Culture
Xavi's Barcelona resignation: The full story behind his decision to step down in June
“President, I’d like to speak with you.”
Barcelona’s traumatic 5-3 home defeat against Villarreal prompted an agitated evening behind the scenes at their temporary home ground on Montjuic on Saturday.
Club executives immediately held an urgent meeting after the final whistle at the Estadi Olimpic Lluis Companys, just next to the VIP boxes, where other board members were still having dinner.
Alongside Barca president Joan Laporta was vice-president Rafa Yuste, sporting director Deco, director Enric Masip and Laporta’s closest confidant, Alejandro Echevarria. The topic of discussion was Xavi’s position. At that meeting, Laporta decided he had to stay true to the convictions he had held over the past few weeks and keep Xavi as manager.
Suddenly, as the meeting came to an end, he felt his phone buzzing.
Xavi’s message to Laporta asking to speak prompted a dramatic turn of events. Top executives feared the manager had decided to abandon his role that very same night, leaving Barcelona in a tough position. The decision had already been made not to sack him, partly because it would have been hard to bring in a replacement due to the financial state of the club. Barca are over La Liga’s limit on salary spending, which makes it tough to register new players; the rules apply to managers’ wages, too.
One of the executives present at that meeting even texted Xavi back, asking him not to “take final decisions in heated moments” and to “let the situation cool down”.
But Barcelona’s legendary former midfielder, who led them to the Spanish league title in his first full season in charge last term, had made his mind up. He could not keep carrying the same amount of pressure and needed to tell the board.
Well-placed Barca sources — who, like all those cited here, preferred to speak anonymously to protect their positions — told The Athletic that Laporta was very surprised by how well Xavi articulated his message when they eventually spoke and that he quickly understood this was a decision he had deeply considered.
The manager’s wish to step down not now but at the end of the season would also give them some time to make plans and Laporta accepted his request.
In this piece, we explain:
- How Barcelona’s toxicity ended up wearing down Xavi, a man who knows the club as well as anyone but who could still not escape its unique pressures and saw his family affected
- When Xavi made his decision and why it ended up being revealed so abruptly, with players hearing the news through social media
- How the dressing room reacted, with some relationships with the manager deteriorating and others open to seeing him staying
- What went wrong from last season and why, despite being a man of the club in tough times, players and executives believed Xavi ended up underperforming
“Xavi slept better tonight than he had in a long time,” sources close to him told The Athletic on Sunday morning. They said he felt liberated after making known his decision to leave the club on June 30 — and so did his entourage.
The coach had been mulling over the decision for months, but it was only after the 4-1 defeat against Real Madrid in the Supercopa de Espana final that he made it known to those closest to him: his brother and assistant manager Oscar Hernandez, his wife Nuria Cunillera and a few most trusted members of his staff. Not many knew.
They had devised a plan to make his decision public, with the idea to tell the players at a training session the day before a match over the upcoming weeks. He would then give a press conference with the board to explain it to the media. Instead, everything came to a head after Saturday’s game with Villarreal.
Barca lost the match despite coming back from two goals down to lead 3-2, suffering a 3-5 defeat that leaves them fourth in the table, 11 points off surprise La Liga leaders Girona (on whom they have a game in hand) and 10 points behind rivals Real Madrid.
GO DEEPER
Barcelona’s thin, injury-plagued squad will not be fixed by Xavi leaving
The defeat essentially saw them say goodbye to a third competition in 15 days. First, the Supercopa de Espana, then the Copa del Rey (Athletic Bilbao knocked them out last week), now an almost definitive farewell to the league title they were defending.
After the final whistle, Xavi did several flash interviews with broadcasters and nobody could have guessed what was going to happen next.
After Xavi wrote the message to Laporta, he communicated to the board that he was leaving the position. According to sources close to the coach, he then went to find the players in the dressing room, hoping to tell them himself before they heard it elsewhere.
In their own post-match interviews, Frenkie de Jong, Joao Cancelo and Ronald Araujo had all strongly defended the coach, with De Jong saying: “It’s our fault, not the coach’s.”
Xavi wanted to talk to them, but by the time he was in a position to, over an hour after the final whistle, they had all left the stadium already.
Barcelona conceded two late goals against Villarreal (David Ramos/Getty Images)
Xavi had already said several times at recent press conferences that if he ever became “a problem” for the club, he would leave.
There were several reasons behind the decision.
After suffering another defeat, Xavi could see a week of polls in the media coming, asking whether Laporta should sack him or not — a turbulent week in which Barca had to play two games that were now key to keeping up the pace in the race for Spain’s Champions League spots.
He wanted to calm the waters and face the end of the season without the extra tension and uncertainty. He felt the club needed a change and the best thing to do was to make it clear that he would be leaving.
But there was also another reason. According to sources close to Xavi, he was fed up. The toxicity of being in the Barca environment not only affected his mood but also had consequences for his closest family.
Club sources saw him as being overwhelmed. These sources also said that some Barca board members had been calling for his head for some time and that this also affected him, even though Laporta had defended him. He felt this only added pressure to an already critical environment.
GO DEEPER
Xavi is not blameless but Barcelona’s problems run far deeper
When Xavi left his meeting with the board after Saturday’s game, his only concern was how the players were going to take it. He felt bad that he had not spoken to them earlier. His announcement took the squad by total surprise.
When the manager and players did finally get a chance to speak at training the following morning, several club sources told The Athletic that the group was affectionate towards him. Some of them approached Xavi at the end of the session to ask him if there was anything they could do to make him reconsider and stay.
Xavi and Lewandowski embrace during Saturday’s defeat (Alex Caparros/Getty Images)
It might be surprising to hear that Xavi, a man who spent half his life at Barcelona and knows the ins and outs of the institution better than possibly anyone else, just could not deal with its unique demands. But this was actually a major factor behind his decision to step down.
“Over the last weeks, you could see that he was not going through a good time,” a club source said. “He was not enjoying his work and he was especially affected by the fact all the pressure was not just impacting him, but his family.”
The club’s hierarchy expected Xavi to deal with the demands of the job in a more healthy way given his background. Xavi played for Barcelona for 17 years, making 767 appearances (only Lionel Messi has more, with 782) and winning 25 trophies.
Pressure has grown on him since the start of his tenure in November 2021. He arrived at a difficult time for the club, amid financial struggles and with a weakened squad, but as the years went by and patience levels were tested, Xavi began to face the kind of criticism any manager deemed to be underperforming will be subjected to at Barca. This became a problem for him.
“He focused too much on knowing everything that was said around him and even followed daily radio programmes and TV shows,” a club source said. “He also read the press too much, and it didn’t do Xavi any favours.”
Those who have worked with Xavi on his backroom staff point to the pressure of the merciless Barcelona ‘entorno’ as the main reason for the manager’s downfall.
GO DEEPER
Xavi’s position at Barcelona: From winning La Liga to fighting for his future
The Spanish word ‘entorno’, literally translated as environment or surroundings, was coined by Barca legend Johan Cruyff when he was the manager in 1992 to describe the noise that is constantly generated around the club: the media, the fans, the politics of its executive board, or other major figures across the city and wider Catalonia region.
“Here, everyone belongs to one side or ideology,” a club source said. “Every journalist, media outlet or person who can give an opinion has their own agenda and uses whatever happens on the pitch to turn the tide to their favour. There were constant attacks on Xavi and barely ever a will to build on and help the project.”

But it’s not only in the media where Xavi felt left out and mistreated: he’s been progressively isolated within the club as well.
Xavi was aware that multiple Barcelona executives have been criticising the team’s performances for months, as well as an alleged lack of intensity in the training sessions his staff led. Some were even pushing for president Laporta to sack him after the Supercopa de Espana final.
Looking back to the end of last season, just after Barca won La Liga, there were signs of Xavi’s influence being eroded. The day after the bus parade through the city, where the Spanish league title was celebrated with fans, then-sporting director Jordi Cruyff announced he would be leaving.
GO DEEPER
Jordi Cruyff explains his Barcelona departure – and what’s next
Cruyff and Xavi had established a close bond. The Dutchman was an ally to the Catalan’s vision of how the squad should be assembled and defended it to the board of directors. But Barcelona’s senior management was already working on the arrival of Deco in the sporting direction department and Cruyff eventually felt there was no space left for him.
Just a few months later, Cruyff’s partner in the role, Mateu Alemany, also left. Despite initially not being as close to Xavi as his colleague, during the last months of his tenure, they had worked together in planning for the future.
When Alemany departed in August and Deco stepped up as the main leader in the sporting direction department, it left the latter and Laporta as the two most active voices in shaping the squad.
Xavi has publicly stated his relationship with former team-mate Deco is perfectly fine, but last summer’s transfer activity simply reveals how his position has been weakened.
The biggest investment Barca made during the off-season was in 18-year-old Brazilian striker Vitor Roque, for whom the club paid €30million (£25.5m; $32.5m), plus a potential €31m more in add-ons. Roque has played 86 minutes in five matches since arriving this winter, not starting a single game. In the manager’s eyes, he has been behind 18-year-old La Masia graduate Marc Guiu in the pecking order.
Xavi’s biggest priority last summer was the addition of a new holding midfielder to replace club legend Sergio Busquets, who left to join Inter Miami. While the manager put the names of Martin Zubimendi, Joshua Kimmich or Marcelo Brozovic as his three priorities, Barcelona were only able to bring in Oriol Romeu, whose impact has been disappointing, to say the least.
Further evidence of Xavi’s waning power within the club came in the build-up to the final game of the Champions League group stage this season, away at Royal Antwerp, which they lost 3-2. With Barcelona practically qualified, the club’s board interfered in the manager’s squad selection, pushing him to make all the team’s top guns travel instead of giving them a rest, as had been his intention.
All this does not exempt Xavi from a share of responsibility over what has undoubtedly been a disappointing follow-up campaign to the success of 2022-23. In terms of recruitment, he has still been a part of the club and has sanctioned the moves that have taken place. He could, and perhaps should, have raised his voice as soon as his authority began to come under threat. When you spot problems inside the club but do not stand in their way in some manner, you might as well be considered part of it.
Xavi alongside his brother and assistant coach Oscar Hernandez (Gongora/NurPhoto via Getty Images)
It should also be noted that Xavi was heavily backed in the market during Barca’s infamous ‘summer of levers’, when, back in 2022, the club made a series of future asset sales to finance a transformative spend in the transfer market.
None of those signings (Ferran Torres, Andreas Christensen, Franck Kessie, Robert Lewandowski, Raphinha and Jules Kounde) can be, right now, deemed as a successful deal.
All of them have been heavily exposed and contrasted by the brilliance of several emerging La Masia talents, with 16-year-old Lamine Yamal (who made his debut aged 15 last season) the biggest attacking threat for the club in recent weeks. Pau Cubarsi has just turned 17 and has impressed more at centre-back in two games than Christensen or Kounde have all season.
A few months into the 2023-24 campaign, coaching staff sources complained about last summer’s signings and assessed their attacking line as being far from the best in the country, but there’s a brutal reality in Xavi’s tenure: he’s been unable to make the team progress despite having been financially supported with transfers.
“He has not shown his players that he has the tactical level to be considered a top-level coach,” said a source close to one of the current Barcelona players. The fact Xavi’s only managerial experience before landing at Camp Nou was in Qatar also played a part in their assessment.
However, Xavi’s trust in the youngsters from La Masia can’t go unnoticed. Fermin Lopez, Yamal, Cubarsi and Hector Fort are all names that many now believe are capable of playing at the club for years. With other managers, they might have struggled to find a pathway to the first team.
GO DEEPER
Lamine Yamal: Barcelona’s teenage superstar ‘who can define an era’
But equally, Barca’s manager has also had to deal with the deterioration of the dressing room’s harmony under his watch, with several examples already reported by The Athletic recently.
Before the start of the season, Kounde told Xavi he didn’t enjoy being played as a right-back and that he would prefer to be used in his natural central defensive position. This saw club captain Araujo being relocated as a right-back more regularly, but he has ended up complaining about this, too. Christensen has become disgruntled over consistently being the first player to be dropped when everyone in defence is fit despite never complaining and performing well last term.

There’s also the case of Lewandowski, arguably the club’s key senior player, who has seen his position at the club, and relationship with the manager, change significantly throughout the past year.
The 35-year-old has devolved from a dressing room role model to an expendable asset in the eyes of the coaching staff. According to sources close to the player’s camp, the striker’s dip in form since the World Cup break for Qatar 2022 owes more to a change in system that didn’t benefit him, although they admit he’s been far from his best. Lewandowski himself spoke to The Athletic about such concerns during Barca’s pre-season tour of the United States.
GO DEEPER
Robert Lewandowski exclusive interview: ‘Barcelona is still the place to be’
In many ways, much of this is all part of the normal running of an elite football club. Nobody can expect top athletes to be happy when things aren’t going the way they planned and some of the examples mentioned above are now thought to have been dealt with. Others have not been tackled in time.
There is still a part of the dressing room that truly believes in the manager, especially players who broke into the first team thanks to him or ones who were given a second chance.
Some 20 minutes after Xavi revealed his decision on Saturday night, Gavi posted a picture with the manager on social media with a caption that read: “Always backing you, boss.” Local radio station Cadena SER Barcelona reported that, on Sunday morning, club captain Sergi Roberto told Xavi in front of the whole dressing room that he’d support him if changed his mind and decided to stay.
The bottom line, though, is that Xavi himself does not believe he can turn the situation around.
Joan Laporta and Xavi on the day the Barca legend was presented as manager in 2021 (Lluis Gene/AFP via Getty Images)
Xavi said he could not understand why his team lost in the Copa del Rey against Athletic Bilbao. He also believed they deserved to win against Villarreal and especially against Girona in December’s La Liga meeting — a defeat that badly damaged him in the eyes of Barca’s hierarchy.
There was also a sense that Xavi failed in attempts to improve the narrative with his words in press conferences. He went from protecting players to then calling them out by admitting they were not following what he practised in training. He also described attitude problems after struggling to beat bottom-side Almeria at the end of December and promised fans his team would never replicate that. Three weeks later, Barca were being outplayed and outrun by Real Madrid in Saudi Arabia.
So, what now?
There is still the possibility of Xavi not lasting the rest of the season if he does not manage to reverse the team’s dynamic in the four months remaining. The board has taken the decision to wait and see. Club sources told The Athletic that the manager has already written off any salary related to next season.
Barcelona’s board are already looking for a new manager. During his campaign for the Barcelona presidential elections back in 2021, Laporta said his preference was to bring in a German coach at a time when Thomas Tuchel, Jurgen Klopp and Julian Nagelsmann were at their peak.
However, there are sections of the board that are very hesitant to bring in a coach who does not speak Spanish as they believe it would make the situation more difficult. They want to see how the players react; if they fight to climb the table and go as far as possible in the Champions League.
Xavi tried everything and nothing worked. Sacrificing himself was his last desperate move; one to ease the pressure around the players and protect his legacy at the club.
At the same time, it pushes Joan Laporta and his board to spot further problems inside Barcelona and decide who has to lead the club’s new project for the foreseeable future.
(Top photo: Aitor Alcalde Colomer/Getty Images; design: Eamonn Dalton)
Culture
What Happens When We Die? This Wallace Stevens Poem Has Thoughts.
Whatever you do, don’t think of a bird.
Now: What kind of bird are you not thinking about? A pigeon? A bald eagle? Something more poetic, like a skylark or a nightingale? In any case, would you say that this bird you aren’t thinking about is real?
Before you answer, read this poem, which is quite literally about not thinking of a bird.
Human consciousness is full of riddles. Neuroscientists, philosophers and dorm-room stoners argue continually about what it is and whether it even exists. For Wallace Stevens, the experience of having a mind was a perpetual source of wonder, puzzlement and delight — perfectly ordinary and utterly transcendent at the same time. He explored the mysteries and pleasures of consciousness in countless poems over the course of his long poetic career. It was arguably his great theme.
Stevens was born in 1879 and published his first book, “Harmonium,” in 1923, making him something of a late bloomer among American modernists. For much of his adult life, he worked as an executive for the Hartford Accident and Indemnity Company, rising to the rank of vice president. He viewed insurance less as a day job to support his poetry than as a parallel vocation. He pursued both activities with quiet diligence, spending his days at the office and composing poems in his head as he walked to and from work.
As a young man, Stevens dreamed of traveling to Europe, though he never crossed the Atlantic. In middle age he made regular trips to Florida, and his poems are frequently infused with ideas of Paris and Rome and memories of Key West. Others partake of the stringent beauty of New England. But the landscapes he explores, wintry or tropical, provincial or cosmopolitan, are above all mental landscapes, created by and in the imagination.
Are those worlds real?
Let’s return to the palm tree and its avian inhabitant, in that tranquil Key West sunset of the mind.
Until then, we find consolation in fangles.
Culture
Wil Wheaton Discusses ‘Stand By Me’ and Narrating ‘The Body’ Audiobook
When the director Rob Reiner cast his leads in the 1986 film “Stand by Me,” he looked for young actors who were as close as possible to the personalities of the four children they’d be playing. There was the wise beyond his years kid from a rough family (River Phoenix), the slightly dim worrywart (Jerry O’Connell), the cutup with a temper (Corey Feldman) and the sensitive, bookish boy.
Wil Wheaton was perfect for that last one, Gordie Lachance, a doe-eyed child who is ignored by his family in favor of his late older brother. Now, 40 years later, he’s traveling the country to attend anniversary screenings of the film, alongside O’Connell and Feldman, which has thrown him back into the turmoil that he felt as an adolescent.
Wheaton has channeled those emotions and his on-set memories into his latest project: narrating a new audiobook version of “The Body,” the 1982 Stephen King novella on which the film was based.
A few years ago, Wheaton started to float the idea of returning to the story that gave him his big break — that of a quartet of boys in 1959 Oregon, in their last days before high school, setting out to find a classmate’s dead body. “I’ve been telling the story of ‘Stand By Me’ since I was 12 years old,” he said.
But this time was different. Wheaton, who has narrated dozens of audiobooks, including Andy Weir’s “The Martian” and Ernest Cline’s “Ready Player One,” says he has come to enjoy narration more than screen acting. “I’m safe, I’m in the booth, nobody’s looking at me and I can just tell you a story.”
The fact that he, an older man looking back on his younger years, is narrating a story about an older man looking back on his younger years, is not lost on Wheaton. King’s original story is bathed in nostalgia. Coming to terms with death and loss is one of its primary themes.
Two days after appearing on stage at the Academy Awards as part of a tribute to Reiner — who was murdered in 2025 alongside his wife, Michele — Wheaton got on the phone to talk about recording the audiobook, reliving his favorite scenes from the film and reexamining a quintessential story of childhood loss through the lens of his own.
This interview has been edited and condensed.
“I felt really close to him, and my memory of him.”
Wheaton on channeling a co-star’s performance.
There’s this wonderful scene in “Stand By Me.” Gordie and Chris are walking down the tracks talking about junior high. Chris is telling Gordie, “I wish to hell I was your dad, because I care about you, and he obviously doesn’t.”
It’s just so honest and direct, in a way that kids talk to each other that adults don’t. And I think that one of the reasons that really sticks with people, and that piece really lands on a lot of audiences, and has for 40 years, is, just too many people have been Gordie in that scene.
That scene is virtually word for word taken from the text of the book. And when I was narrating that, I made a deliberate choice to do my best to recreate what River did in that scene.
“You’re just a kid,
Gordie–”
“I wish to fuck
I was your father!”
he said angrily.
“You wouldn’t go around
talking about takin those stupid shop courses if I was!
It’s like
God gave you something,
all those stories
you can make up, and He said:
This is what we got for you, kid.
Try not to lose it.
But kids lose everything
unless somebody looks out for them and if your folks
are too fucked up to do it
then maybe I ought to.”
I watched that scene a couple of times because I really wanted — I don’t know why it was so important to me to — well, I know: because I loved him, and I miss him. And I wanted to bring him into this as best as I could, right?
So I was reading that scene, and the words are identical to the script. And I had this very powerful flashback to being on the train tracks that day in Cottage Grove, Oregon. And I could see River standing next to them. They’re shooting my side of the scene and there’s River, right next to the camera, doing his off-camera dialogue, and there’s the sound guy, and there’s the boom operator. There’s my key light.
I could hear and feel it. It was the weirdest thing. It’s like I was right back there.
I was able to really take in the emotional memory of being Gordie in all of those scenes. So when I was narrating him and I’m me and I’m old with all of this experience, I just drew on what I remembered from being that little boy and what I remember of those friendships and what they meant to me and what they mean to me today.
“Rob gave me a gift. Rob gave me a career.”
Wheaton recalls the “Stand By Me” director’s way with kids on set, as well as his recent Oscars tribute.
Rob really encouraged us to be kids.
Jerry tells the most amazing story about that scene, where we were all sitting around, and doing our bit, and he improvised. He was just goofing around — we were just playing — and he said something about spitting water at the fat kid.
We get to the end of the scene, and he hears Rob. Rob comes around from behind the thing, and he goes, “Jerry!” And Jerry thinks, “Oh no, I’m in trouble. I’m in trouble because I improvised, and I’m not supposed to improvise.”
The context for Jerry is that he had been told by the adults in his life, “Sit on your hands and shut up. Stop trying to be a cutup. Stop trying to be funny. Stop disrupting people. Just be quiet.” And Jerry thinks, “Oh my God. I didn’t shut up. I’m in trouble. I’m gonna get fired.”
Rob leans in to all of us, and Rob says, “Hey, guys, do you see that? More of that. Do that!”
The whole time when you’re a kid actor, you’re just around all these adults who are constantly telling you to grow up. They’re mad that you’re being a kid. Rob just created an environment where not only was it supported that we would be kids — and have fun, and follow those kid instincts and do what was natural — it was expected. It was encouraged. We were supposed to do it.
They chanted together:
“I don’t shut up,
I grow up.
And when I look at you I throw up.”
“Then your mother goes around the corner
and licks it up,”
I said, and hauled ass out of there,
giving them the finger over my shoulder as I went.
I never had any friends later on
like the ones I had when I was twelve.
Jesus, did you?
When we were at the Oscars, I looked at Jerry. And we looked at this remarkable assemblage of the most amazingly talented, beautiful artists and storytellers. We looked around, and Jerry leans down, and he said, “We all got our start with Rob Reiner. He trusted every single one of us.”
And to stand there for him, when I really thought that I would be standing with him to talk about this stuff — it was a lot.
“I was really really really excited — like jumping up and down.”
The scene Wheaton was most looking forward to narrating: the tale of Lard Ass Hogan.
I was so excited to narrate it. It’s a great story! It’s a funny story. It’s such a lovely break — it’s an emotional and tonal shift from what’s happening in the movie.
I know this as a writer: You work to increase and release tension throughout a narrative, and Stephen King uses humor really effectively to release that tension. But it also raises the stakes, because we have these moments of joy and these moments of things being very silly in the midst of a lot of intensity.
That’s why the story of Lard Ass Hogan is so fun for me to tell. Because in the middle of that, we stop to do something that’s very, very fun, and very silly and very celebratory.
“Will you shut up and let him tell it?”
Teddy hollered.
Vern blinked.
“Sure. Yeah.
Okay.”
“Go on, Gordie,”
Chris said. “It’s not really much—”
“Naw,
we don’t expect much from a wet end like you,”
Teddy said,
“but tell it anyway.”
I cleared my throat. “So anyway.
It’s Pioneer Days,
and on the last night
they have these three big events.
There’s an egg-roll for the little kids and a sack-race for kids that are like eight or nine,
and then there’s the pie-eating contest.
And the main guy of the story
is this fat kid nobody likes
named Davie Hogan.”
When I narrate this story — whenever there is a moment of levity or humor, whenever there are those brief little moments that are the seasoning of the meal that makes it all so real and relatable — yes, it was very important to me to capture those moments.
I’m shifting in my chair, so I can feel each of those characters. It’s something that doesn’t exist in live action. It doesn’t exist in any other media.
“I feel the loss.”
Wheaton remembers River Phoenix.
The novella “The Body” is very much about Gordie remembering Chris. It’s darker, and it’s more painful, than the movie is.
I’ve been watching the movie on this tour and seeing River a lot. I remember him as a 14- and 15-year-old kid who just seemed so much older, and so much more experienced and so much wiser than me, and I’m only a year younger than him.
What hurts me now, and what I really felt when I was narrating this, is knowing what River was going through then. We didn’t know. I still don’t know the extent of how he was mistreated, but I know that he was. I know that adults failed him. That he should have been protected in every way that matters. And he just wasn’t.
And I, like Gordie, remember a boy who was loving. So loving, and generous and cared deeply about everyone around him, all the time. Who deserved to live a full life. Who had so much to offer the world. And it’s so unfair that he’s gone and taken from us. I had to go through a decades-long grieving process to come to terms with him dying.
Near the end
of 1971,
Chris
went into a Chicken Delight in Portland
to get a three-piece Snack Bucket.
Just ahead of him,
two men started arguing
about which one had been first in line. One of them pulled a knife.
Chris,
who had always been the best of us
at making peace,
stepped between them and was stabbed in the throat.
The man with the knife had spent time in four different institutions;
he had been released from Shawshank State Prison
only the week before.
Chris died almost instantly.
It is a privilege that I was allowed to tell this story. I get to tell Gordie Lachance’s story as originally imagined by Stephen King, with all of the experience of having lived my whole adult life with the memory of spending three months in Gordie Lachance’s skin.
Culture
Do You Know the Comics That Inspired These TV Adventures?
Welcome to Great Adaptations, the Book Review’s regular multiple-choice quiz about printed works that have gone on to find new life as movies, television shows, theatrical productions and more. This week’s challenge highlights offbeat television shows that began as comic books. Just tap or click your answers to the five questions below. And scroll down after you finish the last question for links to the comics and their screen versions.
-
Detroit, MI1 week agoDrummer Brian Pastoria, longtime Detroit music advocate, dies at 68
-
Movie Reviews1 week ago‘Youth’ Twitter review: Ken Karunaas impresses audiences; Suraj Venjaramoodu adds charm; music wins praise | – The Times of India
-
Sports7 days agoIOC addresses execution of 19-year-old Iranian wrestler Saleh Mohammadi
-
New Mexico6 days agoClovis shooting leaves one dead, four injured
-
Business1 week agoDisney’s new CEO says his focus is on storytelling and creativity
-
Technology6 days agoYouTube job scam text: How to spot it fast
-
Tennessee5 days agoTennessee Police Investigating Alleged Assault Involving ‘Reacher’ Star Alan Ritchson
-
Texas1 week agoHow to buy Houston vs. Texas A&M 2026 March Madness tickets