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Disney plans to vacate storied Fox lot in Century City by year's end

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Disney plans to vacate storied Fox lot in Century City by year's end

Two of entertainment’s most famous brands, Fox and Disney, are parting ways in Century City.

Walt Disney Co. acknowledged Tuesday that it will be vacating the storied Fox Studio Lot, where it has been the primary occupant since Disney bought most of Rupert Murdoch’s 21st Century Fox’s entertainment assets in 2019. The $71.3-billion deal did not include the studio real estate. However, it featured a provision that Disney would move in as a tenant for at least seven years.

Disney’s lease for space on Fox’s Pico Boulevard property in Los Angeles expires next March.

The company has no plans to renew its lease and instead plans to leave by year’s end, said Disney insiders who were not authorized to speak publicly.

The move puts pressure on owner Fox Corp. to find new tenants for the soundstages and office space where movies and television shows have been made for generations. Famous movies brought to life there include “Miracle on 34th Street,” “The Seven Year Itch” and “The Sound of Music.” The lot also is home to Fox Sports, the Fox broadcast network and the writers’ room for “The Simpsons.”

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Fox receives $50 million a year for leasing out the space, according to regulatory filings.

Disney is the largest tenant, but Fox executives say they are bullish on finding new occupants.

“The Fox Lot is second to none in terms of location and premium production and post-production facilities available,” Fox said Tuesday in a statement.

Disney has gradually shed its Fox DNA since the deal. In 2020, Disney retired “Fox” branding from the logos and assets it acquired from Fox to minimize confusion with properties that remain part of Murdoch’s empire, including Fox News.

Since the acquisition, dozens of television studio and FX network executives have remained in their longtime offices on the lot — a popular perk for those who live on Los Angeles’ Westside, allowing them to keep their shorter commutes.

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For the past six years, Fox’s Building 103, on the lot’s southeast corner, has been a Disney outpost.

But Disney has spent the past year taking steps to relocate teams to Burbank, where Disney has its own historic studio lot and an adjoining complex that houses ABC and Disney Animation.

Disney’s goal is to bring together a creative hub for its television groups, including the executives who had remained on the Fox lot, according to knowledgeable people who were not authorized to comment.

The company declined to comment on its plans for the Disney-owned television productions that remain on the Fox lot, including dramas “9-1-1” and “9-1-1: Lone Star,” produced by Ryan Murphy, Brad Falchuk and Tim Minear.

Early contours of the Disney-Fox transaction — orchestrated by Disney Chief Executive Bob Iger and Murdoch — had envisioned the Century City compound as one of the assets included in the sale to Disney.

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But Murdoch’s oldest son, Lachlan, who serves as chief executive of Fox, insisted his company hold onto the prime real estate where Shirley Temple, Marilyn Monroe and Mel Brooks once worked. (Studio founder William Fox purchased 99 acres of land between Santa Monica Boulevard and Pico Boulevard 101 years ago. Fox, after taking a financial beating on the 1963 film “Cleopatra,” sold off much of its backlot, which now makes up a large swath of Century City.)

Lachlan Murdoch, whose office is in the Art Deco administration building, viewed the Fox lot as part of his company’s beating heart. He also recognized the value of the soundstages and ancillary production facilities, which have been in high demand during the gush of production to support the launch of several streaming services.

However, production in Los Angeles has not recovered from the 2023 writers’ and actors’ strikes, and many shoots have been lured to other states and countries with generous tax incentives.

The shift comes as Fox has been seeking city approval for a $1.5-billion expansion of its Century City location, a project envisioned to add more than 2 million square feet of new building space, including multiple new soundstages, postproduction facilities and a new office building that fronts Avenue of the Stars.

As part of that redevelopment, four historic bungalows near the center of the lot are scheduled to be moved to another location closer to Olympic Boulevard.

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Disney’s departure will not dampen Fox’s ambitious plans for its Century City expansion, according to an executive who was not authorized to speak publicly. The Fox project is in the preliminary approval phase with the city.

Disney scooped up some valuable franchises through the Fox acquisition, including “Avatar,” “Alien” and Marvel’s “X-Men” and “Deadpool.” Disney also gained control of streaming service Hulu, which maintains its home base in Santa Monica.

Still, some analysts and investors say that Disney vastly overpaid for the properties, which put the Burbank entertainment behemoth in a weakened position when the COVID-19 pandemic hit in 2020.

That spring, Disney took on additional debt after its theme parks shuttered, movie theaters closed and sports leagues called time out.

Disney has looked to cut costs for the last couple of years.

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Movie Reviews

Michael Jackson documentary set to release after massive re-write

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Michael Jackson documentary set to release after massive re-write
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‘Michael’ — a new movie about the King of Pop – is drumming up big buzz. The film was produced in-part by the co-executors of the late singer’s estate, and has some critics questioning whether it is too focused on sanitizing the singer’s troubled image.

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‘Clayface’ trailer teases DC Studios’ first proper horror movie

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‘Clayface’ trailer teases DC Studios’ first proper horror movie

The DC universe is going full on body horror.

DC Studios released its first trailer for “Clayface” on Wednesday, giving audiences a glimpse of the gruesome origins of the shape-shifting Batman villain.

Set to an eerie rendition of the Flaming Lips’ “Do You Realize??,” the teaser flashes among various images of up-and-coming Hollywood actor Matt Hagen (portrayed by Tom Rhys Harries) before and after a violent encounter as the camera slowly zooms toward his haunted eyes and bloody, bandaged face as he is recovering on a hospital bed.

The clip also includes footage of Hagen’s clay-like, malleable face, which he appears to gain after some sort of scientific procedure.

According to the DC description, “Clayface” will see Hagen transformed into a “revenge-filled monster” and explore “the loss of one’s identity and humanity, corrosive love, and the dark underbelly of scientific ambition.”

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“Clayface,” set for an Oct. 23 release, will be the third DCU film to hit theaters since James Gunn and Peter Safran took over DC Studios and reset (most of) its comic book superhero franchise. The studio’s upcoming slate also includes “Supergirl,” which will hit theaters June 26, as well as “Man of Tomorrow,” the sequel to Gunn’s 2025 blockbuster “Superman,” announced for 2027.

Who is Clayface?

Clayface is a DC Comics villain usually affiliated with Batman. The alias has been used by a number of different characters over the years, but they all usually possess shape-shifting abilities due to their clay-like bodies. Created by Bill Finger and Bob Kane, the original Clayface was a washed-up actor turned criminal who first appeared in a 1940 issue of “Detective Comics.”

Matt Hagen was the name of the second Clayface, who first appeared in an issue of “Detective Comics” in the 1960s. He was the first to have shape-shifting powers, which he gained after encountering a mysterious radioactive pool of protoplasm.

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Other versions of Clayface have been introduced in various media since.

Who is in ‘Clayface’?

The upcoming film stars Tom Rhys Harries as rising Hollywood actor Hagen. The cast also includes Naomi Ackie, who is seen in the trailer, reportedly as the scientist Hagen turns to for help following his disfigurement. Also set to appear are David Dencik, Max Minghella and Eddie Marsan, as well as Nancy Carroll and Joshua James.

Who are the ‘Clayface’ filmmakers?

Director James Watkins, known for horror films including “Speak No Evil” (2024), is helming “Clayface.” The script was written by prolific horror scribe Mike Flanagan (“The Haunting of Hill House,” “Doctor Sleep”) and Hossein Amini (“The Snowman”).

The producers are Matt Reeves, Lynn Harris, James Gunn and Peter Safran. Exective producers include Michael E. Uslan, Rafi Crohn, Paul Ritchie, Chantal Nong Vo and Lars P. Winther.

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Miyamoto says he was surprised Mario Galaxy Movie reviews were even harsher than the first | VGC

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Miyamoto says he was surprised Mario Galaxy Movie reviews were even harsher than the first | VGC

Nintendo’s Shigeru Miyamoto says he’s surprised at the negative critical reception to the Super Mario Galaxy Movie.

As reported by Famitsu, Miyamoto conducted a group interview with Japanese media to mark the local release of The Super Mario Galaxy Movie.

During the interview, Miyamoto was asked for his views on the critical reception to the film in the West, where critics’ reviews have been mostly negative.

Miyamoto replied that while he understood some of the negative points aimed at The Super Mario Bros Movie, he thought the reception would be better for the sequel.

“It’s true: the situation is indeed very similar,” he said. “Actually, regarding the previous film, I felt that the critics’ opinions did hold some validity. “However, I thought things would be different this time around—only to find that the criticism is even harsher than it was before.

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“It really is quite baffling: here we are—having crossed over from a different field—working hard with the specific aim of helping to revitalize the film industry, yet the very people who ought to be championing that cause seem to be the ones taking a passive stance.”

As was the case with the first film, opinion is divided between critics and the public on The Super Mario Galaxy Movie. On review aggregate site Rotten Tomatoes, the film currently has a critics’ score of 43% , while its audience score is 89%.

Shigeru Miyamoto says he was surprised by Mario Galaxy Movie reviews.

While this is down from the first film’s scores (which were 59% critics and 95% public) it does still appear to imply that the film’s target audience is generally enjoying it despite critical negativity.

The negative reception is unlikely to bother Universal and Illumination too much, considering the film currently has a global box office of $752 million before even releasing in Japan, meaning a $1 billion global gross is becoming increasingly likely.

Elsewhere in the interview, Miyamoto said he hoped the film would perform well in Japan, especially because it has a unique script rather than a simple localization as in other regions.

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“The Japanese version is a bit unique,” he said. “Normally, we create an English version and then localize it for each country, but for the first film, we developed the English and Japanese scripts simultaneously. For this film, we didn’t simply localize the completed English version – instead, we rewrote it entirely in Japanese to create a special Japanese version.

“So, if this doesn’t become a hit in Japan, I feel a sense of pressure – as the person in charge of the Japanese version – to not let [Illumination CEO and film co-producer] Chris [Meledandri] down.

“However, judging by the reactions of the audience members who’ve seen it, I feel that Mario fans are really embracing it. I also believe we’ve created a film that people can enjoy even if they haven’t seen the previous one, so I’m hopeful about that as well.”