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Fabrizio Guido's subtle comedy is a slam dunk in Netflix 'Running Point'

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Fabrizio Guido's subtle comedy is a slam dunk in Netflix 'Running Point'

Unlike his character Jackie Moreno in the Netflix sitcom “Running Point,” Fabrizio Guido wasn’t much of a basketball connoisseur before booking the gig. He’s more into pugilism.

“I constantly compare acting [to] boxing,” said the 25-year-old Angeleno about getting the call informing him that he would be portraying Moreno, a concessions worker for the fictional Los Angeles Waves who finds out he’s the product of an affair and, in turn, the youngest and newest member of a basketball family dynasty.

“I remember I just threw both hands up in the air like if I had just been boxing 12 rounds and it was the knockout I had been looking for.”

The comedy series, which premiered Feb. 27, stars Kate Hudson as Isla Gordon, the only sister in a family of brothers who is often overlooked but is unexpectedly appointed as the new Waves president.

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The revelation that Jackie is a love child and the fifth Gordon sibling is one of the many blips Isla encounters as she looks to prove herself in a male-dominated industry.

Much like his new half-sister, 19 year-old Jackie is looking to prove himself as a new member of the Gordon clan. Though an outsider in the family, Jackie’s comedic chops have rendered him a fan favorite for his off-the-cuff lines and seamless delivery.

Humor is a skill Guido has crafted in previous roles as Mikey Gutierrez in Netflix’s series “Mr. Iglesias,” as Dennis (a.k.a. Baby Joker) in the Laura Steinel film “Family,” and Mr. Jensen in Paramount’s “Good Burger 2.”

De Los spoke to Guido following the announcement of “Running Point‘s” renewal for a second season.

The following Q&A has been lightly edited for clarity and length.

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Tell me more about yourself. Where did you grow up?

I am L.A. born and raised. I was born in Montebello. To be honest with you, I’m at a point in my life where I can’t exactly claim anywhere ’cause I moved around a lot as a kid. I spent a lot of time in Whittier, Pico Rivera. I lived in Culver City at one point and in San Diego for a couple of years. My formative years were spent in Alhambra, near City Terrace, so that whole East [L.A.] community.

How did you land the role of Jackie Moreno?

 It was a very traditional kind of process. An audition came my way from my team; it was “Running Point.” The role was Jackie Moreno, who was a 19-year-old kid from L.A., Boyle Heights specifically.

They wanted someone with very strong comedic chops. I feel like that was a big focus for the role. I read it and fell in love with this character. I felt like I could bring more to what the page had to offer, and that’s not a knock on our writers. This is an essence I’m familiar with, a culture I’m familiar with.

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I was told the audition went really well. They said I was their top pick. I wake up a day later, and my phone is blowing up. My DMs are full of an open casting [call] that [co-creator] Mindy Kaling put out for the same role. I was like, “I thought we were tight!”

I just said thank you to everybody sending the casting call my way, and I was like, you know what, I’m happy. I’m actually really happy about this. I feel like it’s a perfect opportunity to just attack the impostor syndrome and get it out of the way. I was like, “I gotta feel like I earned it. Fine. This is perfect. Let’s go against the world. Let’s do this.”
Bam. I sent [in the tape]. I just felt like the role was mine.

Walk me through the day when you got the news that you booked Jackie Moreno?

I can’t describe it, but I felt like a workhorse blocking out a lot of the noise.

I constantly compare acting to boxing. I’m not talking about getting beat up or it being a fight. When I say fight, I mean the beautiful sport that is boxing. I just felt like a fight for these 12 rounds. I remember I was home alone, and my agents had spoken to my mom.

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The call came in from my mom. She’s on the other side of the phone crying, “They want you for this show.”

It was exactly the project I wanted.

What are some personal elements that resonate with you and your character?

For starters, it was definitely the cultural aspect. I knew Jackie might have to dabble in some Spanish and I was like, “perfect.” A huge part of this character’s life is his relationship with his mom and what it’s like to deal with her loss. I love the layers of that. I think everybody deals with loss. I’m slightly older than Jackie, so I had to dial it back to a younger part of me that I felt like was enthusiastic and ready to learn.

And you got to work with Keyla Monterroso Mejia in one of the first scenes. How was that?

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I was just talking to her last week. She gave me a call. She’s the absolute best.  I was so excited to get the chance to work with her ’cause I feel like you get to see a side that’s not always seen in that style of comedy.

Keyla Monterroso Mejia as Ana Moreno and Fabrizio Guido as Jackie in Episode 102 of Running Point.

Keyla Monterroso Mejia as Ana Moreno and Fabrizio Guido as Jackie in “Running Point.”

( Netflix)

Tell me how you were able to form an onscreen relationship with your older, rich and white siblings?

I think in the same way as Jackie — I don’t want to say I wanted to be accepted but I had a thirst to understand them. I feel like that thirst for me personally [was] as an artist. I would sit in, hearing them talk. I would listen to the life experience that they have. They’re so easy to get along with, so funny.

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Scott MacArthur, Fabrizio Guido, Kate Hudson and Drew Tarver

(Katrina Marcinowski/Netflix)

Oftentimes, we would schedule little lunches when we could get all together as a family. I had the opportunity to work with each one of them in one-on-one scenes. So that lent itself to get into more focused conversations with them.

Did the cast give you any advice?

 I often found myself kind of seeking Brenda Song for advice on sports, ’cause she’s really, really knowledgeable, and I’m not as knowledgeable as Brenda.

So I would talk to her about trade rumors and stuff, and she served as a great guide, and that kind of transitioned into like, “Hey. How do you know when a project’s right for you? How do you know how to make these moves?” Brenda has just been amazing in giving me her opinion about things and how she’s moved through her career.

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My other siblings, I love ’em because they’re a joy to be around. Their advice has just all been about life, relationships.

Brenda Song and Fabrizio Guido

You’ve worked closely with comedian Gabriel “Fluffy” Iglesias on his show “Mr. Iglesias” and have also done some stand-up comedy yourself. Do you see yourself staying in the comedy realm?

[Stand-up] comedy is my newest passion thanks to Fluffy. I’m not exactly looking to do anything with this. I just wanna do it for my own fulfillment. I’m going to go up there and have fun. That’s my goal every time I go up. I get super nervous about something, and I’m like, “Hey, you have nothing to prove, nothing to gain.”

I would love to go on tour. I love every time I get invited to open for someone I admire. I love being out late at night with other comics and hearing their set, coming up with jokes, spending my days writing. It’s a huge and very important part of my life right now.

There’s this clip of you as Dennis, a.k.a. Baby Joker from the 2018 film “Family,” that has been circulating social media. I also notice it in the comment sections of “Running Point” promos. What do you think about that?

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It came out of nowhere honestly. I had done that film a couple of years ago. It’s a fantastic film. It’s just been really cool to watch this video resurface. Now, anything that gets posted about “Running Point,” there’s always some sort of Baby joker comment. People love Dennis! I’m glad it’s bringing views to the film because I’ve always felt it’s such a strong comedic film, and I just want to give Laura her flowers.

What was your reaction to “Running Point‘sSeason 2 renewal?

I was asleep, and my phone just started going off with congratulations. I thought this may still be coming from people that are just watching. Then it was an article that revealed it got renewed for Season 2. It was a good, really exciting morning, but still, I was like, “Is this true? Like, what’s going on? How come Netflix hasn’t called?” But I guess they were just super open and ready to rock and roll with this one.

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Soho House sued after bartender alleges she was ‘drugged and raped’ by her supervisor

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Soho House sued after bartender alleges she was ‘drugged and raped’ by her supervisor

A bartender who worked at Soho House’s exclusive Soho Warehouse in downtown Los Angeles is alleging a supervisor at the posh membership club and hotel drugged and raped her, according to a lawsuit filed in Los Angeles Superior Court on Wednesday.

The woman, who filed as Jane Doe, said in her complaint that she was “subjected to repeated sexual advances and unwelcomed physical touching” by one of her supervisors, Leonard Marcelo Vichique Maya, immediately after she began working as a bartender at Berenjak, the club’s restaurant, in September 2025.

Doe is suing Vichique Maya, Soho House, Soho House Los Angeles and Soho Warehouse for sexual harassment, retaliation and other claims..

“This is as egregious an instance of callous corporate indifference to workplace sexual violence that anyone can experience,” said her attorney Nick Yasman of Los Angeles-based West Coast Trial Lawyers in a statement.

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Representatives for Soho House and Vichique Maya were not immediately available for comment.

Doe has further alleged that Vichique Maya made “numerous comments” about her appearance, propositioned her to be his “hook-up buddy” and told her that she “would be pregnant by now” had they met earlier, all within earshot of her supervisors and colleagues.

After two weeks on the job, Doe said that she reported Vichique Maya’s conduct to two male supervisors, including Soho House’s floor manager and food and beverage director, states the complaint, but “neither took any semblance of corrective or investigatory action.”

According to the suit, Doe claims that despite “his pattern of harassing behavior and complaints,” the company, did not address his alleged misconduct. ”

She claims his behavior escalated after a “team-bonding” work event on Sept. 13, where Doe said she became disoriented after drinking with supervisors and co-workers, eventually losing consciousness, and woke up naked in Vichique Maya’s apartment.

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“Paralyzed and speechless despite her consciousness slowly returning, Plaintiff was condemned to simply watch in horror as [sic] MARCELO repeatedly raped her inanimate body,” states the suit.

The next day, Doe said that she reported to her floor manager that Vichique Maya had “sexually assaulted her.”

She said her general manager “confirmed” that he “appeared to be preying” on her during the work event, telling her that “These things happen between coworkers.”

When she proclaimed that she could no longer work with Vichique Maya,” she said the general manager dismissed her concerns telling her: “I have a restaurant to run; I can’t have it blow up on me.”

Despite informing three managers that she was “raped,” Doe said she was continuously scheduled to work shifts with Vichique Maya during which he repeatedly sexually harassed her.

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In December, Doe filed a complaint with Soho House human resources, and she was assured that an investigation would be opened and “immediate corrective action” taken.

However, during the investigation, Doe said that she was placed on indefinite leave while Vichique Maya continued working. A month later, she was informed the company had completed its investigation and found her report of rape “was uncorroborated” and he “would not be disciplined.”

In February, the plaintiff said that she was forced to quit her job.

One of the first, exclusive members-only social clubs, Soho House debuted in London in 1995 and quickly became the bolt-hole of choice for celebrities and the deep-pocketed. It expanded globally with 48 houses in 19 countries.

It drew high-profile investors, including Ron Burkle through his investment fund Yucaipa.

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In 2021, the company filed for an initial public offering on the New York Stock Exchange, but it has faced financial challenges. .

Last year, Soho House went private, selling itself to a group of investors including Apollo Global Management and actor Ashton Kutcher, who also joined its board of directors, at a $2.7-billion valuation.

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MOVIE REVIEWS: “Mercy,” “Return to Silent Hill,” “Sentimental Value” & “In Cold Light” – Valdosta Daily Times

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MOVIE REVIEWS: “Mercy,” “Return to Silent Hill,” “Sentimental Value” & “In Cold Light” – Valdosta Daily Times

“Mercy”

(Thriller/Crime: 1 hour, 39 minutes)

Starring: Chris Pratt, Rebecca Ferguson, Kali Reis

Director: Timur Bekmambetov

Rated: PG-13 (Violence, bloody images, strong language, drug content and teen smoking)

Movie Review:

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“Mercy” is a science fiction movie based on one of the more common themes of moviedom lately, artificial intelligence (AI). This crime thriller cleverly creates an intriguing story using technology and the justice system, yet it fails to be consistently interesting and intelligent throughout. The conclusion is less significant than the initial setup, as the concluding scenes become typical action sequences.

Detective Chris Raven (Pratt) of the LA Police Department is a huge supporter of the city’s new judicial courtroom. Crimes are now judged by an AI program (Ferguson) in the Mercy Court. The court is run by an artificial program that makes decisions based on all of the evidence before it without any prejudice. Detective Raven is all for this system until he is convicted of killing his wife. Now he must use all of the data, including the AI‘s ability to tap into everyone’s electronic devices, security cameras, and even into government files, within reason, to prove he did not murder his wife.

Mercy is an interesting movie. It entertains throughout, even when the story gets sloppy and characters’ actions are irrational. This mainly occurs during the final scenes. The movie tries too hard to insert unneeded narrative twists. This is disappointing because the story is interesting. What makes it fascinating is that it happens in real time. This is the most brilliant facet.

All the other theatrics are unnecessary. Director Timur Bekmambetov (“Profile,” 2018; “Wanted,” 2008) and “Mercy’s” producers should have just kept the ending simple, no plot twists or superfluous action sequences.
Grade: C (This flick needs some mercy. Let the trial begin.)

“Return to Silent Hill”

(Horror: 1 hour, 46 minutes)

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Starring: Jeremy Irvine, Hannah Emily Anderson and Robert Strange

Director: Christophe Gans

Rated: R (Bloody violent content, strong language and brief drug use.)

Movie Review:

“Return to Silent Hill” is about one man’s quest to return to the love of his life. The problem is she has moved on to the afterlife. Meanwhile, audiences lose part of their life watching this movie, which is unlike any of the two prequels in this series. This one is a psychological horror that bores.

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Artist James Sunderland (Irvine) decides to return to Silent Hill, a place where many people died during a devastating illness that nearly enveloped the entirety of the city’s population. What is left there is a horror show of freakish creatures, all with violent intent. Still, Sunderland searches for the love of his life, Mary Crane (Anderson).

Think of this movie as a slow suicide, where a guy goes back to retrieve his dead girlfriend. To do so, he must travel to the modern land of the dead that Silent Hill has become. This one is a type of swan song by the main character, and the movie becomes less scary while lackluster romantic notions wander aimlessly.

Grade: D (Do not return to see this.)

“Sentimental Value”

(Drama: 2 hours, 13 minutes)

Starring: Renate Reinsve, Stellan Skarsgård, Inga Ibsdotter Lilleaas and Elle Fanning

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Director: Joachim Trier

Rated: R (Language, sexual reference, nudity and thematic elements)

Movie Review:

“Sentimental Value” is a Norwegian film that won the Grand Prix in France’s Cannes Film Festival and was nominated for nine Academy Awards, including Best Motion Picture. It is a solid drama filled with symbolism and family connections. It is brilliant performances by a talented cast under the direction of Joachim Trier (“The Worst Person in the World,” 2021).

This screenplay is about Gustav Borg (Skarsgård). He is a father, grandfather and a famed film director. He stayed away from his two daughters, actress Nora Borgwhile (Reinsve) and historian Agnes Borg Pettersen (Lilleaas), while he was creating works as a filmmaker. The director comes back into the lives of his daughters after the death of their mother. Their reunion leads to a rediscovery of their bond at their family home in Oslo.

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Stellan Skarsgård is always a solid actor. He takes his roles and makes them tangible characters that seem like you know them, even when they’re speaking a foreign language. That is the quality of his act and why he gets nominated for multiple awards each season.

“Sentimental Value” is a valuable movie filled with enriching sentiment. It is an enjoyable film for those who value a good drama. The acting and original writing alone make the movie worth it. “Sentimental Value” starts in a very simple way, but everything in between, even when low-key, remains potent. Joachim Trier and writer Eskil Vogt have worked together on multiple projects such as “The Worst Person in the World” (2021). Their pairing is once again worthy.

Grade: A- (Any motive valuable movie.)

“In Cold Light ”

(Crime: 1 hour , 36 minutes)

Starring: Maika Monroe, Allan Hawco and Troy Kotsur

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Director: Maxime Giroux

Rated: R (Violence, bloody images, strong language and drug material)

Movie Review:

“In Cold Light” sticks to a very straightforward story, primarily taking place over a short period. The problem is the story leaves one in the cold. Audiences have to guess what is being communicated because this movie uses American Sign Language (ASL) without subtitles. For those moviegoers who do not know ASL, they are left deciphering characters’ actions and facial expressions during some pivotal scenes.

Ava Bly (Monroe) attempts to start a legit life after prison. Her life changes when Ava’s twin, Tom Bly (Jesse Irving) is murdered while seated next to her. As her brother’s killers pursue her, Ava must evade law enforcement, which contains some crooked cops led by Bob Whyte (Hawco).

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For a brief moment, this movie hits its exceptional moment when Oscar-recipient Helen Hunt enters the picture as a motherly Claire, a crime boss who seems more like a social worker/psychologist. Her long scene is wasted as it arrives too late.

French Canadian director Maxime Giroux’s style has potential in his first English-language film, but it does not fit a wayward narrative. A rarity, this crime drama has characters commit many dumb actions at once.

Moreover, Giroux (“Félix et Meira,” 2014) and writer Patrick Whistler forget to let their audiences in on their story. They allow much to get lost in translation, especially during heated conversations between Monroe’s Ava and her father, Will Bly, played by Academy Award-winning actor Troy Kotsur (“CODA,” 2021).

Grade: C- (Just cold and dark.)

More movie reviews online at www.valdostadailytimes.com.

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Paramount-Warner Bros. deal stirs fears about what it means for CNN

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Paramount-Warner Bros. deal stirs fears about what it means for CNN

As the media industry took stock of Paramount Skydance’s startling acquisition of Warner Bros. Discovery, one question lingered on the minds of many in the news business and beyond: What will this mean for CNN?

The iconic 24-hour cable news network is among the various Warner Bros. assets that would be scooped up by Paramount in a deal announced Thursday that could transform the media landscape.

Paramount has undergone a swift transformation under Chief Executive David Ellison following his family’s acquisition of the company last summer. These changes reached CBS News almost immediately with the appointment of Bari Weiss, the controversial Free Press co-founder, as its new editor in chief.

Bari Weiss moderated a town hall with Erika Kirk, widow of slain conservative activist Charlie Kirk.

(CBS via Getty Images)

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Weiss’ tenure so far has been rocky.

Her decision to pull a “60 Minutes” story about conditions inside an El Salvador prison that housed undocumented Venezuelan migrants from the U.S. received widespread criticism and accusations of political motivation. The network said the story was held for more reporting, and the segment eventually aired.

There was more upheaval last week at the news magazine, when “60 Minutes” correspondent and CNN news anchor Anderson Cooper announced that he’d be leaving to spend more time with his family.

And earlier this year, a veteran producer at “CBS Evening News With Tony Dokoupil” was fired after he expressed disagreement about the editorial direction of the newscast.

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Now, the concern is that similar changes could be in store for CNN, which has long been a target of President Trump’s ire. He has personally called for the ouster of hosts at the network who have questioned his policies.

CNN Worldwide Chief Executive Mark Thompson tried to quell some of those fears, particularly inside his own newsroom.

In an internal memo dated Thursday and obtained by The Times, Thompson urged employees not to “jump to conclusions about the future” and try to concentrate on their work.

“We’re still near the start of what is already an incredibly newsy year at home and abroad,” he wrote in the note. “Let’s continue to focus on delivering the best possible journalism to the millions of people who rely on us all around the world.”

Chairman and CEO of CNN Worldwide Mark Thompson and media editor for Semafor, Maxwell Tani, speak onstage.

Chairman and CEO of CNN Worldwide Mark Thompson and media editor for Semafor, Maxwell Tani, speak onstage.

(Shannon Finney / Getty Images for Semafor)

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CNN declined to comment beyond Thompson’s memo.

Ellison has said his vision for a news business is one that is ideologically down the middle.

“We want to build a scaled news service that is basically, fundamentally in the trust business, that is in the truth business, and that speaks to the 70% of Americans that are in the middle,” he said during a Dec. 8 interview on CNBC, shortly after Warner said it had chosen Netflix as the winning bidder for its studios, HBO and HBO Max. “And we believe that by doing so that is for us, kind of doing well, while doing good.”

Ellison demurred when asked whether Trump would embrace him as CNN’s owner, given the president’s past criticisms of the network.

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“We’ve had great conversations with the president about this, but … I don’t want to speak for him in any way, shape or form,” he said.

First Amendment scholars have raised concerns about press freedom and free speech rights under the Trump administration, particularly after last month’s arrest of former CNN journalist Don Lemon and the Federal Communications Commission’s pressure on late-night hosts like Jimmy Kimmel and Stephen Colbert.

Press freedom groups have long asked questions in other countries about how authoritarian regimes use their power and “oligarchical alliances to belittle, silence, and punish independent journalistic voices, or to steer media ownership toward … a preferred version of the truth,” said RonNell Andersen Jones, a 1st Amendment scholar and distinguished professor in the college of law at the University of Utah, in an email.

“We see them asking at least some of these questions about the U.S. today,” she wrote.

Apprehension about the merger also extends beyond its implications for CNN and the media business.

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Lawmakers such as Rep. Laura Friedman (D-Glendale), Sen. Adam Schiff (D-Calif.) and Sen. Cory Booker (D-N.J.) have raised concerns about how the consolidation of two major Hollywood studios could affect industry jobs and film and television production — which has significantly slowed since the pandemic, the dual writers’ and actors’ strikes in 2023 and corporate cutbacks in spending.

Sen. Elizabeth Warren (D-Mass.) called the deal an “antitrust disaster” that she feared could raise prices and limit choices for consumers.

“With the cloud of corruption looming over Trump’s Department of Justice, it’ll be up to the American people to speak up and state attorneys general to enforce the law,” she said in a statement.

Already, California Atty. Gen. Rob Bonta has said the merger isn’t a “done deal,” adding that he is in communication with other states attorneys general about the issue.

“As the epicenter of the entertainment industry, California has a special interest in protecting competition,” he posted Friday on X.

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The deal is subject to approval by the U.S. Justice Department. Bonta and other state attorneys general are expected to file a legal challenge to the mega-merger on antitrust grounds.

Ellison addressed some of these concerns in a statement Friday.

“By bringing together these world-class studios, our complementary streaming platforms, and the extraordinary talent behind them, we will create even greater value for audiences, partners and shareholders,” he said. “We couldn’t be more excited for what’s ahead.”

Times staff writer Meg James contributed to this report.

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