Entertainment
Did Will Smith refuse to leave? Questions swirl around that infamous Oscars slap
Days after Will Smith slapped Chris Rock on the Oscars, the movement image academy nonetheless was reeling from the blow as leaders confronted rising scrutiny over their dealing with of the altercation that derailed the Sunday ceremony and shocked viewers at dwelling.
Questions continued to swirl even after the academy’s announcement Wednesday that it had began disciplinary proceedings in opposition to Smith. Competing narratives of what occurred contained in the Dolby Theatre within the fraught moments after the incident — and why Smith was allowed to remain and settle for his lead actor Oscar for “King Richard” — shifted focus from the lads onstage to the leaders behind the scenes who had been calling the pictures on Hollywood’s greatest evening.
The academy, which has confronted fierce criticism over the incident, together with from its personal members, has positioned a number of the accountability on Smith, suggesting the actor had refused a request to depart the Dolby Theatre after hanging Rock.
“Whereas we wish to make clear that Mr. Smith was requested to depart the ceremony and refused, we additionally acknowledge we might have dealt with the state of affairs otherwise,” the group stated in a press release Wednesday, calling Smith’s conduct “a deeply stunning, traumatic occasion to witness in-person and on tv.”
However reviews Thursday by TMZ, Selection and the Hollywood Reporter, citing nameless sources accustomed to what transpired, forged doubt on the academy’s account. They steered that the group’s leaders and the present’s first-time producer, Will Packer, conveyed blended, and maybe even contradictory, messages about whether or not Smith ought to be eliminated and moreover steered that they by no means formally requested him to depart.
Neither the academy nor Smith’s consultant has responded to questions from The Occasions about exactly what transpired that night. Packer additionally didn’t reply to a request for remark.
Through e-mail on Wednesday, one academy governor, who declined to talk on the report due to the sensitivity of the state of affairs, chalked up the confusion to what the governor referred to as “the fog of conflict.”
After the incident, Smith was seen conferring along with his publicist and being comforted by Denzel Washington, Tyler Perry and Bradley Cooper, amongst different well-wishers. In the meantime, heated discussions went on behind the scenes involving Academy of Movement Image Arts and Sciences President David Rubin, Chief Government Daybreak Hudson, Packer and Smith’s representatives over the way to deal with the state of affairs.
Lower than an hour after hanging Rock, Smith obtained a standing ovation and cheers from many within the Dolby when he was awarded the lead actor prize for his efficiency as the daddy of tennis stars Venus and Serena Williams in “King Richard.” In a tearful, practically six-minute acceptance speech, the actor steered that, like his character within the movie, he had been pushed by the impulse to guard his household and provided an apology to the academy and his fellow nominees, however to not Rock.
In a preview of an interview with “Good Morning America” slated to air Friday, Packer revealed that Los Angeles Cops had been ready to arrest Smith following the altercation, however Rock declined to press fees. “They stated … ‘We’re ready to get him proper now. You may press fees. We are able to arrest him,’” Packer stated. “They had been laying out the choices, and as they had been speaking, Chris was being very dismissive of these choices. He was like, ‘No, I’m positive.’ He was like, ‘No, no, no.’”
Since Sunday, dialog in Hollywood has been largely dominated by the stunning eruption of violence onstage, plunging the academy into an unprecedented disaster because it finds itself in an more and more unstable dispute with one of many trade’s most bankable and well-liked stars.
Earlier than an emergency assembly of its board of governors Wednesday, academy leaders Rubin and Hudson spoke with Smith by Zoom, based on a Selection report Thursday that cited unnamed sources. The academy went on to say that it had initiated disciplinary proceedings in opposition to Smith “for violations of the Academy’s Requirements of Conduct, together with inappropriate bodily contact, abusive or threatening habits and compromising the integrity of the Academy.”
The academy stated the last word repercussions for Smith — “which can embrace suspension, expulsion or different sanctions permitted by the Bylaws and Requirements of Conduct” — can be voted on by the group’s 54-member board, which incorporates such notables as Steven Spielberg, Ava DuVernay and Laura Dern, at a gathering on April 18. Smith was provided 15 days to offer a written response.
In the meantime, two of the present’s co-hosts, comedians Amy Schumer and Wanda Sykes, provided their reactions to the incident.
In an Instagram submit Wednesday, Schumer wrote: “Nonetheless triggered and traumatized. I like my good friend @chrisrock and imagine he dealt with it like a professional. … the entire thing was so disturbing.”
On Ellen DeGeneres’ daytime discuss present Wednesday, Sykes stated she “felt so terrible for my good friend Chris, and it was sickening. I bodily felt sick, and I’m nonetheless a bit traumatized by it.”
Sykes additionally criticized the choice to permit Smith to stay within the Dolby to obtain his Oscar after slapping Rock.
“For them to let him keep in that room and luxuriate in the remainder of the present and settle for his award, I used to be like, ‘How gross is that this? That is simply the incorrect message,’” she stated. “You assault any individual, you get escorted out the constructing and that’s it. For them to let him proceed, I believed it was gross. Plus, I wished to have the ability to run out after he received and say, ‘Sadly, Will couldn’t be right here tonight …’”
Rock himself made his first public feedback in regards to the incident at a stand-up present in Boston on Wednesday night. “I’m nonetheless type of processing what occurred,” he advised the gang, who greeted him with a standing ovation. “Sooner or later, I’ll discuss that s—. And will probably be critical and humorous.”
Additional controversy emerged when one of many producers of “Summer season of Soul” — which Rock named the Oscar winner for documentary function moments after being slapped — posted a now-deleted Twitter thread excoriating Smith for violence that forged a pall over the evening and Rock for making disrespectful feedback.
Joseph Patel, who’s of South Asian descent, stated he didn’t notice till after the present that Rock had introduced the winners of his class as director Ahmir “Questlove” Thompson and “4 white guys.”
“What each Will AND Chris did actually stained what ought to have been an attractive second for us,” Patel tweeted. He added: “The explanation that makes me so so very indignant is as a result of I used to be so proud to be one among a handful of South Asians to have ever received an Oscar within the historical past of the award,” Patel stated.
Neither Patel nor Rock responded to requests for remark.
It stays to be seen what disciplinary motion the academy will take in opposition to Smith. On Monday, Whoopi Goldberg, an academy governor, stated categorically on the daytime discuss present “The View”: “We’re not going to take that Oscar from him.”
However the determination on what measures to take will in the end be as much as the whole board. Since adopting a code of conduct for its members in 2017, the academy has ejected solely three members: producer Harvey Weinstein, director Roman Polanski and comedian-author Invoice Cosby.
Some have speculated that Smith’s membership might as an alternative be suspended for a sure time frame or that the actor — who has a movie popping out later this yr from Apple referred to as “Emancipation” — could possibly be barred from presenting at subsequent yr’s Oscars. (It’s customary for the earlier yr’s lead actor winner to current the lead actress trophy, as Anthony Hopkins did to Jessica Chastain this yr.)
Insiders say it might take three weeks for a closing decision to be reached, because the group plans to rigorously observe the procedures specified by its bylaws and requirements of conduct. (In 2019, Polanski filed a lawsuit in opposition to the academy, alleging that it had not adopted its personal protocols in expelling him, however in the end he misplaced the go well with.)
In a press release issued Monday, Smith referred to as his conduct “unacceptable and inexcusable,” apologizing to Rock and saying, “I used to be out of line and I used to be incorrect. I’m embarrassed and my actions weren’t indicative of the person I wish to be. There isn’t any place for violence in a world of affection and kindness.”
Talking on “The View” Thursday, Goldberg stated she believed that Smith had been requested to depart the Oscars, at the same time as she acknowledged that she wasn’t sure. “I wasn’t there — I can’t think about what was happening again there,” she stated. “However I do know that the one individual anyone ought to be specializing in, in my view, is Will.”
Occasions employees writers Glenn Whipp, Mark Olsen and Jen Yamato contributed to this report.
Movie Reviews
Miss You Movie Review
Miss You, a romantic comedy film starring Siddharth and Ashika Ranganath, is directed by Rajasekhar. The movie, released in theaters on December 13 last year, is now streaming on Amazon Prime from January 10. It weaves a mix of humor, emotions, and romance, appealing to family audiences.
Plot Summary:
The tale begins in Chennai, where Vasu (Siddharth) resides with his family. Aspiring to become a film director, Vasu is determined and passionate about his goals. However, his honesty and short temper often land him in trouble. One such incident involves him filing a police complaint against the son of a powerful minister, Chinarayudu (Sharath Lohithaswa), in connection with a murder case. Enraged, the minister orchestrates an accident to harm Vasu.
The accident leaves Vasu with amnesia, erasing all memories of the past two years. Since Vasu no longer remembers the incident, Chinarayudu decides to leave him alone. As Vasu recovers, he befriends Bobby (Karunakaran), who later takes him to Bangalore. Bobby owns a large coffee shop there, where Vasu starts working casually. During this time, he meets Subbalakshmi (Ashika Ranganath).
The moment Vasu sees Subbalakshmi, he falls deeply in love with her. When he confesses his feelings, she bluntly rejects him. Undeterred, Vasu decides to win her over with the help of his parents and returns to Chennai. He shows her photo to his family and expresses his love for her. However, his parents and friends are taken aback and strongly oppose the idea of their marriage, stating that it is impossible.
Why do they oppose the match? Who is Subbalakshmi, and what is her connection to Vasu’s forgotten past? The answers to these questions form the crux of the story.
Analysis:
Director Rajasekhar blends love, comedy, and family emotions into Miss You. The narrative is divided into two distinct halves: the first half builds the premise and mystery, while the second half focuses on uncovering the truth. The story’s unpredictability keeps the audience engaged.
The interactions between the hero and heroine, particularly a few key scenes, are impactful and relatable. The antagonist’s character is well-written and only appears when essential, maintaining the suspense. The emotional depth between the heroine and her father is another standout element.
While the narrative starts slowly, the screenplay gains momentum with each scene, making it compelling. The film offers fresh storytelling elements and relatable content for family audiences. However, the title, Miss You, may have failed to resonate with theatregoers, potentially impacting its box office performance.
Performances:
- Siddharth: Delivers a commendable performance, portraying Vasu’s emotional struggles with finesse. His depiction of a character caught between a confusing past and a chaotic present is impressive.
- Ashika Ranganath: Captivates with her glamorous appearance and expressive performance. Her emotional depth and chemistry with Siddharth are noteworthy.
- Karunakaran: Provides comic relief and serves as a reliable support to Siddharth’s character.
Technical Aspects:
- Direction: Rajasekhar’s ability to blend humour, romance, and drama works well for the narrative, making it appealing for a wide audience.
- Cinematography: Venkatesh’s visuals are striking, especially in key emotional and romantic scenes. The use of traditional attire, particularly Ashika’s saree sequences, adds elegance.
- Music: Ghibran’s songs are average, but his background score elevates the emotional impact of the film.
- Editing: Dinesh ensures a neat and concise narrative flow, keeping the film engaging despite its slow start.
Final Verdict:
While Miss You features heartfelt drama and family-friendly content, its title may have misled the audience into perceiving it as a dubbing film. Nevertheless, it offers a good mix of emotions and humor, making it a watchable family entertainer.
Entertainment
Pasadena Playhouse cancels 'Anything Goes,' 'Follies' concerts as fires threaten L.A. theater scene
Pasadena Playhouse producing artistic director Danny Feldman first had the idea years ago: concert stagings of classic American musicals, each featuring an all-star cast and a full orchestra.
The Tony-winning regional theater scheduled the shows for back-to-back weekends, three performances each, at the Pasadena Civic Auditorium: Cole Porter’s 1934 comedy “Anything Goes,” starring Jinkx Monsoon, Wayne Brady and J. Harrison Ghee and directed by Annie Tippe, on Jan. 25 and 26; and Stephen Sondheim’s 1971 composition “Follies,” led by Rachel Bay Jones, Stephanie J. Block, Derrick Baskin and Aaron Lazar and directed by Leigh Silverman, on Jan. 31 and Feb. 1.
But on Tuesday, multiple fires began to spread throughout areas of Los Angeles, killing 10 people and destroying thousands of homes, businesses and cultural institutions. The Eaton fire, which has burned 13,956 acres and structures in Altadena and Pasadena, spurred mandatory evacuations and official warnings about not consuming the region’s smoke-filled air and contaminated tap water supply.
With numerous Playhouse staff, board members and artists evacuated from their homes — some of which have been lost in the fires — as well as the ongoing hazardous conditions in the Pasadena area, Feldman made the decision on Friday to cancel all six performances.
“Everyone was trying their absolute hardest to keep going, but at a certain point, it just became clear that this wasn’t the best thing to move forward with,” Feldman said Friday afternoon. “We know how many people were looking forward to it, and we all were too. But my tiny heartbreak of all the work all of us have put into it pales in comparison to the loss everyone is dealing with, which is vast and overwhelming and deeply hitting.”
Rehearsals for “Anything Goes” began at the nonprofit theater on Tuesday but were canceled starting Wednesday. (“Follies” was scheduled to start rehearsals next week). The performances at the 3,000-seat Pasadena Civic Auditorium — a first-time expansion of the Playhouse’s commitment to put on regional revivals of classic American musicals — were well on track to hit sales goals, with a final marketing push set to unfold in the coming weeks. The theater will be contacting ticket holders for both shows about refunds and other ticket options.
“It’s a huge unknown, but two to three weeks from now, people might be ready to smile again and enjoy, and we’d have to put in the work now to make that happen,” Feldman said.
“But it just hit a point where it stopped making sense to ask folks to come together in smoky conditions to make a thing, as much as we’d be doing so in service of the community. It’s going to be a financial hit, but there are just bigger things at hand. We have to care for our people and our community and make sure we can get everyone through this moment together.”
The Playhouse’s cancellations are among many throughout L.A.’s live performance scene. The Hollywood Pantages Theatre canceled three performances of “Wicked” this week and is aiming to resume on Saturday afternoon. The Wallis rescheduled its weekend Jeremy Jordan concerts and the Los Angeles Chamber Orchestra performance; Los Angeles Philharmonic postponed its shows with Igor Levit and Cody Fry, among others. The Actors’ Gang Theater canceled the opening weekend of its 10-minute play festival “Night Miracles,” now starting on Jan. 16 and runs through Feb. 8.
Additionally, many other companies that were readying to open full productions also saw their plans thwarted by the fires. The world premiere of Laura Shamas’ “Four Women in Red” was set to begin this weekend at Victory Theatre Center and is now scheduled to begin Jan. 17. Moving Arts Theatre’s world premiere of Lisa Kenner Grissom’s “here comes the night,” initially scheduled to start shows Jan. 16, has delayed its first performance by a week.
Colony Theatre canceled its first weekend of performances of Arthur Miller’s “Death of a Salesman” and is aiming to begin its run on Jan. 14. The production is offering free tickets to firefighters and first responders on Jan. 14, 15, 21, 22 and 25 (with code LAFF) and is doubling as a donation center for nonperishable foods, clothing and pet supplies.
Rogue Machine Theatre’s West Coast premiere of Will Arbery’s “Evanston Salt Costs Climbing,” set to begin performances at the Matrix Theatre on Jan. 18, lost power during Wednesday’s rehearsal but continued its preparations with lanterns in the parking lot and later canceled two rehearsals. Center Theatre Group’s world premiere of Larissa Fasthorse’s “Fake It ‘Til You Make It,” scheduled to start performances at the Mark Taper Forum on Jan. 29, initially canceled rehearsals and has since resumed.
And both the Fountain Theatre’s production of Audrey Cefaly’s “Alabaster” (beginning Feb. 5) and A Noise Within’s staging of Shakespeare’s “Macbeth” (starting Feb. 9) have moved their rehearsals to Zoom this week.
These theaters are monitoring the situation as it develops, and preparing to potentially cancel more rehearsals and performances — a tough decision, said Feldman. But given the circumstances, it’s one that needs to be made.
“That phrase of ‘The show must go on’ is widely mistaken,” he said. “That’s for when you’re going onstage and your prop is missing, so you make it up. But when people are in pain and trauma the way our community is right now, I don’t think the show has to go on.”
Movie Reviews
‘Flow’ Movie Review: If You See One Animated Latvian Movie This Year, Make it This One
One of the more agreeable outcomes at this past weekend’s Golden Globes was Flow winning for Best Animated Feature. As of this writing, it’s still playing here in the Valley, at Pollack Cinemas in Tempe and at AMC Ahwatukee 24.
If you see only one Latvian animated movie about a cat this year, make it this one. Directed by young Gints Zilbalodis from a script he wrote with Matiss Kaza, this wordless, dreamlike, almost free-associational feature is possibly the most visually beautiful movie of the year, and it has one of the year’s most vividly drawn heroes, too.
The main character – the title character? I couldn’t be sure; the title (Straume in Latvian) may just refer to the flow of the waters that sweep the characters along – is a small, dark, short-haired cat with wide, perpetually alarmed eyes. The creature wanders an idyllic wooded area alongside a body of water, reflection-gazing and hoping to score a fish from some stray dogs.
Then an enormous flash flood rages through the area. The cat barely makes it to high ground, and eventually takes refuge, as the waters continue to rise, aboard a derelict boat which gathers an inexplicably diverse assortment of other animal refugees from different continents or islands: a patient capybara, a ring-tailed lemur with hoarder tendencies, a stern but protective secretary-bird, a playful, irksomely guileless retriever.
It may be a postapocalyptic world through which the craft carries this oddball crew; human habitations appear to be deserted, and a colossal whale that surfaces nearby from time to time seems to be a multi-flippered mutant. Gradually the animals learn to steer the boat a little; they also learn to care and even sacrifice for each other.
If this sounds sentimental and annoyingly anthropomorphic, I can only say that it didn’t feel that way to me. The animal behavior comes across believably, as does their capacity for growth and empathy. If it’s anthropomorphic, it’s about as low-key as anthropomorphism can be, and the subtle yet insistent sense of allegory for the human experience is moving.
Zilbalodis takes Flow into pretty epic and mystical realms in the later acts, yet on another level the movie works as an animal odyssey adventure in the genre of the Incredible Journey films, or Milo & Otis. At the core of it is the sympathetic and admirable pussycat, meowing indignantly at the perils all around, yet facing them with heart and pluck. It’s not to be missed.
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