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California Historical Society to Dissolve and Transfer Collections to Stanford

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California Historical Society to Dissolve and Transfer Collections to Stanford

The California Historical Society, facing longstanding financial challenges exacerbated by the coronavirus pandemic, has decided to dissolve and transfer its collections to Stanford University.

The society, a private nonprofit organization established in 1871 and designated the state’s official historical society in 1979, is one of California’s oldest historical organizations. But unusually among state historical societies, its leadership said, it received no regular state funding, which left if vulnerable to the vagaries of private donations.

Tony Gonzalez, the organization’s board chair, said the decision to dissolve the organization, which is headquartered in San Francisco, was “bittersweet.” But he emphasized that the arrangement with Stanford ensured that the society’s collections, which include more than 600,000 items stretching back a century before the Gold Rush, would remain intact and accessible to the public.

“We think of it as a rebirth,” Gonzalez said. “Stanford will not be a state historical society, but the collection will be in better hands with them than it could be with us.”

The society’s treasures include the Kemble Collections on Western Printing and Publishing, which features books, pamphlets, product labels, trade catalogs and other items produced in the American West between 1802 and 2001. The society also holds the archives of many organizations, like the American Civil Liberties Union of Northern California and the California Flower Market, Inc., founded by Japanese American flower merchants in 1912.

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It is also the official repository for records relating to the People’s Temple, whose members, led by Jim Jones, drank poison in Guyana in 1978, leading to the death of more than 900 people, a third of them children.

Anh Ly, Stanford’s assistant university librarian for external relations, called the historical society’s collection a “huge addition” to its own holdings of more than 15 million items, which would help fill in some gaps, particularly relating to California’s early history.

The board’s decision to dissolve the society and transfer its collection follows a decade of failed attempts at a turnaround.

In 2016, it was tapped by the city of San Francisco as its lead partner for a potential restoration of the Old United States Mint in downtown San Francisco, one of the few structures to survive the 1906 earthquake and fire. But restoration of the building, which had been largely unused for decades, was deemed prohibitively expensive.

In early 2020, the group announced a new strategic plan that involved selling its 20,000-square-foot building near Union Square and using the proceeds to support traveling shows and partnerships with smaller organizations around the state. But that effort was thwarted by the pandemic and downturn in San Francisco’s real estate market, as well as the unexpected death in 2022 of Alicia L. Goehring, the executive director and chief executive who helped formulate the plan.

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Gonzalez, a Sacramento lawyer who joined the board in 2012, said that private philanthropic support had become unreliable over the past two decades, as many foundations and donors pivoted away from the humanities toward efforts more directly aimed at solving social problems. And unlike in other states with robust historical societies, he said, California’s legislature had never provided any regular appropriation for operational support.

In 2022, Gonzalez said, the group requested a one-time grant of $12 million to support a partnership with the University of California, Riverside, which would have involved collaborating with Native American tribes to bring historical projects to underserved parts of the state.

The request was rejected. “The legislature gave us the same answer we heard from philanthropic organizations: This sounds like something a university should be doing,” Gonzalez said.

The group took out a $5 million loan against its building, to help cover its budget, which Jen Whitley, the group’s interim executive director, said was about $3.5 million.

But finances remained unworkable, and last summer the board voted to begin the process of dissolution. Four years after it was first listed, its building — a former hardware store painted the same shade of red as the Golden Gate Bridge — was sold for nearly $6.7 million, according to The San Francisco Chronicle.

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Under terms of dissolution, which had to be approved by the state attorney general, Stanford will also receive the society’s endowment of roughly $3.2 million. While most of the staff of roughly two dozen have been let go over the past several years, Whitley said, three people will move to Stanford with the collection.

Gonzalez said it was “painful” to see history lose a footprint in San Francisco, at a moment when many of the city’s history and preservation groups are struggling to stay afloat. But Stanford’s stewardship of the collection, he said, would allow the continual discovery of new stories about the past.

He cited the example of Juana Briones, a businesswoman and healer born in 1802 in Santa Cruz who lived in California “under three flags”: Spanish, Mexican and American. In 2011, local preservationists helped save a portion of adobe wall from her home in Palo Alto, which became the centerpiece of a bilingual exhibition at the historical society.

“We all know about the Gold Rush,” Gonzalez said. “But there are also all these unsung heroes.”

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Education

Video: Judge Blocks Trump Move to Ban Foreign Students at Harvard

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Video: Judge Blocks Trump Move to Ban Foreign Students at Harvard

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Judge Blocks Trump Move to Ban Foreign Students at Harvard

Harvard University sued the Trump administration after it moved to block international students from enrolling.

“I just couldn’t believe it because I thought the administration and Harvard have been back and forth for the last couple of months on various issues — pulling funding and stuff, which is already very painful for Harvard. But I thought that was the maximum pressure that the administration was able to put on Harvard.” “It’s a real fear and a real threat. So even if we win at court, we do not know if the government will accept that or if the whole situation will just take too long for us to react in time.”

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Video: Columbia University President Is Booed at Commencement Ceremony

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Columbia University President Is Booed at Commencement Ceremony

For the second day in a row, Columbia University students critical of the administration delivered a chorus of boos toward the acting president, Claire Shipman, during her speech at the main commencement ceremony on Wednesday.

“Please welcome the acting president of the university, Claire Shipman.” [graduates booing] “Families, you have given us a gift — thank you. And, graduates, it is time to give the world your gifts. So with that, let me turn to you, the nearly 16,000 graduates of the Columbia Class of 2025. You are the best of us. We firmly believe that our international students have the same rights to freedom of speech as everyone else — [graduates booing] and they should not be targeted by the government for exercising that right. I know many in our community today are mourning the absence of our graduate, Mahmoud Khalil.” Chanting: “Free Mahmoud.”

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How Usher Writes a Commencement Speech

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How Usher Writes a Commencement Speech

At 5:04 a.m. last Monday, Usher sent his publicist an audio file named “My Commencement 2025.”

“What ya think?” one of the world’s most renowned musicians wrote.

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He had been awake for hours, tinkering with the speech he would deliver at Emory University that morning. The school was about to feed his script into a teleprompter. But Usher, who allowed The New York Times to peer into his process over more than a month, wasn’t done.

In the dark and quiet of his bedroom, the 46-year-old star was, at last, away from the roaring crowds and hypnotizing special effects of a tour through Asia and Europe. Now he had more edits to make, more lines to weigh, more pacing to measure.

Those adjustments still did not satisfy him. Even after he arrived at Emory, he kept writing.

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Simbarashe Cha/The New York Times

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The fans had filtered out of the O2 Arena in London, disappearing into the darkness, after Usher sang, danced, flirted and roller-skated through a panorama of his career. It was late on April 9, but Usher needed to convene a meeting.

His schedule had vanishingly few openings, and he wanted to talk through what to say at Emory, where he would receive an honorary doctorate.

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He had given a commencement speech before, at a conservatory in Boston in 2023. The crowd at Emory, though, would be bigger and more academically diverse, ranging from physics majors to future United Methodist ministers.

The moment would be jarringly different and endlessly more complicated than the one in Boston. As the date of this spring’s speech approached, the Trump administration was pressuring universities and stripping funding from campuses.

A fully improvised address was out of the question. Usher, though, wanted a framework that would leave room for his performer’s instinct.

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Lydia Kanuga, Usher’s publicist and the person who would prepare the earliest drafts, observed that he often spoke of “spark.” Shawn Wilson, a fixture of Usher’s charitable foundation for at-risk students, floated a two-theme talk focused on leadership and spark. Chris Hicks, a strategic adviser, pressed deeper and argued that Usher, whose foundation has close ties to Emory, should explicitly blend his life experience with the world’s turbulence.

Mr. Hicks suggested that Usher talk about the times he fell down and then got back up. “That aligns with him,” he said, adding, “because as someone who has a youngster that age, that’s all we talk about: There are going to be some very lean days, and you have to be your own champion.”

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“I like that, perseverance and resilience,” Mr. Wilson chimed in. Someone else reminded Usher that the talk would need to include a few moments of celebration, too.

Friday Draft

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Good morning, Emory!

What a profound honor it is to stand before you today—not just as an artist or entrepreneur, but as someone who, like each of you, knows the power of dreaming big, working hard, and finding purpose. I’d like to thank President Gregory L. Fenves, Chairman Bob Goddard, and the esteemed members of the Emory University Board of Trustees for having me.

Monday Draft

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[ … ]
What a profound honor it is to stand before you today — not just as an artist or entrepreneur, but as someone who, like each of you, knows the power of dreaming big, working hard, and finding purpose.

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Early drafts of the speech called for Usher to begin with a fairly standard recitation of gratitude.

But Usher rewrote the top of the speech a few hours before he arrived at Emory, to bring in some guiding principles of his life.

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In London, he told his team he wanted “gems,” speedy lines that might resonate sharply with individual listeners. The Monday morning rewrite added these lines up high in the text.

But no speech, the brain trust knew, could be entirely feel-good at a time when a national storm was raging over education. Usher had a political streak — he appeared at a campaign rally for Kamala Harris — but his brand had hardly been a partisan lightning rod. His team urged caution.

Usher said relatively little as his aides talked over ideas. Instead, he peered at a notebook, pen in hand. His vision was forming.

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He craved a sensible message for the masses, with easy-to-remember mantras and clear takeaways that were not suffocatingly scripted. He wanted a snappy sound-bite or two and a message imbued with his own story, not just with stock lines.

He had lots of time to fill. Emory wanted his speech to run between 15 and 20 minutes, an eternity for a man whose hits have come in four-minute bursts.

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The meeting ended, the gallery of faces vanished, and Usher sat alone, speaking to himself in front of a mirror well past midnight.

Ms. Kanuga started thinking. Usher kept on touring. But he also began to dream about the Emory speech. Sixteen days after the brainstorming session, he said he was sometimes startling awake to scribble ideas.

He had been reflecting on titans of oratory, including the Rev. Dr. Martin Luther King Jr., Quincy Jones and Denzel Washington, as well as two men who had taught at Emory, Desmond M. Tutu and the Dalai Lama.

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Giving a speech at Emory was personal for Usher. It was, after all, going to take place in Atlanta, the city that fueled his rise to fame from a Chattanooga church choir. Speaking in a city where he had become something of a landmark himself would bring a different sort of pressure.

His post-meeting murmurs in London had been a way to test and channel ideas. But at a hotel in Amsterdam in late April, he thought the speech was still in infancy. He had grown adamant, though, that he wanted clear language — the musician who regarded run-ons as his weakness did not want to lose listeners in long sentences.

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And he was looking to build a speech that would prove he was not just an entertainer, but also someone who could bring meaning, even without a college education to his name.

“There’s a beginning, there’s a middle and there’s an end, and within that process, what you choose to make people feel,” he said. “Do they smile? Do they think? Do they laugh? Do they cry? Are they angry? Are they motivated?”

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Tone, he said, would matter. He was working on his speaking voice.

“In the same way I’ve figured out how tone and algorithm and cadence works in music, it does the same in speech,” he said.

The question of whether politics would enter the text loomed. Usher knew he was not headed to Emory as a candidate for Congress. He also did not seem inclined to ignore the turbulence entirely.

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Friday Draft

I’m 46, and over the last few decades, I’ve seen how fast things can change. Some of those changes are beautiful — technology connecting us, communities rising up, barriers breaking down. But some of those changes are deeply troubling — especially when we look at the state of basic education in this country.

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Sunday Draft

I’m 46, and over the last few decades, I’ve seen how fast things can change. Some of those changes are beautiful — technology connecting us, communities rising up, barriers breaking down. But some of those changes are deeply troubling — especially when we look at the state of basic education in this country.
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Through all of the edits in the final days, this section remained a staple of Usher’s speech.

The moment in the country, Usher thought, was too consequential to ignore. But he opted for a subtle message about policy, not a direct attack on President Trump. After some other edits, the line appeared later in the speech than where it was initially drafted.

This gets at a big debate about higher education in America, and one that Usher is thinking about as the father of two children who are approaching college age.

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Ms. Kanuga had been trying to translate the ideas from the brainstorming session into a draft that Usher could use as a launchpad for his own turn working on the speech. As the commencement drew near, though, she could only guess what the singer would ultimately decide to say.

Usher landed in the United States on the Thursday before his Monday speech. He had yet to plunge fully into Ms. Kanuga’s latest draft.

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Usher texted her the next afternoon. He worried that the script sounded “too corporate.”

“It needs to have more grit,” he wrote, and “more touch points that humanize me.”

Ms. Kanuga asked when they could talk. He replied with seven paragraphs.

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He wanted to say how he felt his own school had not understood him — an account he had hinted at only with people who knew him well.

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Sunday Draft

When I moved to Atlanta, I was so far behind that I was unable to keep up, and the staff at the school I was attending didn’t have the resources to help me, so I was assigned to special education classes. As a young black man, it was discouraging.

As Delivered

I was academically so far behind that I was unable to keep up and the staff at the school I attended didn’t have the resources to help me, so I was assigned to special education classes. so they assigned me to remedial classes, which at the time felt like a judgment on my ability. As a young Black man, or a kid at the time, I was discouraged.

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Less than 72 hours before his speech, Usher added this anecdote, hoping it would help his audience understand “the reality” of education in America.

Usher relished the silence from the audience in response to this section. It seemed to him that the crowd had empathy, and that his willingness to be vulnerable landed in a poignant, powerful way.

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Ms. Kanuga had never fathomed that he would want to discuss it at Emory, but a story that he had never shared publicly would now become the spine of the speech.

“I will work this in,” Ms. Kanuga replied, before Usher sent her six more messages.

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Ms. Kanuga emailed the script to Emory officials — with some of Usher’s via-text additions included verbatim, and others streamlined — at 6:12 p.m. on Sunday. The subject line was “Usher speech // FINAL.”

Usher attended a reception that night, honoring him and other honorary degree recipients — an intimate, relaxed setting that left him feeling looser.

Afterward, he stopped for Japanese food and then started fiddling with the script some more.

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He dozed off, he said later, with his phone in his hand.

Around 2:30 a.m., Usher was awake and accepting that he would not fall back asleep. Taking command for these final hours, he started reading and rewriting, recording and rehearsing.

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His wife, Jennifer, said she stayed quiet. When Usher’s assistant walked in, the singer was still in bed, assessing how the script sounded.

“Just making certain that I pay attention to the beats,” he said later.

He actually felt more comfortable with speechwriting than songwriting, he said. But this process was still much like rehearsing a dance.

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“You’re listening, and I’m like, ‘OK, let me slow this down,’” he said. “‘Make that personal. They’re going to laugh at that. Oh, that’s a joke moment.’”

By about 5 a.m., he had “completely changed just about everything” somehow, whether in text or tone or timing — everything, he said, but his intent.

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Usher sent Ms. Kanuga his latest edits, and she shared them with Emory at 6:29 a.m., hoping the rewrite would make the teleprompter before the 8 a.m. event. Usher headed to the campus and donned academic regalia.

Backstage, he was still typing changes into his phone. When he heard bagpipers, he thought about the movie “Sinners” and conceived a line about vampires.

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Then it was his turn.

As Delivered

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Good morning Emory!
|

Monday Draft

What a profound honor it is to stand before you today — not just as an artist or entrepreneur, but as someone who, like each of you, knows the power of dreaming big, working hard, and finding purpose.

As Delivered

What a profound honor it is to stand before you, not just as an artist or entrepreneur, |But as someone more than that, who’s just like you, that knows the power of dreaming big, working hard and finding a purpose,

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Usher did some ad-libbing from the start.

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While he mostly stuck to the speech he had reworked overnight, he did interject a few words here and there.

For example, he reveled in multiple mentions of his newly bestowed honorary title of doctor.

He spoke for about 17 minutes and was rewarded with one of the morning’s longest rounds of applause.

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Afterward, as he does after shows, he thought about what had worked.

Parents, he said, had been so animated when he spoke about education that he wound up altering the delivery of his next line. When his audience started to cheer a favored section about how “losers let it happen” and “winners make it happen,” he had thought about pausing but pressed on, looking to build momentum. And he had been pleased when the discussion of his own schooling had landed to somber silence.

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He regretted nothing.

“I love the fact that it was honest, that it was conversational, that it was me authentically,” he said. “Even the adjustments in the last minute, that’s me. That’s who I am.”

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