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Beyoncé is Billboard's greatest pop star of the 21st century. Mom Tina isn't surprised

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Beyoncé is Billboard's greatest pop star of the 21st century. Mom Tina isn't surprised

The end of the 21st century is still decades away, but Billboard has already declared its greatest pop star: Beyoncé.

The music magazine on Tuesday revealed that the “Crazy in Love” and “Formation” diva had secured the top spot among 25 generational pop talents, including Taylor Swift, Justin Bieber, Rihanna, Drake and Lady Gaga. Billboard’s editorial staff selected Queen Bey for her “full 25 years of influence, evolution and impact,” the outlet announced.

“She’s been Beyoncé for 25 years now, and as she continues to challenge herself (and by extension, the rest of the pop world) to find new and different ways to be define [sic] greatness,” wrote Billboard deputy editor Andrew Unterberger, “it doesn’t seem like she’s going to stop being Beyoncé anytime soon.”

As part of its Beyoncé celebration, Billboard published an essay that chronicled the “Single Ladies” singer’s career from her Destiny’s Child days in the late 1990s to her most recent album, “Cowboy Carter.” The career retrospective praised the Houston native’s consistency, her ubiquity across music and other facets of pop culture — including film and fashion — and her “commitment to innovation.”

While the music outlet dedicated thousands of words to Beyoncé’s life and career, the singer’s mom, Tina Knowles, offered a handful in response to her daughter’s latest honor.

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“That’s nice. That’s very nice,” Knowles told TMZ during a brief exchange Tuesday evening on the Sunset Strip.

When the reporter asked whether her family gets “used to those titles” and accolades, Knowles simply responded, “Yeah.”

The “16 Carriages” and “Texas Hold ’Em” singer has not yet publicly addressed her latest honor.

Knowles, Destiny’s Child’s former costume designer and mother to “Cranes in the Sky” artist Solange, isn’t shy about celebrating her superstar kin. On her Instagram, Knowles hypes her daughters’ magazine covers, album sales and even their nonmusic ventures, such as Beyoncé’s Cécred haircare line and her SirDavis whiskey brand.

On Tuesday, Knowles also touted Beyoncé’s upcoming NFL halftime show. The Grammy winner’s performance will stream Christmas Day on Netflix when the Houston Texans host the Baltimore Ravens at NRG Stadium. Knowles told TMZ that “excellence” is what viewers can expect from the holiday gig.

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Taylor Swift, who soon will wrap her blockbuster Eras tour after nearly two years, secured the No. 2 spot on Billboard’s list. The historic Grammy winner (she is the only artist to win album of the year four times) “is the most famous woman in the world,” according to Billboard. However, the well-meaning praise inadvertently sparked a twofold backlash last week when her ranking was announced. Before Beyoncé landed the top spot, some of Swift’s legion of fans, known as Swifties, called out Billboard about her second-place ranking and made the case for the “Lavender Haze” singer to be No. 1.

“I like Beyoncé but she’s nowhere near Taylor’s level when it comes to impact and numbers,” a fan tweeted last week. Another Swift devotee on X (formerly Twitter) also cited the “Love Story” pop star’s “commercial success” and “record-breaking sales” as reasons for her to claim the top spot.

Adding salt to the wound, Billboard included a controversial snippet of Kanye West’s “Famous” music video in its montage meant to celebrate Swift. The Billboard clip reportedly featured the music video’s infamous wax figure modeled after a naked Swift, prompting Billboard to issue an apology for including the clip “that falsely depicted her.”

“We have removed the clip from our video and sincerely regret the harm we caused with this error,” the outlet tweeted.

In Tuesday’s Beyoncé reveal, Billboard acknowledged Swift’s accomplishments, lauding her as the “lone artist who really challenged Beyoncé for the top spot” and celebrating her dominance in album sales, streaming and touring. However, she “simply hasn’t been around for long enough to be able to match the expansiveness of [Beyoncé’s] quarter-century of dominance,” the magazine said.

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Still, Swift found success with Spotify, which announced Wednesday that the “Shake It Off” diva was its most-streamed artist of the year. Swift also earned the title last year.

“In her Global Top Artist era,” Spotify tweeted Wednesday. “Congratulations Taylor Swift on the over 26+ billion streams in 2024.”

Joining Swift as the audio platform’s top 10 global artists are fellow Billboard 21st century greatest pop star honorees Drake, Ariana Grande, The Weeknd, Bad Bunny and Kanye West.

“You guys are unbelievable. What an amazing thing to find out going into our last weekend of eras shows,” Swift wrote to fans Wednesday in an Instagram story. “THANK YOU!”

For Beyoncé and Swift, their respective Billboard and Spotify wins can be a boon as they prepare for the 2025 Grammy Awards. In November, Beyoncé earned 11 nominations, the most of the latest crop of Grammy hopefuls. Top nominees also include Charli XCX, Billie Eilish, Kendrick Lamar, Post Malone, Sabrina Carpenter, Chappell Roan and Swift.

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Who will win the top Grammy prizes? It’s best to stick around, ‘round, ‘round for when the ceremony is broadcast on CBS and streams live from Los Angeles’ Crypto.com Arena on Feb. 2

The Associated Press contributed to this report.

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Movie Reviews

Movie Review: ‘Gladiator II’ | Recent News

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“Gladiator II” has some awfully big sandals to fill, both commercially and creatively. Its predecessor, 2000’s “Gladiator,” made $187 million at the domestic box office. The new film has thus far made an estimated $132 million after three weekends of release. With a lot of money up for grabs in the upcoming holiday season, another $55 million isn’t out of the question. Maybe I could even stretch to see it making the $68 million it needs to hit the $200 million mark. Yes, inflation means that it’s less impressive to make these numbers now than it did nearly a quarter-century ago, but these are attainable goals.

What I do not see as attainable is the sequel ever becoming as well-regarded as the original. That film won the Academy Award for Best Picture, so already the new one has to live up to an impossibly high (dare I say “gold”?) standard. But even with realistic standards, this movie is still a disappointment.

The second film takes place a few decades after the first, with the once-great Roman Empire ready to collapse under the blissfully-ignorant rule of twin emperors Geta (Joseph Quinn) and Caracalla (Fred Hechinger). They’re still greedy enough to want to expand the empire, so they send out top general Acacius (Pedro Pascal) to conquer a kingdom in Africa. Acacius doesn’t believe in the imperialist cause, but he’s sworn allegiance to his home, so he sacks the kingdom, which includes killing the wife of top soldier Hanno (Paul Mescal), who swears revenge.

Hanno is taken prisoner and sold into slavery, where he’s served up as a potential gladiator without much consideration. But he impresses in his tryout against a troop of baboons, and is purchased by Macrinus (Denzel Washington), a former slave who sees managing gladiators as a way to curry favor with the emperors, feeding into political ambitions and possibly even a power grab. He makes a deal with Hanno that if his “personal instrument of destruction” can become a superstar in the Colosseum, he’ll eventually give him a chance at revenge against Acacius.

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Hanno is conflicted between wanting revenge and not wanting to be used as a political pawn for a slimeball like Macrinus. He’s not conflicted about wanting to stay alive, however, so he plays along in putting together a string of victories. Also, Acacius’s wife Lucilla (Connie Nielsen), the daughter of former emperor Aurelius, notices that Hanno bears a striking resemblance to her long-lost son Luscious. And Luscious’s father… is not Acacius.

The story and action aren’t very engaging in “Gladiator II,” with choppy editing and plodding pacing. But the real weakness of the movie is the acting. Pascal and Nielsen are fine, and the emperors get to do some fun scenery-chewing, but whoever thought that bland pretty-boy Paul Mescal could be an inspirational protagonist on par with the iconic Russell Crowe made a severe miscalculation. Also, and I’m not saying that the rest of the cast is exactly making me feel immersed in Roman culture, but there’s something so unmistakably American about Denzel Washington. Maybe it’s his voice, maybe it’s his mannerisms, maybe it that he shares a last name with the nation’s capital, but he belongs at Caesar’s Palace much more than he belongs at… these Caesars’… palace. He’s too Vegas-y is what I’m saying.

“Gladiator II” has my permission to be a modest financial hit as long as it stays in the shadow of superior recent releases “Moana 2” and “Wicked,” the latter of which has much scarier CGI primates. But it hasn’t won me over as a movie worth recommending, and I definitely don’t consider it an awards contender. Am I not entertained? Taking into account the wording of that question, I can say that yes, I am not entertained.

Grade: C-

“Gladiator II” is rated R for strong bloody violence. Its running time is 148 minutes.

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Robert R. Garver is a graduate of the Cinema Studies program at New York University. His weekly movie reviews have been published since 2006.

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Best of 2024: Our picks for the top TV shows, movies, music, books, art and theater

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Best of 2024: Our picks for the top TV shows, movies, music, books, art and theater

What was best in 2024?

How about “Dune: Part Two” and “Anora”? Beyoncé, Sabrina Carpenter, Chappell Roan? “The Vince Staples Show” and “The Completely Made-Up Adventures of Dick Turpin.” Mickalene Thomas and Judithe Hernández. Old movie theaters reborn as concert halls, and young musicians who played with as much power and meaning as the pros. “Kimberly Akimbo” and “Waiting for Godot.”

Great artists and entertainers got us through a roller-coaster year. Here’s our annual salute to the best.

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The best movies of 2024 — and where to find them

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The best TV shows of 2024

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Theater in 2024 — the silver lining of a challenging year

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10 artworks that stole the show at L.A. museums in 2024

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Best of 2024: Eleven bright spots in classical music during a dark, complicated year

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A risograph print with colorful graphic elements and an image of children playing stringed instruments.

How youth orchestras delivered the three most powerful performances of 2024

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    Here’s the complete list of 2025 Grammy nominees

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    The 24 best songs of 2024 so far

  • Austin Butler in the movie “The Bikeriders”; Lily (Sasha Lane) and Tyler (Glen Powell) in “Twisters”; Colman Domingo in “Sing Sing.”

    The 15 movies you need to see this summer

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Wicked Movie Review

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Wicked Movie Review

The opinions expressed in this article are the writer’s own and do not reflect the views of Her Campus.

This article is written by a student writer from the Her Campus at Augustana chapter.

During Thanksgiving week, I saw Wicked, starring Cynthia Erivo as Elphaba and Ariana Grande as Glinda. I went in thinking the movie would be just another cash grab that would be lifeless and mediocre. However, I was proven incredibly wrong, and for that, I am grateful. And I cannot wait for the second part coming next year. I will wait patiently, hoping it is as great as the first part.

Anyway, enough ranting; let’s get into the movie. Wicked is an adaptation of the Broadway musical of the same name, based on the book “The Life and Times of the Wicked Witch of the West” by Gregory Maguire, which is loosely based on L. Frank Baum’s novel “The Wizard of Oz.”

John Chu directed the movie, which delivers a dazzling cinematic experience. As I’ve stated before, the film is split into two parts. With stunning visuals and stirring performances, it explores the origins of Elphaba and Glinda while tying together themes of friendship, prejudice, and the cost of ambition.

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The film is a sensory extravaganza with a vivid production design that captures Oz in stunning detail. Chu elevates the musical numbers with dynamic camera work and visual effects, fusing real-world sets with CGI to produce an incredible yet engaging atmosphere. However, there are some moments where the visuals drag. The lighting could often be better, which could take away from the visuals. Other than that, it is excellent.

Cynthia Erivo’s portrayal of Elphaba is especially remarkable because of her nuanced performance, which successfully captures the character’s vulnerability and strength. Her rendition of “Defying Gravity” is a cinematic high point, cementing her as the film’s heart. I felt euphoric and goosebumps, as though I were with her in that instant, defying gravity. In her portrayal of Glinda, Ariana Grande excelled at balancing her comedic charm and emotional depth, especially in her rendition of “Popular.” I laughed at times, which was surprising as it wasn’t advertised as a comedy.  Unquestionably, Erivo and Grande have chemistry together, highlighting the complexity of their friendship.

Overall, Wicked was an excellent character-driven story. It was enjoyable with its lush visuals, unforgettable performances, and narrative. The ending perfectly sets the stage for part two. I know it left me wanting even more.  

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