Culture
Xavi's Barcelona resignation: The full story behind his decision to step down in June
“President, I’d like to speak with you.”
Barcelona’s traumatic 5-3 home defeat against Villarreal prompted an agitated evening behind the scenes at their temporary home ground on Montjuic on Saturday.
Club executives immediately held an urgent meeting after the final whistle at the Estadi Olimpic Lluis Companys, just next to the VIP boxes, where other board members were still having dinner.
Alongside Barca president Joan Laporta was vice-president Rafa Yuste, sporting director Deco, director Enric Masip and Laporta’s closest confidant, Alejandro Echevarria. The topic of discussion was Xavi’s position. At that meeting, Laporta decided he had to stay true to the convictions he had held over the past few weeks and keep Xavi as manager.
Suddenly, as the meeting came to an end, he felt his phone buzzing.
Xavi’s message to Laporta asking to speak prompted a dramatic turn of events. Top executives feared the manager had decided to abandon his role that very same night, leaving Barcelona in a tough position. The decision had already been made not to sack him, partly because it would have been hard to bring in a replacement due to the financial state of the club. Barca are over La Liga’s limit on salary spending, which makes it tough to register new players; the rules apply to managers’ wages, too.
One of the executives present at that meeting even texted Xavi back, asking him not to “take final decisions in heated moments” and to “let the situation cool down”.
But Barcelona’s legendary former midfielder, who led them to the Spanish league title in his first full season in charge last term, had made his mind up. He could not keep carrying the same amount of pressure and needed to tell the board.
Well-placed Barca sources — who, like all those cited here, preferred to speak anonymously to protect their positions — told The Athletic that Laporta was very surprised by how well Xavi articulated his message when they eventually spoke and that he quickly understood this was a decision he had deeply considered.
The manager’s wish to step down not now but at the end of the season would also give them some time to make plans and Laporta accepted his request.
In this piece, we explain:
- How Barcelona’s toxicity ended up wearing down Xavi, a man who knows the club as well as anyone but who could still not escape its unique pressures and saw his family affected
- When Xavi made his decision and why it ended up being revealed so abruptly, with players hearing the news through social media
- How the dressing room reacted, with some relationships with the manager deteriorating and others open to seeing him staying
- What went wrong from last season and why, despite being a man of the club in tough times, players and executives believed Xavi ended up underperforming
“Xavi slept better tonight than he had in a long time,” sources close to him told The Athletic on Sunday morning. They said he felt liberated after making known his decision to leave the club on June 30 — and so did his entourage.
The coach had been mulling over the decision for months, but it was only after the 4-1 defeat against Real Madrid in the Supercopa de Espana final that he made it known to those closest to him: his brother and assistant manager Oscar Hernandez, his wife Nuria Cunillera and a few most trusted members of his staff. Not many knew.
They had devised a plan to make his decision public, with the idea to tell the players at a training session the day before a match over the upcoming weeks. He would then give a press conference with the board to explain it to the media. Instead, everything came to a head after Saturday’s game with Villarreal.
Barca lost the match despite coming back from two goals down to lead 3-2, suffering a 3-5 defeat that leaves them fourth in the table, 11 points off surprise La Liga leaders Girona (on whom they have a game in hand) and 10 points behind rivals Real Madrid.
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The defeat essentially saw them say goodbye to a third competition in 15 days. First, the Supercopa de Espana, then the Copa del Rey (Athletic Bilbao knocked them out last week), now an almost definitive farewell to the league title they were defending.
After the final whistle, Xavi did several flash interviews with broadcasters and nobody could have guessed what was going to happen next.
After Xavi wrote the message to Laporta, he communicated to the board that he was leaving the position. According to sources close to the coach, he then went to find the players in the dressing room, hoping to tell them himself before they heard it elsewhere.
In their own post-match interviews, Frenkie de Jong, Joao Cancelo and Ronald Araujo had all strongly defended the coach, with De Jong saying: “It’s our fault, not the coach’s.”
Xavi wanted to talk to them, but by the time he was in a position to, over an hour after the final whistle, they had all left the stadium already.
Barcelona conceded two late goals against Villarreal (David Ramos/Getty Images)
Xavi had already said several times at recent press conferences that if he ever became “a problem” for the club, he would leave.
There were several reasons behind the decision.
After suffering another defeat, Xavi could see a week of polls in the media coming, asking whether Laporta should sack him or not — a turbulent week in which Barca had to play two games that were now key to keeping up the pace in the race for Spain’s Champions League spots.
He wanted to calm the waters and face the end of the season without the extra tension and uncertainty. He felt the club needed a change and the best thing to do was to make it clear that he would be leaving.
But there was also another reason. According to sources close to Xavi, he was fed up. The toxicity of being in the Barca environment not only affected his mood but also had consequences for his closest family.
Club sources saw him as being overwhelmed. These sources also said that some Barca board members had been calling for his head for some time and that this also affected him, even though Laporta had defended him. He felt this only added pressure to an already critical environment.
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When Xavi left his meeting with the board after Saturday’s game, his only concern was how the players were going to take it. He felt bad that he had not spoken to them earlier. His announcement took the squad by total surprise.
When the manager and players did finally get a chance to speak at training the following morning, several club sources told The Athletic that the group was affectionate towards him. Some of them approached Xavi at the end of the session to ask him if there was anything they could do to make him reconsider and stay.
Xavi and Lewandowski embrace during Saturday’s defeat (Alex Caparros/Getty Images)
It might be surprising to hear that Xavi, a man who spent half his life at Barcelona and knows the ins and outs of the institution better than possibly anyone else, just could not deal with its unique demands. But this was actually a major factor behind his decision to step down.
“Over the last weeks, you could see that he was not going through a good time,” a club source said. “He was not enjoying his work and he was especially affected by the fact all the pressure was not just impacting him, but his family.”
The club’s hierarchy expected Xavi to deal with the demands of the job in a more healthy way given his background. Xavi played for Barcelona for 17 years, making 767 appearances (only Lionel Messi has more, with 782) and winning 25 trophies.
Pressure has grown on him since the start of his tenure in November 2021. He arrived at a difficult time for the club, amid financial struggles and with a weakened squad, but as the years went by and patience levels were tested, Xavi began to face the kind of criticism any manager deemed to be underperforming will be subjected to at Barca. This became a problem for him.
“He focused too much on knowing everything that was said around him and even followed daily radio programmes and TV shows,” a club source said. “He also read the press too much, and it didn’t do Xavi any favours.”
Those who have worked with Xavi on his backroom staff point to the pressure of the merciless Barcelona ‘entorno’ as the main reason for the manager’s downfall.
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The Spanish word ‘entorno’, literally translated as environment or surroundings, was coined by Barca legend Johan Cruyff when he was the manager in 1992 to describe the noise that is constantly generated around the club: the media, the fans, the politics of its executive board, or other major figures across the city and wider Catalonia region.
“Here, everyone belongs to one side or ideology,” a club source said. “Every journalist, media outlet or person who can give an opinion has their own agenda and uses whatever happens on the pitch to turn the tide to their favour. There were constant attacks on Xavi and barely ever a will to build on and help the project.”

But it’s not only in the media where Xavi felt left out and mistreated: he’s been progressively isolated within the club as well.
Xavi was aware that multiple Barcelona executives have been criticising the team’s performances for months, as well as an alleged lack of intensity in the training sessions his staff led. Some were even pushing for president Laporta to sack him after the Supercopa de Espana final.
Looking back to the end of last season, just after Barca won La Liga, there were signs of Xavi’s influence being eroded. The day after the bus parade through the city, where the Spanish league title was celebrated with fans, then-sporting director Jordi Cruyff announced he would be leaving.
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Cruyff and Xavi had established a close bond. The Dutchman was an ally to the Catalan’s vision of how the squad should be assembled and defended it to the board of directors. But Barcelona’s senior management was already working on the arrival of Deco in the sporting direction department and Cruyff eventually felt there was no space left for him.
Just a few months later, Cruyff’s partner in the role, Mateu Alemany, also left. Despite initially not being as close to Xavi as his colleague, during the last months of his tenure, they had worked together in planning for the future.
When Alemany departed in August and Deco stepped up as the main leader in the sporting direction department, it left the latter and Laporta as the two most active voices in shaping the squad.
Xavi has publicly stated his relationship with former team-mate Deco is perfectly fine, but last summer’s transfer activity simply reveals how his position has been weakened.
The biggest investment Barca made during the off-season was in 18-year-old Brazilian striker Vitor Roque, for whom the club paid €30million (£25.5m; $32.5m), plus a potential €31m more in add-ons. Roque has played 86 minutes in five matches since arriving this winter, not starting a single game. In the manager’s eyes, he has been behind 18-year-old La Masia graduate Marc Guiu in the pecking order.
Xavi’s biggest priority last summer was the addition of a new holding midfielder to replace club legend Sergio Busquets, who left to join Inter Miami. While the manager put the names of Martin Zubimendi, Joshua Kimmich or Marcelo Brozovic as his three priorities, Barcelona were only able to bring in Oriol Romeu, whose impact has been disappointing, to say the least.
Further evidence of Xavi’s waning power within the club came in the build-up to the final game of the Champions League group stage this season, away at Royal Antwerp, which they lost 3-2. With Barcelona practically qualified, the club’s board interfered in the manager’s squad selection, pushing him to make all the team’s top guns travel instead of giving them a rest, as had been his intention.
All this does not exempt Xavi from a share of responsibility over what has undoubtedly been a disappointing follow-up campaign to the success of 2022-23. In terms of recruitment, he has still been a part of the club and has sanctioned the moves that have taken place. He could, and perhaps should, have raised his voice as soon as his authority began to come under threat. When you spot problems inside the club but do not stand in their way in some manner, you might as well be considered part of it.
Xavi alongside his brother and assistant coach Oscar Hernandez (Gongora/NurPhoto via Getty Images)
It should also be noted that Xavi was heavily backed in the market during Barca’s infamous ‘summer of levers’, when, back in 2022, the club made a series of future asset sales to finance a transformative spend in the transfer market.
None of those signings (Ferran Torres, Andreas Christensen, Franck Kessie, Robert Lewandowski, Raphinha and Jules Kounde) can be, right now, deemed as a successful deal.
All of them have been heavily exposed and contrasted by the brilliance of several emerging La Masia talents, with 16-year-old Lamine Yamal (who made his debut aged 15 last season) the biggest attacking threat for the club in recent weeks. Pau Cubarsi has just turned 17 and has impressed more at centre-back in two games than Christensen or Kounde have all season.
A few months into the 2023-24 campaign, coaching staff sources complained about last summer’s signings and assessed their attacking line as being far from the best in the country, but there’s a brutal reality in Xavi’s tenure: he’s been unable to make the team progress despite having been financially supported with transfers.
“He has not shown his players that he has the tactical level to be considered a top-level coach,” said a source close to one of the current Barcelona players. The fact Xavi’s only managerial experience before landing at Camp Nou was in Qatar also played a part in their assessment.
However, Xavi’s trust in the youngsters from La Masia can’t go unnoticed. Fermin Lopez, Yamal, Cubarsi and Hector Fort are all names that many now believe are capable of playing at the club for years. With other managers, they might have struggled to find a pathway to the first team.
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But equally, Barca’s manager has also had to deal with the deterioration of the dressing room’s harmony under his watch, with several examples already reported by The Athletic recently.
Before the start of the season, Kounde told Xavi he didn’t enjoy being played as a right-back and that he would prefer to be used in his natural central defensive position. This saw club captain Araujo being relocated as a right-back more regularly, but he has ended up complaining about this, too. Christensen has become disgruntled over consistently being the first player to be dropped when everyone in defence is fit despite never complaining and performing well last term.

There’s also the case of Lewandowski, arguably the club’s key senior player, who has seen his position at the club, and relationship with the manager, change significantly throughout the past year.
The 35-year-old has devolved from a dressing room role model to an expendable asset in the eyes of the coaching staff. According to sources close to the player’s camp, the striker’s dip in form since the World Cup break for Qatar 2022 owes more to a change in system that didn’t benefit him, although they admit he’s been far from his best. Lewandowski himself spoke to The Athletic about such concerns during Barca’s pre-season tour of the United States.
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In many ways, much of this is all part of the normal running of an elite football club. Nobody can expect top athletes to be happy when things aren’t going the way they planned and some of the examples mentioned above are now thought to have been dealt with. Others have not been tackled in time.
There is still a part of the dressing room that truly believes in the manager, especially players who broke into the first team thanks to him or ones who were given a second chance.
Some 20 minutes after Xavi revealed his decision on Saturday night, Gavi posted a picture with the manager on social media with a caption that read: “Always backing you, boss.” Local radio station Cadena SER Barcelona reported that, on Sunday morning, club captain Sergi Roberto told Xavi in front of the whole dressing room that he’d support him if changed his mind and decided to stay.
The bottom line, though, is that Xavi himself does not believe he can turn the situation around.
Joan Laporta and Xavi on the day the Barca legend was presented as manager in 2021 (Lluis Gene/AFP via Getty Images)
Xavi said he could not understand why his team lost in the Copa del Rey against Athletic Bilbao. He also believed they deserved to win against Villarreal and especially against Girona in December’s La Liga meeting — a defeat that badly damaged him in the eyes of Barca’s hierarchy.
There was also a sense that Xavi failed in attempts to improve the narrative with his words in press conferences. He went from protecting players to then calling them out by admitting they were not following what he practised in training. He also described attitude problems after struggling to beat bottom-side Almeria at the end of December and promised fans his team would never replicate that. Three weeks later, Barca were being outplayed and outrun by Real Madrid in Saudi Arabia.
So, what now?
There is still the possibility of Xavi not lasting the rest of the season if he does not manage to reverse the team’s dynamic in the four months remaining. The board has taken the decision to wait and see. Club sources told The Athletic that the manager has already written off any salary related to next season.
Barcelona’s board are already looking for a new manager. During his campaign for the Barcelona presidential elections back in 2021, Laporta said his preference was to bring in a German coach at a time when Thomas Tuchel, Jurgen Klopp and Julian Nagelsmann were at their peak.
However, there are sections of the board that are very hesitant to bring in a coach who does not speak Spanish as they believe it would make the situation more difficult. They want to see how the players react; if they fight to climb the table and go as far as possible in the Champions League.
Xavi tried everything and nothing worked. Sacrificing himself was his last desperate move; one to ease the pressure around the players and protect his legacy at the club.
At the same time, it pushes Joan Laporta and his board to spot further problems inside Barcelona and decide who has to lead the club’s new project for the foreseeable future.
(Top photo: Aitor Alcalde Colomer/Getty Images; design: Eamonn Dalton)
Culture
6 Poems You Should Know by Heart
Literature
‘Prayer’ (1985) by Galway Kinnell
Whatever happens. Whatever
what is is is what
I want. Only that. But that.
“I typically say Kinnell’s words at the start of my day, as I’m pedaling a traffic-laden path to my office,” says Major Jackson, 57, the author of six books of poetry, including “Razzle Dazzle” (2023). “The poem encourages a calm acceptance of the day’s events but also wants us to embrace the misapprehension and oblivion of life, to avoid probing too deeply for answers to inscrutable questions. I admire what Kinnell does with only 14 words; the repetition of ‘what,’ ‘that’ and ‘is’ would seem to limit the poem’s sentiment but, paradoxically, the poem opens widely to contain all manner of human experience. The three ‘is’es in the middle line give it a symmetry that makes its message feel part of a natural order, and even more convincing. Thanks to the skillful punctuation, pauses and staccato rhythm, a tonal quality of interior reflection emerges. Much like a haiku, it continues after its last words, lingering like the last note played on a piano that slowly fades.”
“Just as I was entering young adulthood, probably slow to claim romantic feelings, a girlfriend copied out a poem by Pablo Neruda and slipped it into an envelope with red lipstick kisses all over it. In turn, I recited this poem. It took me the remainder of that winter to memorize its lines,” says Jackson. “The poem captures the pitch of longing that defines love at its most intense. The speaker in Shakespeare’s most famous sonnet believes the poem creates the beloved, ‘So long as men can breathe or eyes can see, / So long lives this, and this gives life to thee.’ (Sonnet 18). In Rilke’s expressive declarations of yearning, the beloved remains elusive. Wherever the speaker looks or travels, she marks his world by her absence. I find this deeply moving.”
“Clifton faced many obstacles, including cancer, a kidney transplant and the loss of her husband and two of her children. Through it all, she crafted a long career as a pre-eminent American poet,” says Jackson. “Her poem ‘won’t you celebrate with me’ is a war cry, an invitation to share in her victories against life’s persistent challenges. The poem is meaningful to all who have had to stare down death in a hospital or had to bereave the passing of close relations. But, even for those who have yet to mourn life’s vicissitudes, the poem is instructive in cultivating resilience and a persevering attitude. I keep coming back to the image of the speaker’s hands and the spirit of steadying oneself in the face of unspeakable storms. She asks in a perfectly attuned gorgeously metrical line, ‘what did i see to be except myself?’”
‘Sonnet 94’ (1609) by William Shakespeare
They that have power to hurt and will do none,
That do not do the thing they most do show,
Who, moving others, are themselves as stone,
Unmovèd, cold, and to temptation slow,
They rightly do inherit heaven’s graces
And husband nature’s riches from expense;
They are the lords and owners of their faces,
Others but stewards of their excellence.
The summer’s flower is to the summer sweet,
Though to itself it only live and die;
But if that flower with base infection meet,
The basest weed outbraves his dignity.
For sweetest things turn sourest by their deeds;
Lilies that fester smell far worse than weeds.
“It’s one of the moments of Western consciousness,” says Frederick Seidel, 90, the author of more than a dozen collections of poetry, including “So What” (2024). “Shakespeare knows and says what he knows.”
“It trombones magnificent, unbearable sorrow,” says Seidel.
“It’s smartass and bitter and bright,” says Seidel.
These interviews have been edited and condensed.
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Culture
Classic and Contemporary Literature From France, Japan, India, the U.K. and Brazil
Literature
FRANCE
According to the writer Leïla Slimani, 44, the author of ‘The Country of Others’ (2020).
Classic
‘Essais de Montaigne’ (‘Essays of Montaigne,’ 1580)
“France is a country of nuance with a love of conversation and freedom and an aversion to fanaticism. It’s also a country built on reflexive subjectivity. Montaigne reveals all that, writing, ‘I am myself the matter of my book.’”
Contemporary
‘La Carte et le Territoire’ (‘The Map and the Territory,’ 2010) by Michel Houellebecq
“Houellebecq describes France as a museum, where landscape turns into décor and where rural areas are emptying out. He shows the gap between the Parisian elite and the rest of the population, which he paints as aging and disoriented by modernity. It’s a melancholic and yet ironic novel about a disenchanted nation.”
JAPAN
According to the writer Yoko Ogawa, 64, the author of ‘The Memory Police’ (1994).
Classic
‘Man’yoshu’ (late eighth century)
“‘Man’yoshu,’ the oldest extant collection of Japanese poetry, reflects a diversity of voices — from emperors to commoners. They bow their heads to the majesty of nature, weep at the loss of loved ones and find pathos in death. The pages pulse with the vitality of successive generations.”
Contemporary
‘Tenohira no Shosetsu’ (‘Palm-of-the-Hand Stories,’ 1923-72) by Yasunari Kawabata
“The essence of Japanese literature might lie in brevity: waka [a classical 31-syllable poetry form], haiku and short stories. There’s a tradition of cherishing words that seem to well up from the depths of the heart, imbued with warmth. Kawabata, too, exudes more charm in his short stories — especially these very short ‘palm-of-the-hand’ stories — than in his full-length novels. Good and evil, beauty and ugliness, love and hate — everything is contained in these modest worlds.”
INDIA
According to Aatish Taseer, 45, a T contributing writer and the author of ‘Stranger to History: A Son’s Journey Through Islamic Lands’ (2009).
Classic
‘The Kumarasambhava’ (‘The Birth of Kumara,’ circa fifth century) by Kalidasa
“This is an epic poem by the greatest of the classical Sanskrit poets and dramatists. The gods are in a pickle. They’re being tormented by a monster, but Shiva, their natural protector, is deep in meditation and cannot be disturbed. Kama, the god of love, armed with his flower bow, is sent down from the heavens to waken Shiva. Never a wise idea! The great god, in his fury, opens his third eye and incinerates Kama. But then, paradoxically, the death of the god of love engenders one of the greatest love stories ever told. In the final canto, Shiva and his wife, the goddess Parvati, have the most electrifying sex for days on end — and, 15 centuries on, in our now censorious time, it still leaves one agog at the sensual wonder that was India.”
Contemporary
‘The Complex’ (2026) by Karan Mahajan
“This state-of-the-nation novel, which was published just last month, captures the squalor and malice of Indian family life. Delhi is both my and Mahajan’s hometown and, in this sprawling homage to India’s capital, we see it on the eve of the economic liberalization of the 1990s, as the old socialist city gives way to a megalopolis of ambition, greed and political cynicism.”
THE UNITED KINGDOM
According to the writer Tessa Hadley, 70, the author of ‘The London Train’ (2011).
Classic
‘Jane Eyre’ (1847) by Charlotte Brontë
“Written almost 200 years ago, it remains an insight into our collective soul — or at least its female part. Somewhere at the heart of us there’s a small girl in a wintry room, curled up in the window seat with a book, watching the lashing rain on the window glass: ‘There was no possibility of taking a walk that day. …’ Jane’s solemnity, her outraged sense of justice, her trials to come, the wild weather outside, her longing for something better, for love in her future: All this speaks, perhaps problematically, to something buried in the foundations of our idea of ourselves.”
Contemporary
‘All That Man Is’ (2016) by David Szalay
“Though he isn’t quite completely British (he’s part Canadian, part Hungarian), Szalay is brilliant at catching certain aspects of British men — aspects that haven’t been written about for a while, now updated for a new era. Funny, exquisitely observed and terrifying, this novel reminds us, too, how absolutely our fate and our identity as a nation belong with the rest of Europe.”
BRAZIL
According to the writer and critic Noemi Jaffe, 64, the author of ‘What Are the Blind Men Dreaming?’ (2016).
Classic
‘Memórias Póstumas de Brás Cubas’ (‘The Posthumous Memoirs of Brás Cubas,’ 1881) by Machado de Assis
“Not only is it experimental in style — very short chapters mixed with long ones; different points of view; narrated by a corpse; metalinguistic — but it also introduces an extremely ironic view of the rising bourgeoisie in Rio de Janeiro at the time, revealing the hypocrisy of slave owners, the falsehood of love affairs and the only true reason for all social relationships: convenience and personal interest. After almost 150 years, it’s still modern, both formally and, unfortunately, also in content.”
Contemporary
‘Onde Pastam os Minotauros’ (‘Where Minotaurs Graze,’ 2023) by Joca Reiners Terron
“The two main characters — Cão and Crente — along with some of their colleagues, plan to escape and set fire to the slaughterhouse where they work under exploitative conditions. The men develop sympathy for the animals they kill, and one of them becomes a sort of philosopher, revealing the sheer nonsense of existence and the injustices of society in the deepest parts of Brazil.”
These interviews have been edited and condensed.
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Culture
6 Myths That Endure
Literature
The Myth of Meeting Oneself
“This is evident in Virgil’s ‘Aeneid’ (circa 30-19 B.C.) when Aeneas witnesses his own heroic actions depicted in murals of the Trojan War in Juno’s temple, and again in Miguel de Cervantes’s ‘Don Quixote’ (1605-15) when Quixote enters a printer’s shop and finds a book that has been published with fake details about his quest even as he’s living it,” says Ben Okri, 67, the author of “The Famished Road” (1991) and “Madame Sosostris and the Festival for the Brokenhearted” (2025). “In both stories, individuals throw themselves into the world and think they encounter objects, personae, obstacles and antagonists, but what they actually encounter is themselves. In our time, where our actions meet us in the echo chamber of social media, the process is magnified and swifter. Now a deed doesn’t even have to take place for it to enter the realm of reality.”
The Myth of Utopia
“I’ve always had trouble with the idea of utopia, feeling it derives its energy more from what it wishes to dismantle than what it wishes to enact,” says the T writer at large Aatish Taseer, 45, the author of “Stranger to History: A Son’s Journey Through Islamic Lands” (2009). “Ram Rajya, or the mythical rule of the hero Ram in the Hindu epic ‘Ramayana’ (seventh century B.C.-third century A.D.), like all visions of perfection, contains a built-in violence.”
The Myth of Invisibility
“Invisibility bears power and powerlessness at the same time,” says Okri. “In ancient cultures, it was a gift of the gods. Jesus, for example, walks unrecognized among his disciples, and in Greek myths, Scandinavian legends and ancient African tales, heroes are gifted invisibility in the form of cloaks, sandals or spells. Modern works like the two ‘Invisible Man’ novels, by H.G. Wells (1897) and Ralph Ellison (1952), and the ‘Harry Potter’ novels (1997-2007) by J.K. Rowling reach back to those ideas. But today, people talk about visibility as the highest form of social agency, while invisibility can render a whole class, race, caste or gender unseen.”
The Myth of Steadiness vs. Speed
“‘The Tortoise and the Hare,’ one of Aesop’s fables (sixth century B.C.), doesn’t necessarily strike a younger person as promising — possibly it has a whiff of morality in it,” says Yiyun Li, 53, the author of “A Thousand Years of Good Prayers” (2005) and “Dear Friend, From My Life I Write to You in Your Life” (2017). “But the longer I live and work, the more I understand that it’s the tortoiseness in a person that carries one along, not the swiftness of the mind and body of the hare.”
The Myth of Magic
“Ancient magical tales like Homer’s ‘Odyssey’ (late eighth to early seventh century B.C.) were allegories of transformation, of secret teachings,” says Okri, “whereas modern forms of magic are narrative devices and tropes of storytelling that continue the child’s wonder of life. I think of F. Scott Fitzgerald’s ‘The Great Gatsby’ (1925), Gabriel García Márquez’s ‘One Hundred Years of Solitude’ (1967) and, again, the ‘Harry Potter’ books. The intuition of magic persists even in these atheistic and science-infested times, where nothing is to be believed if it can’t be subjected to analysis. This is perhaps because the ultimate magic confronts us every day in the mystery of consciousness. That we can see anything is magical; that we experience love is magical; and perhaps the most magical thing of all is the imagination’s unending power to alter the contents and coordinates of reality. It hides tenaciously in the act of reading, which is the most generative act of magic.”
The Myth of the Immortal Soul
“ ‘The soul is birthless and eternal, imperishable and timeless and is not destroyed when the body is destroyed,’ says Krishna in the ‘Bhagavad Gita’ (second century-first century B.C.). This belief in the immortality of the soul — what used to be called Pythagoreanism in ancient Greece — is still the most pervasive myth in India,” says Taseer, “and has more influence over behavior and how one lives one’s life than any other.”
These interviews have been edited and condensed.
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