Entertainment

15 TV shows we're looking forward to watching this summer

Published

8 months ago

May 15, 2025

15 TV shows we're looking forward to watching this summer

If there’s one thing that can be said about the first half of this year, it’s that we had great television. We’re talking memorable, going-down-in history TV. Whether it was the return of “Severance” and “The White Lotus,” or the arrival of new series like “The Pitt” and “Dying for Sex,” it felt like appointment television had returned, and there was something for everyone — and everyone seemed to be watching.

Fortunately, there’s a lot of great television to look forward to this summer as well. In the coming months, we’ll see returning favorites, documentaries about old favorites — prehistoric in one case, new action-packed series and shows that will simply make you laugh. And in these times, we could all use some laughter and a good distraction. So get ready to be transported to old worlds, new worlds and present ones — we’re looking forward to these escapes.

‘Pee-wee as Himself’

(HBO, May 23)

Paul Reubens appears in “Pee-wee as Himself,” a two-part documentary coming to HBO that premiered at the Sundance Film Festival.

(Dennis Keeley / HBO)

“It turns out that you’re not really supposed to direct your own documentary; you’re not supposed to control your own documentary,” says Paul Reubens, who would have liked to. Nevertheless, he sat for 40 hours of interviews for this properly admiring, though not sanitized, two-part posthumous documentary. Matters of ambition, artistry and anonymity are discussed, along with certain public events and misconceptions, but above all the film reminds you what a gift Pee-wee was to the culture, and, I am ready to say, the mental health of the nation. “Death is so final,” Reubens tells director Matt Wolf, who did not know that the actor had cancer, “that to be able to get your message in at the last minute, or at some point, is incredible.” — Robert Lloyd

‘And Just Like That …’

Season 3 (Max, May 29)

Two women stand in a kitchen in front of a sink, next to a blue fridge.

If you’re one of the many people who can’t help but wonder what a season of “And Just Like That …” will be like without Che Diaz (Sara Ramirez), this is your summer. The revival may lack the charm, energy and cultural impact of “Sex and the City,” but, like Carrie chasing Big, many of us keep coming back for more of its deranged and addictive shenanigans. The third season promises something new and unexpected as we check in with the women during a New York City summer. After years of writing about her sex life and of those in her orbit, Carrie (Sarah Jessica Parker) is branching out to pursue fiction. She’s also settling into her three-floor Gramercy Park home, which includes a rat problem and a flirty next-door neighbor, while trying to figure out her complicated relationship with Aidan (John Corbett). Meanwhile, Miranda (Cynthia Nixon) is hitting the dating scene after her split with Che, and Charlotte (Kristin Davis) is contending with her daughter Lily’s (Cathy Ang) new romance. I’m ready and seated like a supportive friend at a vent sesh trying not to judge questionable decisions. — Yvonne Villarreal

‘Walking With Dinosaurs’

(PBS, June 16)

Three people in long-sleeve shirts digging and examining fossilized remains in the earth at a dig site.

I love dinosaurs. It’s a childhood affinity that started with “The Land Before Time” (1988), was solidified with “Jurassic Park” (1993) and had not at all waned by the time the original “Walking With Dinosaurs” series hit U.S. TVs in 2000. The original show gave the prehistoric reptiles the nature documentary treatment, offering glimpses of a world that was ruled by dinosaurs millions of years ago through the magic of CGI and animatronics. I still remember being wowed by a stegosaurus trying to fend off an allosaurus and being sad about a T. rex that died trying to protect her babies. All that is to say, I’m looking forward to more narrated adventures of how dinosaurs lived and died in this new reimagining with updated science and CG animation. Among the dinosaurs that have been teased to get a spotlight are triceratops, spinosaurus, Utahraptors, Albertosaurus, gorgosaurus and a Lusotitan. — Tracy Brown

‘Outrageous’

(Britbox, June 18)

Two couples in formal attire stand holding champagne glasses in a ballroom.

The mixed-up antics of fictional British aristocrats are nothing compared with the real-life adventures and misadventures of England’s famous Mitford sisters — some celebrated, some notorious, some just getting on with things, relatively speaking — docu-dramatized in this six-part series, set between the world wars. Meet novelist Nancy (Bessie Carter, from “Bridgerton”); country girl Pamela (Isobel Jesper Jones); fascists Diana (Joanna Vanderham) and Unity (Shannon Watson), whose middle name was Valkyrie; progressive journalist Jessica (Zoe Brough) and Deborah (Orla Hill), a duchess. Plus clothes! Furniture! Cars! — R.L.

‘The Gilded Age’

Season 3 (HBO, June 22)

Two women in period dress stand in a parlor.

As our modern times continue to become ever so unprecedented, you can find me frothing at the mouth for a star-studded period piece with low stakes and high fashion. Please, whisk me away to the drawing rooms and dining halls of 1880s Manhattan to hang out with railroad tycoons, socially ambitious women and a new generation of rule breakers, especially when they’re played by Morgan Spector, Carrie Coon, Christine Baranski, Cynthia Nixon, Nathan Lane, Audra McDonald and Donna Murphy. And of course, the show — from “Downton Abbey” creator Julian Fellowes — continues its tradition of stacking its cast with brilliant stage actors, this time adding Phylicia Rashad, Brian Stokes Mitchell, Victoria Clark, Bill Camp and Leslie Uggams, to name just a few. My only complaint: Like the second season, the third is only eight episodes. I guess I’ll have to cope by simply restarting the entire series from the very beginning — again. — Ashley Lee

‘Ironheart’

(Disney+, June 24)

A girl with two braids in a hoodie stands looking downward. A big metal suit stands behind her.

It’s been nearly five years since the “Ironheart” series was originally announced and I have been patiently waiting for Riri Williams to get her moment in the MCU spotlight since. In the comics, Riri is an engineering genius known for making her own Iron Man-inspired high tech suit of armor. Audiences got a glimpse of Riri (Dominique Thorne) in action in the 2022 film “Black Panther: Wakanda Forever,” where she is introduced as the whiz kid MIT student that gets pulled into the events of the film for inventing a vibranium detector and later helps build armored suits for the Wakandans. Her upcoming solo series is set after the events of “Wakanda Forever” and will dive more into Riri’s backstory as she returns to Chicago, her hometown. Within Riri’s orbit is Parker Robbins (Anthony Ramos), described as a mysterious yet charming misfit who possesses a magical hood that lets him tap into the dark arts. We’ll just have to wait to see whether science or magic comes out on top. — T.B.

‘The Bear’

Season 4 (FX on Hulu, June 25)

A woman in a white chef's coat and a red bandana on her head stands next to a man sitting on a prep table.

Whether the third season of “The Bear” lost some of its mojo as one of TV’s most compelling series may be up for debate, but it hasn’t diminished our anticipation to catch up with Carmy and company in Season 4. Last season ended with several challenges: The new fine-dining restaurant receives a harsh review, Sydney (Ayo Edebiri) considers leaving the restaurant, and the relationship between Carmy (Jeremy Allen White) and Richie (Ebon Moss-Bachrach) is on the outs. Those events seem to be setting up a season that can delve into the aftermath of how they’ll confront the good and the bad of restaurant life. And after making her directorial debut with last season’s stand-out episode “Napkins,” Edebiri has co-written an episode with co-star Lionel Boyce (Marcus) for Season 4. It’s a promising sign that we’ll be well-fed this summer. — Y.V.

‘It’s Always Sunny in Philadelphia’

Season 17 (FXX, July 9)

A group of people standing around a bar looking a piece of machinery.

The gang from Paddy’s Pub is back for another season and this one is special for a couple of reasons: First, it’s the 20th anniversary of the series premiere — it’s the longest-running live-action comedy series — and second, we have another crossover episode on the horizon. Earlier this year, we got to see Sweet Dee (Kaitlin Olson), Dennis (Glenn Howerton), Charlie (Charlie Day), Mac (Rob McElhenney) and Frank (Danny DeVito) visit ABC’s “Abbott Elementary,” where they put in some volunteer hours, thanks to a court order. Now, the “Abbott Elementary” bunch will be featured in “Sunny,” where we’ll get to see things from the gang’s point of view. But that’s not all. This season’s theme is “The Gang Embraces the Corporate Era,” a fitting one considering the times we’re living in, where money rules everything. I, for one, welcome them as corporate overlords. — Maira Garcia

‘Too Much’

(Netflix, July 10)

A woman in a pink dress sitting on a bed holding a dog that is also in a pink dress.

It’s been 13 years since the premiere of Lena Dunham’s HBO series “Girls,” an era-defining show that followed a group of messy 20-something New Yorkers. And in her latest project for Netflix, Dunham is focused on the next decade of life with “Too Much.” Co-created with her husband Luis Felber, this romantic comedy series aims to show that your 30s can be just as messy but also filled with joy. It stars Megan Stalter as Jessica, a workaholic who leaves New York for London after her life unravels when her boyfriend breaks up with her, and Will Sharpe as Felix, a Londoner who becomes Jessica’s love interest. Stalter has captivated viewers with her turn as Kayla in “Hacks,” the nepo baby assistant turned partner, and this series is likely to keep her star rising. — M.G.

‘Dexter: Resurrection’

(Paramount+ with Showtime, July 11)

A man in a jacket leans a hand against a maroon beam with a sign that reads "York Street" in a subway station.

You just can’t keep a beloved serial killer down. It certainly seemed that Dexter Morgan, the blood-splatter analyst and serial killer who headlined Showtime’s hugely popular “Dexter,” had finally run out of luck after being shot to death by his son Harrison in the 2022 reboot “Dexter: New Blood.” Michael C. Hall, who has portrayed the crafty killer with a code since 2006, clearly indicated in a Los Angeles Times interview that Dexter had met his maker, acknowledging that many fans would mourn his demise: “As upsetting as it might be, I hope audiences will appreciate the resonance of Dexter dying … at the hands of his son.” But it turns out that the end was not the end after all for Dexter, who has somehow survived the shooting by Harrison Morgan (Jack Alcott) and is returning for “Dexter: Resurrection,” a continuation of the “New Blood” sequel. The series finds Dexter awakening from a coma and discovering that Harrison has vanished. The cast includes Uma Thurman and David Zayas, reviving his portrayal of Det. Angel Batista from the original series. Also returning from “Dexter” is James Remar, who played Morgan’s father Harry Morgan. — Greg Braxton

‘Chief of War’

(Apple TV+, Aug. 1)

A group of men crouching in the sand on the beach with one man in a red headdress standing above them.

Films or series about Native Hawaiians and their history have been few and far between, but this new historical drama aims to rectify that. The nine-episode miniseries centers on the story of Ka‘iana, a warrior who tries to unify the Hawaiian islands before colonization in the late 18th century. Jason Momoa leads the largely Polynesian ensemble cast that includes Luciane Buchanan (“The Night Agent”) and Temuera Morrison (“The Mandalorian”). In addition to starring, Momoa co-wrote the series with Thomas Pa’a Sibbett (“Aquaman and the Lost Kingdom”) and executive produces. Undoubtedly, there will be comparisons to “Shogun” because of its historical roots and battle sequences, and that’s not a bad thing, given its success. It’s also another step for on-screen representation and more inclusive epics. — M.G.

‘Wednesday’

Season 2, Part 1 (Netflix, Aug. 6)

Five people in dark clothing stand in front of a black vehicle with several suitcases tied to the top.

It’s been three years, but our favorite sleuthing goth teenager Wednesday Addams (Jenna Ortega) is finally back, as is the rest of her clan. In this season — which is split in two parts, the second arriving Sept. 3 — Pugsley (Isaac Ordonez), Wednesday’s little brother, is joining Nevermore Academy, and their parents, Morticia (Catherine Zeta-Jones) and Gomez (Luis Guzmán), will also have a presence on campus. While that development is enough to make any teenager want to die — metaphorically! — at least Wednesday will have Thing to keep her company, along with her sunny, polar opposite roommate Enid (Emma Myers) — they did embrace in the Season 1 finale, after all. Also returning is Fred Armisen as Uncle Fester and killer hyde Tyler, played by Hunter Doohan. We’ll meet some new faces too: Grandmama Hester Frump, played by “Absolutely Fabulous” star Joanna Lumley, and Steve Buscemi as Nevermore’s new principal Barry Dort. That’s plenty to keep me intrigued, and if the soundtrack is as good as last time — who can forget the dance scene with “Goo Goo Muck” — I can die happy. — M.G.

‘Outlander: Blood of My Blood’

(Starz, Aug. 8)

A man and a woman in period dress hold hands as they stand in a field.

It’s hard to believe that “Outlander,” the time-traveling series that’s practically a Visit Scotland ad, premiered in 2014. In a world where many fine shows are lucky to make it to a fourth season, that is time travel indeed. Now, in anticipation of the series’ eighth and final season, which will premiere sometime this year or next, “Blood of My Blood” offers a prequel. Following the love stories of previous generations, namely the parents of “Outlander” mains, 20th-century born Claire (Caitriona Balfour) and 18th-century born Jamie (Sam Heughan), “Blood of My Blood” toggles between World War I and the zenith of the Highland culture, making it the ultimate period drama. “Outlander” fans will get to meet younger versions of the show’s supporting characters and, one hopes, gain some insight into how Claire came to be a time-traveler. More important, we all get to go back to Scotland. — Mary McNamara

‘Alien: Earth’

(FX on Hulu, Aug. 12)

A woman with red braids and a headset stands in front of a rockslide. Two men stand behind her.

More than four decades after it first crept onto movie screens, “Alien” remains one of the scariest films ever made, with scenes that continue to horrify and shock even after repeated viewings. With the exception of James Cameron’s “Aliens,” none of the numerous sequels have come close to matching the power of Ridley Scott’s original, though many fans admired 2024’s “Alien: Romulus.” The vicious extraterrestrial is now set to wreck havoc in “Alien: Earth,” which will premiere this summer. In the new series, a young woman (Sydney Chandler) and a group of tactical soldiers discover a mysterious vessel that crash-lands on Earth. The drama is created, written and directed by Noah Hawley, who has expanded the story of the 1996 film “Fargo,” transforming it into a popular and inventive anthology series. The cast includes Timothy Olyphant (“Justified”). — G.B.

‘Fixed’

(Netflix, Aug. 13)

An animated grey dog wearing a tag that reads Bull is embraced by the tail of an orange dog.

In this “Lady and the Tramp” for our less innocent times, the great Genndy Tartakovsky (“Dexter’s Laboratory,” “Samurai Jack,” “Primal”) animates an R-rated comedy, written with Jon Vitti (“The Simpsons”), about a dog who learns he’ll be neutered the next morning and sets off to spend the day on an adventure. This streaming film features glorious 2D animation, the best of all cartoon formats, with nods to Tex Avery and Chuck Jones. Adam Devine stars as the voice behind the targeted pup with Kathryn Hahn, Idris Elba, Bobby Moynihan, Fred Armisen, Michelle Buteau and Beck Bennett filling out the back. — R.L.

Entertainment

Inga Ibsdotter Lilleaas breaks out in ‘Sentimental Value.’ But she isn’t interested in fame

Published

32 minutes ago

January 6, 2026

Press Room

Inga Ibsdotter Lilleaas breaks out in ‘Sentimental Value.’ But she isn’t interested in fame

One of the most moving scenes in Joachim Trier’s “Sentimental Value” happens near the end. During an intense moment between sisters Nora (Renate Reinsve) and Agnes (Inga Ibsdotter Lilleaas), who have both had to reckon with the unexpected return of their estranged father, Gustav (Stellan Skarsgård), Agnes suddenly tells Nora, “I love you.” In a family in which such direct, vulnerable declarations are rare, Agnes’ comment is both a shock and a catharsis.

The line wasn’t scripted or even discussed. Lilleaas was nervous about spontaneously saying it while filming. But it just came out.

“[In] Norwegian culture, we don’t talk so much about what we’re feeling,” explains Lilleaas, who lives in Oslo but is sitting in the Chateau Marmont lounge on a rainy afternoon in mid-November. If the script had contained that “I love you” line, she says, “It would’ve been like, ‘What? I would never say that. That’s too much.’ But because it came out of a genuine feeling in the moment — I don’t know how to describe it, but it was what I felt like I would want to say, and what I would want my own sister to know.”

Since its Cannes premiere, “Sentimental Value” has been lauded for such scenes, which underline the subtle force of this intelligent tearjerker about a frayed family trying to repair itself. And the film’s breakthrough performance belongs to the 36-year-old Lilleaas, who has worked steadily in Norway but not often garnered international attention.

Touted as a possible supporting actress Oscar nominee, Lilleaas in person is reserved but thoughtful, someone who prefers observing the people around her rather than being in the spotlight. Fitting, then, that in “Sentimental Value” she plays the quiet, levelheaded sister serving as the mediator between impulsive Nora and egotistical Gustav. Lilleaas has become quite adept at doing a lot while seemingly doing very little.

“In acting school, some of the best characters I did were mute,” she notes. “They couldn’t express language, but they were very expressive. It was freeing to not have a voice. Agnes, she’s present a lot of the time but doesn’t necessarily have that many lines. To me, that’s freedom — the [dialogue] very often comes in the way of that.”

Inga Ibsdotter Lilleaas in “Sentimental Value.”

(Kasper Tuxen)

Lilleaas hadn’t met Trier before her audition, but they instantly bonded over the challenges of raising young kids. And she sparked to the script’s examination of parents and children. Unlike restless Nora, Agnes is married with a son, able to view her deeply flawed dad from the vantage point of both a daughter and mother. Lilleaas shares her character’s sympathy for the inability of different generations to connect.

“A lot of parents and children’s relationships stop at a point,” she says. “It doesn’t evolve like a romantic relationship, [where] the mindset is to grow together. With families, it’s ‘You’re the child, I’m the parent.’ But you have to grow together and accept each other. And that’s difficult.”

Spend time with Lilleaas and you’ll notice she discusses acting in terms of human behavior rather than technique. In fact, she initially studied psychology. “I’ve always been interested in the [experience] of being alive,” she says. “Tremendous grief is very painful, but you can only experience that if you have great love. I’ve tried the more psychological approach of studying people, but it wasn’t what I wanted. Acting is the perfect medium for me to explore life.”

Other out-of-towners might be disappointed to arrive in sunny Southern California only to be greeted by storm clouds, but Lilleaas is sanguine about the situation. “I could have been at the beach, but it’s fine,” she says, amused, looking out the nearby windows. “I can go to the movies — it’s perfect movie weather.”

Inga Ibsdotter Lilleeaas poses for a portrait at the Twenty Two Hotel in New York City

Inga Ibsdotter Lilleaas. (Evelyn Freja / For The Times)

Her measured response to both her Hollywood ascension and a rainy forecast speak to her generally unfussed demeanor. During our conversation, Lilleaas’ candor and lack of vanity are striking. How often does a rising star talk about being happy when a filmmaker gives her fewer lines? Or fantasize about a life after acting?

“Some days I’ll be like, ‘I want to give it up. I want to have a small farm,’” she admits. “We lived on a farm and had horses and chickens when I grew up. I miss that. But at the same time, I need to be in an urban environment.”

She gives the matter more thought, sussing out her conflicted feelings. “Maybe as I grow older and have children, I feel this need to go back to something that’s familiar and safe,” she suggests. “I think that’s why I’m searching for small farms [online] — that’s, like, a dream thing. I need some dreams that they’re not reality — it’s a way to escape.”

Lilleaas may have decided against becoming a psychologist, but she’s always interrogating her motivations. This desire for a farm is her latest self-exploration, clarifying for her that she loves her profession but not the superficial trappings that accompany it.

“Ten years ago, this would maybe have been a dream, what’s happening now,” she says, gesturing at her swanky surroundings. “But you realize what you want to focus on and give value. I don’t necessarily want to give this that much value. I appreciate it and everything, but I don’t want to put my heart in it, because I know that it goes up and down and it’s not constant. I put my heart in this movie. Everything that comes after that? My heart can’t be in that.”

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January 6, 2026

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Entertainment

Universal Music invests $80 million in Bollywood production company

Published

13 hours ago

January 6, 2026

Press Room

Universal Music invests million in Bollywood production company

Universal Music Group is investing $80 million for a stake in one of India’s biggest Bollywood production companies, Excel Entertainment Pvt.

Universal Music India, a division of Universal Music Group, will acquire a 30% equity interest in the Mumbai-based movie studio. In the deal, announced Monday, the companies will work together on forthcoming films, series, music and emerging formats.

While getting involved in India’s local film industry, Universal Music will also now receive global distribution rights for all future original soundtracks attached to projects produced or owned by Excel. There are also future plans for the companies to launch an Excel-linked music label that will allow UMG and Universal Music India artists to appear in various Excel titles.

The investment underscores the rapid growth in the Indian entertainment industry.

India is the 15th-largest recorded-music market globally.

Founded by producers Ritesh Sidhwani and Farhan Akhtar in 1999, Excel is responsible for making over 40 different films and scripted shows. Its most popular titles include “Dil Chahta Hai,” “Don” and “Talaash.” The company is currently valued at approximately $290 million.

“India’s entertainment landscape continues to grow from strength to strength, and this is the perfect moment to build meaningful global collaborations,” said Sidhwani and Akhtar in a joint statement. “Together, we aim to take culturally rooted stories to the world.”

Universal Music Group, with its corporate headquarters in the Netherlands and another office in Santa Monica, was founded in 1996. The music giant behind artists like Taylor Swift and Billie Eilish is valued at roughly $48 billion on the U.S. stock market, with shares selling around $25.80.