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California Historical Society to Dissolve and Transfer Collections to Stanford

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California Historical Society to Dissolve and Transfer Collections to Stanford

The California Historical Society, facing longstanding financial challenges exacerbated by the coronavirus pandemic, has decided to dissolve and transfer its collections to Stanford University.

The society, a private nonprofit organization established in 1871 and designated the state’s official historical society in 1979, is one of California’s oldest historical organizations. But unusually among state historical societies, its leadership said, it received no regular state funding, which left if vulnerable to the vagaries of private donations.

Tony Gonzalez, the organization’s board chair, said the decision to dissolve the organization, which is headquartered in San Francisco, was “bittersweet.” But he emphasized that the arrangement with Stanford ensured that the society’s collections, which include more than 600,000 items stretching back a century before the Gold Rush, would remain intact and accessible to the public.

“We think of it as a rebirth,” Gonzalez said. “Stanford will not be a state historical society, but the collection will be in better hands with them than it could be with us.”

The society’s treasures include the Kemble Collections on Western Printing and Publishing, which features books, pamphlets, product labels, trade catalogs and other items produced in the American West between 1802 and 2001. The society also holds the archives of many organizations, like the American Civil Liberties Union of Northern California and the California Flower Market, Inc., founded by Japanese American flower merchants in 1912.

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It is also the official repository for records relating to the People’s Temple, whose members, led by Jim Jones, drank poison in Guyana in 1978, leading to the death of more than 900 people, a third of them children.

Anh Ly, Stanford’s assistant university librarian for external relations, called the historical society’s collection a “huge addition” to its own holdings of more than 15 million items, which would help fill in some gaps, particularly relating to California’s early history.

The board’s decision to dissolve the society and transfer its collection follows a decade of failed attempts at a turnaround.

In 2016, it was tapped by the city of San Francisco as its lead partner for a potential restoration of the Old United States Mint in downtown San Francisco, one of the few structures to survive the 1906 earthquake and fire. But restoration of the building, which had been largely unused for decades, was deemed prohibitively expensive.

In early 2020, the group announced a new strategic plan that involved selling its 20,000-square-foot building near Union Square and using the proceeds to support traveling shows and partnerships with smaller organizations around the state. But that effort was thwarted by the pandemic and downturn in San Francisco’s real estate market, as well as the unexpected death in 2022 of Alicia L. Goehring, the executive director and chief executive who helped formulate the plan.

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Gonzalez, a Sacramento lawyer who joined the board in 2012, said that private philanthropic support had become unreliable over the past two decades, as many foundations and donors pivoted away from the humanities toward efforts more directly aimed at solving social problems. And unlike in other states with robust historical societies, he said, California’s legislature had never provided any regular appropriation for operational support.

In 2022, Gonzalez said, the group requested a one-time grant of $12 million to support a partnership with the University of California, Riverside, which would have involved collaborating with Native American tribes to bring historical projects to underserved parts of the state.

The request was rejected. “The legislature gave us the same answer we heard from philanthropic organizations: This sounds like something a university should be doing,” Gonzalez said.

The group took out a $5 million loan against its building, to help cover its budget, which Jen Whitley, the group’s interim executive director, said was about $3.5 million.

But finances remained unworkable, and last summer the board voted to begin the process of dissolution. Four years after it was first listed, its building — a former hardware store painted the same shade of red as the Golden Gate Bridge — was sold for nearly $6.7 million, according to The San Francisco Chronicle.

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Under terms of dissolution, which had to be approved by the state attorney general, Stanford will also receive the society’s endowment of roughly $3.2 million. While most of the staff of roughly two dozen have been let go over the past several years, Whitley said, three people will move to Stanford with the collection.

Gonzalez said it was “painful” to see history lose a footprint in San Francisco, at a moment when many of the city’s history and preservation groups are struggling to stay afloat. But Stanford’s stewardship of the collection, he said, would allow the continual discovery of new stories about the past.

He cited the example of Juana Briones, a businesswoman and healer born in 1802 in Santa Cruz who lived in California “under three flags”: Spanish, Mexican and American. In 2011, local preservationists helped save a portion of adobe wall from her home in Palo Alto, which became the centerpiece of a bilingual exhibition at the historical society.

“We all know about the Gold Rush,” Gonzalez said. “But there are also all these unsung heroes.”

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Opinion | 13 George Washington Interpreters on Embodying an Icon

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Opinion | 13 George Washington Interpreters on Embodying an Icon

He was a father figure

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He was flawed

He was just a
dude

In our national memory, George Washington is a mythic figure, cast in metal, carved in stone. His leadership, first as general, then as president, is so intertwined with the roots of this country that it is sometimes hard to separate the man from the idea of America. How does one imagine the living presence of such an icon, much less embody him?

There is a small fraternity of men bold enough to try. At historical parks and commemorations from Virginia to Seattle, these interpreters (their preferred term) transform themselves into Washington. Each has his own approach, but what all their representations seek to capture is a legacy that has endured from his time to ours. If America, at least in part, is an idea, then our national project becomes, like theirs, an act of interpretation, an imperfect attempt to translate some idealized vision into the messy reality of our own time.

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— Ezekiel Kweku

“By some strange quirk
of genetics, I have
Washington’s exact
dimensions. Where my
sleeves fall on my wrist,
the size of my chest, the
size of my thighs, where
the breeches fall to my
knees, are all identical.”

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John Koopman, 67, often performs
while riding his horse, Bear. He
has portrayed Washington for 20 years.

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James Fryer, 70, wears a replica of a general’s uniform that Washington designed himself. He recently completed training to portray Washington for the nonprofit Historic Philadelphia.

“Some people portray George as a marble statue. I don’t do a marble George. I am interested in talking to everyone, even those who yell at me because George was a slave owner. I want to respect them, try to educate them, or maybe even inspire them.”

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Vern Frykholm, 77, was moved to bring his interpretation of Washington to Washington State, where he lives, after seeing a 2011 performance in Pennsylvania.


Dean Malissa, 73, signs his personal
correspondence, including emails,
as Washington did: “Your Most Humble
and Obedient Servant.” He became
the Official George Washington
at Mount Vernon in 2004, and held
that role for nearly 20 years.

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“I describe him sometimes as just a dude. I look at him and think, I could see myself in the same world, making similar bad decisions or similar good decisions.”

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Daniel Cross, 39, portrayed a young Washington at Virginia’s Colonial Williamsburg until last year. He now works with organizations around the country.


Curt Radabaugh, 62, has 13,000 history books in his personal library, including several hundred about Washington. He is a veteran of the U.S. Marines and a retired police officer.

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“He’s a mentor, a father
figure, and not only in the
sense that he’s a patriarch
of the country. Because
I grew up without a
father, he kind of became
my surrogate father.”

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Brian Hilton, 58, says he researches
Washington’s era every morning before
his children get up and at night after
they go to bed. He is a high school history
teacher near Richmond, Va.

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Daniel Shippey, 57, partners on interpretations with his wife, Kelly, who portrays Martha Washington. Kelly researched 18th-century hair techniques to create her husband’s costume hairstyle. They live in Virginia.

“You’re playing the myth of George Washington as well as the historical figure. I make his voice a little firmer and deeper than it probably was in real life. I play him a little funnier than he probably was. In reality, if you came to see him, he probably wouldn’t talk to you as much as I do.”

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Doug Thomas, 53, is Washington’s second cousin nine times removed.


John Godzieba, 67, has reenacted
the crossing of the Delaware as
Washington every Christmas for the
past 16 years at Pennsylvania’s
Washington Crossing Historic Park.

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“In many ways I don’t look like him. My eye color is wrong. My nose is wrong. My hair color is wrong. I wouldn’t have cast myself in this role.”

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Ron Carnegie, 64, has portrayed Washington at Colonial Williamsburg for 20 years.


Ryan Williams, 37, is a veteran who specializes in playing a young Washington during the French and Indian War. He lives in Virginia.

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“Some people portray
Washington almost
like a superhero.
I like to bring out that
he has faults. He’s a
person like you or me.”

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Michael Grillo, 64, is a historical
tailor who hand-sews his own clothes
for reenactments. He also makes
period props, including two American
battle flags and pewter mugs
engraved with Washington’s crest.

Martin Schoeller is a photographer and director known for his close-up portraits of everyone from world leaders and celebrities to female bodybuilders. For this project, he used a large format camera to photograph 13 historical interpreters of George Washington — many of whom arrived in full uniform — over three days in Virginia and New York City.

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Additional reporting by Tenzin D. Tsagong. Interviews have been edited and condensed for length and clarity. Top quotes from Brian Hilton, Daniel Shippey and Daniel Cross.

Produced by Sara Barrett, Danny DeBelius and Sam Whitney. Additional production by Olivia James.

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This Little Robot Cleans Windows

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One task the robots can take from us? Cleaning. Especially hard-to-access windows. So when writers Caroline Mullen and Evan Dent found this little guy — whose government name is “EcoVacs Winbot Mini” — they were intrigued. Could he clean the uncleanable? Caroline and Evan put their robot friend to the test at both the Wirecutter office and a high-rise apartment. Is a robo-window cleaner more effective than scrubbing yourself?

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Video: School Year Cut Short and Aid Delivery Slowed Amid Fuel Crisis in Cuba

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Video: School Year Cut Short and Aid Delivery Slowed Amid Fuel Crisis in Cuba

new video loaded: School Year Cut Short and Aid Delivery Slowed Amid Fuel Crisis in Cuba

A U.S. oil blockade imposed by the Trump administration has set off an increasingly agonizing energy crisis that has brought transportation largely to a standstill. In an effort to save energy resources, the government ended the school year early.

By McKinnon de Kuyper

June 22, 2026

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