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Connie Chiume, South African actor known for 'Black Panther' role, dies at 72

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Connie Chiume, South African actor known for 'Black Panther' role, dies at 72

South African actor Connie Chiume, best known in the U.S. for her appearances in the Marvel “Black Panther” movies, has died at age 72.

Chiume’s family announced her death on Instagram, saying she died Tuesday at a Johannesburg hospital.

“The Chiume Family regrets to inform you of the passing of the internationally acclaimed award-winning actress Connie Chiume,” the statement read. “Connie Chiume, 72, passed on at Garden City Hospital. … The Family asks for privacy during this difficult period.”

Chiume was a longtime actor in South Africa, gaining fame, as apartheid ended, with the popular TV series “Inkom’ Edla Yodwa” and on the soap opera “Rhythm City.” She appeared in multiple TV shows and films, tackling drama as well as comedy. Her performances earned her top South African film and television awards.

Chiume was born in Welkom, South Africa, on June 5, 1952, the fifth of nine children. She reportedly trained as a nurse and worked as a teacher before becoming a performer. In the late 1970s, she moved to Greece to join the cast of the musical “Sola Sola.”

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In 2022, she reflected on her career and changes to the South African film industry.

“When I started, there wasn’t even a TV station for Black people,” Chiume told News24. “There’s been progress in that aspect and the money that we were earning then, it’s much, much better now. But there’s still a lot we can do to change the landscape.”

The actor gained notoriety in Hollywood for her role as mining tribe elder Zawavari in Marvel’s “Black Panther.”

Chuime told South Africa’s Sunday Times that when she auditioned for “Black Panther,” she didn’t realize what she was getting into.

“I went to an audition not knowing what I was auditioning for,” Chuime said. “I went there and I was given a piece that I was supposed to do. I could see that this person is an African who was addressing the nation. I wore my African regalia, I learnt my lines. I did my best.”

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The role was small, but she told News24 that starring alongside Michael B. Jordan, Angela Bassett and other Hollywood superstars, she’d earned dreamed-of recognition.

The movie, which premiered in 2018, went on to break several box-office records, becoming the highest-grossing picture directed by a Black filmmaker.

Chiume later reprised her role for the sequel, “Wakanda Forever,” in 2022.

The actor also appeared on Beyoncé’s visual album, “Black Is King,” based on “The Lion King,” in which she played Simba’s mother, Sarabi.

Her most recent roles were in South African Netflix productions, the film “Heart of the Hunter,” which was released earlier this year, and the series “Soon Comes Night” in February.

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Chiume is survived by her three children and five grandchildren.

Movie Reviews

Movie Review: The Mortuary Assistant – HorrorFuel.com: Reviews, Ratings and Where to Watch the Best Horror Movies & TV Shows

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Movie Review: The Mortuary Assistant – HorrorFuel.com: Reviews, Ratings and Where to Watch the Best Horror Movies & TV Shows

Forget the “video game movie” curse; The Mortuary Assistant is a bone-chilling triumph that stands entirely on its own two feet. Starring Willa Holland (Arrow) as Rebecca Owens, the film follows a newly certified mortician whose “overtime shift” quickly devolves into a grueling battle for her soul.

What Makes It Work

The film expertly balances the stomach-churning procedural work of embalming with a spiraling demonic nightmare. Alongside a mysterious mentor played by Paul Sparks (Boardwalk Empire), Rebecca is forced to confront both ancient evils and her own buried traumas. And boy, does she have a lot of them.

Thanks to a full-scale, practical River Fields Mortuary set, the film drips with realism, like you can almost smell the rot and bloat of the bodies through the screen.

The skin effects are hauntingly accurate. The way the flesh moves during surgical scenes is so visceral. I’ve seen a lot of flesh wounds in horror films and in real life, and the bodies, skin, and organs. The Mortuary Assistant (especially in the opening scene) looks so real that I skipped supper after watching it. And that’s saying something. Your girl likes to eat.

Co-written by the game’s creator, Brian Clarke, the movie dives deeper into the demonic mythology. Whether you’ve seen every ending or don’t know a scalpel from a trocar, the story is perfectly self-contained. If you’ve never played the game, or played it a hundred times, the film works equally well, which is hard to do when it comes to game adaptations.

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Nailed It

This film does a lot of things right, but the isolation of the night shift is suffocating. Between the darkness of the hallways and the “residents” that refuse to stay still, the film delivers a relentlessly immersive experience. And thankfully, although this movie is filled with dark rooms and shadows, it’s easy to see every little thing. Don’t you hate it when a movie is so dark that you can’t see what’s happening? It’s one of my pet peeves.

The oh-so-awesome Jeremiah Kipp directs the film and has made something absolutely nightmare-inducing. Kipp recently joined us for an interview, took us inside the film, discussed its details and the game’s lore, and so much more. I urge you to check out our interview. He’s awesome!

The Verdict

This isn’t just a cash-grab; it’s a high-effort adaptation that respects the source material while elevating the horror genre. With incredible special effects and a powerhouse cast, it’s the kind of movie that will make you rethink working late ever again. Dropping on Friday the 13th, this is a must-watch for horror fans. It’s grisly, intelligent, and genuinely terrifying.

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Former Live Nation executive says he was fired after raising ‘financial misconduct’ concerns

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Former Live Nation executive says he was fired after raising ‘financial misconduct’ concerns

A former executive at Live Nation, the world’s largest live entertainment company, is suing the company, alleging that he was wrongfully terminated after he raised concerns about alleged financial misconduct and improper accounting practices.

Nicholas Rumanes alleges he was “fraudulently induced” in 2022 to leave a lucrative position as head of strategic development at a real estate investment trust to create a new role as executive vice president of development and business practice at Beverly Hills-based Live Nation.

In his new position, Rumanes said, he raised “serious and legitimate alarm” over the the company’s business practices.

As a result, he says, he was “unlawfully terminated,” according to the lawsuit filed Thursday in Los Angeles County Superior Court.

“Rumanes was, simply put, promised one job and forced to accept another. And then he was cut loose for insisting on doing that lesser job with integrity and honesty,” according to the lawsuit.

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He is seeking $35 million in damages.

Representatives for Live Nation were not immediately available for comment.

The lawsuit comes a week after a federal jury in Manhattan found that Live Nation and its Ticketmaster subsidiary had operated a monopoly over major concert venues, controlling 86% of the concert market.

Rumanes’ lawsuit describes a “culture of deception” at Live Nation, saying its “basic business model was to misstate and exaggerate financial figures in efforts to solicit and secure business.”

Such practices “spanned a wide spectrum of projects in what appeared to be a company-wide pattern of financial misrepresentation and misleading disclosures,” the lawsuit states.

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Rumanes says he received materials and documents that showed that the company inflated projected revenues across multiple venue development projects.

Additionally, Rumanes contends that the company violated a federal law that requires independent financial auditing and transparency and instead ran Live Nation “through a centralized, opaque structure” that enables it to “bypass oversight and internal checks and balances.”

In 2010, as a condition of the Live Nation-Ticketmaster merger, the newly formed company agreed to a consent decree with the government that prohibited the firm from threatening venues to use Ticketmaster. In 2019 the Justice Department found that the company had repeatedly breached the agreement, and it extended the decree.

Rumanes contends that he brought his concerns to the attention of the company’s management, but his warnings were “repeatedly ignored.”

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Movie Reviews

‘Madhuvidhu’ movie review: A light-hearted film that squanders a promising conflict

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‘Madhuvidhu’ movie review: A light-hearted film that squanders a promising conflict

At the centre of Madhuvidhu directed by Vishnu Aravind is a house where only men reside, three generations of them living in harmony. Unlike the Anjooran household in Godfather, this is not a house where entry is banned to women, but just that women don’t choose to come here. For Amrithraj alias Ammu (Sharafudheen), the protagonist, 28 marriage proposals have already fallen through although he was not lacking in interest.

When a not-so-cordial first meeting with Sneha (Kalyani Panicker) inevitably turns into mutual attraction, things appear about to change. But some unexpected hiccups are waiting for them, their different religions being one of them. Writers Jai Vishnu and Bipin Mohan do not seem to have any major ambitions with Madhuvidhu, but they seem rather content to aim for the middle space of a feel-good entertainer. Only that they end up hitting further lower.

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