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Coalition urges California attorney general to halt OpenAI's for-profit restructuring

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Coalition urges California attorney general to halt OpenAI's for-profit restructuring

A coalition of California nonprofits, foundations and labor groups are raising concerns about ChatGPT maker OpenAI, urging the state attorney general to halt the artificial intelligence startup’s plans to restructure itself as a for-profit company.

More than 50 organizations, led by LatinoProsperity and the San Francisco Foundation, signed a petition that was sent to Atty. Gen. Rob Bonta’s office on Wednesday, requesting he investigate the Sam Altman-led company.

“OpenAI began its work with the goal of developing AI to benefit humanity as a whole, but its current attempt to alter its corporate structure reveals its new goal: providing AI’s benefits — the potential for untold profits and control over what may become powerful world-altering technologies — to a handful of corporate investors and high-level employees,” the petition said.

San Francisco-based OpenAI began as a nonprofit in 2015 and later launched a for-profit subsidiary to oversee its commercial operations. Currently, the nonprofit’s board oversees that subsidiary, which develops products and services including ChatGPT and text-to-video tool Sora.

But as the competition among AI companies heated up, OpenAI said it needed to change its business structure to raise more money. In December, OpenAI said it would explore transitioning its commercial subsidiary into a public benefit corporation, a type of for-profit business where the OpenAI nonprofit would have an ownership stake but would no longer control it.

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When OpenAI began as a nonprofit research lab, there were no plans for a product — just plans to put out research papers, Altman told newsletter Stratechery in March.

Over time, OpenAI has grown to be a leader in the AI space, with 500 million people using ChatGPT weekly. If he could go back, Altman said he would have set up the company differently.

“We knew that scaling computers was going to be important, but we still really underestimated how much we needed to scale them,” Altman said in a conversation with Harvard Business School.

Other AI startups including Anthropic and xAI are public benefit corporations.

The proposed change in OpenAI’s structure raised eyebrows among some nonprofit leaders. The petition was doubtful that OpenAI’s charitable assets would be protected, accused OpenAI of not complying with nonprofit rules and raised concerns that other startups would use a nonprofit structure “to create accelerated and amplified possibilities for individual financial benefit.”

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OpenAI’s nonprofit board went through a major shakeup in 2023. The board voted to fire Altman for alleged lack of consistent candor in his communications with board members. He was later reinstated five days later and the board was restructured, with several opposing board members leaving.

This month, OpenAI said it completed a $40-billion funding round led by SoftBank, bringing its valuation to $300 billion. As part of the deal, SoftBank can reduce its investment if OpenAI does not change its corporate structure by the end of the year.

Unlike for-profit businesses, nonprofits are limited in how funds raised are used.

“They can’t sell stock or offer returns,” said Neil Elan, a partner at law firm Stubbs, Alderton and Markiles LLP. “Equity is what drives a lot of these high valuation models. It’s also difficult to fully compete with Meta, Microsoft and Google, which have access to a lot more resources … without comparable funding.”

OpenAI now ranks as the second most valuable privately held company, tied with TikTok’s parent company ByteDance, according to research firm CB Insights. The private firm with the highest valuation is Elon Musk’s SpaceX at $350 billion.

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“This is a kind of unprecedented conversion in terms of its size and we just want to make sure that the attorney general really exercises his powers to protect those charitable assets,” said Orson Aguilar, CEO and founding president of LatinoProsperity, an L.A.-based nonprofit that focuses on advancing policies that build wealth in the Latino community.

Some nonprofit leaders said what’s happening with OpenAI reminds them of the transition that nonprofit healthcare providers made to for-profits in the 1990s. Government leaders stepped in to help regulate that process.

LatinoProsperity, San Francisco Foundation and other nonprofits first raised concerns to the attorney general in January.

Bonta has sought more information regarding OpenAI’s restructuring, with his deputy attorney general reaching out to the AI startup and requesting it provide more details. Earlier this year, Bonta’s office told news outlet CalMatters that it’s an ongoing investigation and the department “is committed to protecting charitable assets for their intended purpose and takes this responsibility seriously.”

Aguilar says “there hasn’t been any meaningful action.”

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Some of OpenAI’s competitors have opposed the company’s plans. Last year, Meta wrote to the attorney general. Musk, a co-founder of OpenAI who now runs rival xAI, sued OpenAI, seeking to stop OpenAI from changing its corporate structure.

Nathanael Fast, director of the Neely Center for Ethical Leadership and Decision Making at USC Marshall School of Business, thinks OpenAI will be able to move forward with its plans despite the opposition.

“The big question is, what will happen to the values that they have once all the dust settles and they become a corporation that is competing with other for-profit corporations?” Fast said. “Will they have unique values that they hold on to from their early days as a nonprofit? Or will they look just like any other profit-oriented company?”

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Movie Reviews

Primate

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Primate
Every horror fan deserves the occasional (decent) fix, andin the midst of one of the bleakest movie months of the year, Primatedelivers. There’s nothing terribly original about Johannes Roberts’ rabidchimpanzee tale, but that’s kind of the …
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Tom Cherones, director and producer of ‘Seinfeld,’ dies at 86

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Tom Cherones, director and producer of ‘Seinfeld,’ dies at 86

Television director and producer Tom Cherones, best known for his work on the first five seasons of the Emmy-winning series “Seinfeld,” has died. He was 86.

He died Jan. 5 at his home in Florence, Ore., according to a statement from his family.

He directed some of the most iconic episodes of “Seinfeld,” including “The Chinese Restaurant,” “The Parking Garage” and “The Contest.” The first episode he directed was the show’s second-ever episode, “The Stake Out.” The director ultimately helmed over 80 episodes of the show.

“I think they liked the way I ran the set,” Cherones said of why he was chosen to direct so many “Seinfeld” episodes in an interview with the Television Academy Foundation. “I shot the show a little different … I just shot it in a way that I thought made it look better than the average show.”

Cherones left the show at the behest of its star Jerry Seinfeld.

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“Jerry asked me to [leave], he was tired of the same thing I guess,” he told the Television Academy Foundation. “We changed writers almost every season and finally he just wanted somebody else, another presence to try to keep it fresh. He always said from the beginning that when this thing isn’t working anymore we’re going to stop.”

Cherones received six Emmy nominations for his work on “Seinfeld,” winning his sole Emmy for his production work in 1993.

“Seinfeld” star Jason Alexander mourned Cherones death in an Instagram post on Friday.

“Tom directed nearly half the ‘Seinfeld’ episodes. He created the visual style and tone and how to capture the magical interplay of our cast,” Alexander wrote.

“His generosity also enabled me to become a member of the Directors Guild and he was a wonderful mentor. He was a good guy and a wonderful director and teacher. Generations of our fans have and will continue to enjoy his work. Thanks for everything, Tom. Rest well. My love to your family and friends.”

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After leaving “Seinfeld,” Cherones would go on to direct 23 episodes of the second season of the Ellen DeGeneres sitcom “Ellen.” He also directed several episodes of the ‘90s NBC sitcoms “Caroline in the City” and “NewsRadio” and stand-alone episodes of “Sabrina the Teenage Witch,” “Boston Common” and “Desperate Housewives.”

Cherones was born Sept. 11, 1939, in Tuscaloosa, Ala., and graduated with a degree in journalism from the University of New Mexico in 1961. After a four-year stint in the U.S. Navy, he earned a master’s degree from the University of Alabama in 1967.

He worked at a PBS affiliate station in Pittsburgh, including aiding in the production of “Mister Rogers’ Neighborhood.” Cherones moved to L.A. in 1975 and found production work on such series as “General Hospital” and “Welcome Back, Kotter,” and with several of the major Hollywood production studios.

Later in life, Cherones returned to the University of Alabama to teach production classes from 2002 to 2014.

Cherones is survived by his wife Carol E. Richards, his daughter Susan Cherones Lee, son Scott Cherones and two grandchildren, Jessa and Thomas Cherones.

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Movie Reviews

1986 Movie Reviews – Black Moon Rising | The Nerdy

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1986 Movie Reviews – Black Moon Rising | The Nerdy
by Sean P. Aune | January 10, 2026January 10, 2026 10:30 am EST

Welcome to an exciting year-long project here at The Nerdy. 1986 was an exciting year for films giving us a lot of films that would go on to be beloved favorites and cult classics. It was also the start to a major shift in cultural and societal norms, and some of those still reverberate to this day.

We’re going to pick and choose which movies we hit, but right now the list stands at nearly four dozen.

Yes, we’re insane, but 1986 was that great of a year for film.

The articles will come out – in most cases – on the same day the films hit theaters in 1986 so that it is their true 40th anniversary. All films are also watched again for the purposes of these reviews and are not being done from memory. In some cases, it truly will be the first time we’ve seen them.

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This time around, it’s Jan. 10, 1986, and we’re off to see Black Moon Rising.

Black Moon Rising

What was the obsession in the 1980s with super vehicles?

Sam Quint (Tommy Lee Jones) is hired to steal a computer tape with evidence against a company on it. While being pursued, he tucks it in the parachute of a prototype vehicle called the Black Moon. While trying to retrieve it, the car is stolen by Nina (Linda Hamilton), a car thief working for a car theft ring. Both of them want out of their lives, and it looks like the Black Moon could be their ticket out.

Blue Thunder in the movies, Airwolf and Knight Rider on TV, the 1980s loved an impractical ‘super’ vehicle. In this case, the car plays a very minor role up until the final action set piece, and the story is far more about the characters and their motivations.

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The movie is silly as you would expect it to be, but it is never a bad watch. It’s just not anything particularly memorable.

1986 Movie Reviews will continue on Jan. 17, 2026, with The Adventures of the American Rabbit, The Adventures of Mark Twain, The Clan of the Cave Bear, Iron Eagle, The Longshot, and Troll.


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