftentimes, we would schedule little lunches when we could get all together as a family. I had the opportunity to work with each one of them in one-on-one scenes. So that lent itself to get into more focused conversations with them.

Did the cast give you any advice?

 I often found myself kind of seeking Brenda Song for advice on sports, ’cause she’s really, really knowledgeable, and I’m not as knowledgeable as Brenda.

So I would talk to her about trade rumors and stuff, and she served as a great guide, and that kind of transitioned into like, “Hey. How do you know when a project’s right for you? How do you know how to make these moves?” Brenda has just been amazing in giving me her opinion about things and how she’s moved through her career.

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My other siblings, I love ’em because they’re a joy to be around. Their advice has just all been about life, relationships.

Brenda Song and Fabrizio Guido

You’ve worked closely with comedian Gabriel “Fluffy” Iglesias on his show “Mr. Iglesias” and have also done some stand-up comedy yourself. Do you see yourself staying in the comedy realm?

[Stand-up] comedy is my newest passion thanks to Fluffy. I’m not exactly looking to do anything with this. I just wanna do it for my own fulfillment. I’m going to go up there and have fun. That’s my goal every time I go up. I get super nervous about something, and I’m like, “Hey, you have nothing to prove, nothing to gain.”

I would love to go on tour. I love every time I get invited to open for someone I admire. I love being out late at night with other comics and hearing their set, coming up with jokes, spending my days writing. It’s a huge and very important part of my life right now.

There’s this clip of you as Dennis, a.k.a. Baby Joker from the 2018 film “Family,” that has been circulating social media. I also notice it in the comment sections of “Running Point” promos. What do you think about that?

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It came out of nowhere honestly. I had done that film a couple of years ago. It’s a fantastic film. It’s just been really cool to watch this video resurface. Now, anything that gets posted about “Running Point,” there’s always some sort of Baby joker comment. People love Dennis! I’m glad it’s bringing views to the film because I’ve always felt it’s such a strong comedic film, and I just want to give Laura her flowers.

What was your reaction to “Running Point‘sSeason 2 renewal?

I was asleep, and my phone just started going off with congratulations. I thought this may still be coming from people that are just watching. Then it was an article that revealed it got renewed for Season 2. It was a good, really exciting morning, but still, I was like, “Is this true? Like, what’s going on? How come Netflix hasn’t called?” But I guess they were just super open and ready to rock and roll with this one.

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Dataland, the world’s first museum of AI arts, sets opening date and first exhibition

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Dataland, the world’s first museum of AI arts, sets opening date and first exhibition

After more than two and a half years of research, planning and construction, Dataland, the world’s first museum of AI arts, will open June 20.

Co-founded by new media artists Refik Anadol and Efsun Erkılıç, the museum anchors the $1-billion Frank Gehry-designed Grand LA complex across the street from Walt Disney Concert Hall in downtown Los Angeles. Its first exhibition, “Machine Dreams: Rainforest,” created by Refik Anadol Studio, was inspired by a trip to the Amazon and uses vast data sets to immerse visitors in a machine-generated sensory experience of the natural world.

The architecture of the space, which Anadol calls “a living museum,” is used to reflect distant rainforest ecosystems, including changing temperature, light, smell and visuals. Anadol refers to these large-scale, shimmering tableaus as “digital sculptures.”

“This is such an important technology, and represents such an important transformation of humanity,” Anadol said in an interview. “And we found it so meaningful and purposeful to be sure that there is a place to talk about it, to create with it.”

The 35,000-square-foot privately funded museum devotes 25,000 square feet to public space, with the remaining 10,000 square feet holding the in-house technology that makes the space run. Dataland contains five immersive galleries and a 30-foot ceiling. An escalator by the entrance will transport guests to the experiences below. The museum declined to say how much Dataland, designed by architecture firm Gensler, cost to build.

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An isometric architectural rendering of Dataland. The 25,000-square-foot AI arts museum also contains an additional 10,000 square feet of non-public space that holds its operational technology.

(Refik Anadol Studio for Dataland)

Dataland will collect and preserve artificial intelligence art and is powered by an open-access AI model created by Anadol’s studio called the Large Nature Model. The model, which does not source without permission, culls mountains of data about the natural world from partners including the Smithsonian, London’s Natural History Museum and the Cornell Lab of Ornithology. This data, including up to half a billion images of nature, will form the basis for the creation of a variety of AI artworks, including “Machine Dreams.”

“AI art is a part of digital art, meaning a lineage that uses software, data and computers to create a form of art,” Anadol explained. “I know that many artists don’t want to disclose their technologies, but for me, AI means possibilities. And possibilities come with responsibilities. We have to disclose exactly where our data comes from.”

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Sustainability is another responsibility that Anadol takes seriously. For more than a decade, Anadol has devoted much thought to the massive carbon footprint associated with AI models. The Large Nature Model is hosted on Google Cloud servers in Oregon that use 87% carbon-free, renewable energy. Anadol says the energy used to support an individual visit to the museum is equivalent to what it takes to charge a single smartphone.

Anadol believes AI can form a powerful bridge to nature — serving as a means to access and preserve it — and that the swiftly evolving technology can be harnessed to illuminate essential truths about humanity’s relationship to an interconnected planet. During a time of great anxiety about the power of AI to disrupt lives and livelihoods, Anadol maintains it can be a revolutionary tool in service of a never-before-seen form of art.

“The works generate an emergent, living reality, a machine’s dream shaped by continuous streams of environmental and biological data. Within this evolving system, moments of recognition and interpretation emerge across different forms of knowledge,” a news release about the museum explains. “At the same time, the exhibition registers loss as part of this expanded field of perception, most notably in the Infinity Room, where visitors encounter the 1987 recording of the last known Kauaʻi ʻŌʻō, a now-extinct bird whose unanswered call becomes part of the work.”

“It’s very exciting to say that AI art is not image only,” Anadol said. “It’s a very multisensory, multimedium experience — meaning sound, image, video, text, smell, taste and touch. They are all together in conversation.”

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‘Michael’ — a new movie about the King of Pop – is drumming up big buzz. The film was produced in-part by the co-executors of the late singer’s estate, and has some critics questioning whether it is too focused on sanitizing the singer’s troubled image.

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‘Clayface’ trailer teases DC Studios’ first proper horror movie

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‘Clayface’ trailer teases DC Studios’ first proper horror movie

The DC universe is going full on body horror.

DC Studios released its first trailer for “Clayface” on Wednesday, giving audiences a glimpse of the gruesome origins of the shape-shifting Batman villain.

Set to an eerie rendition of the Flaming Lips’ “Do You Realize??,” the teaser flashes among various images of up-and-coming Hollywood actor Matt Hagen (portrayed by Tom Rhys Harries) before and after a violent encounter as the camera slowly zooms toward his haunted eyes and bloody, bandaged face as he is recovering on a hospital bed.

The clip also includes footage of Hagen’s clay-like, malleable face, which he appears to gain after some sort of scientific procedure.

According to the DC description, “Clayface” will see Hagen transformed into a “revenge-filled monster” and explore “the loss of one’s identity and humanity, corrosive love, and the dark underbelly of scientific ambition.”

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“Clayface,” set for an Oct. 23 release, will be the third DCU film to hit theaters since James Gunn and Peter Safran took over DC Studios and reset (most of) its comic book superhero franchise. The studio’s upcoming slate also includes “Supergirl,” which will hit theaters June 26, as well as “Man of Tomorrow,” the sequel to Gunn’s 2025 blockbuster “Superman,” announced for 2027.

Who is Clayface?

Clayface is a DC Comics villain usually affiliated with Batman. The alias has been used by a number of different characters over the years, but they all usually possess shape-shifting abilities due to their clay-like bodies. Created by Bill Finger and Bob Kane, the original Clayface was a washed-up actor turned criminal who first appeared in a 1940 issue of “Detective Comics.”

Matt Hagen was the name of the second Clayface, who first appeared in an issue of “Detective Comics” in the 1960s. He was the first to have shape-shifting powers, which he gained after encountering a mysterious radioactive pool of protoplasm.

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Other versions of Clayface have been introduced in various media since.

Who is in ‘Clayface’?

The upcoming film stars Tom Rhys Harries as rising Hollywood actor Hagen. The cast also includes Naomi Ackie, who is seen in the trailer, reportedly as the scientist Hagen turns to for help following his disfigurement. Also set to appear are David Dencik, Max Minghella and Eddie Marsan, as well as Nancy Carroll and Joshua James.

Who are the ‘Clayface’ filmmakers?

Director James Watkins, known for horror films including “Speak No Evil” (2024), is helming “Clayface.” The script was written by prolific horror scribe Mike Flanagan (“The Haunting of Hill House,” “Doctor Sleep”) and Hossein Amini (“The Snowman”).

The producers are Matt Reeves, Lynn Harris, James Gunn and Peter Safran. Exective producers include Michael E. Uslan, Rafi Crohn, Paul Ritchie, Chantal Nong Vo and Lars P. Winther.

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