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Alice Munro's daughter reveals sexual abuse by stepfather, says mother stayed silent

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Alice Munro's daughter reveals sexual abuse by stepfather, says mother stayed silent

Canadian author Alice Munro established a celebrated and award-winning career with her short stories. However, more than a month after Munro’s death, her estranged daughter says that the writer failed to acknowledge one key narrative: Her second husband was a child sex abuser.

Andrea Robin Skinner, one of Munro’s three daughters with ex-husband James Munro, revealed in an opinion column for the Toronto Star published Sunday that she was sexually abused by her stepfather, Gerald Fremlin. Skinner also alleged that her mother stayed quiet and remained married to Fremlin, despite knowing about the abuse.

“She was adamant that whatever had happened was between me and my stepfather. It had nothing to do with her,” Skinner wrote.

In the column, Skinner said that Fremlin assaulted her when she was 9 years old in 1976, the same year Munro married the geographer. Skinner said the abuse occurred at the author’s home in Clinton, Ontario, when her mother was out and she was left alone with Fremlin.

When Skinner returned to her mother’s Clinton home every summer as a child, Fremlin made “lewd jokes, exposed himself during car rides, told me about the little girls in the neighbourhood he liked and described my mother’s sexual needs” when they were alone, she wrote.

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“At the time, I didn’t know this was abuse.”

Fremlin allegedly also had exposed himself to a friend’s 14-year-old daughter, but he denied those allegations. When she was 25, Skinner wrote a letter to her mother detailing the abuse she had experienced. Munro was not sympathetic, Skinner said. After briefly leaving Fremlin, Munro told Skinner of her husband’s “friendships” with other children and said she “had been betrayed.”

“When I tried to tell her how her husband’s abuse had hurt me, she was incredulous,” Skinner wrote.

After her revelation, Skinner said, Fremlin allegedly threatened her if she sought help from police, wrote letters to her family and blamed her for the abuse, describing her as a “homewrecker.” Despite the threats, Munro reunited with Fremlin, Skinner said.

Skinner said she finally brought her complaint to police when she was 38. Fremlin was charged in 2005 with “indecently assaulting” her in the summer of 1976. He pleaded guilty that same year and was sentenced to two years of probation, she said. He died in 2013.

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Skinner, who sought therapy so she could move forward from her abuse, said she went no-contact with her mother after the birth of her twins, and never reconciled with her.

In 2013, Munro won the Nobel Prize in literature. The achievement followed decades of works, including “Lives of Girls and Women,” “What Is Remembered” and “Dear Life,” that garnered Munro praise from literary contemporaries including John Updike and Joyce Carol Oates. Skinner said she wanted her story of abuse to “become part of the stories people tell about my mother.”

“I never wanted to see another interview, biography or event that didn’t wrestle with the reality of what had happened to me, and with the fact that my mother, confronted with the truth of what had happened, chose to stay with, and protect, my abuser,” she wrote. “Unfortunately, that’s not what happened. My mother’s fame meant the silence continued.”

Skinner said she had informed several members of her family, including her siblings and her father, about the abuse. Now 57, Skinner said the “healing continues.” She wrote about her work with an organization that supports survivors of childhood sexual abuse.

Munro died May 13 at her home in Port Hope, Ontario. A cause of death was not revealed at the time. She was 92. Skinner wrote that she grieved the loss of her mother, and that “was an important part of my healing.”

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Movie Review: The Mortuary Assistant – HorrorFuel.com: Reviews, Ratings and Where to Watch the Best Horror Movies & TV Shows

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Movie Review: The Mortuary Assistant – HorrorFuel.com: Reviews, Ratings and Where to Watch the Best Horror Movies & TV Shows

Forget the “video game movie” curse; The Mortuary Assistant is a bone-chilling triumph that stands entirely on its own two feet. Starring Willa Holland (Arrow) as Rebecca Owens, the film follows a newly certified mortician whose “overtime shift” quickly devolves into a grueling battle for her soul.

What Makes It Work

The film expertly balances the stomach-churning procedural work of embalming with a spiraling demonic nightmare. Alongside a mysterious mentor played by Paul Sparks (Boardwalk Empire), Rebecca is forced to confront both ancient evils and her own buried traumas. And boy, does she have a lot of them.

Thanks to a full-scale, practical River Fields Mortuary set, the film drips with realism, like you can almost smell the rot and bloat of the bodies through the screen.

The skin effects are hauntingly accurate. The way the flesh moves during surgical scenes is so visceral. I’ve seen a lot of flesh wounds in horror films and in real life, and the bodies, skin, and organs. The Mortuary Assistant (especially in the opening scene) looks so real that I skipped supper after watching it. And that’s saying something. Your girl likes to eat.

Co-written by the game’s creator, Brian Clarke, the movie dives deeper into the demonic mythology. Whether you’ve seen every ending or don’t know a scalpel from a trocar, the story is perfectly self-contained. If you’ve never played the game, or played it a hundred times, the film works equally well, which is hard to do when it comes to game adaptations.

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Nailed It

This film does a lot of things right, but the isolation of the night shift is suffocating. Between the darkness of the hallways and the “residents” that refuse to stay still, the film delivers a relentlessly immersive experience. And thankfully, although this movie is filled with dark rooms and shadows, it’s easy to see every little thing. Don’t you hate it when a movie is so dark that you can’t see what’s happening? It’s one of my pet peeves.

The oh-so-awesome Jeremiah Kipp directs the film and has made something absolutely nightmare-inducing. Kipp recently joined us for an interview, took us inside the film, discussed its details and the game’s lore, and so much more. I urge you to check out our interview. He’s awesome!

The Verdict

This isn’t just a cash-grab; it’s a high-effort adaptation that respects the source material while elevating the horror genre. With incredible special effects and a powerhouse cast, it’s the kind of movie that will make you rethink working late ever again. Dropping on Friday the 13th, this is a must-watch for horror fans. It’s grisly, intelligent, and genuinely terrifying.

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Former Live Nation executive says he was fired after raising ‘financial misconduct’ concerns

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Former Live Nation executive says he was fired after raising ‘financial misconduct’ concerns

A former executive at Live Nation, the world’s largest live entertainment company, is suing the company, alleging that he was wrongfully terminated after he raised concerns about alleged financial misconduct and improper accounting practices.

Nicholas Rumanes alleges he was “fraudulently induced” in 2022 to leave a lucrative position as head of strategic development at a real estate investment trust to create a new role as executive vice president of development and business practice at Beverly Hills-based Live Nation.

In his new position, Rumanes said, he raised “serious and legitimate alarm” over the the company’s business practices.

As a result, he says, he was “unlawfully terminated,” according to the lawsuit filed Thursday in Los Angeles County Superior Court.

“Rumanes was, simply put, promised one job and forced to accept another. And then he was cut loose for insisting on doing that lesser job with integrity and honesty,” according to the lawsuit.

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He is seeking $35 million in damages.

Representatives for Live Nation were not immediately available for comment.

The lawsuit comes a week after a federal jury in Manhattan found that Live Nation and its Ticketmaster subsidiary had operated a monopoly over major concert venues, controlling 86% of the concert market.

Rumanes’ lawsuit describes a “culture of deception” at Live Nation, saying its “basic business model was to misstate and exaggerate financial figures in efforts to solicit and secure business.”

Such practices “spanned a wide spectrum of projects in what appeared to be a company-wide pattern of financial misrepresentation and misleading disclosures,” the lawsuit states.

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Rumanes says he received materials and documents that showed that the company inflated projected revenues across multiple venue development projects.

Additionally, Rumanes contends that the company violated a federal law that requires independent financial auditing and transparency and instead ran Live Nation “through a centralized, opaque structure” that enables it to “bypass oversight and internal checks and balances.”

In 2010, as a condition of the Live Nation-Ticketmaster merger, the newly formed company agreed to a consent decree with the government that prohibited the firm from threatening venues to use Ticketmaster. In 2019 the Justice Department found that the company had repeatedly breached the agreement, and it extended the decree.

Rumanes contends that he brought his concerns to the attention of the company’s management, but his warnings were “repeatedly ignored.”

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‘Madhuvidhu’ movie review: A light-hearted film that squanders a promising conflict

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‘Madhuvidhu’ movie review: A light-hearted film that squanders a promising conflict

At the centre of Madhuvidhu directed by Vishnu Aravind is a house where only men reside, three generations of them living in harmony. Unlike the Anjooran household in Godfather, this is not a house where entry is banned to women, but just that women don’t choose to come here. For Amrithraj alias Ammu (Sharafudheen), the protagonist, 28 marriage proposals have already fallen through although he was not lacking in interest.

When a not-so-cordial first meeting with Sneha (Kalyani Panicker) inevitably turns into mutual attraction, things appear about to change. But some unexpected hiccups are waiting for them, their different religions being one of them. Writers Jai Vishnu and Bipin Mohan do not seem to have any major ambitions with Madhuvidhu, but they seem rather content to aim for the middle space of a feel-good entertainer. Only that they end up hitting further lower.

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