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7 questions 'Mufasa' answers about the original 'Lion King' movie

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7 questions 'Mufasa' answers about the original 'Lion King' movie

This article contains spoilers for the movie “Mufasa: The Lion King.”

“Mufasa: The Lion King” is a prequel to the animated 1994 movie and its 2019 remake. Directed by Barry Jenkins and featuring songs by Lin-Manuel Miranda, the film traces how Mufasa came to be king of the Pride Lands, and why Scar ended up so bitter and vengeful toward his older brother.

“There’s so many things that you get to play with here, but you have to be careful because people are so emotional about the original, and the reactions are going to come from every direction,” said screenwriter Jeff Nathanson. “There were probably 10 other things that were left out and 10 other things we could’ve done. But the original movie really mattered to all of us, and we tried to honor it as best we could.”

Nathanson walked The Times through the questions “Mufasa” answers about the original “Lion King” movie:

Taka and Mufasa as young cubs in “Mufasa: The Lion King.”

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(Disney/Disney Enterprises)

How did Mufasa and Scar become brothers?

The movie recounts how, as a cub, Mufasa was traveling with his parents when he was suddenly swept away by river rapids in a flash flood. The orphan is then discovered by another young lion, Taka, who convinces his mother to take him into their pride. (As discussed in more detail below, Taka was Scar’s name before his fall from grace.)

“Mufasa’s worldview, compassion and empathy — all of these things felt very different than what you’d expect from a king,” said Nathanson. “I thought maybe his upbringing wasn’t as traditional as one might think. What happened to him, and how did he end up being somebody who was a wise and powerful leader, but also such a great father?”

But Taka’s father, a king who prioritizes royal lineage, isn’t pleased, referring to Mufasa as the “stray” and forcing him to be raised by the lionesses. Nevertheless, Taka is thrilled to have a sibling and a new best friend, and sweetly vows to protect their bond forever.

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“It’s very much a love story between these two brothers,” added Nathanson. “We wanted to really capture what it’s like when you’re young and you have somebody who understands you more than anybody else. It’s bittersweet because you know what’s going to happen and where it’s all headed, but at least for this moment in time, everything was OK.”

Mufasa and Simba in the 1994 movie "The Lion King."

Mufasa and Simba in the 1994 movie “The Lion King.”

(Disney)

What did Mufasa’s cliffside climb once mean?

Fans of the 1994 movie know the moment well: in the midst of a chaotic stampede set off by Scar, Mufasa attempts to climb up a cliff and calls out to his brother to help pull him up. Instead, Scar digs his claws into his paws and flings him to his death.

The interaction that ends Mufasa’s life in “The Lion King” is actually what saves him in “Mufasa.” Taka first places his claws into Mufasa’s paws to pull him up from the river and narrowly evade some hungry crocodiles. (Later on, the two cubs even make jokes about stampedes.)

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“It’s a signature and very traumatic memory of the original, and we wanted to lean in and say, this didn’t always have the same connotation,” said Nathanson of redefining the visual. “We’re trying to play with your memories and your expectations, giving people enough of what you know and came for but also surprise you with new things.”

A lion on a mountain

Sarabi, Mufasa, Rafiki and Taka in “Mufasa: The Lion King.”

(Disney/Disney Enterprises)

How did Mufasa and Taka fall out?

“Mufasa” outlines how their brotherly bond wasn’t fractured in just one way. Because Mufasa, as an unwelcome “stray,” was forced to be raised by the pride’s lionesses, he grew close to Taka’s mother and accompanied her while hunting. At one point, he saves her from an attack by another pride — a gesture that finally wins the favor of Taka’s father. (Taka, who was nearby when his mother was being attacked, fled in fear.)

Under threat from that violent competing pride, Taka‘s father commands him to flee for his safety, with Mufasa as his protector. They meet a wandering lioness, Sarabi (Tiffany Boone), and though both boys fall in love with her, she eventually favors Mufasa. Taka — having been passed over for Mufasa by his mother, father and crush — feels too deeply betrayed by the brother he took in all those years ago, the one who now has all of what he believes should be his.

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“It was important to Barry that it was something that wasn’t abrupt, but evolved and layered,” said Nathanson. “Barry is very intentional with his visuals, and there are great shots of Taka just watching Mufasa with his mother, and you can start to see the wheel spinning even then. We hoped it would build for the audience over the course of the movie.”

Young Rafiki

Young Rafiki in “Mufasa: The Lion King.”

(Disney)

Where did Rafiki come from?

“Mufasa” also shows that the wise mandrill Rafiki (John Kani), who was born with a limp, was previously ostracized by a troop of baboons because his visions predicted that their home would be repeatedly attacked by a cheetah. Even though Rafiki often helps his fellow primates by healing them and leading them to water in the dry season, they believe his powers are nefarious and vote to banish him.

Rafiki then crosses paths with Mufasa, Taka, Sarabi and her familiar, flying protector Zazu (Preston Nyman), and the five of them proceed as a motley crew of wanderers. “They all only have a few scenes together, but they’re lovely moments because you see how bonded they all are once they find each other,” said Nathanson. While they’re on the road, Rafiki finds his iconic walking stick and carries it all the way to their destination.

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Scar and Simba in the 1994 movie "The Lion King."

Scar and Simba in the 1994 movie “The Lion King.”

(Disney)

How did Taka get that scar?

In a malicious move against Mufasa, Taka tips off their group’s location to the leader of the violent pride, who wrongfully believes that Mufasa killed his son. The leader follows them to the peaceful Pride Lands and goes toe-to-toe with Mufasa, but just as the leader is about to strike, Taka remembers the time he didn’t rescue his mother and, in a moment of courage, leaps in front of Mufasa to take the leader’s attack on his face. The blow results in a massive scar.

“He’s betrayed his brother but, at this moment, he’s redeeming himself in some way,” said Nathanson. “A lot of thought went into it, and we needed it to be something that felt organic to the story. There were other versions we played around with, but when we got to this one, we all agreed that it felt right.”

MAFUSA: The Lion King

Mufasa, Sarabi and Zazu in “Mufasa: The Lion King.”

(Disney)

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How did Mufasa become king of the Pride Lands?

When the violent pride is defeated, the resident animals of the Pride Lands are thankful to Mufasa for uniting them against the intruders and call for him to serve as their king. Mufasa initially turns down their offer, as he’s not of royal blood, but Rafiki explains: “It is not what you were, it is what you have become.”

As for Taka, who led the enemy to their refuge: Zazu calls for his banishment, but Mufasa vows always to give him a place in the kingdom, even if he can never say his name again. “Then call me Scar, so I will never forget what I have done,” Taka tells him.

“If you were to watch the films back-to-back, it allows you to understand why Scar is sitting in that cage with such a psychotic anger,” said Nathanson. “He truly is of royal blood, and he’s still clinging to that notion after all these years. And certainly, we as filmmakers are saying, the blood is not enough, but the character is.”

Simba standing on Pride Rock in the 1994 movie "The Lion King."

Simba standing on Pride Rock in the 1994 movie “The Lion King.”

(Disney)

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How did Pride Rock come to be?

In the midst of that climactic battle, an earthquake hits the Pride Lands and a mountain shatters. What’s left is what fans of the original movie know as Pride Rock, the landing where the lion kings of the 1994 film address their subjects.

“In the script, Pride Rock was already there when they arrived,” said Nathanson, “and our production designer said, ‘What if, during the earthquake, it were to just pop down like that?’ It was just such a beautiful image and certainly a beautiful idea. And now, it’s one of my favorite little pieces of the movie.”

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Movie Reviews

Movie Review – SHAKA: A STORY OF ALOHA

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Movie Review – SHAKA: A STORY OF ALOHA
SHAKA: A STORY OF ALOHA is shared with the audience by investigator Steve Sue in a calm and charming manner, but this documentary tells a powerful, positive and fascinating story. The “hang loose” thumb, pinky sign that originated in Hawaii and carries many meanings is the focus of this film. I just learned this gesture is called a “Shaka” and has a worldwide impact.  And, there are Shaka Contests.  Who knew? And how do you throw a Shaka? For me, […]
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Tommy Lee Jones’ daughter reportedly found dead at San Francisco hotel on New Year’s Day

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Tommy Lee Jones’ daughter reportedly found dead at San Francisco hotel on New Year’s Day

Victoria Jones, the daughter of Academy Award-winning actor Tommy Lee Jones, was reportedly found dead at a hotel in San Francisco on New Year’s Day. She was 34.

According to TMZ, the San Francisco Fire Department responded to a medical emergency call at the Fairmont San Francisco early Thursday morning. The paramedics pronounced Victoria dead at the scene before turning it over to the San Francisco Police Department for further investigation, the outlet said.

An SFPD representative confirmed to The Times that officers responded to a call at approximately 3:14 a.m. Thursday regarding a report of a deceased person at the hotel and that they met with medics at the scene who declared an unnamed adult female dead.

Citing law enforcement sources, NBC Bay Area also reported that the deceased woman found in a hallway of the hotel was believed to be Jones and that police did not suspect foul play.

“We are deeply saddened by an incident that occurred at the hotel on January 1, 2026,” the Fairmont told NBC Bay Area in a statement. “Our heartfelt condolences are with the family and loved ones during this very difficult time. The hotel team is actively cooperating and supporting police authorities within the framework of the ongoing investigation.”

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The medical examiner conducted an investigation at the scene, but Jones’ cause of death remains undetermined. Dispatch audio obtained by TMZ and People indicated that the 911 emergency call was for a suspected drug overdose.

Jones was the daughter of Tommy Lee and ex-wife Kimberlea Cloughley. Her brief acting career included roles on films such as “Men in Black II” (2002), which starred her father, and “The Three Burials of Melquiades Estrada” (2005), which was directed by her father. She also appeared in a 2005 episode of “One Tree Hill.”

Page Six reported that Jones had been arrested at least twice in 2025 in Napa County, including an arrest on suspicion of being under the influence of a controlled substance and drug possession.

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Movie Review: “I Was a Stranger” and You Welcomed Me

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Movie Review: “I Was a Stranger” and You Welcomed Me

Just when you think that you’ve seen and heard all sides of the human migration debate, and long after you fear that the cruel, the ignorant and the scapegoaters have won that shouting match, a film comes along and defies ignorance and prejudice by both embracing and upending the conventional “immigrant” narrative.

“I Was a Strranger” is the first great film of 2026. It’s cleverly written, carefully crafted and beautifully-acted with characters who humanize many facets of the “migration” and “illegal immigration” debate. The debut feature of writer-director Brandt Andersen, “Stranger” is emotional and logical, blunt and heroic. It challenges viewers to rethink their preconceptions and prejudices and the very definition of “heroic.”

The fact that this film — which takes its title from the Book of Matthew, chapter 25, verse 35 — is from the same faith-based film distributor that made millions by feeding the discredited human trafficking wish fulfillment fantasy “Sound of Freedom” to an eager conservative Christian audience makes this film something of a minor miracle in its own right.

But as Angel Studios has also urged churchgoers not just to animated Nativity stories (“The King of Kings”) and “David” musicals, but Christian resistence to fascism (“Truth & Treason” and “Bonheoffer”) , their atonement is almost complete.

Andersen deftly weaves five compact but saga-sized stories about immigrants escaping from civil-war-torn Syria into a sort of interwoven, overlapping “Babel” or “Crash” about migration.

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“The Doctor” is about a Chicago hospital employee (Yasmine Al Massri of “Palestine 36” and TV’s “Quantico”) whose flashback takes us to the hospital in Aleppo, Syria, bombed and terrorized by the Assad regime’s forces, and what she and her tween daughter (Massa Daoud) went through to escape — from literally crawling out of a bombed building to dodging death at the border to the harrowing small boat voyage from Turkey to Greece.

“The Soldier” follows loyal Assad trooper Mustafa (Yahya Mahayni was John the Baptist in Martin Scorsese Presents: The Saints”) through his murderous work in Aleppo, and the crisis of conscience that finally hits him as he sees the cruel and repressive regime he works for at its most desperate.

“The Smuggler” is Marwan, a refugee-camp savvy African — played by the terrific French actor Omar Sy of “The Intouchables” and “The Book of Clarence” — who cynically makes his money buying disposable inflatable boats, disposable outboards and not-enough-life-jackets in Turkey to smuggle refugees to Greece.

“The Poet” (Ziad Bakri of “Screwdriver”) just wants to get his Syrian family of five out of Turkey and into Europe on Marwan’s boat.

And “The Captain” (Constantine Markoulakis of “The Telemachy”) commands a Hellenic Coast Guard vessel, a man haunted by the harrowing rescues he must carry out daily and visions of the bodies of those he doesn’t.

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Andersen, a Tampa native who made his mark producing Tom Cruise spectacles (“American Made”), Mel Gibson B-movies (“Panama”) and the occasional “Everest” blockbuster, expands his short film “Refugee” to feature length for “I Was a Stranger.” He doesn’t so much alter the formula or reinvent this genre of film as find points of view that we seldom see that force us to reconsider what we believe through their eyes.

Sy’s Smuggler has a sickly little boy that he longs to take to Chicago. He runs his ill-gotten-gains operation, profiting off human misery, to realize that dream. We see glimpses of what might be compassion, but also bullying “customers” and his new North African assistant (Ayman Samman). Keeping up the hard front he shows one and all, we see him callously buy life jackets in the bazaar — never enough for every customer to have one in any given voyage.

The Captain sits for dinner with family and friends and has to listen to Greek prejudices and complaints about this human life and human rights crisis, which is how the worlds sees Greece reacting to this “invasion.” But as he and his first mate recount lives saved and the horrors of lives lost, that quibbling is silenced.

Here and there we see and hear (in Arabic and Greek with subtitles, and English) little moments of “rising above” human pettiness and cruelty and the simple blessings of kindness.

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“I Was a Stranger” was finished in 2024 and arrives in cinemas at one of the bleakest moments in recent history. Cruelty is running amok, unchecked and unpunished. Countries are being destabilized, with the fans of alleged “strong man” rule cheering it on.

Andersen carefully avoids politics — Middle Eastern, Israeli, European and American — save for the opening scene’s zoom in on that Chicago hospital, passing a gaudily named “Trump” hotel in the process, and a general condemnation of Syria’s Assad mob family regime.

But Andersen’s bold movie, with its message so against the grain of current events, compromised media coverage and the mostly conservative audience that has become this film distributor’s base, plays like a wet slap back to reality.

And as any revival preacher will tell you, putting a positive message out there in front of millions is the only way to convert hundreds among the millions who have lost their way.

star

Rating: PG-13, violence, smoking, racial slurs

Cast: Yasmine Al Massri, Yahya Mahayni, Ziad Bakri, Omar Sy, Ayman Samman, Massa Daoud, Jason Beghe and Constantine Markoulakis

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Credits: Scripted and directed by Brandt Andersen. An Angel Studios release.

Running time: 1:43

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About Roger Moore

Movie Critic, formerly with McClatchy-Tribune News Service, Orlando Sentinel, published in Spin Magazine, The World and now published here, Orlando Magazine, Autoweek Magazine

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