Education
Covid Learning Losses
Schoolchildren in Massachusetts, Ohio and Pennsylvania are still about half a year behind typical pre-Covid reading levels. In Florida and Michigan, the gap is about three-quarters of a year. In Maine, Oregon and Vermont, it is close to a full year.
This morning, a group of academic researchers released their latest report card on pandemic learning loss, and it shows a disappointingly slow recovery in almost every state. School closures during Covid set children back, and most districts have not been able to make up the lost ground.
One reason is a rise in school absences that has continued long after Covid stopped dominating daily life. “The pandemic may have been the earthquake, but heightened absenteeism is the tsunami and it’s still rolling through schools,” Thomas Kane, a Harvard economist and a member of the research team, told me.
In today’s newsletter, I will walk through four points from the report, with charts created by my colleague Ashley Wu. I’ll also tell you the researchers’ recommendations for what schools should do now.
1. State variation
The new report — from scholars at Dartmouth, Harvard and Stanford — compares performance across states, based on math and reading tests that fourth and eighth graders take. (A separate report, on national trends, came out last month.)
Today’s report shows a wide variety of outcomes. In the states that have made up the most ground, fourth and eighth graders were doing nearly as well last spring as their predecessors were doing five years earlier.
But the overall picture is not good. In a typical state, students last spring were still about half a year behind where their predecessors were in 2019. In a few states, the gap approaches a full year.
Here are the changes in reading performance:
2. A blue-red divide
Political leaders in red and blue America made different decisions during the pandemic. Many public schools in heavily Democratic areas stayed closed for almost a year — from the spring of 2020 until the spring of 2021. In some Republican areas, by contrast, schools remained closed for only the spring of 2020.
This pattern helps explains a partisan gap in learning loss: Students in blue states have lost more ground since 2019. The differences are especially large in math. Eight of the 10 states that have lost the most ground since 2019 voted Democratic in recent presidential elections. And eight of the 10 states with the smallest math shortfalls voted Republican.
I know some readers may wonder if blue states had bigger declines simply because they started from a higher point. After all, the states with the best reading and math scores have long been mostly blue. But that doesn’t explain the post-pandemic patterns. For example, New Jersey (a blue state) and Utah (a red state) both had high math scores in 2019, but New Jersey has fared much worse since then.
3. More inequality
Pandemic learning loss has exacerbated class gaps and racial gaps. Lower-income students are even further behind upper-income students than they were five years ago, and Black students and Latino students are even further behind Asian and white students. “Children, especially poor children, are paying the price for the pandemic,” Kane said.
Other research, by Rebecca Jack of the University of Nebraska and Emily Oster of Brown, points to two core reasons. First, schools with a large number of poor students and Black or Latino students were more likely to remain closed for long periods of time. Second, a day of missed school tends to have a larger effect on disadvantaged students than others.
In the years before Covid, the U.S. education system had impressive success in reducing learning inequality, as I explained in a 2022 newsletter. But Covid erased much of that progress. “Educational inequality grew during the pandemic and remains larger now than in 2019,” Sean Reardon, a Stanford sociologist and co-author of the new report, said.
4. How to recover
The authors of the report note that some school districts, including in poorer areas, have largely recovered from Covid learning loss. Among the standouts are Compton, Calif.; Ector County, Texas, which includes Odessa; Union City, N.J.; and Rapides Parish, La. The authors urge more study of these districts to understand what they’re doing right.
Early evidence suggests that after-school tutoring and summer school, subsidized by federal aid, made a difference. Intensive efforts to reduce absenteeism can also help.
One problem, the authors write, is that many schools have not been honest with parents about learning loss: “Since early in the recovery, the overwhelming majority of parents have been under the false impression that their children were unaffected.”
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Education
École des Sables, Africa’s Premier Dance School, Faces a Precarious Future
Toubab Dialao came to the rescue. This small fishing village was already an unlikely haven for artists: In the 1970s, the Haitian artist Gérard Chenet, a political exile, had settled in the area and built a hybrid art center, Sobo Badè, which boasts a theater and space for artist residencies, as well as a hotel and restaurant.
“Step by step, my father brought a lot of international artists,” Ibrahima Jacques Chenet, Chenet’s son, said at Sobo Badè. Some stayed and opened other art spaces, earning Toubab Dialao a reputation as a cultural village, Chenet said.
After holding some intensives at Sobo Badè, Acogny and Vogt looked for a space of their own. Acogny sold a small apartment she owned in Paris and Vogt added his savings to secure the grounds of the École des Sables and build the sand studio. Yet developing the school further, and making it financially viable, proved daunting.
“We would hold workshops with dancers from 25 African countries,” Vogt said, “but we had to find ways to cover the costs, because African dancers often don’t have the money to pay for training.”
In the absence of funding from Senegal’s ministry of culture, help has mostly come from European and American foundations, as well as the European Union; the luxury brand Chanel has been a partner for the past two years. Over the years, the school was able to build bungalows to house students and artists on site, as well as a second studio. But the lack of resources directed to culture on the African continent is an issue for artists, Acogny said. (Earlier this week, the budget for the African Dance Biennial, set to open on April 29, was still around $47,000 short, according to Vogt.)
Education
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Education
A Time of Growth for Museums for Children
This article is part of our Museums special section about how institutions are commemorating the past as they move into the future.
As kidSTREAM prepares to open in Ventura County, it joins a national wave of new children’s museums, expansions of existing institutions and a broadened lineup of programming aimed at young visitors.
Originally opened in 1963 as the Junior Museum of Oneida, the institution has relocated several times and reopened last May in a 14,000-square-foot space. A two-story climber anchors the main floor, allowing children to navigate ramps, platforms and woven rope pathways. The museum houses five themed galleries, including World Market, which introduces music, art and cultural traditions from around the world, and Let’s Experiment, devoted to STEAM-based learning through prism and light exploration, an animation station and other hands-on activities.
The Museums Special Section
Founded by two mothers, Erin Gallagher and Meg Hagen, the museum opened last September in a former farm and garden center. They set out to establish a dedicated children’s institution to serve as an anchor for the community. The 6,400-square-foot space includes 12 exhibit areas focused on STEM exploration, art, engineering, imaginative play and sensory activities. It also offers family and after-school programs, as well as designated sensory-friendly hours. An additional 4,000 square feet of outdoor play space is expected to open in late spring.
In March, the 90,000-square-foot museum expanded with the Gallery of Wonder, a 9,000-square-foot early childhood space designed for children from infancy to age 5. The gallery includes five interactive environments. Into the Woods invites climbing, swinging and fort building in a forest setting, while Under the Waves offers a softly lit ocean cove with sensory-focused light and sound where children can play with puppets. Viva Village centers on community life, encouraging children to role-play everyday helpers. Tot*Spot, reimagined as an oversized garden, caters to infants and toddlers, while the outdoor Treetop Terrace is a space for active play.
The museum debuted two permanent exhibits in October as part of a broader transformation. Galactic Builders is a 1,788-square-foot space-themed environment that invites children to design rockets, engineer rovers and explore physics concepts through hands-on exploration. SKIES is a quieter, sensory-focused space featuring reading nooks, a dedicated area to rest and recharge and immersive visuals of sunrises, sunsets and drifting clouds. Together, the additions expand the museum’s interactive footprint by more than 4,500 square feet and mark the first phase of a multiyear effort to update its learning environments for young visitors.
In November, the museum unveiled a $11.6 million expansion that doubled its footprint to more than 30,000 square feet. The addition includes three galleries, two of which house permanent exhibits. The Sunflower Gallery is a hands-on environment where children can explore the prairie ecosystem and includes a two-story sunflower structure they can climb. The Hall of Bright Ideas celebrates creative Kansans with engineering-based activities. A third gallery will host traveling exhibitions, and the expansion adds three laboratory classrooms for STEAM programs and camps.
Conceived by a former preschool teacher and children’s cartoon artist, Mike Bennett, the Portland Aquarium opened last June as an animal-free, cartoon-style aquarium. Bennett said he wanted marine science to feel like “stepping inside a hand-drawn cartoon.” The 5,000-square-foot space showcases six ocean biomes, including the Wreck, focused on deep-sea carnivores and mysterious creatures, and the Open Ocean, highlighting some of the largest animals that swim in the seas. Throughout, visitors encounter illustrations of more than 100 marine species, including sea otters, jellyfish and great white sharks. Each child receives a guidebook created in collaboration with marine biologists to use throughout the galleries.
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